Racial Formations: Brazil Bernd Reiter University of South Florida, [email protected]

Total Page:16

File Type:pdf, Size:1020Kb

Racial Formations: Brazil Bernd Reiter University of South Florida, Breiter@Usf.Edu University of South Florida Scholar Commons Government and International Affairs Faculty Government and International Affairs Publications 2-2013 Racial Formations: Brazil Bernd Reiter University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/gia_facpub Part of the Government Contracts Commons, and the International Relations Commons Scholar Commons Citation Reiter, Bernd, "Racial Formations: Brazil" (2013). Government and International Affairs Faculty Publications. 6. http://scholarcommons.usf.edu/gia_facpub/6 This Book Chapter is brought to you for free and open access by the Government and International Affairs at Scholar Commons. It has been accepted for inclusion in Government and International Affairs Faculty Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Encyclopedia of Race and Racism, Volume 1, 2nd Edition – 3rd/ 11/1/2012 14:16 Page 15 List of Articles VOLUME 1 AFRICAN LIBERATION SUPPORT ANNOTATED BIBLIOGRAPHY COMMITTEE Tressie McMillan Cottom A Abdul Alkalimat ANNOTATED FILMOGRAPHY ABOLITION MOVEMENT AFROCENTRISM Antoinette T. Jackson Maurice Jackson Joseph L. Graves Jr. Kaniqua Robinson ADMIXTURE AFRO-SYNCRETIC RELIGIONS ANTEBELLUM BLACK ETHNOLOGY Joseph L. Graves Jr. Johari Jabir Mia Bay AFFIRMATIVE ACTION ALIEN LAND LAWS ANTHROPOLOGY, HISTORY OF Veronica Toste Daflon Keith Aoki Jonathan Marks Joa˜o Feres Jr. ALLEN, RICHARD ANTHROPOMETRY AFRICA: BELGIAN COLONIES Douglas R. Egerton Barry Bogin John Obioma Ukawuilulu AMBEDKAR, B. R. ANTI-APARTHEID MOVEMENT AFRICA: BRITISH COLONIES Valerian Rodrigues Francis Njubi Nesbitt John Obioma Ukawuilulu AMERICAN ANTI-SLAVERY SOCIETY ANTI-DEFAMATION LEAGUE AFRICA: FRENCH COLONIES MichaelJ.O’Neal Erin Corber George R. Trumbull IV AMERICAN COLONIZATION SOCIETY ANTI-INDIAN MOVEMENT AFRICA: GERMAN COLONIES AND THE FOUNDING OF LIBERIA Zoltan Grossman George O. Ndege Amos J. Beyan ANTI-SEMITISM: OVERVIEW AMERICAN FRIENDS SERVICE AFRICA: ITALIAN COLONIES Bonnie M. Harris Michael Pretes COMMITTEE David Hostetter ANTI-SEMITISM: ARAB WORLD AFRICA: PORTUGUESE COLONIES Esther Webman Caryn E. Neumann AMERICAN INDIAN BOARDING SCHOOLS ANTI-SEMITISM: MODERN EUROPE AFRICAN BLOOD BROTHERHOOD Jon Allan Reyhner Colin Clark Stephen G. Hall AMERICAN INDIAN MOVEMENT (AIM) ANTI-SEMITISM: UNITED STATES AFRICAN DIASPORA Joane Nagel Leonard Dinnerstein Perry Mars AMERICAN INDIANS APARTHEID AFRICAN ECONOMIC DEVELOPMENT Gregory R. Campbell Francis Njubi Nesbitt Emmanuel Nnadozie AMERICAN NEGRO ACADEMY ARAB AMERICANS Alfred A. Moss Jr. Louise Cainkar AFRICAN ENSLAVEMENT, PRECOLONIAL ANCESTRY ARYANS Joseph E. Inikori J. L. Verdolin Ranjan Anand XV Encyclopedia of Race and Racism, Volume 1, 2nd Edition – 3rd/ 11/1/2012 14:16 Page 16 LIST OF ARTICLES ASSOCIATION FOR THE STUDY OF BLACK CODES CANCER (BREAST) NEGRO LIFE AND HISTORY Takkara Brunson Joseph L. Graves Jr. Anderson Thompson BLACK CONSCIOUSNESS CAPITALISM ATLANTIC CREOLES AND VERNACULAR Catherine A. John Zach Sell ENGLISH BLACK IMMIGRATION Hubert Devonish CARIBBEAN IMMIGRATION Tod Hamilton Ramona Hernandez ATLANTIC SLAVE TRADE BLACK INDIANS Griselda Rodriguez Stewart Royce King John H. Moore CASTE AND CASTEISM AUSTRALIAN ABORIGINE PEOPLES BLACK NATIONALISM Bhoomi K. Thakore Marianne Hoyd Stephen G. Hall ´ ´ Gaynor Macdonald CESAIRE, AIME BLACK PANTHER PARTY FOR SELF A. James Arnold ´ AZTLAN DEFENSE Francisco A. Lomelı´ CHAMBERLAIN, HOUSTON STEWART W. Chris Johnson Kevin S. Amidon BLACK POPULAR CULTURE (US) B Angela M. Nelson CHICAGO SCHOOL, THE BAARTMAN, SAARTJE Ray Hutchison Danielle Christmas BLACK POWER Judson L. Jeffries CHICANO MOVEMENT BAKER, ELLA Ernesto Cha´vez Thomas J. Davis BLACKNESS IN LATIN AMERICA Norman E. Whitten Jr. CHILDREN, STATUS DISPARITIES OF BALDWIN, JAMES Janice E. Hale Angelene Jamison-Hall BLACK-WHITE INTERMARRIAGE Cynthia R. Greenlee-Donnell CHINESE DIASPORA BANDUNG CONFERENCE 1955 Donald M. Nonini Christopher J. Lee BLOOD PURITY LAWS Franc¸ois Soyer CHINESE IMMIGRATION AND BARRIO EXCLUSION (US), NINETEENTH RichardGriswolddelCastillo BLOOD QUANTUM Gregory R. Campbell CENTURY Bill Ong Hing BATES, DAISY BOAS, FRANZ Greg Johnson Lee D. Baker CHISHOLM, SHIRLEY Barbara A. Moss BEAUTY STANDARDS BOLI´VAR, SIMO´ N Priyanka Chaurasia Jesse Hingson CHRISTIAN IDENTITY BELGIAN CONGO Richard J. Abanes BOLLYWOOD Guy Vanthemsche Sudhanva Deshpande CHRISTIANS AND CHRISTIANITY BELL CURVE THE Jeremy Rehwaldt , BORDERS Joseph L. Graves Jr. Jennifer L. Shoaff CITIZENSHIP BERLIN CONFERENCE OF 1884–1885 Vinay Harpalani BRACEROS, REPATRIATION, AND Kathryn A. Kuhlenberg Stephen G. Hall SEASONAL WORKERS BIGOTRY Oscar J. Martı´nez CIVIL RIGHTS ACTS D. Marvin Jones Andrew Markus BROWN V. BOARD OF EDUCATION BIKO, STEPHEN BANTU Timothy M. Diette CIVIL RIGHTS MOVEMENT Dawson Barrett Xolela Mangcu BROWN, JOHN Robert Samuel Smith BIOLOGICAL DETERMINISM David S. Reynolds CIVIL WAR POLITICS Joseph L. Graves Jr. BUDDHISTS AND BUDDHISM Joseph L. Graves Jr. BIRACIALISM Bhoomi K. Thakore Vinay Harpalani BUFFALO SOLDIERS CLARKSON, THOMAS Miche`le Mun˜oz-Miller Novotny Lawrence Lawrence T. McDonnell Angeline M. Thomas BUNCHE, RALPH COLORISM BIRMINGHAM SCHOOL OF CULTURAL Beth T. Bates Arthur H. Goldsmith STUDIES Darrick Hamilton Janice Peck BURAKUMIN Shavonn Pearce-Doughlin Leslie D. Alldritt BIRTH OF A NATION, THE CONDORCET, MARQUIS DE Donald Roe C Jeremy Popkin BLACK ARTS MOVEMENT CALHOUN, JOHN C. CONFUCIANISM M. Shelly Conner Lawrence T. McDonnell Hemant Kumar Adlakha XVI ENCYCLOPEDIA OF RACE ANDRACISM,2NDEDITION Encyclopedia of Race and Racism, Volume 1, 2nd Edition – 3rd/ 11/1/2012 14:16 Page 17 LIST OF ARTICLES CONTACT HYPOTHESIS DEMOGRAPHICS (RACIAL) IN THE ESSENTIALISM H. D. Forbes WESTERN HEMISPHERE Paul G. Bain Mariana P. Candido COON CARNIVAL Paul E. Lovejoy ETHIOPIA, INVASION OF Jane Battersby Stephen G. Hall DEMOGRAPHICS (US) COX, OLIVER C. Matthew Snipp ETHNICITY Christopher McAuley Shonda Buchanan DESEGREGATION (US) CREATION NARRATIVES Paul Finkelman ETHNOCENTRISM Gary Bailey John H. Moore DISCORDANCE, PRINCIPLE OF CREOLE LANGUAGES Alan Goodman ETHNOLOGICAL EXHIBITIONS Nicole A. Scott Joseph Jones Sadiah Qureshi CRIME AND AMERICAN INDIANS DISCRIMINATION, MEASUREMENT OF EUGENICS James V. Fenelon Judith Rich Diane B. Paul CRIMINAL JUSTICE SYSTEM (US) DISCRIMINATION: CONSTITUTIONAL EUROPEAN MIDDLE AGES Todd Clear PROVISIONS, LEGISLATION, AND Ronald W. Bailey CRIMINALITY AND SOCIAL FACTORS JURISPRUDENCE EXOTIC LADY CONTINENTS (US) Tanya Katerı´ Herna´ndez Maryanne Cline Horowitz Cassia Spohn DISEASES EXPLOITATION CRITICAL RACE THEORY Anne Buchanan Alice Littlefield Gerald Torres Kenneth M. Weiss EYSENCK, HANS JURGEN CRUSADES DOLL STUDIES Joseph L. Graves Jr. Sarah C. Davis-Secord Vinay Harpalani Ahmad Khalid Qadafi CUFFE, PAUL Margaret Beale Spencer F Amos J. Beyan FAMILIES DOUGLASS, FREDERICK Tamika Corinne Odum CULTURAL DEFICIENCY Thomas J. Davis Edward Fergus FANON, FRANTZ DRED SCOTT V. SANDFORD Mamadou Badiane CULTURAL DETERMINISM Paul Finkelman Daniella Ann Cook FASCISM Danielle Parker Robinson DU BOIS, W. E. B. Tracey A. Pepper Leland Ware CULTURAL RESISTANCE FEDERAL RECOGNITION: WHAT IS AN James Ogude E INDIAN? John H. Moore CULTURE ECONOMIC GROWTH Henry Krusiewicz Dania V. Francis FELONY DISENFRANCHISEMENT Robin K. Magee EDUCATION, DISCRIMINATION IN VOLUME 2 HIGHER FEMINISM Bryan McKinley Jones Brayboy Leah L. Strobel D Angelina E. Castagno DALITS Kristi Ryujin FIRMIN, ANTE´ NOR Sukhadeo Thorat Carolyn Fluehr-Lobban EDUCATION, DIVERSITY IN HIGHER DANCE Rhonda Vonshay Sharpe FISK JUBILEE SINGERS Celia Weiss Bambara Omari H. Swinton Phyllis M. Belt-Beyan DARWIN, CHARLES ROBERT EDUCATIONAL DISPARITIES FORENSIC ANTHROPOLOGY James R. Moore Tanya Golash-Boza Kenneth A. R. Kennedy DAVIS, ANGELA EL MESTIZAJE FORTEN, JAMES Bettina Aptheker Norman E. Whitten Jr. Julie Winch DAWES ACT EL PLAN DE SANTA BARBARA FOURTH WORLD Steven Newcomb F. Arturo Rosales Nergis Canefe DAY LABORERS, LATINO EMANCIPATION FREEDMEN’SBUREAU Abel Valenzuela Jr. Mark Elliott Mary Farmer-Kaiser DEME ENLIGHTENMENT FRELIMO Michael Alan Park Mark G. Spencer Jason Sumich ENCYCLOPEDIA OF RACE AND RACISM, 2ND EDITION XVII Encyclopedia of Race and Racism, Volume 1, 2nd Edition – 3rd/ 11/1/2012 14:16 Page 18 LIST OF ARTICLES G GLOBAL ENVIRONMENT MOVEMENT I GALTON, FRANCIS Shirley Ann Rainey IMMIGRATION REFORM (US) Carolyn Fluehr-Lobban GREAT CHAIN OF BEING Ngozi Caleb Kamalu Jonathan Marks GANDHI, MOHANDAS KARAMCHAND IMMIGRATION REGULATION Odinakachi Anyanwu Rajmohan Gandhi GUEVARA, CHE David William Foster Luisa Blanco GARNET, HENRY HIGHLAND Julius Amin IMPERIALISM: OVERVIEW H Ray Herna´ndez-Dura´n GARRISON, WILLIAM LLOYD HAITIAN REVOLUTION IMPERIALISM: AFRICA Anthony A. Iaccarino Lesley S. Curtis Stephen Bishop Deborah Jenson GARVEY, MARCUS IMPERIALISM: ASIA Tony Martin HAMER, FANNIE LOU Wellington K. K. Chan Mamie E. Locke GENOCIDE: OVERVIEW IMPERIALISM: MIDDLE EAST Daniel Rothenberg HATE CRIMES Tom Lansford Phyllis B. Gerstenfeld CRIMES AGAINST HUMANITY: INDIAN RIGHTS ASSOCIATION OVERVIEW HATE SPEECH (US) Troy R. Johnson Colin Clark Rod Dixon INDIAN SLAVERY GENOCIDE AND CRIMES AGAINST HEALTH CARE GAP Denise Ileana Bossy HUMANITY: ARMENIA Joia S. Mukherjee INDIANS, AMERICAN AND ASIAN Rouben Paul Adalian Lanny Smith Desiree Barron Aisha Khan GENOCIDE AND CRIMES AGAINST HEALTH DISPARITIES HUMANITY: ASSYRIAN MASSACRE Shelley White-Means INDIGENOUS David Gaunt HERITABILITY J. Ke¯haulani Kauanui R. C. Lewontin GENOCIDE AND CRIMES AGAINST INEQUALITY: OVERVIEW
Recommended publications
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • The Black Arts Enterprise and the Production of African American Poetry
    0/-*/&4637&: *ODPMMBCPSBUJPOXJUI6OHMVFJU XFIBWFTFUVQBTVSWFZ POMZUFORVFTUJPOT UP MFBSONPSFBCPVUIPXPQFOBDDFTTFCPPLTBSFEJTDPWFSFEBOEVTFE 8FSFBMMZWBMVFZPVSQBSUJDJQBUJPOQMFBTFUBLFQBSU $-*$,)&3& "OFMFDUSPOJDWFSTJPOPGUIJTCPPLJTGSFFMZBWBJMBCMF UIBOLTUP UIFTVQQPSUPGMJCSBSJFTXPSLJOHXJUI,OPXMFEHF6OMBUDIFE ,6JTBDPMMBCPSBUJWFJOJUJBUJWFEFTJHOFEUPNBLFIJHIRVBMJUZ CPPLT0QFO"DDFTTGPSUIFQVCMJDHPPE The Black Arts Enterprise and the Production of African American Poetry The Black Arts Enterprise and the Production of African American Poetry Howard Rambsy II The University of Michigan Press • Ann Arbor First paperback edition 2013 Copyright © by the University of Michigan 2011 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2016 2015 2014 2013 5432 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging-in-Publication Data Rambsy, Howard. The black arts enterprise and the production of African American poetry / Howard Rambsy, II. p. cm. Includes bibliographical references and index. ISBN 978-0-472-11733-8 (cloth : acid-free paper) 1. American poetry—African American authors—History and criticism. 2. Poetry—Publishing—United States—History—20th century. 3. African Americans—Intellectual life—20th century. 4. African Americans in literature. I. Title. PS310.N4R35 2011 811'.509896073—dc22 2010043190 ISBN 978-0-472-03568-7 (pbk. : alk. paper) ISBN 978-0-472-12005-5 (e-book) Cover illustrations: photos of writers (1) Haki Madhubuti and (2) Askia M. Touré, Mari Evans, and Kalamu ya Salaam by Eugene B. Redmond; other images from Shutterstock.com: jazz player by Ian Tragen; African mask by Michael Wesemann; fist by Brad Collett.
    [Show full text]
  • W.E.B. Du Bois Department of Afro-American Studies Undergraduate & Graduate Course Descriptions
    W.E.B. DU BOIS DEPARTMENT OF AFRO-AMERICAN STUDIES UNDERGRADUATE & GRADUATE COURSE DESCRIPTIONS UNDERGRADUATE AFROAM 101. Introduction to Black Studies Interdisciplinary introduction to the basic concepts and literature in the disciplines covered by Black Studies. Includes history, the social sciences, and humanities as well as conceptual frameworks for investigation and analysis of Black history and culture. AFROAM 111. Survey African Art Major traditions in African art from prehistoric times to present. Allied disciplines of history and archaeology used to recover the early history of certain art cultures. The aesthetics in African art and the contributions they have made to the development of world art in modern times. (Gen.Ed. AT, G) AFROAM 113. African Diaspora Arts Visual expression in the Black Diaspora (United States, Caribbean, and Latin America) from the early slave era to the present. AFROAM 117. Survey of Afro-American Literature (4 credits) The major figures and themes in Afro-American literature, analyzing specific works in detail and surveying the early history of Afro-American literature. What the slave narratives, poetry, short stories, novels, drama, and folklore of the period reveal about the social, economic, psychological, and artistic lives of the writers and their characters, both male and female. Explores the conventions of each of these genres in the period under discussion to better understand the relation of the material to the dominant traditions of the time and the writers' particular contributions to their own art. (Gen.Ed. AL, U) (Planned for Fall) AFROAM 118. Survey of Afro-American Literature II (4 credits) Introductory level survey of Afro-American literature from the Harlem Renaissance to the present, including DuBois, Hughes, Hurston, Wright, Ellison, Baldwin, Walker, Morrison, Baraka and Lorde.
    [Show full text]
  • The Black Arts Movement Author(S): Larry Neal Source: the Drama Review: TDR, Vol
    The Black Arts Movement Author(s): Larry Neal Source: The Drama Review: TDR, Vol. 12, No. 4, Black Theatre (Summer, 1968), pp. 28-39 Published by: The MIT Press Stable URL: http://www.jstor.org/stable/1144377 Accessed: 13/08/2010 21:18 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=mitpress. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. The MIT Press is collaborating with JSTOR to digitize, preserve and extend access to The Drama Review: TDR. http://www.jstor.org 29 The Black Arts Movement LARRYNEAL 1. The Black Arts Movement is radically opposed to any concept of the artist that al- ienates him from his community.
    [Show full text]
  • Diversity in the Arts
    Diversity In The Arts: The Past, Present, and Future of African American and Latino Museums, Dance Companies, and Theater Companies A Study by the DeVos Institute of Arts Management at the University of Maryland September 2015 Authors’ Note Introduction The DeVos Institute of Arts Management at the In 1999, Crossroads Theatre Company won the Tony Award University of Maryland has worked since its founding at the for Outstanding Regional Theatre in the United States, the John F. Kennedy Center for the Performing Arts in 2001 to first African American organization to earn this distinction. address one aspect of America’s racial divide: the disparity The acclaimed theater, based in New Brunswick, New between arts organizations of color and mainstream arts Jersey, had established a strong national artistic reputation organizations. (Please see Appendix A for a list of African and stood as a central component of the city’s cultural American and Latino organizations with which the Institute revitalization. has collaborated.) Through this work, the DeVos Institute staff has developed a deep and abiding respect for the artistry, That same year, however, financial difficulties forced the passion, and dedication of the artists of color who have theater to cancel several performances because it could not created their own organizations. Our hope is that this project pay for sets, costumes, or actors.1 By the following year, the will initiate action to ensure that the diverse and glorious quilt theater had amassed $2 million in debt, and its major funders that is the American arts ecology will be maintained for future speculated in the press about the organization’s viability.2 generations.
    [Show full text]
  • The Black Power Movement
    A Guide to the Microfilm Edition of BLACK STUDIES RESEARCH SOURCES Microfilms from Major Archival and Manuscript Collections General Editors: John H. Bracey, Jr. and Sharon Harley The Black Power Movement Part 1: Amiri Baraka from Black Arts to Black Radicalism Editorial Adviser Komozi Woodard Project Coordinator Randolph H. Boehm Guide compiled by Daniel Lewis A microfilm project of UNIVERSITY PUBLICATIONS OF AMERICA An Imprint of CIS 4520 East-West Highway • Bethesda, MD 20814-3389 Library of Congress Cataloging-in-Publication Data The Black power movement. Part 1, Amiri Baraka from Black arts to Black radicalism [microform] / editorial adviser, Komozi Woodard; project coordinator, Randolph H. Boehm. p. cm.—(Black studies research sources) Accompanied by a printed guide, compiled by Daniel Lewis, entitled: A guide to the microfilm edition of the Black power movement. ISBN 1-55655-834-1 1. Afro-Americans—Civil rights—History—20th century—Sources. 2. Black power—United States—History—Sources. 3. Black nationalism—United States— History—20th century—Sources. 4. Baraka, Imamu Amiri, 1934– —Archives. I. Woodard, Komozi. II. Boehm, Randolph. III. Lewis, Daniel, 1972– . Guide to the microfilm edition of the Black power movement. IV. Title: Amiri Baraka from black arts to Black radicalism. V. Series. E185.615 323.1'196073'09045—dc21 00-068556 CIP Copyright © 2001 by University Publications of America. All rights reserved. ISBN 1-55655-834-1. ii TABLE OF CONTENTS Introduction ............................................................................................................................
    [Show full text]
  • Art for Whose Sake?: Defining African American Literature
    Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies Summer 7-17-2012 Art for whose Sake?: Defining African American Literature Ebony Z. Gibson Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Gibson, Ebony Z., "Art for whose Sake?: Defining African American Literature." Thesis, Georgia State University, 2012. https://scholarworks.gsu.edu/aas_theses/17 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. ART FOR WHOSE SAKE?: DEFINING AFRICAN AMERICAN LITERATURE by EBONY Z. GIBSON Under the Direction of Jonathan Gayles ABSTRACT This exploratory qualitative study describes the criteria that African American Literature professors use in defining what is African American Literature. Maulana Karenga’s black arts framework shaped the debates in the literature review and the interview protocol; furthermore, the presence or absence of the framework’s characteristics were discussed in the data analysis. The population sampled was African American Literature professors in the United States who have no less than five years experience. The primary source of data collection was in-depth interviewing. Data analysis involved open coding and axial coding. General conclusions include: (1) The core of the African American Literature definition is the black writer representing the black experience but the canon is expanding and becoming more inclusive. (2) While African American Literature is often a tool for empowerment, a wide scope is used in defining methods of empowerment.
    [Show full text]
  • Here May Is Not Rap Be Music D in Almost Every Major Language,Excerpted Including Pages Mandarin
    ENCYCLOPEDIA OF THE BLACK ARTS MOVEMENT ed or printed. Edited by istribut Verner D. Mitchell Cynthia Davis an uncorrected page proof and may not be d Excerpted pages for advance review purposes only. All rights reserved. This is ROWMAN & LITTLEFIELD Lanham • Boulder • New York • London 18_985_Mitchell.indb 3 2/25/19 2:34 PM ed or printed. Published by Rowman & Littlefield An imprint of The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 istribut www.rowman.com 6 Tinworth Street, London, SE11 5AL, United Kingdom Copyright © 2019 by The Rowman & Littlefield Publishing Group Inc. All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Names: Mitchell, Verner D., 1957– author. | Davis, Cynthia, 1946– author. Title: Encyclopedia of the Black Arts Movement / Verner D. Mitchell, Cynthia Davis. Description: Lanhaman : uncorrectedRowman & Littlefield, page proof [2019] and | Includes may not bibliographical be d references and index. Identifiers:Excerpted LCCN 2018053986pages for advance(print) | LCCN review 2018058007 purposes (ebook) only. | AllISBN rights reserved. 9781538101469This is (electronic) | ISBN 9781538101452 | ISBN 9781538101452 (cloth : alk. paper) Subjects: LCSH: Black Arts movement—Encyclopedias. Classification: LCC NX512.3.A35 (ebook) | LCC NX512.3.A35 M58 2019 (print) | DDC 700.89/96073—dc23 LC record available at https://lccn.loc.gov/2018053986 The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992.
    [Show full text]
  • African American Studies 1
    African American Studies 1 Iowa students and organizations. Scholarships are awarded by the Marie Nesbitt Foundation, the African American Studies African American Program, the National Association of Black Journalists, and the Iowa Black Alumni Association. Awards are offered that Studies recognize student efforts in community service, leadership, creative arts, graduate research, cultural appreciation, and Chair academic achievement. • Venise T. Berry Graduate Student Mentoring and Undergraduate major: African American studies (B.A.) Advising Undergraduate minor: African American studies Graduate degree: M.A. in African American world studies The African American Studies Program sponsors several Graduate certificate: African American studies intellectual and social gatherings for graduate students across Faculty: https://africanamericanstudies.uiowa.edu/people multiple disciplines. During these events, students connect Website: https://africanamericanstudies.uiowa.edu/ with others interested in African American studies and receive advice about becoming faculty members, being productive African American studies (AAS) examines the unique members of the academic profession, and career options experiences of African-descended people throughout the outside of academia. diaspora drawing on a rich tradition of civic engagement, scholarship, and teaching. The faculty introduce students to Iowa Black Alumni Association the foundations of African American studies and collaborate The Iowa Black Alumni Association (IBAA) promotes the with them to understand new intellectual perspectives. general mission of the University of Iowa. The group enhances Courses and research revolve around three core areas of the career connections of prospective, current, and former study: history, religion, and the diaspora; literature and Black University of Iowa students. It also recognizes these performing arts; and media, politics, and society.
    [Show full text]
  • Furiousflower2014 Program.Pdf
    Dedication “We are each other’s harvest; we are each other’s business; we are each other’s magnitude and bond.” • GWENDOLYN BROOKS Dedicated to the memory of these poets whose spirit lives on: Ai Margaret Walker Alexander Maya Angelou Alvin Aubert Amiri Baraka Gwendolyn Brooks Lucille Clifton Wanda Coleman Jayne Cortez June Jordan Raymond Patterson Lorenzo Thomas Sherley Anne Williams And to Rita Dove, who has sharpened love in the service of myth. “Fact is, the invention of women under siege has been to sharpen love in the service of myth. If you can’t be free, be a mystery.” • RITA DOVE Program design by RobertMottDesigns.com GALLERY OPENING AND RECEPTION • DUKE HALL Events & Exhibits Special Time collapses as Nigerian artist Wole Lagunju merges images from the Victorian era with Yoruba Gelede to create intriguing paintings, and pop culture becomes bedfellows with archetypal imagery in his kaleidoscopic works. Such genre bending speaks to the notions of identity, gender, power, and difference. It also generates conversations about multicultur- alism, globalization, and transcultural ethos. Meet the artist and view the work during the Furious Flower reception at the Duke Hall Gallery on Wednesday, September 24 at 6 p.m. The exhibit is ongoing throughout the conference, 10 a.m. to 5 p.m. FUSION: POETRY VOICED IN CHORAL SONG FORBES CENTER FOR THE PERFORMING ARTS Our opening night concert features solos by soprano Aurelia Williams and performances by the choirs of Morgan State University (Eric Conway, director) and James Madison University (Jo-Anne van der Vat-Chromy, director). In it, composer and pianist Randy Klein presents his original music based on the poetry of Margaret Walker, Michael Harper, and Yusef Komunyakaa.
    [Show full text]
  • Creating an Image for Black Higher Education: a Visual Examination of the United Negro College Fund’S Publicity, 1944-1960
    MarybethEducational Gasman Foundations, & Edward Spring Epstein 2004 Creating an Image for Black Higher Education: A Visual Examination of the United Negro College Fund’s Publicity, 1944-1960 By Marybeth Gasman & Edward Epstein A photograph shows black college students wear- ing nicely pressed, collegiate clothing [Figure 1]. They are holding their schoolbooks tightly across their chests. They are neat, clean, and studious. Across the page, the title reads “Access to edu- cation . in the Marybeth Gasman is an assistant American way.”1 professor of higher education with Interspersed with the Graduate School of Education crisply organiz- at the University of Pennsylvania ed, modern look- and Edward Epstein is an ing type, this kind independent artist and scholar, of image was the both in Philadelphia, Pennsylvania. mainstay of 1940s Figure 1 41 Creating an Image for Black Higher Education and 1950s United Negro College Fund (UNCF) publicity.2 But what is the visual pedigree of these images, and the layout and design in which they are situated? What did they say about the role of black colleges in American society? Lastly, how did they serve the purposes of the UNCF, and shape the public’s, and most importantly, the donors’ understanding of Black colleges? A conglomeration of colleges and universities dedicated to the higher educa- tion of blacks in the United States, the UNCF came together in an effort to streamline the fundraising process for these institutions. In addition, the UNCF acted as a united voice for private black colleges. These colleges were founded primarily in the South after the Civil War (with the exception of a few in the North) by white and black missionary philanthropists with the express intent of educating the former slaves.
    [Show full text]
  • And Practices at Historically Black Colleges and Universities
    A^ü. i REPRESENTATIVE DIRECTORS, BLACK THEATRE PRODUCTIONS, AND PRACTICES AT HISTORICALLY BLACK COLLEGES AND UNIVERSITIES 1968-1978 Alex C. Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY March 1980 Approved by Doctoral Committee: Graduate College„Representative il ABSTRACT This investigation described the status of Black Theatre productions and practices at four year historically Black Colleges and Universities with degree programs in Speech and Drama, Speech and Theatre, or Communi­ cations. The objectives of this study were: (1) to profile the directors and their production philosophies and practices; (2) to chronicle and categorize Black plays produced during 1968-1978; (3) to characterize the practices in theatre management and (4) to describe trends, and chart some implications from the data collected. Primary data for this study was obtained from mailed questionnaires and thirty-two audio recorded interviews with theatre practitioners at the 43rd National Association of Dramatic and Speech Arts (NADSA) Convention in Chicago, Illinois, on April 4-7, 1979. Thirty-six questionnaires were mailed and thirty (83%) were returned; twenty-four (66%) were usable for this investigation. Results of the study revealed that the directors were academically trained, experienced, of varying ages, Black, male dominated, and dedicated The absence of women as theatre directors suggested areas for study to clarify the reasons for this situation. Respondents believed that productions should be primarily enter­ taining which suggested their having traditional responses to the function of art that has been assailed by the proponents of the Black Arts Movement who call for art as a political influence.
    [Show full text]