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How the House of Morgan Cooperated to Develop the Large-Cap US Multinational Corporation, 1895-1913
How the House of Morgan Cooperated to Develop the Large-Cap US Multinational Corporation, 1895-1913 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Sawe, Joseph. 2015. How the House of Morgan Cooperated to Develop the Large-Cap US Multinational Corporation, 1895-1913. Master's thesis, Harvard Extension School. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:24078367 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA ! How the House of Morgan Cooperated to Develop the Large-Cap US Multinational Corporation, 1895-1913 Joseph Sawe A Thesis in the Field of International Relations for the Degree of Master of Liberal Arts in Extension Studies Harvard University November 2015 ! ! ! ! ! ! Abstract The following investigation is intended to determine how the large-cap US multinational corporation was further advanced during the pivotal years of 1895-1913 by a leading private unincorporated institution—House of Morgan. Historical review and assessment focused on the broader US society, government, monetary landscape, the House of Morgan, leading large cap US multinationals; looking at both the key organizations and underlying people in power. The report framework focuses upon the development of the US super structure within which all major companies work down to the way actual institutions organize economic assets in the form of a multinational corporation. Questions that have been considered include: how was business conducted globally with so little formal mechanisms in place, the importance of the various forms of capital for business, and the various roles politics played in business development. -
Who Tells Your Story?: Intersections of Power, Domesticity, and Sexuality Relating to Rap and Song in the Musical Hamilton
WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey A THESIS Submitted to Michigan State University in partial fulfillment of the requirement for the degree Musicology—Master of Arts 2019 ABSTRACT WHO TELLS YOUR STORY?: INTERSECTIONS OF POWER, DOMESTICITY, AND SEXUALITY RELATING TO RAP AND SONG IN THE MUSICAL HAMILTON By Tia Marie Harvey In January 2015, Lin-Manuel Miranda’s Hamilton: An American Musical premiered at The Public Theater in New York City. Later that year it moved to Broadway with an engagement at the Richard Rodgers Theater, followed by productions in Chicago and London. Commercially successful and critically acclaimed, Hamilton continues to hold significant cultural relevance in 2019. As a result of this musical’s cultural significance, it has the ability to communicate positive, but also limiting, aspects of our society. In this thesis, I examine the concept of rap as a musical language of power. To do this, I assert that characters in Hamilton who have power, and particularly when expressing that power, do so through rap. In contrast, when characters don’t have power, or are entering realms of the powerless (i.e. spaces gendered female), they do so through lyrical song. In chapter 1, I set up the divide between rap and song as it primarily translates among male characters and class. Chapter 2 is focused on the domestic sphere, and in chapter 3 I discuss sexuality. In the conclusion of this thesis, I revisit the character of Eliza and explore the perceived power of her role as storyteller and the way in which the themes I discuss illuminate many missed opportunities to present an interpretation of America’s founding that is truly revolutionary. -
HAMILTON Project Profile 6 8 20
“HAMILTON” ONE-LINER: An unforgettable cinematic stage performance, the filmed version of the original Broadway production of “Hamilton” combines the best elements of live theater, film and streaming to bring the cultural phenomenon to homes around the world for a thrilling, once-in-a-lifetime experience. OFFICIAL BOILERPLATE: An unforgettable cinematic stage performance, the filmed version of the original Broadway production of “Hamilton” combines the best elements of live theater, film and streaming to bring the cultural phenomenon to homes around the world for a thrilling, once-in-a-lifetime experience. “Hamilton” is the story of America then, told by America now. Featuring a score that blends hip-hop, jazz, R&B and Broadway, “Hamilton” has taken the story of American founding father Alexander Hamilton and created a revolutionary moment in theatre—a musical that has had a profound impact on culture, politics, and education. Filmed at The Richard Rodgers Theatre on Broadway in June of 2016, the film transports its audience into the world of the Broadway show in a uniquely intimate way. With book, music, and lyrics by Lin-Manuel Miranda and direction by Thomas Kail, “Hamilton” is inspired by the book “Alexander Hamilton” by Ron Chernow and produced by Thomas Kail, Lin-Manuel Miranda and Jeffrey Seller, with Sander Jacobs and Jill Furman serving as executive producers. The 11-time-Tony Award®-, GRAMMY Award®-, Olivier Award- and Pulitzer Prize-winning stage musical stars: Daveed Diggs as Marquis de Lafayette/Thomas Jefferson; Renée Elise Goldsberry as Angelica Schuyler; Jonathan Groff as King George; Christopher Jackson as George Washington; Jasmine Cephas Jones as Peggy Schuyler/Maria Reynolds; Lin-Manuel Miranda as Alexander Hamilton; Leslie Odom, Jr. -
JP Morgan Chase Sofya Frantslikh Pace University
Pace University DigitalCommons@Pace Honors College Theses Pforzheimer Honors College 3-14-2005 Mergers and Acquisitions, Featured Case Study: JP Morgan Chase Sofya Frantslikh Pace University Follow this and additional works at: http://digitalcommons.pace.edu/honorscollege_theses Part of the Corporate Finance Commons Recommended Citation Frantslikh, Sofya, "Mergers and Acquisitions, Featured Case Study: JP Morgan Chase" (2005). Honors College Theses. Paper 7. http://digitalcommons.pace.edu/honorscollege_theses/7 This Article is brought to you for free and open access by the Pforzheimer Honors College at DigitalCommons@Pace. It has been accepted for inclusion in Honors College Theses by an authorized administrator of DigitalCommons@Pace. For more information, please contact [email protected]. Thesis Mergers and Acquisitions Featured Case Study: JP Morgan Chase By: Sofya Frantslikh 1 Dedicated to: My grandmother, who made it her life time calling to educate people and in this way, make their world better, and especially mine. 2 Table of Contents 1) Abstract . .p.4 2) Introduction . .p.5 3) Mergers and Acquisitions Overview . p.6 4) Case In Point: JP Morgan Chase . .p.24 5) Conclusion . .p.40 6) Appendix (graphs, stats, etc.) . .p.43 7) References . .p.71 8) Annual Reports for 2002, 2003 of JP Morgan Chase* *The annual reports can be found at http://www.shareholder.com/jpmorganchase/annual.cfm) 3 Abstract Mergers and acquisitions have become the most frequently used methods of growth for companies in the twenty first century. They present a company with a potentially larger market share and open it u p to a more diversified market. A merger is considered to be successful, if it increases the acquiring firm’s value; m ost mergers have actually been known to benefit both competition and consumers by allowing firms to operate more efficiently. -
JP Morgan Library
Page 1 of 3 Susan Burgess From: Readingroom Readingroom [[email protected]] Sent: Tuesday, April 10, 2007 4:41 PM To: Susan Burgess Cc: Christine Nelson; Maria Molestina; Sylvie Merian Subject: visiting to research holdings re: Theodore Vail & AT&T Hi, Susan, Just to confirm your appointments for Wed. April 18 all day and for Thurs. Apr. 19 in the morning. 1. Here is some general information on using the RR: In order to consult materials in the Reading Room, you will need to fill out an application form, provide a letter of reference from a professional colleague, bring a valid form of photo identification such as a driver's license or passport, and make appointments in advance. We suggest at least two to three weeks' advance notice, as we do get booked up. Please note that we cannot accept an emailed letter of reference as we need a signature, but we can accept it by fax (the fax number is below). The Reading Room is open by appointment only, Monday to Friday, 9:30 AM to 4:00 PM,and is closed on weekends and holidays. You can fill out the application form at your first appointment. Please note that the Reading Room will be closed to readers on the following Mondays and holidays in 2007: April 30, May 21 and 28, June 25, July 4 and 30, Sept. 3, Oct. 8, Nov. 12, Nov. 22-23, Dec. 24- 25. After we have confirmed your appointments, we will send you the security information you will need to access this building. -
World Wide Enough: Historiography, Imagination, and Stagecraft
City University of New York (CUNY) CUNY Academic Works Publications and Research Brooklyn College 2017 World Wide Enough: Historiography, Imagination, and Stagecraft Benjamin L. Carp CUNY Brooklyn College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/bc_pubs/240 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] 1 World Wide Enough: Historiography, Imagination, and Stagecraft Benjamin L. Carp Is Hamilton good history? Or is this the wrong question? Hamilton: An American Musical is both an intriguing and imperfect vehicle for understanding the history of the American Revolutionary Era. The show is grounded in learned interpretation of archival sources. The show’s writer, Lin-Manuel Miranda, drew extensively from Ron Chernow’s well- researched biography, Alexander Hamilton. He and his co-creators also researched primary sources, quote from them extensively in the libretto, and use facsimiles of them on stage. Finally, the creators consulted other works to get a sense of historical context, while adding references to hip-hop, musical theater, films about the Revolutionary Era, and other sources.1 At the same time, Miranda relied too heavily on Chernow, who exaggerated Alexander Hamilton’s anti-slavery credentials and his sympathy with debtors, and deemphasized (or even celebrated) some of his more militaristic, elitist, and antidemocratic inclinations. Since there was little scholarly criticism of the biography when it appeared, however, current critics have been poorly equipped to engage in the debate over the quality of the musical’s history now.2 Miranda told a story that focused on elite characters, missing opportunities to show how the Revolution and its conflicts affected—and was effected by—a broader swath of the 1 Lin-Manuel Miranda, Hamilton: An American Musical, dir. -
Rappin' History
Rappin’ History Composing Historical Raps in the Classroom with Lessons Integrating Historical Raps from the Broadway Show Hamilton Rappin’ in the Classroom Hamilton! Lessons Using the Broadway Show Hamilton Traveling Exhibit Activities Lois MacMillan – 2018 Jane Ortner Education Award Submission South Middle School – Grants Pass, OR Outline of Rappin’ History Introduction: Impact of the Broadway show Hamilton & Historical Rap Lesson Experiences (pages 1-2) “Composing Historical Raps” Five Day Lesson Plan (pages 3-21) o Joseph Plumb Martin Worksheet PDF o Joseph Plumb Martin Adventures, Sufferings, and Dangers PDF o Joseph Plumb Martin Bio PDF o Article “Of Rocks, Trees, Rifles, and Militia” PDF o Rap Facts Worksheets PDF “World Turned Upside Down” The Battle of Yorktown Lesson Plan (pages 22-26) o “World Turned Upside Down Worksheet” PDF “Constitution Needed!” Events Around the Constitution Lesson Plan (pages 27-37) o “Events Around the Constitution” PDF o “Events Around the Constitution Worksheet” PDF o PowerPoint “Plain, Honest Men” “The Dinner Deal” Choosing the Nation’s Capital Lesson Plan (pages 38-44) o “The Dinner Deal Worksheet” PDF o “In Room Where It Happens” PDF “Election of 1800” Crisis in the Electoral College Lesson Plan (pages 45-49) o “Election of 1800” PDF “Code Duello and the Hamilton-Burr Duel” Two Day Lesson Plan (pages 50-57) o “Code Duello” PDF o PowerPoint “Five Duel Experiences” o “Your Obedient Servant” PDF Introduction: In 2004, Ron Chernow published Hamilton, earning him Gilder Lehrman’s George Washington Book -
BUILDING the INFRASTRUCTURE 10520 Geisst 3P 01 R1.K.Qxd 8/13/03 4:38 PM Page 2
10520_Geisst_3p_01_r1.k.qxd 8/13/03 4:38 PM Page 1 CHAPTER 1 BUILDING THE INFRASTRUCTURE 10520_Geisst_3p_01_r1.k.qxd 8/13/03 4:38 PM Page 2 God made the world in 4004 B.C.but it was reorganized in 1901 by James J. Hill, J. Pierpont Morgan, and John D. Rockefeller. Life, 1902 he dawn of the twentieth century brought widespread pros- Tperity in the United States. The economy recovered from a severe depression in the mid-1890s and business was growing again at a rapid pace. William McKinley was president and busi- nessmen were welcome in the White House. Yet discontent with big business was more prevalent among working people and farmers, who saw themselves as mere pawns on the chessboard of business. The press and muckrakers provided a shadow conscience for the country through exposés of working conditions and corrupt labor practices. The first decade of the twentieth century was characterized by strong antitrust sentiments culminating in several significant lawsuits that altered the American corporate landscape. Ironically, the cen- tury began by opening a window of opportunity that allowed several huge mergers to occur during what otherwise has become known as the Progressive Era. Once Theodore Roosevelt succeeded McKinley, a constant tug-of-war between big business and government began. Twenty years later, it was not clear who had won the struggle. Prior to World War I, the tension between business, government, and other sectors of society did not prevent a strong drive toward 2 10520_Geisst_3p_01_r1.k.qxd 8/13/03 4:38 PM Page 3 B I mergers and acquisition. -
Partly-Printed Bond Relied on a Continued Rise in Value, 27
EARLY STOCKS AND BONDS BALTIMORE WATER COMPANY * 4 NORTH AMERICAN 1809, Maryland. Partially printed LAND COMPANY STOCK early stock certificate with the ap- NOTED SPECULATOR CERTIFICATE ISSUED HORSES FOR pearance of a check for one share. WILLIAM DUER TO JAMES GREENLEAF WASHINGTON’S ARMY Blind embossed company seal. AND SIGNED BY Some toning at edges. Overall Fine. * 6 * 2 WILLIAM DUER (1747-1799) ROBERT MORRIS 1780, PA Anderson PA1. York Founded in 1804, the Baltimore Revolutionary War soldier, finan- County, Pennsylvania bond issued Water Company operated for fifty cier, land speculator and aristo- * 1 in which Lawrence Minfore”…has years before it was purchased by the 1795, Pennsylvania. North Ameri- crat. Autograph Document Signed, furnished this State, for the use of city of Baltimore for over one mil- can Land Company stock certificate “Wm. Duer.” One page, 7 3/8” x the United States, with one dark lion dollars, resulting in the found- number 2101 for eight hundred and 6 3/4”. No place. August 11, 1785. brown Horse 5 years old, 15 hands ing of the Baltimore Water Depart- thirty-three shares issued to JAMES Duer writes to Captain Seymour: high for a waggon which has been ment. $ 300 - up GREENLEAF, who organized the “ Sir, the Bearer Captain Henry is appraised by two freeholders. Very authorized by me [to] take charge North American Land Company Fine. $500 - up along with Robert Morris and John of the Vessell [sic] bought of Nicholson in February 1795, the you on my account by Mr. Ste- month this certificate was issued. phen Sayre, the terms of which The company was formed by the I will comply with- Wm. -
Best Biographies 2017
Chief Engineer: Washington Roebling, the The Gatekeepers: How the White House Man Who Built the Brooklyn Bridge Chiefs of Staff Define Every Presidency Henry David Thoreau - Laura Dassow Walls Erica Wagner Chris Whipple A superbly researched and written literary His father conceived of the Brooklyn Bridge, An in-depth, behind-the-scenes look at the portrait that broadens our understanding of the but after John Roebling’s sudden death, seventeen White House Chiefs of Staff, whose pre-eminent naturalist. “The Thoreau I sought Washington Roebling built what has become actions, and inactions, have defined the course was not in any book, so I wrote this one,” says one of America’s most iconic structures. Yet, of our country. 973.92 WHI Walls. The result is a Thoreau unlike any seen as recognizable as the bridge is, its builder is since he walked the streets of Concord, a too often forgotten, and his life is of interest far Thoreau for our time and all time. beyond his chosen field. It is the story of B THOREAU immigrants, of the frontier, of the greatest The Glass Universe: How the Ladies of the crisis in American history, and of the making Harvard Observatory Took the Measure of of the modern world. B ROEBLING the Stars - Dava Sobel Lenin - Victor Sebestyen The little-known true story of a group of women whose contributions to the burgeoning The first major work in English for nearly two Churchill and Orwell - Thomas E. Ricks field of astronomy forever changed our decades on one of the most significant figures understanding of the stars and our place in the of the twentieth century. -
Hollywood Pantages Theatre Los Angeles, California
® HOLLYWOOD PANTAGES THEATRE LOS ANGELES, CALIFORNIA 3.12.20 - 3.31.20 Hamilton @ Pantages LA.indd 1 2/27/20 4:29 PM HOLLYWOOD PANTAGES THEATRE March 12-March 31, 2020 Jeffrey Seller Sander Jacobs Jill Furman AND The Public Theater PRESENT BOOK, MUSIC AND LYRICS BY Lin-Manuel Miranda INSPIRED BY THE BOOK ALEXANDER HAMILTON BY Ron Chernow WITH Rubén J. Carbajal Nicholas Christopher Joanna A. Jones Taylor Iman Jones Carvens Lissaint Simon Longnight Rory O’Malley Sabrina Sloan Wallace Smith Jamael Westman AND Sam Aberman Gerald Avery Amanda Braun Cameron Burke Yossi Chaikin Trey Curtis Jeffery Duffy Karlee Ferreira Tré Frazier Aaron Alexander Gordon Sean Green, Jr. Jared Howelton Sabrina Imamura Jennifer Locke Yvette Lu Taeko McCarroll Mallory Michaellann Antuan Magic Raimone Julian Ramos Jen Sese Willie Smith III Terrance Spencer Raven Thomas Tommar Wilson Mikey Winslow Morgan Anita Wood SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN David Korins Paul Tazewell Howell Binkley Nevin Steinberg HAIR AND WIG DESIGN ARRANGEMENTS MUSIC COORDINATORS ASSOCIATE MUSIC SUPERVISOR Charles G. LaPointe Alex Lacamoire Michael Keller Matt Gallagher Lin-Manuel Miranda Michael Aarons EXECUTIVE PRODUCER PRODUCTION SUPERVISOR PRODUCTION STAGE MANAGER MUSIC DIRECTOR Maggie Brohn J. Philip Bassett Scott Rowen Andre Cerullo MARKETING & COMMUNICATIONS TECHNICAL SUPERVISION CASTING Laura Matalon Hudson Theatrical Associates Telsey + Company John Gilmour Bethany Knox, CSA ASSOCIATE & SUPERVISING DIRECTOR ASSOCIATE & SUPERVISING CHOREOGRAPHER Patrick Vassel -
1914 and 1939
APPENDIX PROFILES OF THE BRITISH MERCHANT BANKS OPERATING BETWEEN 1914 AND 1939 An attempt has been made to identify as many merchant banks as possible operating in the period from 1914 to 1939, and to provide a brief profle of the origins and main developments of each frm, includ- ing failures and amalgamations. While information has been gathered from a variety of sources, the Bankers’ Return to the Inland Revenue published in the London Gazette between 1914 and 1939 has been an excellent source. Some of these frms are well-known, whereas many have been long-forgotten. It has been important to this work that a comprehensive picture of the merchant banking sector in the period 1914–1939 has been obtained. Therefore, signifcant efforts have been made to recover as much information as possible about lost frms. This listing shows that the merchant banking sector was far from being a homogeneous group. While there were many frms that failed during this period, there were also a number of new entrants. The nature of mer- chant banking also evolved as stockbroking frms and issuing houses became known as merchant banks. The period from 1914 to the late 1930s was one of signifcant change for the sector. © The Editor(s) (if applicable) and The Author(s), 361 under exclusive licence to Springer Nature Switzerland AG 2018 B. O’Sullivan, From Crisis to Crisis, Palgrave Studies in the History of Finance, https://doi.org/10.1007/978-3-319-96698-4 362 Firm Profle T. H. Allan & Co. 1874 to 1932 A 17 Gracechurch St., East India Agent.