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Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
NEW RELEASE Cds 24/5/19
NEW RELEASE CDs 24/5/19 BLACK MOUNTAIN Destroyer [Jagjaguwar] £9.99 CATE LE BON Reward [Mexican Summer] £9.99 EARTH Full Upon Her Burning Lips £10.99 FLYING LOTUS Flamagra [Warp] £9.99 HAYDEN THORPE (ex-Wild Beasts) Diviner [Domino] £9.99 HONEYBLOOD In Plain Sight [Marathon] £9.99 MAVIS STAPLES We Get By [ANTI-] £10.99 PRIMAL SCREAM Maximum Rock 'N' Roll: The Singles [2CD] £12.99 SEBADOH Act Surprised £10.99 THE WATERBOYS Where The Action Is [Cooking Vinyl] £9.99 THE WATERBOYS Where The Action Is [Deluxe 2CD w/ Alternative Mixes on Cooking Vinyl] £12.99 AKA TRIO (Feat. Seckou Keita!) Joy £9.99 AMYL & THE SNIFFERS Amyl & The Sniffers [Rough Trade] £9.99 ANDREYA TRIANA Life In Colour £9.99 DADDY LONG LEGS Lowdown Ways [Yep Roc] £9.99 FIRE! ORCHESTRA Arrival £11.99 FLESHGOD APOCALYPSE Veleno [Ltd. CD + Blu-Ray on Nuclear Blast] £14.99 FU MANCHU Godzilla's / Eatin' Dust +4 £11.99 GIA MARGARET There's Always Glimmer £9.99 JOAN AS POLICE WOMAN Joanthology [3CD on PIAS] £11.99 JUSTIN TOWNES EARLE The Saint Of Lost Causes [New West] £9.99 LEE MOSES How Much Longer Must I Wait? Singles & Rarities 1965-1972 [Future Days] £14.99 MALCOLM MIDDLETON (ex-Arab Strap) Bananas [Triassic Tusk] £9.99 PETROL GIRLS Cut & Stitch [Hassle] £9.99 STRAY CATS 40 [Deluxe CD w/ Bonus Tracks + More on Mascot]£14.99 STRAY CATS 40 [Mascot] £11.99 THE DAMNED THINGS High Crimes [Nuclear Blast] FEAT MEMBERS OF ANTHRAX, FALL OUT BOY, ALKALINE TRIO & EVERY TIME I DIE! £10.99 THE GET UP KIDS Problems [Big Scary Monsters] £9.99 THE MYSTERY LIGHTS Too Much Tension! [Wick] £10.99 COMPILATIONS VARIOUS ARTISTS Lux And Ivys Good For Nothin' Tunes [2CD] £11.99 VARIOUS ARTISTS Max's Skansas City £9.99 VARIOUS ARTISTS Par Les Damné.E.S De La Terre (By The Wretched Of The Earth) £13.99 VARIOUS ARTISTS The Hip Walk - Jazz Undercurrents In 60s New York [BGP] £10.99 VARIOUS ARTISTS The World Needs Changing: Street Funk.. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Sprawak Release 12-8-14 V1CLEAN.Docx.Docx
WALLIS ANNENBERG CENTER FOR THE PERFORMING ARTS, DEAF WEST THEATRE AND CODY LASSEN PRESENT Spring Awakening Book and Lyrics by STEVEN SATER Music by DUNCAN SHEIK Directed by MICHAEL ARDEN 22 Performances Only! May 21 to June 7, 2015 (Press Opening May 28, 2015) (Beverly Hills, CA – January 7, 2015) Wallis Annenberg Center for the Performing Arts (“The Wallis”), Deaf West Theatre and Cody Lassen present the Tony Award-winning musical Spring Awakening for a limited 22-performance engagement Thursday, May 21 to Sunday, June 7, 2015 (press opening May 28) in the Bram Goldsmith Theater. Tickets are now on sale. The innovative and acclaimed production, which enjoyed a sold-out engagement at downtown L.A.’s Rosenthal Theatre in fall 2014, is performed simultaneously in American Sign Language and spoken English by a cast of 25. The Los Angeles Times said that Spring Awakening is “an emotional triumph,” and that “Awakening awakens us to the dormant possibilities of this musical, with all the goose-bumps and teardrops to prove it.” Patricia Wolff, Interim Artistic Director of The Wallis says, “We are thrilled to welcome to The Wallis Los Angeles’ own Tony-winning Deaf West Theatre, and to share the creativity and joyousness of this brilliant and utterly original production with a broader audience. In Spring Awakening, American Sign Language is not just incorporated but actually choreographed into this emotionally charged musical, creating an organic and beautifully theatrical metaphor, ultimately expanding the theme of adolescent struggle to one that also celebrates the universal human need for communication and connection." James D’Asaro, Interim Producing Director of The Wallis noted, “Our role as lead producer for the transfer of Spring Awakening to our venue points to two of our presenting tenets – to not only partner with the best and most creative theaters in this country and abroad, but to support in the fullest sense visionary and innovative work created in our own Los Angeles theatre community. -
October 21, 2014 L Uvm, Burlington, Vt Uvm.Edu/~Watertwr L @Thewatertower L Thewatertower.Tumblr.Com
volume 16 - issue 4 tuesday, october 21, 2014 uvm, burlington, vt uvm.edu/~watertwr @thewatertower thewatertower.tumblr.com by lauragreenwood In front of the gritty backdrop of Burlington noir, we now delve into mysteries by leonardbartenstein Hold your breath, but I have never both sinister and strange, full of lies, deceit, and the most dastardly deed of really liked Halloween. Each year as the all—murder most foul—now, we follow the ongoing detective adventures of: holiday approaches I inwardly groan and begin the arduous process of preparing with Valencé—crooked, like the spine of some- for the nights of debaucheries. Halloween one with scoliosis. And by attending this party weekend painfully elongates those horrid and speaking with a couple of the officers one- hours of getting ready before going out. on-one, without them being suspicious of us, we Moreover, it amplifies those ugly insecuri- might find something out which we might oth- ties everyone has about whether everyone erwise not.” is looking, dressing well enough, and/or “Oh,” said Barton, understanding now. “I impressing everyone in the room based understand, now.” only how witty and culturally-informed They now stood at the ornate doors of the you can appear in under five minutes. It’s police chief’s mansion-like house, which loomed another weekend of the horse-and-pony over them like a ten-foot-tall man would loom show which tends to lead to wandering over two normal-sized men. They waited for a around the nearly post-apocalyptic streets moment for the door to be answered, when the of Burlington in outfits too unfit for this clouds above began to open up, raining on their time of year. -
“Knowing Is Seeing”: the Digital Audio Workstation and the Visualization of Sound
“KNOWING IS SEEING”: THE DIGITAL AUDIO WORKSTATION AND THE VISUALIZATION OF SOUND IAN MACCHIUSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO September 2017 © Ian Macchiusi, 2017 ii Abstract The computer’s visual representation of sound has revolutionized the creation of music through the interface of the Digital Audio Workstation software (DAW). With the rise of DAW- based composition in popular music styles, many artists’ sole experience of musical creation is through the computer screen. I assert that the particular sonic visualizations of the DAW propagate certain assumptions about music, influencing aesthetics and adding new visually- based parameters to the creative process. I believe many of these new parameters are greatly indebted to the visual structures, interactional dictates and standardizations (such as the office metaphor depicted by operating systems such as Apple’s OS and Microsoft’s Windows) of the Graphical User Interface (GUI). Whether manipulating text, video or audio, a user’s interaction with the GUI is usually structured in the same manner—clicking on windows, icons and menus with a mouse-driven cursor. Focussing on the dialogs from the Reddit communities of Making hip-hop and EDM production, DAW user manuals, as well as interface design guidebooks, this dissertation will address the ways these visualizations and methods of working affect the workflow, composition style and musical conceptions of DAW-based producers. iii Dedication To Ba, Dadas and Mary, for all your love and support. iv Table of Contents Abstract .................................................................................................................. -
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI Via AP Balazs Mohai
2017 MAJOR EURO Music Festival CALENDAR Sziget Festival / MTI via AP Balazs Mohai Sziget Festival March 26-April 2 Horizon Festival Arinsal, Andorra Web www.horizonfestival.net Artists Floating Points, Motor City Drum Ensemble, Ben UFO, Oneman, Kink, Mala, AJ Tracey, Midland, Craig Charles, Romare, Mumdance, Yussef Kamaal, OM Unit, Riot Jazz, Icicle, Jasper James, Josey Rebelle, Dan Shake, Avalon Emerson, Rockwell, Channel One, Hybrid Minds, Jam Baxter, Technimatic, Cooly G, Courtesy, Eva Lazarus, Marc Pinol, DJ Fra, Guim Lebowski, Scott Garcia, OR:LA, EL-B, Moony, Wayward, Nick Nikolov, Jamie Rodigan, Bahia Haze, Emerald, Sammy B-Side, Etch, Visionobi, Kristy Harper, Joe Raygun, Itoa, Paul Roca, Sekev, Egres, Ghostchant, Boyson, Hampton, Jess Farley, G-Ha, Pixel82, Night Swimmers, Forbes, Charline, Scar Duggy, Mold Me With Joy, Eric Small, Christer Anderson, Carina Helen, Exswitch, Seamus, Bulu, Ikarus, Rodri Pan, Frnch, DB, Bigman Japan, Crawford, Dephex, 1Thirty, Denzel, Sticky Bandit, Kinno, Tenbagg, My Mate From College, Mr Miyagi, SLB Solden, Austria June 9-July 10 DJ Snare, Ambiont, DLR, Doc Scott, Bailey, Doree, Shifty, Dorian, Skore, March 27-April 2 Web www.electric-mountain-festival.com Jazz Fest Vienna Dossa & Locuzzed, Eksman, Emperor, Artists Nervo, Quintino, Michael Feiner, Full Metal Mountain EMX, Elize, Ernestor, Wastenoize, Etherwood, Askery, Rudy & Shany, AfroJack, Bassjackers, Vienna, Austria Hemagor, Austria F4TR4XX, Rapture,Fava, Fred V & Grafix, Ostblockschlampen, Rafitez Web www.jazzfest.wien Frederic Robinson, -
Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #311 • November 2014 • slugmag.com Publisher: Eighteen Percent Gray Marketing Coordinator: CONTRIBUTOR LIMELIGHT: Editor: Angela H. Brown Robin Sessions Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, Alex Springer Junior Editor: Christian Schultz Cassie Anderson, Cassandra Loveless, Ischa B., Janie Senior Staff Writer Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Lindsay Digital Content Coordinator: Henry Glasheen Clark, Raffi Shahinian, Robin Sessions, Zac Freeman Fact Checker: Henry Glasheen Social Media Coordinator: Catie Weimer Copy Editing Team: Alex Cragun, Alexander Distribution Manager: Eric Granato Ortega, Allison Shephard, Christian Schultz, Cody Distro: Andrea Silva, Daniel Alexander, Eric Kirkland, Henry Glasheen, John Ford, Jordan Granato, John Ford, Jordan Deveraux, Julia Sachs, Deveraux, Julia Sachs, Laikwan Waigwa-Stone, Maria Valenzuela, Michael Sanchez, Nancy Maria Valenzuela, Mary E. Duncan, Shawn Soward, Burkhart, Nancy Perkins, Phil Cannon, Ricky Vigil, Traci Grant Ryan Worwood, Tommy Dolph, Tony Bassett, Content Consultants: Jon Christiansen, Xkot Toxsik Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Photo: Chad Kirkland Ortega, Ben Trentelman, Brian Kubarycz, Brinley Lead Designer: Joshua Joye Froelich, Bryer Wharton, Christian Schultz, Cody Design Team: Chad Pinckney, Lenny Riccardi, Hudson, Cody Kirkland, Dean O. Hillis, Gavin Mason Rodrickc, Paul Mason Sheehan, Henry Glasheen, Ischa -
Celebrate Your Pride
Celebrate Your Pride Children and the LGBT Community Preeti+ Gupta talks about Unfreedom WHO HERE HEARS SHORT SHORTS? Palm Springs Shortfest cuts to the celluloid chase LN Contributors Christin and Ashley Kelly-Brown are owners and wife team of LunaBella Makeup and Hair in Santa Barbara, CA. Originally from Oakland, CA., they met there at 17 years of age and have been together for over 12 years. Legally married in California on October 3, 2008, their company has since taken off. They absolutely love not only what they do but also how uniquely they work together. Dian Katz works a variety of arenas. With a background in Marriage Counseling and a history as a professional performer, she’s LN’s Entertainment Editor and Self Help columnist. Dian’s also authored a book entitled: Love Hurts - A Spiritual Journey to Wholeness. She sometimes works the motivational speaking circuit. Dian’s an award winning drummer with her own rock band. Out of all the many hats she wears, performing and writing are her biggest passions. Gladi Adams, PhD is a native New Englander who was recruited in Boston by the Los Angeles Unified School District to teach English in L.A. She studied at Boston University, Cal State Northridge, California Western and UCLA. She.retired as a secondary school principal after 35 years in the system. She is married to Ella Matthes, publisher, and they have been working on the LN together since 2005. John Esther For nearly a dozen years, Movie Editor John Esther has been writing for Lesbian News. Over time, he has written more than 100 articles for LN on film, music, theater, and culture. -
Make It New: Reshaping Jazz in the 21St Century
Make It New RESHAPING JAZZ IN THE 21ST CENTURY Bill Beuttler Copyright © 2019 by Bill Beuttler Lever Press (leverpress.org) is a publisher of pathbreaking scholarship. Supported by a consortium of liberal arts institutions focused on, and renowned for, excellence in both research and teaching, our press is grounded on three essential commitments: to be a digitally native press, to be a peer- reviewed, open access press that charges no fees to either authors or their institutions, and to be a press aligned with the ethos and mission of liberal arts colleges. This work is licensed under the Creative Commons Attribution- NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/ by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, California, 94042, USA. DOI: https://doi.org/10.3998/mpub.11469938 Print ISBN: 978-1-64315-005- 5 Open access ISBN: 978-1-64315-006- 2 Library of Congress Control Number: 2019944840 Published in the United States of America by Lever Press, in partnership with Amherst College Press and Michigan Publishing Contents Member Institution Acknowledgments xi Introduction 1 1. Jason Moran 21 2. Vijay Iyer 53 3. Rudresh Mahanthappa 93 4. The Bad Plus 117 5. Miguel Zenón 155 6. Anat Cohen 181 7. Robert Glasper 203 8. Esperanza Spalding 231 Epilogue 259 Interview Sources 271 Notes 277 Acknowledgments 291 Member Institution Acknowledgments Lever Press is a joint venture. This work was made possible by the generous sup- port of -
Best of 2014 Listener Poll Nominees
Nominees For 2014’s Best Albums From NPR Music’s All Songs Considered Artist Album ¡Aparato! ¡Aparato! The 2 Bears The Night is Young 50 Cent Animal Ambition A Sunny Day in Glasgow Sea When Absent A Winged Victory For The Sullen ATOMOS Ab-Soul These Days... Abdulla Rashim Unanimity Actress Ghettoville Adia Victoria Stuck in the South Adult Jazz Gist Is Afghan Whigs Do To The Beast Afternoons Say Yes Against Me! Transgender Dysphoria Blues Agalloch The Serpent & The Sphere Ages and Ages Divisionary Ai Aso Lone Alcest Shelter Alejandra Ribera La Boca Alice Boman EP II Allah-Las Worship The Sun Alt-J This is All Yours Alvvays Alvvays Amason Duvan EP Amen Dunes Love Ana Tijoux Vengo Andrew Bird Things Are Really Great Here, Sort Of... Andrew Jackson Jihad Christmas Island Andy Stott Faith In Strangers Angaleena Presley American Middle Class Angel Olsen Burn Your Fire For No Witness Animal Magic Tricks Sex Acts Annie Lennox Nostalgia Anonymous 4 David Lang: love fail Anthony D'Amato The Shipwreck From The Shore Antlers, The Familiars The Apache Relay The Apache Relay Aphex Twin Syro Arca Xen Archie Bronson Outfit Wild Crush Architecture In Helsinki NOW + 4EVA Ariel Pink Pom Pom Arturo O’Farrill & the Afro Latin Orchestra The Offense of the Drum Ásgeir In The Silence Ashanti BraveHeart August Alsina Testimony Augustin Hadelich Sibelius, Adès: Violin Concertos The Autumn Defense Fifth Avey Tare Enter The Slasher House Azealia Banks Broke With Expensive Taste Band Of Skulls Himalayan Banks Goddess Barbra Streisand Partners Basement Jaxx Junto Battle Trance Palace Of Wind Beach Slang Cheap Thrills on a Dead End Street Bebel Gilberto Tudo Beck Morning Phase Béla Fleck & Abigail Washburn Béla Fleck & Abigail Washburn Bellows Blue Breath Ben Frost A U R O R A Benjamin Booker Benjamin Booker Big K.R.I.T. -
Merrily We Roll Along BRENT SCHINDELE*
CAST OF CHARACTERS AARON LAZAR*...................................................................FRANKLIN SHEPARD Paul Crewes Rachel Fine Artistic Director Managing Director DONNA VIVINO*.............................................................................MARY FLYNN AND WAYNE BRADY*.....................................................................CHARLEY KRINGAS Cody Lassen AMIR TALAI*............................................................................JOE JOSEPHSON in association with Robert Laurita, Aaron Sanko, Invisible Wall Productions/ Diego Kolankowsky, Kari Lynn Hearn WHITNEY BASHOR*.....................................................................BETH SPENCER PRODUCTION OF SAYCON SENGBLOH*................................................................GUSSIE CARNEGIE MAXIMUS BRANDON VERSO................................................................FRANK JR. KEVIN PATRICK DOHERTY*.........................................................................TYLER Merrily We Roll Along BRENT SCHINDELE*................................................................................TERRY ERIC B. ANTHONY*................................................................................SCOTTY MUSIC AND LYRICS BOOK BY LAURA DICKINSON*..................................................................................DORY Stephen Sondheim George Furth SANDY BAINUM*..........................................................................................RU JENNIFER FOSTER*........................................................................BARTENDER