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AMERICAN SCIENCE FICTION: NINE CLASSIC NOVELS OF THE 1950S PDF, EPUB, EBOOK Various,Gary K Wolfe | 1750 pages | 27 Sep 2012 | Library of America | 9781598531572 | English | United States Book Review: American Science Fiction: Nine Classic Novels of the s - WSJ Impossible Things. Connie Willis. Will Save the Galaxy for Food. Yahtzee Croshaw. City at the End of Time. The Vintage Bradbury. Ray Bradbury. Will Destroy the Galaxy for Cash. The Philip K. Dick Collection. Philip K. The Best of Connie Willis. Mickey Zucker Reichert. The World of Shannara. Terry Brooks and Teresa Patterson. Wine of the Dreamers. John D. Jack McDevitt. The Martians. Kim Stanley Robinson. John Shirley. Fire Watch. Matthew Stover. A Princess of Mars. Edgar Rice Burroughs. Old Mars. K C Alexander. William Gibson. Robot Uprisings. Jemisin , S. Related Articles. Looking for More Great Reads? Lost Continent. Tristram Coffin , Mae Clarke , I. Stanford Jolley. The Man from Planet X. The Man in the White Suit. Mysterious Island. Superman and the Mole Men. The Thing from Another World. Terrell O. When Worlds Collide. Hildegard Knef , Erich von Stroheim. April 1, Invasion USA. The Jungle. William A. Radar Men from the Moon. George D. Wallace , Aline Towne , Roy Barcroft. Merle W. Connell , James R. Zombies of the Stratosphere. Abbott and Costello Go to Mars. Abbott and Costello Meet Dr. Jekyll and Mr. The Beast from 20, Fathoms. Cat-Women of the Moon. Arthur D. Commando Cody: Sky Marshal of the Universe. Judd Holdren , Aline Towne. Donovan's Brain. Flight to the Moon. Animated short film. Polyot na Lunu [3]. Invaders from Mars. William Cameron Menzies. It Came from Outer Space. The Magnetic Monster. Herbert Tevos , Ron Ormond. Ewald Andre Dupont. Harold Daniels. The War of the Worlds. Crash of Moons. Television film [nb 11]. Creature from the Black Lagoon. Devil Girl from Mars. David MacDonald. Peter Graves. Monster from The Ocean Floor. Wyott Ordung. William Lundigan , Herbert Marshall. Snow Creature. William Phipps. Stranger From Venus. Sherman A. The Beast with a Million Eyes. David Kramarsky. Bride of the Monster. Creature with the Atom Brain. Richard Denning , Angela Greene , S. John Launer. The Phantom from 10, Leagues. Godzilla Raids Again. Hiroshi Koizumi , Minoru Chiaki. It Came from Beneath the Sea. Douglas Henderson , Patti Gallagher. Monster Snowman. Akira Takarada , Akemi Negishi. The Quatermass Xperiment. Revenge of the Creature. Carroll , Nestor Paiva. Jack Arnold , Joseph Newman. Michael Anderson. The Beast of Hollow Mountain. The Creature Walks Among Us. John Sherwood. Earth vs. Fire Maidens from Outer Space. Anthony Dexter , Susan Shaw. Godzilla, King of the Monsters! Lon Chaney, Jr. Invasion of the Body Snatchers. It Conquered the World. The Man Who Turned to Stone. Victor Jory , William Hudson. The Mole People. On the Threshold of Space. Techno-drama [14] [15] [16]. Kenji Sahara. Yumi Shirakawa , Yoshifumi Tajima. Techno-drama [17]. World Without End. Supersonic Saucer. Guy Fergusson. The Amazing Colossal Man. The Astounding She-Monster. Ronnie Ashcroft. Attack of the Crab Monsters. Beginning of the End. The Black Scorpion. The Brain from Planet Arous. John Carradine , Morris Ankrum. The Incredible Shrinking Man. Invasion of the Saucer Men. Herman Hoffman. The Monolith Monsters. The Monster That Challenged the World. The Night the World Exploded. Not of This Earth. The Secret of Two Oceans. Konstantin Pipinashvili. Brooke Peters. Charles Marquis Warren. Richards , May Wynn. The Robot vs. The Aztec Mummy. Attack of the 50 Foot Woman. Attack of the Puppet People. Ballad of the Ming Tombs Reservoir. Irvin Shortess Yeaworth, Jr. The Colossus of New York. The Day the Sky Exploded. Doroga K Zvezdam. Georgi Solovyov. The Electronic Monster. American Science Fiction: Eight Classic Novels of the s (boxed set) | Library of America City at the End of Time. The Vintage Bradbury. Ray Bradbury. Will Destroy the Galaxy for Cash. The Philip K. Dick Collection. Philip K. The Best of Connie Willis. Mickey Zucker Reichert. The World of Shannara. Terry Brooks and Teresa Patterson. Wine of the Dreamers. John D. Jack McDevitt. The Martians. Kim Stanley Robinson. John Shirley. Fire Watch. Matthew Stover. A Princess of Mars. Edgar Rice Burroughs. Old Mars. K C Alexander. William Gibson. Robot Uprisings. Jemisin , S. Related Articles. Looking for More Great Reads? Download Hi Res. LitFlash The eBooks you want at the lowest prices. Read it Forward Read it first. Pass it on! The Library of America has cleverly conceived of offloading the bulk of the rich supporting material to a website. Notes remain in the hardcover editions, but each novel also gets its own insightful essay online by a famous SF writer of modern times. This gives the books themselves a purity of form that only enhances the reading experience. The standard classy treatment accorded by the LoA to titans of naturalistic literature consorts remarkably well with these pulp-derived texts. Anyone such as myself, whose original memories of these books involves tattered mass-market paperbacks or small-press hardcovers or digest magazines will be surprised and distinctly chuffed to see how nobly they comport themselves on acid-free paper. In fact, the whole package, from the luxe two-volume slipcased presentation to the choice of perfect vintage illustrations, does immense and loving honor to the material. It signals a longed-for level of literary respect that many older fans thought would never arrive. Depressingly — or exhilaratingly; take your pick — this relentless work of satire reads as if composed just yesterday. And of course, the global financial meltdown casts the book in an even more relevant light. Pohl and Kornbluth — who wrote a handful of fine books together, but none greater than this one — plunge the reader up to her neck in the future, with no hand-holding or infodumps, just total immersion in their cohesive madhouse, full of eyekicks the Maidenform bra wing of the Met and prophecies omnipresent flat-screen displays. Sturgeon knows damn well how the world works, maybe even better than Kornbluth and Pohl, but chooses to affirm that the soul trumps commerce and civic duty every time. With Faulknerian bravura, Sturgeon tells the story of the first specimen of Homo Gestalt, the fabulous biography of a composite sport. But the symbiotic creature lacks one essential component: a superego. Channeling his own childhood anguish and adult inquisitiveness, Sturgeon fashions a Jungian evolutionary mythology. Full of Kerouackian beat wisdom and countercultural impulses, this novel forms one of the seeds of the New Wave of the s. Blind instinctual obedience to natural forces, or exploration and mastery of same? What is hubris, and what is Promethean glory, and are the two even separable? But the boys long for knowledge of technology, and soon they are exiled, on the road for the fabled Bartorstown, the last redoubt of science. But the road is long and dangerous, and the destination not what they envisioned. Using plainspoken yet biblical cadences, Brackett — the lone female writer represented here, out of sheer canonical contingencies — evokes an ambiance akin to The Red Pony or Shane, with an overlay of Shirley Jackson creepiness. Average businessman Scott Carey, married to Lou, father of Beth, begins to shrink — one-seventh of an inch per day — after his unfortunate encounter with a contaminated glowing wave. And what a proto-Ballardian, existential fix it is:. At our intermission here, we should note another fact about the science fiction novels of the s: they were compact, free of bloat. Four of them fit in the not-quite pages of Volume 1. Certainly these later books justify their wordage. But the protracted tenor of their stories is radically different from the get-in-do-the-job-get-out affect of their trimmer ancestors. He builds up a Kiplingesque portrait of a solar system-spanning Empire shades of Star Wars to come, on smaller scale , then populates it with a colorful set of characters, chief of whom is our narrator, Lorenzo Smythe, ham actor. Lorenzo is tapped to impersonate a kidnapped politco, and finds himself plunged into a ballots-and-bullets milieu he never knew existed. Heinlein does a great job of showing how Lorenzo morphs under his new experiences, becoming literally a different man. As always with Heinlein at his best, the reader discovers an imaginary yet probable world as tangible as the present, with just as many well-machined gears and bells and whistles. Oh, the earlier books have spoken in their own distinctive tones, particularly Heinlein. But in Bester, the man behind the words is fully on display, strutting, narrating without pretense of objectivity, withholding information and dispensing it adroitly and with convincing expert certitude like an aviator dropping bombs that inscribe an explosive message on the ground for the shocked-and-awed civilians. To use another metaphor, the book is a high-wire act over Niagara Falls, and Bester never stumbles. He himself is really Gully Foyle, our baroque wizard-buffoon hero with a shattered face. In the twenty-fifth century, teleportation by strictly mental means is a daily action open to everyone. As Gully Foyle moves from outcast and hunted criminal to self-assured avenger and, ultimately, crucified redeemer of humanity, the reader is treated to suspense and a hundred astonishing milieus, from lunar bacteria farms to cavernous prisons. Bester adds new concepts seemingly spontaneously, in the manner of Charles Harness, whose The Paradox Men is another s milestone. The Big Time (novel) - Wikipedia The opening novel is Frederick Pohl and C. The only woman among these nine authors, Leigh Brackett was an anomaly in her field for other reasons. The classic image of the twentieth century science fiction writer is one barely removed from the Parisian garret, a writer churning out stories and novels that quickly disappear from print for extremely meager rewards.