DOCSLIB.ORG

New Frontiers in Sculpture

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

25th International Sculpture Conference: New Frontiers in Sculpture November 4-7, 2015 Phoenix, AZ Presented by the International Sculpture Center, sponsored in part by: Artlink, Inc., ASU Herberger Institute for Design and the Arts (Sponsored by the ASU Art Museum and School of Art), Bentley Gallery, Bollinger Atelier, City of Phoenix Office of Arts and Culture, David & Gladys Wright House Foundation, Digital Atelier, Downtown Phoenix, Inc., Phoenix Art Museum, Scottsdale Museum of Contemporary Art, Scottsdale Public Art and the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts and by funds from the National Endowment for the Arts. 25th International Sculpture Conference: New Frontiers in Sculpture November 4-7, 2015 Phoenix, AZ Presented by the International Sculpture Center, sponsored in part by: Artlink, Inc., ASU Herberger Institute for Design and the Arts (Sponsored by the ASU Art Museum and School of Art), Bentley Gallery, Bollinger Atelier, City of Phoenix Office of Arts and Culture, David & Gladys Wright House Foundation, Digital Atelier, Downtown Phoenix, Inc., Phoenix Art Museum, Scottsdale Museum of Contemporary Art, Scottsdale Public Art and the New Jersey State Council on the Arts/Department of State, a Partner Agency of the National Endowment for the Arts and by funds from the National Endowment for the Arts. Support provided by: Phoenix Art Museum Sponsored by the ASU Art Museum and School of Art Go Join the More Mobile Conversation Information Use our mobile Share your photos For additional assistance, conference app and comments contact Jennifer Galarza, for updates, with us on Facebook Conference and Events directions, maps, and Twitter! Associate, while in Phoenix. and more! @IntSculptureCtr [email protected] #sculptureAZ arizona2015 (609) 575-7852 *All information correct at the time of printing. Information subject to change. 3 Welcome Table of Contents On behalf of the International Sculpture Center’s Board of Trustees and Chair Ree Kaneko, welcome to Phoenix and the ISC’s 25th International Sculpture Conference: ISC Board of Trustees and Staff 6 New Frontiers in Sculpture. The next four days promise to be rich in educational and social activities with plenty Collaborating Institutions and Sponsors 7 of networking opportunities for participants and presenters alike. This is an occasion for learning and enrichment through panel discussions, and the sharing of ideas and Acknowledgements 7 stories with your peers and colleagues. This conference is sure to be an influential and inspirational experience, with events at some of Arizona’s hottest art venues including Conference Information 8 Phoenix Art Museum, Arizona State University, Scottsdale Museum of Contemporary Art, and much more. • Who’s Who?: Badge Color Codes • Getting Around Phoenix We would like to thank the city of Phoenix, as well as the cities of Scottsdale, Tempe, • Conference Locations and the local arts community, for embracing this event and welcoming us to their city. We would like to express deep appreciation to our sponsors, especially Bollinger Atelier, Vendors Square Information 14 the David and Gladys Wright House Foundation, Digital Atelier, and the New Jersey State Council on the Arts. Panels and Events: Detailed Schedule 16 Thank you also to our keynote speaker, Suzanne Lacy, and to all of the panelists and moderators who have donated their time and knowledge to come together for Schedule at a Glance 30 this inspiring conference. In addition, thank you to Bentley Gallery for hosting our littleSCULPTURE show and to the numerous local artists and galleries that have opened their doors to us. A big thank you goes to Tom Bollinger, Eric Brunvand, Dan Collins, Learn About the Keynote Speaker 48 Erika Hanson, Hilary Harp, Donna Isaac, the staff at Mission Clay, Mary Neubauer, Paul Stout, and James White, the workshop leaders at Arizona State University, Bollinger Learn About the Panel Speakers 49 Atelier, and Mission Clay. A special acknowledgement to the Advisory Committee, listed on page 7, whose dedication and expertise were essential to the planning of Notes 61 the program. Thank you also to Ree Kaneko and the ISC Board of Trustees for their continued support of this amazing conference and all of our programs. We invite you to enjoy the 25th International Sculpture Conference: New Frontiers in Sculpture, and the events we have planned, and hope that you find some time in the midst of the conference excitement to explore some of this fabulous host city on your own. Johannah Hutchison Accessibility Executive Director For accessibility of activities and venues, please refer to the Detailed Schedule on pages 16-37. International Sculpture Center If you have any questions about accessibility or further accommodations, please contact Jennifer Galarza, ISC Events Associate, at (609) 575-7852 or [email protected]. The International Sculpture Center is committed to ensuring that all events are accessible to all of our patrons. If you are unable to read this program, large print copies are available. See any volunteer in a blue t-shirt who will be happy to assist you. 4 *All information correct at the time of printing. Information subject to change. *All information correct at the time of printing. Information subject to change. 5 ISC Board & Staff Collaborating Institutions and Sponsors International International Presented by the International Sculpture Center, sponsored in part by: Artlink, Inc., ASU Sculpture Center Sculpture Center Herberger Institute for Design and the Arts (Sponsored by the ASU Art Museum and Board of Trustees Staff School of Art), Bentley Gallery, Bollinger Atelier, City of Phoenix Office of Arts and Culture, David & Gladys Wright House Foundation, Digital Atelier, Downtown Phoenix, Inc., Phoenix Johannah Hutchison Art Museum, Scottsdale Museum of Contemporary Art, and Scottsdale Public Art. Ree Kaneko, Chair Executive Director Prescott Muir, Treasurer This program is made possible in part by funds from the New Jersey State Council on the Doug Schatz, Secretary Sara Johnson Executive Assistant Arts/Department of State, a Partner Agency of the National Endowment for the Arts and by Jack Becker funds from the National Endowment for the Arts. Chakaia Booker Maria Apodaca John Clement Office Manager Dana Martin Davis Phoenix Art Museum April Moorhouse Sponsored by the ASU Art Museum and School of Art Richard Dupont Conferences & Events Coordinator Carole Feuerman Jennifer Galarza Jeff Fleming Conferences & Events Associate Carla Hanzal Eugene Lemay Manju Philip Membership Benefits & Services Coordinator Michael Manjarris Susan L. McLeod Jeannette Darr Andrew Rogers Membership Program & Education Coordinator Frank Sippel Karin Jervert Acknowledgements Fisher Stolz Web Manager George Tobolowsky A special thanks to the 25th International Sculpture Conference Advisory Committee, Boaz Vaadia and the following individuals and organizations, who helped put together an outstanding Philipp von Matt program and contributed to making this event possible: Xawery Wolski Sculpture Magazine Staff Advisory Committee Sara Anderson Adriene Jenik Tom Bollinger Riette Bartlett Catrina Kahler Chair Emeritus Glenn Harper Chakaia Booker Kristin Bauer Lisa Sette Gallery Editor Robert Duncan Gail Browne Kevin Berry Evan Lowry John Henry Twylene Moyer Will Bruder Eric Brunvand Kathryn Maxwell Peter Hobart Managing Editor Sara Cochran Peter Bugg Mission Clay Art & Industry J. Seward Johnson Elena Goukassian Greg Esser Bentley Calverley Jarrett Moe Josh Kanter Editorial Assistant Elizabeth Grajales Cattle Track Arts Postcommodity Marc LeBaron Glenn Harper Compound Emmett Potter Natalia Almada Robert Vogele Production Assistant Paul Hubbard Cosanti Foundation John Randall Nelson Johannah Hutchison Lindsey Lundeen Crosland Craig Randich Brenden O’Hanlon Founder Donna Isaac Janie Ellis Zach Rawling Advertising Sales Manager Ree Kaneko Frank Lloyd Wright John Reyes Elden Tefft Rebecca Leahy April Moorhouse Foundation Cory Rogers Advertising Services Associate Prescott Muir Jennifer Galarza Paul Stout Mary Neubauer Greater Phoenix Convention Kade Twist Kim Nikolaev and Visitors Bureau Kirstin Van Cleef Rebecca Rothman Erika Hanson Bryan Vansell Doug Schatz Hilary Harp Neha Vedpathak Mary Hoadley James White 6 *All information correct at the time of printing. Information subject to change. *All information correct at the time of printing. Information subject to change. 7 Conference Information Conference Locations Who’s Who: Important Downtown Phoenix Badge Color Codes Conference Locations: Each attendee has a colored border on the Hyatt Regency Phoenix bottom of their badge identifying the affiliation 122 N. 2nd St. as they indicated when registering for the Phoenix, Arizona, USA, 85004 conference. We hope this color-coding will Phone: (602) 252-1234 help with networking opportunities and serve Phoenix Art Museum as an icebreaker for meeting new people. 1625 N. Central Ave. • RED: Artist Phoenix, AZ 85004-1685 Phone: (602) 257-1880 • BLUE: Museum Staff / Curator / Arts Administrator ASU Old Main Building • YELLOW: Student 400 E. Tyler Mall • ORANGE: Arts Advocate / Educator Tempe, AZ 85281 • GREEN: Art Enthusiast/ Collector Phone: (480) 965-2586 ASU Grant Street Studios 605 E. Grant St. How to find a Phoenix, AZ 85004 volunteer: Bentley Gallery Look for someone in a blue Sculpture t-shirt! 215 E. Grant St. Volunteers will be at every official conference Phoenix, AZ 85044 location
Recommended publications
  • Bernar Venet

    Bernar Venet

    Bernar Venet MEDIUM Sculpture NATIONALITY French LIFE DATES France, 1941 - Bernar Venet was born on April 20, 1941 in a small village in the French Alps. Encouraged by a local artist, he began drawing and painting at the age of 10. He studied for a year at the Municipal Art School of Nice in 1959 before becoming a stage designer at the Nice City Opera. While performing his national military service in Provence during 1961-63, he converted an attic of the local army reception center to a studio and produced his first mature works of art. Initially painting gestural works on the floor with his feet, Venet later experimented with black tar. He expanded from these “fetishist” works to photographs of heaps of coal and gravel and then his first sculptures ofCoal Piles, piles of loosely arranged pieces of coal whose arrangement varied with each installation. In 1964, impressed by other artists working in the Nouveaux Réalisme style, Venet made works that used discarded industrial material, such as flattened cardboard. On a visit to New York in 1966 Venet encountered Minimalist artists Dan Flavin, Donald Judd, and Sol LeWitt. He moved to New York in 1967 where he produced conceptual art that used systems, often based on scientific ideas. Venet also made sound works such as the vinyl recording The Infrared Polarization of the Infrared Star in Signus, and organized a performance in 1968 at the Judson Church Theater, during which three physicists delivered simultaneous lectures. Venet halted his artistic production between 1971 and 1976, when he returned to Paris to teach, lecture, and exhibit his past work at home and abroad.
  • Bugatti and the Rubell Family Collection Announce the Launch of Grand Sport Venet by Artist Bernar Venet in Miami December 5 – 9, 2012

    Bugatti and the Rubell Family Collection Announce the Launch of Grand Sport Venet by Artist Bernar Venet in Miami December 5 – 9, 2012

    EMBARGOED FOR RELEASE UNTIL MIDNIGHT EST ON NOVEMBER 29, 2012 BUGATTI AND THE RUBELL FAMILY COLLECTION ANNOUNCE THE LAUNCH OF GRAND SPORT VENET BY ARTIST BERNAR VENET IN MIAMI DECEMBER 5 – 9, 2012 French artist Bernar Venet has been invited by Bugatti, legendary supercar- maker, to create a work of art that combines the artist’s vision and passions with Bugatti’s celebrated Grand Sport. This one-of-a-kind sculptural work will be on view at the Rubell Family Collection in Miami during Art Basel Miami Beach. Photo: Dominic Frazer © Bugatti 2012 Molsheim, France/Miami — Bugatti and the Rubell Family Collection announce the exhibition of artist Bernar Venet’s artistic interpretation of the supercar-maker’s Grand Sport at the Rubell Family Collection, December 5–9, 2012 during Art Basel Miami Beach. What other object of the 20th and 21st centuries is charged with as much significance and has been cited, adapted and interpreted by artists as often as the car? How has this myth 1 evolved through the course of time and what is the significance currently held by the design of an object considered the fastest and most expensive car in the world? Artist Bernar Venet took on this challenge with the Grand Sport by Bugatti. Through a congenial synthesis of artistic concept and technical possibilities, Venet has created an object that integrates the symbol of speed with a fascinating, painterly exterior and an interior that alludes to haute couture. Bernar Venet remarks, “A Bugatti is already a work of art in itself, one that transports both its beholder and its driver into new dimensions of reality.
  • Arman Arman Les Poubelles Des Artistes New York (1970-1973) Preface

    Arman Arman Les Poubelles Des Artistes New York (1970-1973) Preface

    ARMAN ARMAN LES POUBELLES DES ARTISTES NEW YORK (1970-1973) PREFACE Marrying the exigencies of Dadaist drives, a performative aesthetics of shock, and assemblage techniques, Arman (né Arman Fernandez, Nice, France, 1928), is considered one of the leading figures of the French postwar Nouveaux Realistes, a group which also included Yves Klein and Jean Tinguely, whose work is marked by an aesthetic foregrounding of the ‘real’ in terms of the world of raw objects, materials, and physical processes. The body of work presented here gives the viewer one of Arman’s most celebrated artistic strategies, the creation of artist Poubelles, or large Plexiglas containers loaned to artists between 1970 and 1973, in New York, and filled by them with refuse from their studios—including that of Bernar Venet, Sol LeWitt, Robert Rauschenberg, Peter Hutchinson, and Joseph Kosuth, amongst others. What Peter Schjelddahl called upon the occasion of their first exhibition at John Gibson Gallery in 1973, “tantalizing form[s] of self- portrait”, with the aid of history, each of these works can be seen as well as commentary on detritus and production in material, late-capitalist existence: archives as portraits, witnesses to an era. Brooke L McGowan Herzog Curatorial Director June 2017 Archival photograph of Bernar Venet collaborating in the creation of La Poubelle de Bernar Venet, 1971 ARMAN Sol Lewitt’s Refuse, 1970 Accumulation of studio refuse in Plexiglas box 48 x 24 x 24 in. (122 x 61 x 61 cm) Unique and original This work is recorded in the Arman Studio Archives New York under number: APA# 8017.70.004 ARMAN Robert Rauschenberg’s Refuse, 1970 Accumulation of studio refuse in Plexiglas box 48 x 24 x 24 in.
  • French Conceptual Artist Bernar Venet Launches the Venet Foundation in Southeast France

    French Conceptual Artist Bernar Venet Launches the Venet Foundation in Southeast France

    September 2014 French Conceptual Artist Bernar Venet Launches The Venet Foundation In Southeast France Y-Jean Mun-Delsalle Contributor Welcome to my world where art, design, culture and luxury meet. Opinions expressed by Forbes Contributors are their own. “It is not art if it doesn’t change the history of art,” Bernar Venet once said. His aim as an artist has always been to make pieces that raise questions and that bring something new to the art world. At the back of his mind is always the thought: “Can I show that as a work of art?” The challenge is to convince people that it’s possible and to have it accepted, to one day see it in books and museums. “It’s the only goal, actually,” he admits. “Making something that is already understood and accepted by the art world is boring.” His early black tar paintings were relatively daring and his Tas de Charbon (literally a pile of charcoal) was important in the context of art history, as it was the first sculpture without a specific shape, where you could change it, make it bigger, smaller or show it in different places at the same time – parameters that altered the definition of sculpture. http://www.forbes.com/sites/yjeanmundelsalle/2014/09/01/french-conce…ernar-venet-launches-the-venet-foundation-in-southeast-france/print/ Page 1 of 11 French Conceptual Artist Bernar Venet Launches The Venet Foundation In Southeast France - Forbes 12/12/14, 3:43 PM 88.5º Arc x 8, 2012, Corten steel; Collection: Gibbs Farm, New Zealand (Photo courtesy of Archives Bernar Venet, New York) In 1966, invited to participate in an exhibition at the Céret Museum in the Pyrenees, Venet sent a blueprint of a tube instead of the tube itself.
  • Bernar Venet Press Highlights

    Bernar Venet Press Highlights

    BERNAR VENET PRESS HIGHLIGHTS 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com One Of The Greatest French Living Artists, Bernar Venet Holds Two New Exhibitions In France Y-Jean Mun-Delsalle Sep 13, 2018 Effondrement 16 Arcs, 2018PHOTO JEROME CAVALIERE. COURTESY OF ARCHIVES BERNAR VENET, NEW YORK “My goal is to free sculpture from the constraints of composition and to criticize the utopian principle of an ideal order,” says Bernar Venet, 77, whose Indeterminate Lines, Arcs, Angles, Diagonals and Straight Lines sculptures fashioned from manipulated raw metal beams and based on concepts of order, disorder, instability and uncertainty have changed the face of art. Focusing on the concept behind an artwork rather than solely its esthetic, he has also worked in a wide range of disciplines throughout his career, including painting, photography, film, poetry, music composition, performance art, furniture design, ballet choreography and set design. Obsessed with making art that changes the history of art, his early piece, Tas de Charbon (Pile of Coal), was significant within the context of art history, as it was the first sculpture devoid of a specific shape, where you could alter its size or exhibit it in various locations at the same time, and where the coal wasn’t used to create an artwork, but instead was the artwork itself. 509 West 27th Street New York NY 10001 + 1 212 563 4474 kasmingallery.com Now over 170 of his works including drawings, diagrams, paintings, photographs, sound pieces, films and sculptures showcasing the depth and breadth of his multidisciplinary output will go on display in his most comprehensive retrospective ever, which opens on September 21, 2018 and runs until January 6, 2019 at the Museum of Contemporary Art (MAC) in Lyon.
  • Carole A. Feuerman (B.1945)

    Carole A. Feuerman (B.1945)

    서울시 강남구 압구정로 72길 12, 갤러리빌딩 지하 2층 B2, Gallery Bldg., 12, Apgujeong-ro 72-gil, Gangnam-gu, Seoul 06015 Tel.+82-2-544-8481,8482 / Fax+82-2-544-8483 / E-Mail [email protected] / Web www.galeriebhak.com Carole A. Feuerman (b.1945) Education The School of Visual Arts, NY Temple University, PA Hofstra University, NY Selected Solo Exhibition 2018 Almost Alive: Hyperrealistic Sculpture in Art,Kunsthalle Tubingen, Tubingen, Germany Carole Feuerman: London, Bel Air Fine Art, London, UK 2016 The HuanTaiHu Museum, Changzhou, Jiangsu Province, China New Work, Galerie Des Lices, Hotel de Paris, Saint-Tropez, France 2015 The Bathers, Aria Art Gallery, Florence, Italy Harbour City Presents Carole A. Feuerman, Harbour City, Hong Kong 2014 Dripping Reality, Aria Art Gallery, CI Contemporary Art fair, Istanbul, Turkey 2010 The River of Life, El Paso Museum of Art, El Paso, TX; traveled to Mexico and Spain 2007 Bellezza E Beressaze in: By the Sea, European Council of Art Foundation, Venice Biennale, Venice, Italy OPEN2007 (in conjunction with the Venice Film Festival), Lido and Venice, Italy 1979 Art 10 ’79, Basel Art Fair, Basel, Switzerland 1978 Rated X, MJS Gallery, Fort Worth, Texas, USA Selected Group Exhibitions and Art Fairs 2018 Ten Women's Soul, Liquid Art System, Capri, Italy 2017 During the DOCUMENTA project for Kassel: Carole Feuerman and Masin Idriss, Kassel, Germany 2016 Hyperrealist Sculpture 1973 - 2016, Museo de Bellas Artes de Bilbao, Bilbao, Spain KIAF/ Galerie Bhak, Seoul, Korea 2012 Art Kyiv Contemporary 2012, Mystetskyi Arsenal, Kiev, UAE Beyond Rodin: Contemporary Figurative Sculpture, Rye Arts Center, New York, USA 2011 Under the Influence of Fashion and Finance, Frederick R.
  • Selected Private Collections Selected Public Collections Selected Solo Exhibitions

    Selected Private Collections Selected Public Collections Selected Solo Exhibitions

    SELECTED PRIVATE COLLECTIONS President Bill Clinton & Secretary of State Hillary Clinton His Majesty The Emperor of Japan Dr. Henry Kissinger, River House, New York, NY Mr. & Mrs. William Mack, New York, NY Mr. Pierre Cornette de Saint-Cyre, Paris, FR Mr. & Mrs. Burton Resnick, NY Mr. Jeffrey Steiner, Southampton, St. Tropez, NY Dr. Norman S. Jaffe, Miami, FL Dr. & Mrs. Henry Foster, Wilmington, MA Mr. & Mrs. Richard Shack, Miami, FL Mr. & Mrs. Theodore Baum, New York, NY Mr. & Mrs. Sid Singer, Mamaroneck, NY Mr. JNA Van Caldenborgh, the Caldic Collection, Rotterdam, NLD Mr. Camolo, Geneva, CHE Ms. Marilia Gabriela Baston de Toledo Cochrane, BRA & NY Mr. Douglas Durst, New York, NY Mr. & Mrs. Norman Braman, Philadelphia, PA, Miami, FL Mr. & Mrs. Alan Potamkin, Miami, FL Ms. Ariela Wertheimer & Family, Tel Aviv, ISR Mrs. Mehves Pisak, Istanbul, TUR Mr. Alfons Van Hool, Brussels, BEL Mr. Ertzberg, Brussels, BEL Mr. Michael Greenberg, President of Skechers, Manhattan Beach, CA Mr. & Mrs. Peter Tilles, New York, NY Mr. Mark Parker, President of Nike, New York, NY Mr. & Mrs. Peter Epstein, New York, NY Mr. & Mrs. David Finn, New York, NY Mr. Andrew Zaro, New York, NY Ms. Lois Robbins, New York, NY Mr. & Mrs. Robert Hurst, Aspen, CO Dr. Oskar Metsavaht, Rio de Janeiro, BRA Mr. Rudolf Gutlich, Lucca, ITA SELECTED PUBLIC COLLECTIONS Grounds for Sculpture, Hamilton, NJ Queensborough Community College Museum, CUNY, NY The State Hermitage, St. Petersburg, RUS Apollon Art Research Foundation, Mihail Chemiakin, RUS President Mikhail S. Gorbachev Foundation, Moscow, RUS Vin & Spritcentralen Museet, Stockholm, SWE Art-st-Urban, Lucerne, CHE Frederick R.
  • PRESS RELEASE for Immediate Release Bernar Venet at Art Plural Gallery Singapore, July 2012

    PRESS RELEASE for Immediate Release Bernar Venet at Art Plural Gallery Singapore, July 2012

    PRESS RELEASE For Immediate Release Bernar Venet at Art Plural Gallery Singapore, July 2012 - Art Plural Gallery is pleased to announce the first solo exhibition of acclaimed French artist Bernar Venet in Singapore. Dates: 26th September through 24th November, 2012 Venue: Art Plural Gallery, 38 Armenian Street Hours: Monday – Friday, 11am to 7pm The show will be inaugurated in the presence of the artist. As a fringe event, Art Plural Gallery in collaboration with the National Library Board will organise an art talk*. The talk will be open for registration to the public. Date: 24th September, 2012 Time: The talk will begin at 3 pm sharp Venue: The Pod at National Library Board, Level 16, 100 Victoria Street *Registration to Art Plural Gallery is required. Limited seats are available. In conjunction with the exhibition, the gallery will be publishing a catalogue. New York-based French artist Bernar Venet has been exploring the notions of indetermination, disorder, chance, and unpredictability with perseverance for decades. For this exhibition, Bernar Venet will show new sculptural reliefs from his GRIB series, an extension of the original wooden Indeterminate Lines that were developed between 1979 and 1983. The works included in this show were made from 35mm steel plates torch-cut by hand. The technique adds to the unpredictable nature of these ‘scribbles’ and gives these works a rougher character and more accessibility than their predecessors. The scribbling of the GRIB wall pieces logically connects the action of drawing in a random two-dimensional gesticulation and the physicality of a precise three- dimensional figure. With these new works, Bernar Venet sees a very wide field of possibilities and new propositions.
  • BERNAR VENET JOURNAL 2018 EG 01-19.Indd

    BERNAR VENET JOURNAL 2018 EG 01-19.Indd

    RELATED EVENTS PERMANENT COLLECTION Conference in the auditorium with the artist’s presence Continue your visit in room 8 located on the museum’s third floor to discover minimal and Wednesday 7 November 2018: conceptual artworks selected from the Bernar Venet collection. Conversation with artist Bernar Venet talking about his career and his conceptual decade 1966-1976. PARTNER EXHIBITION AT THE MAC LYON From 21 September 2018 to 6 January 2019, the MAC Lyon is showing the Bernar Guided exhibition tours: > Every Saturday at 3 pm (in French) and 4 pm (in English) Venet, Retrospective 2019-1959 exhibition curated by Thierry Raspail. Individual price: €6, excludes museum admission (free for under 13s) Group price (10-30 visitors): €82 SUNDAY SAUNTER > Guided tour for school parties (booking compulsory) Sunday 14 October 2018 at 11 am, Valentine Dechambre, Single price: €20 per class for schools – free for schools in the Métropole Nice Côte d’Azur a psychoanalyst practising in Clermont-Ferrand and member of the Art&Psychanalyse team of the ACF-ECA (Freudian Cause Association – Esterel Côte d’Azur) invites you to come and see the exhibition Bernar Venet, the conceptual years, 1966-1976. Valentine Dechambre PUBLICATIONS will share her singular observations of this artist’s period of production joined by Hélène Guenin, Director of the MAMAC, and the artist himself. On sale at the museum shop Bernar Venet, special issue of Beaux-Art Magazine. Texts by Renaud Faroux and Judicaël CONVERSATION AND PERFORMANCES Lavrador. In partnership with the exhibitions at the MAMAC Nice and MAC Lyon. Friday 12 October 2018, 7-8 pm Bernar Venet, Performances: 1968-2019 Bernar Venet catalogue – the conceptual years, 1966-1976 French/English) with texts Tying in with the exhibition dedicated to Bernar Venet and Fête de la Science, the MAMAC by Catherine Millet, Alexandre Quoi, Erik Verhagen, Hélène Guenin, published by Dilecta.
  • Bugatti Presents the Fastest Artwork Ever — Bugatti Newsroom

    Bugatti Presents the Fastest Artwork Ever — Bugatti Newsroom

    Bugatti presents the fastest artwork ever FRANCE/MIAMI 03 12 2012 FRENCH ARTIST BERNAR VENET HAS BEEN INVITED BY BUGATTI, LEGENDARY SUPERCAR-MAKER, TO CREATE A WORK OF ART THAT COMBINES THE ARTIST’S VISION AND PASSIONS WITH BUGATTI’S CELEBRATED GRAND SPORT. French artist Bernar Venet has been invited by Bugatti, legendary supercar-maker, to create a work of art that combines the artist’s vision and passions with Bugatti’s celebrated Grand Sport. Through a congenial synthesis of artistic concept and technical possibilities, Venet has created an object that integrates the symbol of speed with a fascinating, painterly exterior and an interior that alludes to haute couture. This one-of-a-kind sculptural work will be on view at the Rubell Family Collection in Miami during Art Basel Miami Beach. Bernar Venet remarks, “A Bugatti is already a work of art in itself, one that transports both its beholder and its driver into new dimensions of reality. I realized how I could translate my passion for mathematical equations and scientific treatises into three-dimensional form. My works are usually self-referential. So I found the idea of translating the equations of the Bugatti engineers onto the bodywork of the car very appealing. It was, so to speak, a logical conclusion and a new challenge in terms of the specific form of collaboration and implementation. To me, the result is also exceptional when measured by artistic standards and bestows the object with a mythical character.” The artistic avant-gardes of the first half of the twentieth century found inspiration in the car as an object of desire; they depicted it in drawings, paintings and sculptures that projected absolute speed as their point of orientation.
  • Dossier De Presse Mars 2019 Le Mot Des Commissaires P

    Dossier De Presse Mars 2019 Le Mot Des Commissaires P

    DOSSIER DE PRESSE MARS 2019 LE MOT DES COMMISSAIRES P. 3 LES ARTISTES P. 4/5 LE PROJET P. 6/7 COMMUNIQUÉ P. 8 EN AVANT-GOÛT P. 10 NOTE D'INTENTION P. 13 CHAPITRE 1 : PAYSAGE MENTAL P. 15 CHAPITRE 2 : À L'AMÉRICAINE P. 19 CHAPITRE 3 : SPACE IS A HOUSE P. 25 CHAPITRE 4 : ÉCRANS PARALLÈLES P. 31 CHAPITRE 5 : POINTS HAUTS, POINTS BAS P. 33 LES COMMISSAIRES P. 34 TROIS LIEUX P. 35 LA MÉDIATION P. 36 LES RÉSONANCES P. 37 LES PARTENAIRES P. 40/41 CONTACTS P. 42 DOSSIER DE PRESSE MARS 2019 2 GIGANTISME — ART & INDUSTRIE fait converger attitude visionnaire, goût de la belle ouvrage et prise de risque pour des aventures hors norme. Par son caractère inédit, tout comme sa démesure, GIGANTISME peut surprendre. Il déplace des montagnes et parfois trébuche ou encore subit de plein fouet les mutations économiques, les transitions écologiques et leurs effets sociaux. Les récits, les projets ou leurs productions à différentes échelles demeurent pour témoigner de sa folie créative et bâtisseuse.GIGANTISME est une triennale hors norme, un trait d’esprit qui se projette vers l’horizon et se démultiplie à l’infini. DOSSIER DE PRESSE MARS 2019 3 GIGANTISME LES ARTISTES L'Atelier A CHRISTO Carla ACCARDI Joe COLOMBO A.J.S. AÉROLANDE Gilles CONAN Céline AHOND Tony CRAGG Eero AARNIO Agnès et Claude COURTECUISSE Steve ABRAHAM & Nicolas François DALLEGRET MESSAGER D’URBRINO / DECURSU / ADO DE PAS Roy ADZAK DECTOR & DUPUY ARMAN Pauline DELWAULLE John. M ARMLEDER Gérard DESCHAMPS Bernard AUBERTIN Jean DEWASNE Marion BARUCH Noël DOLLA Thomas BAYRLE Michel DUCAROY Dorothée
  • DOYLE.COM Wednesday, June 16, 2021

    DOYLE.COM Wednesday, June 16, 2021

    Wednesday, June 16, 2021 DOYLE.COM DOYLE+DESIGN® AUCTION Wednesday, June 16, 2021 at 10am Eastern EXHIBITION Saturday, June 12, Noon – 5pm Sunday, June 13, Noon – 5pm Monday, June 14, Noon – 5pm And by Appointment at other times Safety protocols will be in place with limited capacity. Please maintain social distance during your visit. LOCATION Doyle Auctioneers & Appraisers 175 East 87th Street New York, NY 10128 212-427-2730 This Gallery Guide was created on 6-3-21 Please see addendum for any changes The most up to date information is available On DOYLE.COM Sale Info View Lots and Place Bids Doyle New York 1 5 AFRIKA (Sergei Bugaev) Attributed to Charles-Joseph Artus Russian, b. 1966 Horse Lucia, 1989 Signed ARTUS, numbered 8/8 and monogramed Signed AFRIKA (ll), dated 1989 and signed and CA and inscribed with the foundry mark Susse inscribed in Cyrillic on the reverse Fondeur Paris on the base Acrylic on aluminum Bronze with green-brown patina 12 5/8 x 12 5/8 inches (32.1 x 32.1 cm) Height 9 1/8 inches (23.2 cm) C The Estates of a Prominent French-American Provenance: Couple Paul Judelson Arts, New York $1,500-2,500 C $600-800 6 Attributed to Charles-Joseph Artus 2 Oiseau Joseph Amarotico Signed ARTUS, monogramed CA, numbered 1/8 American, 1931-1985 and stamped with the foundry mark Fonderie de Untitled, 1972 la Plaine (rubbed) on the base Signed and dated Amarotico '72 (lr) Bronze with green-brown patina Oil on Masonite Height 5 3/4 inches (14.5 cm) 40 x 30 inches (101.6 x 76.2 cm) C The Estates of a Prominent French-American Couple $1,000-1,500 Provenance: Pearl Fox Gallery, Philadelphia 7 Exhibited: Bennett Bean Art in the Embassies Program, US State Department, Washington, DC, no.