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Return from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TV
Journal of Popular Music Studies, Volume 27, Issue 2, Pages 163–183 Return from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TV Joe Tompkins Allegheny College In the premiere episode of Metalocalypse, an original animated series entering its fifth season on the Adult Swim channel,1 300, 000 metalheads travel to the Artic Circle to witness Dethklok, “the world’s greatest cultural force,” as they perform a coffee jingle for the Duncan Hills Coffee Corporation. Despite adverse conditions and a mere single song set list, thousands of fans risk life and limb for the chance to witness the legendary death metal band as they perform a raucous musical ode to the virtues of “ultimate flavor.” As one reporter on the scene observes, “Never before have so many people traveled so far for such a short song.” In a further testament to the band’s outstanding popularity and market value, concertgoers eagerly sign “pain waivers” excusing Dethklok from legal liability in the all too likely event they are somehow “burned, lacerated, eaten alive, poisoned, de-boned, crushed, or hammer-smashed” during the show. Meanwhile, the performance launches the international coffee mogul Duncan Hills to monopoly status, “obliterating” the competition. When asked by news reporters if such an act of corporate sponsorship means that Dethklok is “selling out,” frontman Nathan Explosion growlingly rejoins: “We are here to make coffee metal. We will make everything metal. Blacker than the blackest black . times infinity.” Touting “the biggest -
17 December 2003
Screen Talent Agency 818 206 0144 JUDY GELLMAN Costume Designer judithgellman.wordpress.com Costume Designers Guild, locals 892 & 873 Judy Gellman is a rarity among designers. With a Midwest background and training at the University of Wisconsin and The Fashion Institute of Technology (NYC) Judy began her career designing for the Fashion Industry before joining the Entertainment business. She’s a hands-on Designer, totally knowledgeable in pattern making, construction, color theory, as well as history and drawing. Her career has taken her from Chicago to Toronto, London, Vancouver and Los Angeles designing period, contemporary and futuristic styles for Men, Women, and even Dogs! Gellman works in collaboration with directors to instill a sense of trust between her and the actors as they create the characters together. This is just one of the many reasons they turn to Judy repeatedly. Based in Los Angeles, with USA and Canadian passports she is available to work worldwide. selected credits as costume designer production cast director/producer/company/network television AMERICAN WOMAN Alicia Silverstone, Mena Suvari (pilot, season 1) various / John Riggi, John Wells, Jinny Howe / Paramount TV PROBLEM CHILD Matthew Lillard, Erinn Hayes (pilot) Andrew Fleming / Rachel Kaplan, Liz Newman / NBC BAD JUDGE Kate Walsh, Ryan Hansen (season 1) various / Will Farrell, Adam McKay, Joanne Toll / NBC SUPER FUN NIGHT Rebel Wilson (season 1) various / Conan O’Brien, John Riggi, Steve Burgess / ABC SONS OF TUCSON Tyler Labine (pilot & series) Todd Holland, -
Gregg Turkington on What He Learned from Punk Rock
June 13, 2017 - Gregg Turkington is best known for his "anti-comedy" character, Neil Hamburger. The Australian actor co-stars in the film review web series "On Cinema at the Cinema" with Tim Heidecker and is the co-writer and co-star of the Adult Swim series, Decker. He had a part in the 2015 film Ant-Man, and that same year, starred in Entertainment, a drama he co-wrote. In the 1990s, he ran the music label, Amarillo Records, and played in bands like Caroliner, Zip Code Rapists, Faxed Head, and has released a number of albums as Neil Hamburger, mostly on the Chicago independent music label, Drag City. He contributed artwork and live recordings to Flipper's Public Flipper Limited Live 1980-1985. As told to Charlie Sextro, 2383 words. Tags: Culture, Music, Comedy, Inspiration, Beginnings, Independence. Gregg Turkington on what he learned from punk rock I’m interested to hear how your fascination with showmanship began. As a kid, how interested were you in entertainment? Super interested. Initially really with music, and then I got more into movies. I was a complete obsessive about all the things I liked. I grew up in Tempe, Arizona. I was really into Phil Ochs. He was my absolute idol. I was really into the Bee Gees and The Who. Then I got really into a revival, repertoire theater, The Valley Art. It was like $2 or something and I would pretty much go to any movie that was playing, to see what was going on. Then when I saw something that interested me, I would go over to the campus at ASU. -
Seriously Playful and Playfully Serious: the Helpfulness of Humorous Parody Michael Richard Lucas Clemson University
Clemson University TigerPrints All Dissertations Dissertations 5-2015 Seriously Playful and Playfully Serious: The Helpfulness of Humorous Parody Michael Richard Lucas Clemson University Follow this and additional works at: https://tigerprints.clemson.edu/all_dissertations Recommended Citation Lucas, Michael Richard, "Seriously Playful and Playfully Serious: The eH lpfulness of Humorous Parody" (2015). All Dissertations. 1486. https://tigerprints.clemson.edu/all_dissertations/1486 This Dissertation is brought to you for free and open access by the Dissertations at TigerPrints. It has been accepted for inclusion in All Dissertations by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SERIOUSLY PLAYFUL AND PLAYFULLY SERIOUS: THE HELPFULNESS OF HUMOROUS PARODY A Dissertation Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Rhetorics, Communication, and Information Design by Michael Richard Lucas May 2014 Accepted by: Victor J. Vitanza, Committee Chair Stephaine Barczewski Cynthia Haynes Beth Lauritis i ABSTRACT In the following work I create and define the parameters for a specific form of humorous parody. I highlight specific problematic narrative figures that circulate the public sphere and reinforce our serious narrative expectations. However, I demonstrate how critical public pedagogies are able to disrupt these problematic narrative expectations. Humorous parodic narratives are especially equipped to help us in such situations when they work as a critical public/classroom pedagogy, a form of critical rhetoric, and a form of mass narrative therapy. These findings are supported by a rhetorical analysis of these parodic narratives, as I expand upon their ability to provide a practical model for how to create/analyze narratives both inside/outside of the classroom. -
Mister America
Presents MISTER AMERICA A film by Eric Notarnicola 86 mins, USA, 2019 Language: English Distribution Mongrel Media Inc 217 – 136 Geary Ave Toronto, Ontario, Canada, M6H 4H1 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] www.mongrelmedia.com 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com ABOUT THE PRODUCTION Filming took place on location in San Bernardino and the Los Angeles area. Using a mix of actors and non-actors, the small crew used documentary techniques to give the experience of a true story unfolding in real time. Often filming in four to five locations a day and using a script in which specific dialogue was scarce but the intention for each scene was detailed, actors improvised fully in the moment to allow their characters to develop naturally. What resulted was a team in-sync and fully ready to capture the chaotic world around them. 49 west 27th street 7th floor new york, ny 10001 tel 212 924 6701 fax 212 924 6742 www.magpictures.com 1. ABOUT THE CAST As one half of comedy duo “Tim and Eric” and creator of Abso Lutely Productions, Tim Heidecker can easily be viewed as a godfather of subversive, alt-comedy. With roles in “Us”, “Eastbound & Down”, “Awesome Show”, “Portlandia” and more, Mr. Heidecker has helped to affect the comedy landscape for years to come. As a co-creator of On Cinema and its ensuing worlds with Gregg Turkington, he’s been able to prod at multiple facets of society. -
Loft Film Fest 2015
OCTOBER 21-25, 2015 PRESENTED BY COX COMMUNICATIONS AND DESERT DIAMOND CASINOS & ENTERTAINMENT LOFT FILM FEST 2015 Welcome to the Loft Film Fest! FESTIVAL STAFF I am so proud of the extraordinary lineup of lms and I’m thrilled that we get to bring them to Tucson for ve exciting days in October. festival executive director assistant managers PEGGY JOHNSON RAY BORBOA Film festivals should always be about discovery! I urge you to take some chances KYLE CANFIELD - see a lm that sounds unlike anything you’ve ever seen! Who knows - maybe festival directors PEDRO ROBLES you’ll discover a new director, a fresh face or your new favorite movie! JJ GIDDINGS BRENDA RODRIGUEZ JEFF YANC e 2015 Loft Film Fest will always be remembered as the one where you met volunteer coordinator Rita Moreno, Alfonso Arau, Larry McMurtry and Diana Ossana! In addition to managing director BRENDA RODRIGUEZ her many awards, Rita Moreno will be honored at the Kennedy Center Honors in ZACH BRENEMAN December! We’re proud to welcome Larry and Diana back for a 10th anniversary inventory specialist screening of Brokeback Mountain, just after Larry received the National festival programming consultant DAVID CORREA Humanities Medal from President Obama! Alfonso Arau is a Tucson favorite, MIKE PLANTE projectionists because, after all, he is El Guapo in ree Amigos! ANA HUMPHREY associate programmers DALE MEYERS We’re excited to add free outdoor movies this year in our newly improved parking SHAWNA DACOSTA KEISHA RICHARDSON lot! We’re adding valet parking from 5PM during the fest (free for pass holders!) JONATHAN KLEEFELD IZABELLA VANEK For the rst time, select lms will be in competition, a result of e Loft being MIKE WILKINS the only American festival member of the International Confederation of Art art director MATT MCCOY Houses. -
Museum of the Moving Image Presents Month-Long Screening Series 'No Joke: Absurd Comedy As Political Reality'
FOR IMMEDIATE RELEASE MUSEUM OF THE MOVING IMAGE PRESENTS MONTH-LONG SCREENING SERIES ‘NO JOKE: ABSURD COMEDY AS POLITICAL REALITY’ Personal appearances by The Yes Men and PFFR, new work by Tim Heidecker and Gregg Turkington, and films by Chaplin, Spike Lee, Scorsese, Bruno Dumont, and more October 9–November 10, 2019 Astoria, New York, September 12, 2019—MoMI presents No Joke: Absurd Comedy as Political Reality, a fourteen-program series that chronicles some of the most inventive and ingenious ways artists—from Charlie Chaplin to The Yes Men—have reckoned with their political environments. The series features work by filmmakers and other entertainers who are producing comedy and satire at a time when reality seems too absurd to be true. Organized by guest curator Max Carpenter, No Joke opens October 7 with Mister America, the new pseudo-documentary by the comedy duo Tim Heidecker and Gregg Turkington—which will be presented at multiple venues on the same night—and continues through November 10, with films including General Idi Amin Dada: A Self Portrait; William Klein’s Mr. Freedom; Bruno Dumont’s Li’l Quinquin and Coincoin and the Extra-Humans; Spike Lee’s Bamboozled; Chaplin’s Monsieur Verdoux; Scorsese’s The Wolf of Wall Street; the Adult Swim TV series Xavier: Renegade Angel, with creators PFFR in person; Dusan Makavejev’s The Coca-Cola Kid; Starship Troopers; and TV Carnage, by Ontario artist Derrick Beckles. Among other special events are Heidecker and Turkington’s 2017 comic epic The Trial, followed by a live video conversation with the duo, and An Evening with The Yes Men, featuring the activist prankster team of Andy Bichlbaum and Mike Bonnano in person for a conversation with clips of their greatest stunts. -
€˜Shameless’ Thanks Fans for Season 9 Return
‘Shameless’ Thanks Fans for Season 9 Return 06.07.2018 Shameless star Emmy Rossum and other cast members thank fans for their love and support in Showtime's teaser announcing a ninth season of the series. The promo features a nostalgic montage that looks back at key moments from the show. When it returns, political fervor hits the South Side and the Gallaghers take justice into their own hands. Frank (William H. Macy) sees financial opportunity in campaigning and gives voice to the underrepresented South Side working man. Fiona (Rossum) tries to build on her success with her apartment building and takes an expensive gamble hoping to catapult herself into the upper echelon. Meanwhile, Lip (Jeremy Allen White) distracts himself from the challenges of sobriety by taking in Eddie's niece, Xan (Scarlet Spencer). Ian (Cameron Monaghan) faces the consequences of his crimes as the Gay Jesus movement takes a destructive turn. Debbie (Emma Kenney) fights for equal pay and combats harassment; and her efforts lead her to an unexpected realization. Carl (Ethan Cutkosky) sets his sights on West Point and prepares himself for cadet life. Liam (Christian Isaiah) must develop a new skillset to survive outside of his cushy private school walls. Kevin (Steve Howey) and V (Shanola Hampton) juggle the demands of raising the twins with running the Alibi as they attempt to transform the bar into a socially conscious business. Shameless will premiere September 9 at 9 p.m. Immediately afterward at 10 p.m., Showtime will debut new half-hour comedy series Kidding starring Jim Carrey in his first series regular role in more than two decades, and reuniting him with director Michel Gondry (Eternal Sunshine of the Spotless Mind). -
Titles PEs 59-62
ON- © Universal Studios BOARDMOVIE CATALOG © Columbia Pictures Industries, Inc. Bros. Entertainment Inc. © Warner © Paramount Pictures © Lions Gate Entertainment, Inc. © 2016 Disney/Pixar JANUARY/ New Yer's Destintion FEBRUARY VALENTINE'S DAY onbordmovies.com Fvorites Titles 1.877.660.7245 2016 Pe 44 Pes 59-62 NEW – n available 2 Jours - 2 Days follows two days in the relationship of a New York based couple - a French photographer Marion and American interior designer Jack - as they attempt to re-infuse their relationship with romance by taking a vacation in Europe. Their trip to Venice didn't really work out, - they both came down with gastroenteritis. They have higher hopes for Paris. But the combination of Marion's overbearing non-English-speaking parents, flirtatious ex-boyfriends, and Jack's obsession with photographing every famous Parisian tombstone and conviction that French condoms are too small, only adds fuel to the fire. Will they be able to salvage their relationship? Will they ever have sex again? Or will they merely manage to perfect the art of arguing? ©Polaris Film Production & Finance, Tempete Sous Un crane productions, 3L Filmproduktion GmbH 2006. All Rights Reserved. Four men will do anything to pass the most difficult test you've NEVER heard of... Somm takes the viewer on a humorous, emotional and illuminating look into a mysterious world - the Court of Master Sommeliers and the massively intimidating Master Sommelier Exam. The Court of Master Sommeliers is one of the world's most prestigious, secretive, and exclusive organizations. Since its inception almost 40 years ago, less than 200 candidates have reached the exalted Master level. -
Movie Review: ‘Ant-Man and the Wasp’
Movie Review: ‘Ant-Man and the Wasp’ NEW YORK — There’s plenty of humor and action in the fast-paced sci-fi adventure “Ant-Man and the Wasp” (Disney). What’s noticeably lacking is any exposition or guidance for those not already familiar with the characters and their relationships from 2015’s “Ant-Man” and 2016’s “Captain America: Civil War.” While the film can still be enjoyed on its own, newcomers will feel somewhat left out as a result. One example of the potential confusion awaiting novices is the fact that, when we first encounter him, Scott Lang aka Ant-Man (Paul Rudd, who also co-wrote the script) is approaching the end of a two-year sentence of house arrest. That’s the consequence, we learn, at least by implication, of his activities in the latter of the two previous movies. But specifics on what exactly he did are not shared. Whatever his wrongdoing, Scott — whose alter ego, thanks to a high-tech suit, can shrink or grow at will — is now anxious to focus on serving his time and raising his young daughter, Cassie (Abby Ryder Fortson). Scott’s good resolutions are undermined, however, when his predecessor as Ant- Man, Hank Pym (Michael Douglas), and Pym’s daughter, Hope (Evangeline Lilly), aka the Wasp, draw him into their quest to rescue Hope’s mother, Janet (Michelle Pfeiffer), the original Wasp. Janet been stuck for decades in the Quantum Realm, a kind of subatomic limbo. To retrieve her, the trio will have to do battle with two principal enemies: Sonny Burch (Walton Goggins), a petty gangster out to profit from Pym’s technological breakthroughs, and Ghost (Hannah John-Kamen), a victim of Pym’s past misdeeds. -
Program Guide
PROGRAM GUIDE SATURDAY. APRIL 18 | 7:00PM SWIM LITTLE FISH SWIM TICKET & VENUE INFORMATION VENUE Globe Cinema - 617 8 Ave. SW SINGLE TICKETS Opening Night Film Screening & Party $12 Saturday Morning Cartoon Party $12 Kids 6 & under $6 Regular Admission $10 ON CUFF Members, Students & Seniors $8.25 PUNCH PASS rmati O F N 5 Film Punch Pass $40 I E Excludes Saturday Morning Cartoon Party/Opening Night Film). U Punch pass can be shared, used for more than one ticket per screening, and for year-round programming. & VEN FESTIVAL PASSES T KE IC Early Bird Pass $99 Regular Festival Pass $120 | T AL Tickets for pass holders are available at all screenings. We V recommend arriving 30-45 min prior to start time to ensure entry. STI E F LICENSED 18+ All screenings after 3PM are licensed (18+), which means you can FILM drink beer during the film (!) but NO MINORS. Early matinees are D N all ages. U O FESTIVAL BOX OFFICE R G R 1. Online at www.calgaryundergroundfilm.com E D 2. Globe Cinema Box Office (during festival hours only) N U MEMBERSHIPS ary G Purchase a lifetime membership for $10 AL from the festival merchandise table, or at C H www.calgaryundergroundfilm.com. Add your T membership tag to your keychain, and get 12 discounts at all CUFF screenings, the festival bar, and special offers throughout the year. 12 PARTIES SPONSORS MondaY, APRIL 13 FUNDING Partners 9 PM OPENING NIGHT AFTERPARTY! Sole Korea Restaurant 628 8 Ave SW $12 (includes screening and afterparty). Come join us for a party following Ex Machina (p. -
Tim Heidecker Presents New Single “Property”
September 16, 2020 For Immediate Release Tim Heidecker Presents New Single “Property” Fear Of Death Out Next Friday, September 25th on Spacebomb Records Photo Courtesy of Spacebomb Records Tim Heidecker will release his biggest sounding album yet, Fear Of Death, next Friday, September 25th on Spacebomb Records. Today, he presents the album’s third single, “Property.” While previously-released singles “Nothing” and “Fear Of Death” mull over mortality, “Property” sees Heidecker pondering the possibility of cemeteries becoming part of a capitalistic, real-estate driven world: “They buried those bodies with the best intent, yes they did // But those boxes could be turned into rent, and you know that they will.” Heidecker and Weyes Blood’s Natalie Mering’s voices glide over hushed, relaxed percussion and floating keys. As Heidecker’s voice becomes more urgent, the instrumentation billows with brass and pronounced strings. Listen to Tim Heidecker’s “Property” Fear of Death features an all star band comprised of Weyes Blood’s Natalie Mering, Drew Erickson (Jonathan Wilson, Dawes), The Lemon Twigs’ Brian and Michael D’Addario, Jonathan Rado, and string arrangements by Spacebomb’s Trey Pollard (Foxygen, Bedouine, The Waterboys, Natalie Prass). Throughout, Heidecker’s sound is fleshed out with winding guitar, slow-building percussion, gentle keys, and a 14-piece string ensemble. This is an earnest departure from comedy and a collection of songs that centers around Serious Topics. As Variety