Natural Dyestuffs of Turkey in Cultural Point of View
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Türk Halı, Kilini Ve Kınlılarında Kullanılan
Türk Halı, Kilini ve kınlılarında Kullanılan Resim/Picture I Kökboya {Rubia tincrorum L.) Madder ( Rubia tincrorum L.) Yrd. Doç. Dr. Recep Türk dokumalarında tabiattan elde edilen boyar- sülfat), siyah renkler için ise Fe2 (S04)3 (demir 3 sülfat), maddelerin kullanıldığı bilinmektedir. Halk arasında FeS04 (demir 2 sülfat) ve kalay tuzlandır. Mordan olarak yaygın bir kanı ve adlandırma olarak bu türlerin hepsi Sn2+ katyonu 16-17, yüzyıllarda Avrupa’da kullanılmış “kökboya” biçiminde anılmaktadır. Bu makalede olmasına rağmen Türk ve İran tekstillerinde görüldüğü üzere boyalar sadece bitki köklerinden değil, kullanılmamıştır.5 bitkilerin toprak üstünde kalan bölümlerinden ve hatta böceklerden de elde edilmektedir. * Marmara Üniversitesi, Güzel Sanatlar Fakültesi, Doğal Boya Araştırma Lâboratuvarı, Öğretim Üyesi. 1. H. Böhmer- R. Karadağ, “Analysis of Dyes”, Kaitag, 1. GİRİŞ Textile A rt From Daghestan, Textile Art Publication, London Türk halı, kilim ve kumaşlarında doğal boyarmaddeler 1993, s. 43; T. Eşberk- M. Harmancıoğlu, “Bazı Bitki Boyalannın ve boyama kaynakları sınırlı sayıda kullanılmıştır. Çoğu Haslık Dereceleri”, Ankara Üniversitesi Ziraat Fakültesi Yıllığı, litaretürlerin aksine boyama kaynağı olarak verilen Yıl 2, Fasikül 4,1952, s. 326; H. Schweppe, “Idenification of Dyes bitkilerin çoğunun çeşitli haslıklarının düşük olması ve in Historic Textile Materials”, Historic Textil And Paper I Materials: Convertion and Characterization, American Society, bazılarının ise boyarmadde içermediği yapılmış olan Washington D.С. 1986, s. 164; H. Schweppe, Handbuch der çalışmalarda tespit edilmiştir.1 Tarihî tekstillerin (halı, Naturfairbstoffe, Landsberg 1992; H. Schweppe, Historic Textile kilim ve çeşitli kumaşlarda) yapılmış olan boyarmadde and Paper Materials I, American Society, Washington, D.С. 1986, analizleri sonucunda, kullanılmış olan boyarmaddeler ve s. 174-183; H. Schweppe, Historic Textile and Paper Materials II, boyarmadde kaynaklarının sınırlı sayıda olduğu tespit American Society, Washington, D.C. -
The Power of Color: Anatolian Kilims Sumru Belger Krody Senior Curator, George Washington University Museum and the Textile Museum
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2016 The oP wer of Color: Anatolian Kilims Sumru Belger Krody George Washington University Museum and The Textile Museum Follow this and additional works at: http://digitalcommons.unl.edu/tsaconf Part of the Art and Materials Conservation Commons, Art Practice Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Fine Arts Commons, and the Museum Studies Commons Krody, Sumru Belger, "The oP wer of Color: Anatolian Kilims" (2016). Textile Society of America Symposium Proceedings. 973. http://digitalcommons.unl.edu/tsaconf/973 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Crosscurrents: Land, Labor, and the Port. Textile Society of America’s 15th Biennial Symposium. Savannah, GA, October 19-23, 2016. 287 The Power of Color: Anatolian Kilims Sumru Belger Krody Senior Curator, George Washington University Museum and The Textile Museum The kilims of Anatolia are great contemplative and minimalist works of art as stated by a kilim enthusiast.1 Created by women who had a magnificent eye for design and an awesome sense of color, these textiles are prized for the purity and harmony of their color, the integrity of their powerful overall design, their masterfully controlled weave structure, and their fine texture. The kilims are large tapestry-woven textiles. The visually stunning and colorful Anatolian kilims communicate the aesthetic choices of the village and nomadic women who created them. -
Bhutan Trade Statistic 2021 1St Quarter
BHUTAN TRADE STATISTICS (PROVISIONAL) 1st January to 31st March 2021 DEPARTMENT OF REVENUE & CUSTOMS MINISTRY OF FINANCE ROYAL GOVERNMENT OF BHUTAN TABLE OF CONTENTS CONTENTS PAGE NO. 1. Balance of Trade 1.1. Overall Balance of Trade I 1.2. Balance of Trade with India I 1.3. Balance of Trade with Countries other than India I 2. Trade in Electricity I 3. Top Ten Import and Export 3.1 Top Ten Commodities Import II 3.2 Top Ten Commodities Export II 4. Region wise Import and Export III 5. Country wise Import Ranking IV 6. Country wise Export Ranking Order V 7. Abbreviation VI 8. Contact details of BTS focal person VI 9. Appendix :- Appendix I: Import by BTC Section 1-1 Appendix II: Import by BTC Chapter 2-6 Appendix III: Import by BTC Code 7-142 Appendix IV: Export by BTC Section 143-143 Appendix V: Export by BTC Chapter 144-146 Appendix VI: Export by BTC Code 147-164 Appendix VII: Import from Countries other than India by Country and Commodity 165-278 Appendix VIII: Export to Countries other than India by Country and Commodity 279-288 Appendix IX: Export to Countries other than India by Commodity and Country 289-294 1. Balance of Trade 1.1 Overall Balance of Trade Trade Trade excluding Electricity Trade including Electricity Export 19,378.18 19,509.45 Import 8,029.42 9,326.05 Balance (11,348.76) (10,183.40) 1.2 Balance of Trade with India Trade Trade excluding Electricity Trade including Electricity Export 16,563.77 16,695.05 Import 5,410.84 6,707.48 Balance (11,152.93) (9,987.57) 1.3 Balance of the Trade with Countries other than India Trade Trade excluding Electricity Trade including Electricity Export 2,814.41 2,814.41 Import 2,618.58 2,618.58 Balance (195.83) (195.83) 2. -
Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2016 Textile Society of America Newsletter 28:1 — Spring 2016 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 28:1 — Spring 2016" (2016). Textile Society of America Newsletters. 73. https://digitalcommons.unl.edu/tsanews/73 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 28. NUMBER 1. SPRING, 2016 TSA Board Member and Newsletter Editor Wendy Weiss behind the scenes at the UCB Museum of Anthropology in Vancouver, durring the TSA Board meeting in March, 2016 Spring 2016 1 Newsletter Team BOARD OF DIRECTORS Roxane Shaughnessy Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of External Relations) President Designer and Editor: Tali Weinberg (Executive Director) [email protected] Member News Editor: Caroline Charuk (Membership & Communications Coordinator) International Report: Dominique Cardon (International Advisor to the Board) Vita Plume Vice President/President Elect Editorial Assistance: Roxane Shaughnessy (TSA President) [email protected] Elena Phipps Our Mission Past President [email protected] The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, Maleyne Syracuse political, social, and technical perspectives. -
Extraordinarily Beautiful Antique Carpets for Today's Homes
Antique Oriental Art Carpets Kaki Hockersmith Interiors Extraordinarily Beautiful Antique Carpets for Today's Homes volume 28 | number 2 “One of the World’s Best Sources of Antique Rugs” financial times Intelligent Shopping with Claremont Rug Company We offer a special breed of antique and vintage Oriental rugs that inimitably complete the home environment. Our inventory is vast and carefully assembled, consistently offering rugs that excel in their artistry, craftsmanship and condition. The hallmark of our business is intelligent customer service. My highly experienced sales staff and myself can act as your close personal consultants to demystify purchasing older hand-woven rugs. As part of this effort, I’ve created a six-tier “Oriental Rug Market Pyramid.” (See below.) May it help you to shop with us with even greater confidence and clarity, and to discover rugs that are both strikingly beautiful home decorations and artworks that express the sublime rather than the mundane. Warm Regards, President and Founder Oriental Rug Market Pyramid Museum-Quality | 13th to 18th centuries and early 19th century High-Collectible | Primarily early 19th century to 1875 CLAREMONT RUG COMPANY Connoisseur-Caliber | Primarily circa 1850 to late 19th century High-Decorative | Primarily circa 1875 to 1910 CLAREMONT 2 Decorative | Primarily circa 1910-1970 Reproductions | Typically 1970 to present Rankings in the rug pyramid are based on artistry, craftsmanship, quality of materials, condition, age and provenance. © Claremont Rug Company. at right, Persian Serapi | 9' 8" x 12' | late 19th century, High-Decorative Our focus is to assist clients who wish their homes to be like no other to select standout antique Oriental carpets. -
Border Thinking
Publication Series of the Academy of Fine Arts Vienna VOLUME 21 Border Thinking Marina Gržinić (Ed.) Border Thinking Disassembling Histories of Racialized Violence Border Thinking Disassembling Histories of Racialized Violence Marina Gržinić (Ed.) Publication Series of the Academy of Fine Arts Vienna Eva Blimlinger, Andrea B. Braidt, Karin Riegler (Series Eds.) VOLUME 21 On the Publication Series We are pleased to present the latest volume in the Academy of Fine Arts Vienna’s publication series. The series, published in cooperation with our highly com- mitted partner Sternberg Press, is devoted to central themes of contemporary thought about art practices and theories. The volumes comprise contribu- tions on subjects that form the focus of discourse in art theory, cultural studies, art history, and research at the Academy of Fine Arts Vienna and represent the quintessence of international study and discussion taking place in the respective fields. Each volume is published in the form of an anthology, edited by staff members of the academy. Authors of high international repute are invited to make contributions that deal with the respective areas of emphasis. Research activities such as international conferences, lecture series, institute- specific research focuses, or research projects serve as points of departure for the individual volumes. All books in the series undergo a single blind peer review. International re- viewers, whose identities are not disclosed to the editors of the volumes, give an in-depth analysis and evaluation for each essay. The editors then rework the texts, taking into consideration the suggestions and feedback of the reviewers who, in a second step, make further comments on the revised essays. -
Crosstalk of Cancer Signaling Pathways by Cyclic Hexapeptides and Anthraquinones from Rubia Cordifolia
molecules Article Crosstalk of Cancer Signaling Pathways by Cyclic Hexapeptides and Anthraquinones from Rubia cordifolia Premalatha Balachandran 1,*,† , Mohamed Ali Ibrahim 1,*,† , Jin Zhang 1 , Mei Wang 1,2 , David S. Pasco 1 and Ilias Muhammad 1,* 1 National Center for Natural Products Research, Research Institute of Pharmaceutical Sciences, School of Pharmacy, University of Mississippi, Oxford, MS 38677, USA; [email protected] (J.Z.); [email protected] (M.W.); [email protected] (D.S.P.) 2 Natural Products Utilization Research Unit, Agricultural Research Service, United States Department of Agriculture, Oxford, MS 38677, USA * Correspondence: [email protected] (P.B.); [email protected] (M.A.I.); [email protected] (I.M.); Tel.: +1-662-915-3463 (P.B.); +1-662-915-1147 (M.A.I.); +1-662-915-1051 (I.M.) † P.B. and M.A.I. share equal authorship. Abstract: The anticancer activities of Rubia cordifolia and its constituents have been reported earlier, but their influence on the crosstalk of complex cancer-related signaling metabolic pathways (i.e., transcription factors; TF) has not yet been fully investigated. In this study, R. cordifolia root extract was subjected to the cancer signaling assay based bioactivity-guided fractionation, which yielded the following compounds viz., three anthraquinones, namely alizarin (1), purpurin (2), and emodin (3); two lignans, namely eudesmin (4) and compound 5; and two cyclic hexapeptides, namely deoxybouvardin RA-V (6), and a mixture of 6+9 (RA-XXI). The structures of the isolated compounds were determined by NMR spectroscopy and HRESIMS. The isolated compounds 1, 2, 3, 6, and a mixture of 6+9 were tested against a panel of luciferase reporter genes that assesses the activity Citation: Balachandran, P.; Ibrahim, of a wide-range of cancer-related signaling pathways. -
Divine and Diabolic Radio
Goldsmiths, University of London Politics Department PhD Thesis Divine and Diabolic Radio Electromagnetic Spectrum, Aesthetics and Latin America Paulo José Olivier Moreira Lara 2 Declaration of Authorship I, Paulo José Olivier Moreira Lara hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 09/03/2020 3 4 Acknowledgements First the eternal comrades who have been opening up picadas with me since long ago. Rita and Leticia, my breath, ignis, splendor and magnetic field, this work is like our lifetime: as much yours as it is mine. A huge gratitude and appreciation for my supervisor David Martin who has been supporter, guide, analyst, mentor and interlocutor all at once. This would not be possible without you. During my days at the Centre for Cultural Studies at Goldsmiths in London, I had the dear support, intellectual exchanges and friendship from many great people, including Bronac Ferran, Mathew Fuller, Luciana Parisi, Adelia Santana, Yuk Hui, Masa Kosugui, Chryssa Sdrolia, James Burton, Leila Withley, Maria José Pantoja, Karen Tam, Nicolas Salazar, Jaron Rowan and Franscesca Bria, who I will always remember with much love and affection. The expatriate company and friendship of Paulo Tavares was also fundamental to my life in London as it was before and will always be. I also appreciate the sometimes brief but always very productive interactions with great thinkers such as Julian Enriques and Edward King (many thanks for making this readable), Walter Mignolo, Michael Taussig, Bernand Stiegler, Gayatry Spivak, Sanjay Seth (special thanks), Enrique Dussel, Oscar Guardiola Rivera, Stephen Nugent (great advisor), Celia Lury (forever grateful), Joaquin Barriendos, and my dear punk friend, Dr. -
The Textile Museum Thesaurus
The Textile Museum Thesaurus Edited by Cecilia Gunzburger TM logo The Textile Museum Washington, DC This publication and the work represented herein were made possible by the Cotsen Family Foundation. Indexed by Lydia Fraser Designed by Chaves Design Printed by McArdle Printing Company, Inc. Cover image: Copyright © 2005 The Textile Museum All rights reserved. No part of this document may be reproduced, stored in a retrieval system, or transmitted in any form or by any means -- electronic, mechanical, photocopying, recording or otherwise -- without the express written permission of The Textile Museum. ISBN 0-87405-028-6 The Textile Museum 2320 S Street NW Washington DC 20008 www.textilemuseum.org Table of Contents Acknowledgements....................................................................................... v Introduction ..................................................................................................vii How to Use this Document.........................................................................xiii Hierarchy Overview ....................................................................................... 1 Object Hierarchy............................................................................................ 3 Material Hierarchy ....................................................................................... 47 Structure Hierarchy ..................................................................................... 55 Technique Hierarchy .................................................................................. -
Vol. XV, No. 1 September, 2007
View from the Fringe Newsletter of the New England Rug Society Vol. XV, No. 1 September 2007 www.ne-rugsociety.org September Meeting: Jerry Becker on Navajo Blankets By Tom Hannaher Any rug lover who watches Antiques Roadshow will remember the famous moment when the Navajo first- September Meeting Details phase “Chief’s Blanket”—which had adorned the Date: Friday, September 21 owner’s piano for 30 years—was appraised at half a Time: 7:30PM million dollars and deemed “an American treasure.” If you’ve always wondered what made one Navajo weav- Place: First Parish, Bedford Road, Lincoln ing worth $50 and another $500,000, then don’t miss Note: $5 guest fee for non-members st the NERS meeting on September 21 at the First Parish Directions: in Lincoln. Jerry Becker, one of the country’s leading From Rte. 95 (128) take the Trapelo Road West exit experts on southwestern weavings, will make a presen- (#28B) in Waltham. Proceed west about 2.5 miles to tation on Navajo wearing blankets. a stop sign at the five-way intersection in Lincoln (there Jerry started Elk Creek Trading Co. in 1972 and is a white planter in the middle of the intersection.) began trading in antique American Indian art. Soon he Go right on Bedford Road for 0.1 miles to Bemis specialized in vintage Navajo rugs and early Navajo Hall, a large brick building on your right. The parish wearing blankets. Elk Creek Trading is currently con- house is on your left. sidered one of the top dealers in the world in this field. -
Natural Dyeing in a Milas Carpet Weaving Village
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village Ulara Tamura Kyoto University, [email protected] John Wells [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Tamura, Ulara and Wells, John, "Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village" (2008). Textile Society of America Symposium Proceedings. 137. https://digitalcommons.unl.edu/tsaconf/137 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Documentary Film Presentation Local Colors: Natural Dyeing in a Milas Carpet Weaving Village Ulara Tamura & John Wells [email protected] [email protected] Supplemental Technical Notes and Analysis to the Film BOZALAN, written by Ulara Tamura (2008, Filmed and Edited by John Wells, Edited and Translated by Ulara Tamura, Produced and Directed by Ulara Tamura & John Wells, 38min, http://bozalan.com.) This documentary, filmed in 2006, examines the process of naturally dyed carpet production in a village in the Milas region of Muğla Prefecture in southwest Turkey, a region well known as a traditional Turkish carpet production area. In large numbers of villages of this region, carpet weaving is the household based work of every woman who lives there. -
Medieval Textiles Coordinator: Nancy M Mckenna 507 Singer Ave
Issue 30 December 2001 Complex Weavers’ ISSN: 1530-762X Medieval Textiles Coordinator: Nancy M McKenna 507 Singer Ave. Lemont, Illinois 60439 e-mail:[email protected] In this issue: Some Medieval Linen Weaves Oriental Carpets p.1 © Carolyn Priest-Dorman, 2001 Some Medieval Linen Weaves p.1 A Weaver’s Compendium p.5 While the most common linen product in the Middle Upcoming Events p.10 Ages was tabby-woven, weavers also produced many Sample Calendar list p.10 types of figured linens. The rippenköper and Wabengewebe described in previous articles represent some early medieval examples. This article expands the scope of medieval cultures and techniques produc- Oriental Carpets ing simple figured linen weaves. The interlacements © 2001 Nancy M. McKenna presented here are both like and yet unlike modern linen weaves, and they can be woven on four to eight Mention Oriental Carpets, and usually knotted carpets shafts. (A future article will address some more come to mind. However, the flatwoven or Kilim complex multishaft linen weaves.) All drafts were carpets are the older variety. Anatolian knotted produced by the present author from drawdowns by carpets are seen from only the 5th or 6th century AD the authors noted in the text. although they may have been known earlier. Anatolia is singled out primarily, as the Turkish people in that Based on the available textile evidence, a variety of region were the first rank of contributors to the true looms created medieval figured linens. Some were development of style in carpets. The Seljukes, ejected likely produced on upright looms using several shafts.