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Introducing the Museum Roundtable
P. 2 P. 3 Introducing the Hello! Museum Roundtable Singapore has a whole bunch of museums you might not have heard The Museum Roundtable (MR) is a network formed by of and that’s one of the things we the National Heritage Board to support Singapore’s museum-going culture. We believe in the development hope to change with this guide. of a museum community which includes audience, museum practitioners and emerging professionals. We focus on supporting the training of people who work in We’ve featured the (over 50) museums and connecting our members to encourage members of Singapore’s Museum discussion, collaboration and partnership. Roundtable and also what you Our members comprise over 50 public and private can get up to in and around them. museums and galleries spanning the subjects of history and culture, art and design, defence and technology In doing so, we hope to help you and natural science. With them, we hope to build a ILoveMuseums plan a great day out that includes community that champions the role and importance of museums in society. a museum, perhaps even one that you’ve never visited before. Go on, they might surprise you. International Museum Day #museumday “Museums are important means of cultural exchange, enrichment of cultures and development of mutual understanding, cooperation and peace among peoples.” — International Council of Museums (ICOM) On (and around) 18 May each year, the world museum community commemorates International Museum Day (IMD), established in 1977 to spread the word about the icom.museum role of museums in society. Be a part of the celebrations – look out for local IMD events, head to a museum to relax, learn and explore. -
G a G O S I a N G a L L E R Y Hiroshi Sugimoto Biography
G A G O S I A N G A L L E R Y Hiroshi Sugimoto Biography Born in 1948, Tokyo. Lives and works in New York. Education: 1972 BFA, Art Center College of Design, Los Angeles. 1966-1970 BA, Saint Paul's University, Tokyo. Solo Exhibitions: 2009 Lightning Fields, Gallery Koyanagi, Tokyo, Japan. Lightning Fields, Fraenkel Gallery San Francisco, CA. 2008 Hiroshi Sugimoto: Seven Days/Seven Nights, Gagosian Gallery, New York. Hiroshi Sugimoto, Museum der Moderne, Salzburg, Austria. Hiroshi Sugimoto, Neue Nationalgalerie, Berlin. Hiroshi Sugimoto, Kunstmuseum Luzern, Switzerland. Hiroshi Sugimoto: History of History, The National Museum of Art, Osaka, Japan. Travelled to: 21st century Museum of Contemporary Art, Kanazawa, Japan. 2007 Leakage of Light, Gallery Koyanagi, Tokyo. Hiroshi Sugimoto, K20 Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany. Travlled to: Fine Arts Museum of San Francisco, Villa Manin Centro d’Arte Contemporanea, Udine, Italy. Hiroshi Sugimoto, Villa Manin, Passariano, Italy. Hiroshi Sugimoto: Colors of shadow, Fraenkel Gallery, San Francisco, CA. 2006 Hiroshi Sugimoto, Modern Art Museum, Fort Worth, TX. Hiroshi Sugimoto: Colors of Shadow, Sonnabend, New York. Hiroshi Sugimoto: Mathematical Forms, Galerie de l’Aterlier Brancusi, Paris. Hiroshi Sugimoto, Galerie Marian Goodman, Paris. Hiroshi Sugimoto:Joe, Gagosian Gallery, Beverly Hills. Hiroshi Sugimoto: Photographs of Joe, The Pulitzer Foundation for the Arts, St. Louis, MO. Hiroshi Sugimoto, Hirshhorn Museum and Sculpture Garden, Washington, D.C. Hiroshi Sugimoto: History of History, Arthur M. Sackler Gallery, The Smithsonian, Washington D.C. 2005 Hiroshi Sugimoto: History of History, Japan Society, New York. Hiroshi Sugimoto: Retrospective, Mori Art Museum, Tokyo. (through 2006) Conceptual Forms, Gagosian Gallery, London (Britannia Street) and Sonnabend Gallery, New York. -
Dalí's Surrea¡¡St Activities and the Model of Scientific Experimentationr
@ Astrid Ruffa, 2005 Dalí's surrea¡¡st activities and the model of scientific experimentationr Astrid Ruffa Abstract This paper aims to explore relationships between Salvador Dalí's practices at the end of the 1920i ånd during the 1930s, and models of scientific experimentation. ln 1928 Dalí took a growing interest in André Breton's automatism and elaborated his first conception of õurrealilm which was based on the model of the scientific observation of nature. Dalí's writings of this period mimicked protocols of botanic or entomological experiments and refonñulated in an original way Bre'ton's surrealist proiect: they simulated the conditions and practices of scientific óbservaiions of nature. Paradoxically, this documentaristic and hyper- were oO¡éctive attitude led to a hyper-subjective and surrealistic description of reality: objects taken out of their context, if,ey were broken up and no longer recognisable' When Dalí his officially entered Breton's group-and conceived the paranoiac-critical method, he focused attention on another scieniific model: Albert Einstein;s notion of space{ime. Dalí appropriated and a concept which defined the inextricable relationship between space{ime and the object which b'ecame, in his view, the mental model of the interaction between interiority and exteriority, invisible and visible, subjectivity and objectivity. Significantly, the Catalan artist almost rewrote one of Einstein's own papers, by pointing out the active dimension of Einstein's space-time and by conferring new meanings on his notion of the space-time curve. I will track down the migrátion of thiã concept from physics to Dalí's surrealist vision by most considering its importancã in writings where the artist uses his method to interpret the varied phðnomena, from the my[n ot Narcissus, to English pre-Raphaelitism and the architecture of Antoni Gaudí. -
Barbara Kruger Born 1945 in Newark, New Jersey
This document was updated February 26, 2021. For reference only and not for purposes of publication. For more information, please contact the gallery. Barbara Kruger Born 1945 in Newark, New Jersey. Lives and works in Los Angeles and New York. EDUCATION 1966 Art and Design, Parsons School of Design, New York 1965 Syracuse University, Syracuse, New York SELECTED SOLO EXHIBITIONS 2021-2023 Barbara Kruger: Thinking of You, I Mean Me, I Mean You, Art Institute of Chicago [itinerary: Los Angeles County Museum of Art; The Museum of Modern Art, New York] [forthcoming] [catalogue forthcoming] 2019 Barbara Kruger: Forever, Amorepacific Museum of Art (APMA), Seoul [catalogue] Barbara Kruger - Kaiserringträgerin der Stadt Goslar, Mönchehaus Museum Goslar, Goslar, Germany 2018 Barbara Kruger: 1978, Mary Boone Gallery, New York 2017 Barbara Kruger: FOREVER, Sprüth Magers, Berlin Barbara Kruger: Gluttony, Museet for Religiøs Kunst, Lemvig, Denmark Barbara Kruger: Public Service Announcements, Wexner Center for the Arts, Columbus, Ohio 2016 Barbara Kruger: Empatía, Metro Bellas Artes, Mexico City In the Tower: Barbara Kruger, National Gallery of Art, Washington, DC 2015 Barbara Kruger: Early Works, Skarstedt Gallery, London 2014 Barbara Kruger, Modern Art Oxford, England [catalogue] 2013 Barbara Kruger: Believe and Doubt, Kunsthaus Bregenz, Austria [catalogue] 2012-2014 Barbara Kruger: Belief + Doubt, Hirshhorn Museum and Sculpture Garden, Washington, DC 2012 Barbara Kruger: Questions, Arbeiterkammer Wien, Vienna 2011 Edition 46 - Barbara Kruger, Pinakothek -
Past, Present and Future: Conserving the Nation’S Built Heritage 410062 789811 9
Past, Present and Future: Conserving the Nation’s Built Heritage Today, Singapore stands out for its unique urban landscape: historic districts, buildings and refurbished shophouses blend seamlessly with modern buildings and majestic skyscrapers. STUDIES URBAN SYSTEMS This startling transformation was no accident, but the combined efforts of many dedicated individuals from the public and private sectors in the conservation-restoration of our built heritage. Past, Present and Future: Conserving the Nation’s Built Heritage brings to life Singapore’s urban governance and planning story. In this Urban Systems Study, readers will learn how conservation of Singapore’s unique built environment evolved to become an integral part of urban planning. It also examines how the public sector guided conservation efforts, so that building conservation could evolve in step with pragmatism and market considerations Heritage Built the Nation’s Present and Future: Conserving Past, to ensure its sustainability through the years. Past, Present “ Singapore’s distinctive buildings reflect the development of a nation that has come of age. This publication is timely, as we mark and Future: 30 years since we gazetted the first historic districts and buildings. A larger audience needs to learn more of the background story Conserving of how the public and private sectors have creatively worked together to make building conservation viable and how these efforts have ensured that Singapore’s historic districts remain the Nation’s vibrant, relevant and authentic for locals and tourists alike, thus leaving a lasting legacy for future generations.” Built Heritage Mrs Koh-Lim Wen Gin, Former Chief Planner and Deputy CEO of URA. -
BANGKOK 101 Emporium at Vertigo Moon Bar © Lonely Planet Publications Planet Lonely © MBK Sirocco Sky Bar Chao Phraya Express Chinatown Wat Phra Kaew Wat Pho (P171)
© Lonely Planet Publications 101 BANGKOK BANGKOK Bangkok In recent years, Bangkok has broken away from its old image as a messy third-world capital to be voted by numerous metro-watchers as a top-tier global city. The sprawl and tropical humidity are still the city’s signature ambassadors, but so are gleaming shopping centres and an infectious energy of commerce and restrained mayhem. The veneer is an ultramodern backdrop of skyscraper canyons containing an untamed universe of diversions and excesses. The city is justly famous for debauchery, boasting at least four major red-light districts, as well as a club scene that has been revived post-coup. Meanwhile the urban populous is as cosmopolitan as any Western capital – guided by fashion, music and text messaging. But beside the 21st-century façade is a traditional village as devout and sacred as any remote corner of the country. This is the seat of Thai Buddhism and the monarchy, with the attendant splendid temples. Even the modern shopping centres adhere to the old folk ways with attached spirit shrines that receive daily devotions. Bangkok will cater to every indulgence, from all-night binges to shopping sprees, but it can also transport you into the old-fashioned world of Siam. Rise with daybreak to watch the monks on their alms route, hop aboard a long-tail boat into the canals that once fused the city, or forage for your meals from the numerous and lauded food stalls. HIGHLIGHTS Joining the adoring crowds at Thailand’s most famous temple, Wat Phra Kaew (p108) Escaping the tour -
Shopping in Bangkok
SHOPPING IN BANGKOK Bangkok is one of Southeast Asia’s most popular shopping centers. Locally produced products are the best buys: hill tribe embroidered cottons, wood carvings, jewelry, CDs/DVDs, watches, porcelain, silk and tailoring of clothes are most popular. If you can’t buy it in Thailand, you can’t buy it! Shopping Areas: • Silom Village: 286 Silom Road near Rama IV. Charming shopping plaza with handicrafts, silk, clothes, antiques, shows. • Mah Boon Krung Center: Phayathai and Rama 1 Rd. Clothes and accessories. Tokyo Dept Store, two cinemas and fast-food places. • River City Shopping Center: Adjacent to Royal Orchid Sheraton, connected by a short bridge. 2370077-8. Arts, antiques, tailors, hair salon, jewelers. • Siam Centre/Discovery Centre: Siam Square, Rama 1 and Phyathai Rds. Two connected plazas. A 10-15 minute walk from Central World Plaza (formerly World Trade Center). • Seacon Square: Srinakarin Rd, other side of the city. One of the largest shopping plazas in Asia. Robinson’s, Lotus department stores, YOYO Land, indoor amusement park, food court, supermarket and 14 theaters! Dry cleaners in the basement. • Baiyoke Plaza & Pratunam Market: Near Indra Regent Hotel, Pratunam. Great clothes bargains, cheapest t-shirts in Bangkok. • Emporium: Sukhumvit Rd next to Queen Sirikit Park. Newish and one of the ‘glitziest’ shopping centers in Bangkok. Small designer outlets, a big department store and supermarket. • Gaysorn Plaza: Ploenchit Rd, opposite World Trade Center. Upmarket plaza with well-known designer stores and good restaurants. Planet Hollywood next door. • Oriental Place: Soi Charoen Krung 38. 2660186-95. Behind Oriental Hotel, worth going for arts and antiques. -
Jim Thompson Outlet Bangkok Directions
Jim Thompson Outlet Bangkok Directions Torin still backhands shapelessly while escharotic Sandro occurs that succours. Extravert and hypogeal Giavani drowsing, but Sven imprecisely crinkled her florin. Groggier Vale misreckon sportingly and taintlessly, she secures her mortice mythicised ineffectively. The page usually have requested is currently unavailable. Bottles of fence were provided to day claim was awful nice touch. Choose one of ham following to unlock Secret Prices and pay limit on selected hotels. We had stir fried chicken and cashew nuts and the spear special or, the mango sticky rice. Get the second domain. For longer journeys use taxis or the metro. What writing the best hotels near Jim Thompson House? We up your privacy seriously. Guests have walked away from jim thompson outlet bangkok directions. This contest a popular local and shopper hangout for resting weary way in between binges. Also a Siam Square offer, this boutique brand recently expanded to export its wares. Expansive botanical garden with touristy attractions south of Pattaya. Give your browser and Tripadvisor permission to beef your current location and authority again. The Jim Thompson House in Bangkok is a popular museum and art gallery. The jim thompson but you really want to explore asia with a jim thompson shop, just to avoid these. Charoenkrung and Suapa roads. Only the owner of seven Trip or change this setting. Wat Saket, Wat Mahatat, and Wat Suthat. We had warm clean and comfy room with aerial view. This text service is offered in partnership with Booking. We would definitely stay together again. The central beach is narrow, crowded and king of vendors. -
Takashi Ishida “Between Tableau and Window” Dates: Oct
Takashi Ishida “Between Tableau and Window” Dates: Oct. 20 – Nov. 17, 2018 Location: Taka Ishii Gallery Tokyo Opening reception: Saturday, Oct. 20, 18:00 - 20:00 Taka Ishii Gallery is pleased to present “Between Tableau and Window,” solo exhibition of works by Takashi Ishida. This will be the artist’s third solo exhibition with the gallery in five years. The show features works made on 16mm film, the first medium the artist worked with, as well as his newest piece, comprising a tableau and video projection, which explores the image from multiple perspectives. For the current exhibition, Ishida devoted a great amount of time to work on a single tableaux painting and recorded, as an astoundingly dense drawing animation, the process of the act of painting gradually extending to the entire room. In editing this animation, he discovered a structure hidden in the unconsciously performed painting process, reconstructed it, and produced a space filled with a multilayered light between a picture and a window. To examine the essence of moving images and the relation between painting, and time, Ishida has previously explored the irreversibility and repetition of time through the editing process. This time, he has additionally taken on new elements such as film and digital video flickers and overlapped light. While the rectangular form of the tableau mimics the window, it is folded over, expanded, and eventually, with light, corrodes the space it is in. The work’s motifs are the “room” and the “window”; both are materializations of Ishida’s primary motif of the rectangle. Where “Light Falls” (2015), produced for the artist’s solo exhibition at the Yokohama Museum of Art, comprised a room with a canvas suspended in the air. -
Announcing the Summary of Exhibition Contents and the Preview Artist List
The 3rd Press Conference Announcing the Summary of Exhibition Contents and the Preview Artist List Date/Time: Friday, December 13, 2013 16:00-17:15 Venue: Lecture Hall, Yokohama Museum of Art For inquiries, please contact the following: Organizing Committee for Yokohama Triennale Office c/o Yokohama Museum of Art 3-4-1 Minatomirai, Nishi-ku, Yokohama 220-0012 TEL +81-45-663-7232 FAX +81-45-681-7606 E-MAIL [email protected] URL http://www.yokohamatriennale.jp Attention: M. Takei Table of Contents The Summary of Exhibition Contents 2-3 The Preview Artist List (A total of 7 artists) 4-6 Curatorial and Exhibition Team 7 Visual Design 8 “Triennale in the City” 9-10 Outline of Yokohama Triennale 2014 11 Yokohama Triennale 1st-4th Editions / 12 Organizing Committee for Yokohama Triennale Press Release 2013. 12. 13 2 The Summary of Exhibition Contents Artistic Director, Yokohama Triennale 2014 MORIMURA Yasumasa Embarking on a Voyage into the Sea of Oblivion Haven’t we left behind something that is fundamentally important? Have we moved on without realizing it, or simply, left it behind, while knowing it all along? There are artists and artistic expressions that respond acutely to this realm of oblivion. Yokohama Triennale 2014 will be a “voyage into the sea of oblivion.” It will make us recall things that have been inadvertently lost from our lives, things that have been perpetually forgotten by human beings, and particular things that have been lost in the contemporary age. A Voyage of Silence and Whispers Things that are quiet fail to be recorded, and are therefore, forgotten. -
Thank You for Making the Reservation to Our Place. Below Is Some Basic Information About Our Place: 1
Thank you for making the reservation to our place. Below is some basic information about our place: 1. Condo Name = Thonglor Tower Sometimes also spelled as Thonglo Tower, Tong Lo Tower and Tonglo Tower. Address: 786/86-87, Building A, Thonglor Tower 5th Floor ThongLor Soi.18, Sukumvit Road Soi 55 Khlong Toei Nuea Subdistrict Watthana District Bangkok 10110 Remark: Our door painted with the golden flower Address in Thai (For Taxi): ทองหล่อ ทาวเวอร์ 786/86-87 ทองหล่อ 18 ซอย สุขุมวิท 55 แขวง คลองตันเหนือ เขตวัฒนา กรุงเทพฯ 10110 แยกซอย 18. ถนนทองหล่อ, สุขุมวิท 55. ปากซอยเป็น เบนส์ทองหล่อ ใกล้ สน.ทองหล่อเข้าไป 150 เมตร ติดกับ Max Value (Super Market) Area Info: http://www.bangkok.com/bts/thong-lo.htm Thonglor Tower on Thong Lo Sukhumvit 55 with good access to BTS Thonglor, Sukhumvit Road, Petchburi Road, and The Canal system. - 30 meters to 24 hrs Max-Value Supermarket (1 min walk) - 3-4 minutes by bus (or 12-15 minutes walk) to BTS Thonglor or boat pier with the same name on the Saen Saep canal. - 130 meters to J-Avenue (3 min walk) 2. My mobile is 086-030-8338 3. Wifi in this room TRUE. #374 PASSWORD : 75005349 4. If you come out from the lift of 5th. Our room is in front, the door is unlock, so you can open and go in. 5. Please buy Local SIM card, you can contact me at 086-030-8338 Welcome From Terresa 3 Bedrooms inside Thong Lo & Near Bangkok Hospital https://www.airbnb.com.sg/rooms/14112309 Other Info I. How to Travel to our place a. -
3/14/2007 2:52 Pm
07-ippolito.ps - 3/14/2007 2:52 PM Downloaded from http://www.mitpressjournals.org/doi/pdf/10.1162/leon.2007.40.2.142 by guest on 30 September 2021 07-ippolito.ps - 3/14/2007 2:52 PM HISTORICAL PERSPECTIVE From the Avant-Garde: Re-Conceptualizing Cultural Origins GLOBAL CROSSINGS in the Digital Media Art of Japan ABSTRACT Misconceptions concerning Jean M. Ippolito digital artists in Japan make them out to be mere followers, savvy with technology but not necessarily the conceptual originators of their work. Examining the aesthetic and philosophical content of their work, however, reveals that their he point at which one stands while observing the international avant-garde arena. attitudes toward the exploration T of process, performance and a natural phenomenon can have an effect on how it is per- From this vantage point, this article ceived and catalogued in the memory. Similarly, from the reinterprets some of the underlying the inherent nature of materials come from innovative and daring perspective of an art historian, I perceive the work of inter- concepts and influences in the work avant-garde groups of the nationally renowned digital media artists Yoichiro Kawaguchi, of Japan’s early digital artists. 1960s and 1970s in Japan, Masaki Fujihata and Naoko Tosa as an immense historical ac- Re-conceptualization #1: The pio- including the Gutai and Mono-ha cumulation of cultural and philosophical influences that well neering computer graphic artists of groups, whose ideas predate those of the New York avant- up into a pinnacle within each complete work of art. This at- Japan are not simply emulators of garde schools, even outside titude toward the art object issues from a method of scholar- Western European and American of the technological milieu.