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40 Cultural Shifts Shaping Our World
EDGES, 2021 40 Cultural Shifts Shaping Our World JANUARY 2021 ©2021 TBWA\Worldwide. All rights reserved. Proprietary and Confidential YEAR ZERO Every January brings talk of fresh starts, exciting trends, Within this story, you will find 40 meaningful cultural shifts and cultural phenomena. But this time, the implications shaping our world. These shifts are born from a global process are much larger. The pandemic has precipitated a that emphasizes the expertise of over 300 TBWA “Culture cosmic reshuffle of global realities, social norms and Spotters”—leveraging insight from Bogota to Berlin, Kigali to individual beliefs. A world is ending, and another is being Kuala Lumpur, New Delhi to New York. born. 2021 isn’t just another year, it’s Year Zero. And so this isn’t just a trend report. It’s a glimpse into a new chapter of our history. Culture is fast, often confusing, and sometimes misleading. We hope that these Edges bring optimism, inspiration for growth, and a clear direction forward. Culture is our story. And more In the face of seismic change, we find ourselves torn than ever before, it’s up to us to write a chapter we’ll be proud of. between fight and flight, dark and light, between the pullback of conservatism and the push forward of imagination. Radical transformation is never Welcome to 2021. Welcome to Year Zero. comfortable, but brighter tomorrows are ahead. Our 2021 Edges tell this hopeful story in six chapters: Chaos. Preservation. Advancement. Identity. Liberation. Rebirth. ©2021 TBWA\Worldwide. All rights reserved. Proprietary and Confidential Edges must be rooted in human values, be 1 recognizable through consumer behaviors, and lead to clear business implications. -
BIS Hanoi Student Magazine
NOVUS BIS Hanoi stud ent magazine CULTURE J A N U A R Y 2 0 2 1 Editorial Welcome to the 2nd issue of Novus, BIS’s student-led school magazine. Our objective is to bring you a new perspective on affairs which might have passed you by. In this issue, we invite you to engage with culture. It is indisputable that culture is a fundamental element of human life; it not only enriches life but also creates a connection between people. This fundamental nature relies on inspiration, which then becomes dispersed. Such sequence goes on and on, anytime and anywhere. Thus, it is inevitable that culture is created - unless humans stop thinking. When you define the term ‘culture’, it is likely that you will ponder an Interview with a Julliard Dance image of archaic historical products or traditional arts of a country. specialist However, if it brings people together and becomes a custom, it can be [page 18~22] considered as culture. New cultural affairs have sprung up in contemporary society - one example of this is K-Pop. If you are interested in how it became viral, see K-Pop Culture [page 3~4]. Another term which has developed in the recent COVID-19 era is Cottagecore, an aesthetic which celebrates rural life; see page 13~ 14 which provides a big picture of such Gen-Z subculture. Celebrating all the cultures which were created, it leads to an ultimate question of why culture is important. A key for that reason is provided in Why is culture important? [page 11~12]. -
BAIK ART SEOUL Installation of Working on Paper, Baik Art Seoul
ELLIOTT HUNDLEY WORKING ON PAPER BAIK ART SEOUL Installation of Working On Paper, Baik Art Seoul BAIK ART SEOUL is pleased to present Elliott Hundley’s first solo exhibition in Korea, Working On Paper, ,May 20 - June 19, 2021. Working on Paper is Elliott’s introduction to exhibiting in Asia and will be his first show focusing primarily on drawing works. For Elliott, these works portray a floating state of consciousness. Drawing allows him to recover lost stimuli and discover facts that he had been previously unaware of. These works contain personal stories reflecting the artist’s inner narrative. Drawing so far has been a one-on-one conversation with himself, so this exhibition allows him to take these conversations out into the world. ELLIOTT HUNDLEY Elliott Hundley (b. 1975) received his BFA from the Rhode Island School of Design (1997) and his MFA from the University of California, Los Angeles (2005). He lives and works in Los Angeles. Selected solo exhibitions include The Bacchae, Wexner Center for the Arts, Columbus (2011); Nasher Sculpture Center, Dallas (2012); and Hammer Museum, Los Angeles (2006). He has been featured in numerous group shows, including the 7th Moscow International Biennale of Contemporary Art (2017- 2018); A Journey That Wasn’t, The Broad, Los Angeles (2018-2019); San Francisco Museum of Modern Art (2017-2018); Museum of Contemporary Art, Los Angeles (2015); and the Istanbul Museum of Modern Art (2015); among others. Hundley is a recent recipient of a John Simon Guggenheim Memorial Foundation Guggenheim Fellowship (2019). Work by the artist is held in prominent museum collections, including the Hammer Museum, Los Angeles; Los Angeles County Museum of Art; Louisiana Museum of Modern Art, Humlebæk; Museum of Contemporary Art, Los Angeles; Nasher Sculpture Center, Dallas; Pérez Art Museum, Miami; San Francisco Museum of Modern Art; Solomon R. -
Honors Program Course Guide Spring 2021
HONORS PROGRAM COURSE GUIDE SPRING 2021 TO PLAN YOUR SPRING 2021 ACADEMIC SCHEDULE, IT MAKES SENSE TO BEGIN WITH THE HONORS COURSE GUIDE! As usual, we’ve included the Honors courses open to all Honors students, regardless of school, college or major; we haven’t included Honors courses restricted to specific majors (you’ll know about them if you are in one of those majors). Reminder: This is not the final word on Honors courses for spring. We’ll post new versions of the Guide in the Honors Bulletin as we gather more information regarding days/times and professors—and new courses soon to be approved. HONORS PROGRAM COURSE GUIDE SPRING 2021 HONORS ANALYTICAL READING & WRITING ..................................................................................................4 ANALYTICAL READING & WRITING (ENGLISH 0902.01) 4 ANALYTICAL READING & WRITING (ENGLISH 0902.02) 4 HONORS INTELLECTUAL HERITAGE I: THE GOOD LIFE 4 HONORS INTELLECTUAL HERITAGE II: THE COMMON GOOD 5 HONORS GEN EDS..........................................................................................................................................6 ARTS GEN EDS 6 MUSICAL CULTURES OF THE WORLD (WORLD MUSIC) (MUSIC STUDIES 0909.01) .................................................................... 6 SHAKESPEARE IN THE MOVIES (ENGLISH 0922.01) ............................................................................................................................. 7 ART OF SACRED SPACE (GREEK & ROMAN CLASSICS 0903.01) ......................................................................................................... -
Lennon, Weinberg, Inc
LENNON, WEINBERG, INC. 514 West 25th Street, New York, NY 10001 Tel. 212 941 0012 Fax. 212 929 3265 [email protected] www.lennonweinberg.com H.C. Westermann Born: Los Angeles, 1922 Died: November 3, 1981 SOLO EXHIBITIONS 2017 Milan, Italy, Fondazione Prada. H. C. Westermann, October 20, 2017 – January 15, 2018. 2016 Düsseldorf, Germany, Linn Lühn. H. C. Westermann, January 15, 2016 – April 23, 2016. 2015 Los Angeles, CA, Venus Over Manhattan. H. C. Westermann: See America First | Works from 1953 – 1980, November 2, 2015 – January 16, 2016. 2013 New York, NY, Franklin Parrasch Gallery. H.C. Westermann, October 25, 2012 – January 19, 2013. 2011 New York, NY, Lennon, Weinberg, Inc. A Human Condition: Selected Works 1961 – 73, November 3, 2011 – January 14, 2012. 2007 New York, NY, Zwirner & Worth. H. C. Westermann: Selected Work, September 13 – November 3 (catalogue). 2006 Honolulu, HI, The Contemporary Museum. Dreaming of a Speech Without Words: The Paintings and Early Objects of H. C. Westermann. August 25 – November 19 (catalogue). Travelling to the Montclair Art Museum, New Jersey, February 10 – May 27, 2007; Pennsylvania Academy of the Fine Arts, Philadelphia, PA, June 30 – October 21, 2007; Iris & B. Gerald Cantor Center for Visual Arts, Stanford University, Stanford, CA, November 21, 2007 – March 2, 2008. 2005 New York, NY, Lennon, Weinberg, Inc. Woman, “the sweetest flower”. May 5 - June 11. 2002 New York, NY, Lennon, Weinberg, Inc. H. C. Westermann: The Complete Lithographs, 1968-1972. February 22 – March 30. 2001 Chicago, IL, Museum of Contemporary Art. H. C. Westermann. June 30 - September 23, 2001. -
Luxury Fashion on Tiktok 29
The Fashion Fandom Is Exploding On TikTok Right Now: How Can Brands Tap Into It? YOU MIGHT’VE THOUGHT THE BEST TIME FOR FASHION BRANDS TO BE ON TIKTOK WAS LAST YEAR, BUT FASHION CONTENT IS ACTUALLY SEEING THE FASTEST GROWTH RIGHT NOW. Gen Z accounts for 40% of global consumers. 60% of TikTok’s 689 million users are Gen Z. And with TikTok introducing a number of new 40% shopping features, how can fashion brands make sure they’re at the forefront of what’s set to be the next big social commerce platform? 60% of TikTok’s 689 million users are Gen Z. In our latest Fanbytes report, we share some of the key insights, tips and considerations for brand-side fashion marketers seeking to tap into the fashion fandom on TikTok. Specifically, you’ll get: An undeniable understanding that TikTok is the future for fashion brands. How Fanbytes can help your brand tap into Gen Z culture and trends like a pro. A knack for analysing viral TikTok trends and knowing how users inherently think and behave. An exclusive insider look into Fanbytes’ state-of-the-art TikTok analytics tool and viral alerting system that helps us predict the future by identifying upcoming trends. CONTENTS Introduction Who Are Fanbytes? 5 How We Gather Our Insights 6 An Introduction To Gen Z & Fashion On TikTok 8 TikTok & Fashion Sustainability On TikTok 12 Fast Fashion On TikTok 20 Luxury Fashion On TikTok 29 Conclusion Summary 35 Get in touch 36 PAGE 5 WHO ARE FANBYTES? Fanbytes is widely recognised for creating successful Gen Z social and influencer strategies for fashion brands such as Vestiaire Collective, Boohoo & River Island. -
Creative Trends 2021 Brave New Normal Creative Trends 2021 2
Brave New Normal Creative Trends 2021 Brave New Normal Creative Trends 2021 2 Brave New Normal: Creative Trends 2021 “Despite its’ challenges, 2020 has This report was created by a team of strategists, provided marketers and agencies an creatives and technologists from across dentsu’s global creative offering including experts from opportunity to reset and shift the award-winning agencies dentsumcgarrybowen, Isobar, paradigm of business and 360i and dentsu agencies. brand building. In it they draw on their experience as partners to some of the world’s biggest brands as they navigate through Brave New Normal presents new imagination for the pandemic and evolve their businesses. growing businesses in the years to come - reframing the potential for brands and encouraging them to embrace a new creative canvas to delight, connect, The report also includes insights and case studies inspire, and empower their customers. from Dentsu Inc.’s world famous innovation teams. The intention is for you to use this document as a tool to reflect on 2020, and to provide inspiration to propel Technology unlocks the power of connected creativity your business and brands forward into a brave, new and this is the greatest opportunity our industry has normal in 2021 and beyond. ever known.” — Jean Lin, Global CEO, dentsu Creative Brave New Normal Creative Trends 2021 3 A story of radical collaboration It’s tempting to see 2020 as a story of polarisation. The most likely - and interesting - answer is both. It is only when we resist polarisation and bring For every action, there will be an equal and opposite together craft and code, game designers and diversity reaction. -
Outsider(S) | 22.10.2019
Auction on Tuesday 22nd October 2019, 7PM— 7, Rond-Point des Champs-Élysées - 75008 Paris RTCURIAL The Beautiful Losers Artists, 2004 D.R. Auction on Tuesday 22nd October 2019, 7PM— 7, Rond-Point des Champs-Élysées - 75008 Paris lot n°55, Chris Johanson, Hey Ron, 2002 (détail) p.68 lot n°87, Raymond Pettibon, Untitled (We want him…), 2003 (détail) p.000 lot n°55, Chris Johanson, Hey Ron, 2002 (détail) p.68 DÉPARTEMENTS DU XXe SIÈCLE Fabien Naudan Francis Briest Vice-président Commissaire-priseur Directeur des départements Président du conseil de du XXe s. surveillance et de stratégie Bruno Jaubert Hugues Sébilleau Arnaud Oliveux Aude de Vaucresson Karine Castagna Directeur Directeur Directeur Spécialiste Spécialiste Urban Art Impressionniste & Moderne Post-War & Contemporain Urban Art Post-War & Contemporain et Limited Edition Commissaire-priseur Belgique Capucine Tamboise Florent Wanecq Jessica Cavalero Sophie Cariguel Spécialiste junior Catalogueur Recherche et certificat Catalogueur Photographie Impressionniste & Moderne Impressionniste & Moderne Post-War & Contemporain Post-War & Contemporain Elodie Landais Vanessa Favre Salomé Pirson Alma Barthélemy Administrateur Administrateur Client & Business Assistante Impressionniste & Moderne Post-War & Contemporain Développement du Vice-président des départements du XXe siècle EUROPE Martin Guesnet Vinciane de Traux Emilie Volka Caroline Messensee Miriam Krohne Louise Gréther Directeur Europe Directeur Belgique Directeur Italie Directeur Autriche Directeur Allemagne Directeur Monaco Pour les -
To Download Resume in Pdf Format
G L A D Y S N I L S S O N BORN 1940 Chicago, IL EDUCATION 1962 The School of the Art Institute of Chicago FELLOWSHIPS & AWARDS 2004 William A. Patton Prize for Watercolor, The 179th Annual: An Invitational Exhibition of Contemporary American Art, National Academy Museum, New York, NY 1974 & 89 NEA Fellowship SELECTED SOLO EXHIBITIONS 2017 Gladys Nilsson: The 1980s, Garth Greenan Gallery, New York, NY 2014 Solo Show at Garth Greenan Gallery, New York NY 2013 Hidden Treasures Unveiled: Watercolors Pennsylvania Academy of The Fine Arts, Philadelphia, PA 2012 Jean Albano Gallery, Chicago, IL 2011 Hanes Art Gallery, Wake Forest University, Winston-Salem, NC 2010 Gladys Nilsson: Works from 1966-2010, Ukrainian Institute of Modern Art, Chicago, IL 2009 Jean Albano Gallery, Chicago, IL 2008 Luise Ross Gallery, New York, NY The Baseball Show, Jean Albano Gallery, Chicago, IL 2007 25 Years of Watercolors, Jean Albano Gallery, Chicago, IL 2006 Rockford College Art Museum, Rockford, IL Tarble Art Center, Eastern Illinois University, Charleston, IL 2005 Jean Albano Gallery, Chicago, IL University Art Gallery, Saginaw Valley State University, University Center, MI 2004 Tory Folliard Gallery, Milwaukee, WI 2003 Jean Albano Gallery, Chicago, IL Adrian College, Adrian, MI (with catalogue) 2002 Watercolors, Quincy Art Center, Quincy, IL Fleisher/Ollman Gallery, Philadelphia, PA 2001 Jean Albano Gallery, Chicago, IL Tacoma Art Museum, Tacoma, WA 2000 Rosemont College, Rosemont, PA Jean Albano Gallery, Chicago, IL 1998 Jean Albano Gallery, Chicago, IL A -
Digital Resources for Teaching the Environment, Sustainability, and Ecology in World History
JOHN MAUNU Digital Resources for Teaching the Environment, Sustainability, and Ecology in World History ncient cave art showed that humans did not regard themselves as the center of the Anatural world. Lascaux cave art showed how animals and the environment were the center of human life. The Neolithic Revolution saw a change over time as to the relationship between humans and the environment. Early Vedic shamans wrote poems on the power of forests and nature; Taoists and the Buddha shared a deep respect for the environment and nature. However, with the Neolithic Revolution, humans began moving from the Lascaux perspective of humans in a secondary role in the environment to viewing nature and the environment as real estate, “territory,” and property to be dominated and exploited; since then most historians wrote about the environment from this human-centered perspective. However, by the mid twentieth century, there evolved among many environmentalists in the United States a model for understanding global environmental history in terms of the interaction between humankind and the environment, which was soon adopted by most world historians. The following digital resources reflect these shifts—these “changes over time”—in the historiography of the global environmental history. This database is divided into sec- tions: Environmental Racism/Justice, Ecofeminism; Queer Ecology; Far Right Environ- mentalism; Global Sustainability and Environment Resources; Teaching Sustainability and Environmental History, with a sub-heading, Teaching the Environment and Collapse of Civilization Resources; Eco-Fiction/Climate Fiction; Environment/Nature in Art and Architecture; Religion and Environment; Digital Resources arranged by global regions, such as the Artic, with sources arranged within regions chronologically using common world historian periodization; and, finally, Environment Journals/Websites. -
Spring Rights Guide 2021
Spring 2021 CONTENTS PFD FICTION 4 PFD NON-FICTION 24 DGA FICTION 73 DGA NON-FICTION 77 CONTACT 83 PFD FICTION FICTION LILY Rose Tremain ‘One of our most accomplished novelists' Observer “Nobody but she knows that her dream of death is a rehearsal for what will surely happen to her one day. Nobody knows yet that she is a murderer. She is seen as an innocent girl. In one month’s time she will be seventeen.” Foundling, rebel, angel, murderer. At the gates of a park in Bethnal Green in east London, in the year 1850, an abandoned baby is almost eaten by wolves. She is rescued by a young constable, who holds Agent: Caroline Michel the life of this child in his hands, and feels inexplicably drawn to her. Publisher: Chatto & Windus He takes her to The London Foundling Hospital, and Lily Editor: Clara Farmer is placed in foster care at the idyllic Rookery Farm, where she has the happiest of childhood’s, with her beloved Publication: November 2021 foster-mother Nellie. Until one rainy October day Lily is told the chilling news: ‘You’re going to a different place Page extent: 288 now, the place where the other children went, and you must not cry about it’. Rights sold: French (J Clattes) Lily’s a story of bravery, of resilience, of the darkness that German (Suhrkamp) lies within humanity- but also of its warmth. Lily is Italian (Einaudi) staggeringly real, she’s a character who grabs at your heart Russian (Eksmo) from the very first page and refuses to let go. -
Wisconsin Alumni Association || Onwisconsin Spring 2009
For University of Wisconsin-Madison Alumni and Friends Interrogating the Truth Filmmaker Errol Morris ’69 traces his obsession with sifting and winnowing to Wisconsin. SPRING 2009 Fading Words Can Wisconsin’s native languages be saved? Flock of Sheepskins The contest to pile up the most UW degrees is fiercer than you’d think. Forty Winks UW researchers have an unusual theory about why we sleep. WISCONSIN HISTORICAL SOCIETY Before child labor laws, children as young as 9 worked in coal mines. Many workplace protections we count on came from the University of Wisconsin. At the turn of the past century, university economists helped redefi ne government’s role in the workplace. Because of their guidance, Wisconsin had the nation’s fi rst worker’s and unemployment compensation laws and led the country in enacting child labor and minimum-wage laws. Through advocacy and education, the Center for Patient Partnerships helps people who face serious illness to make more informed choices. Students and staff at the center guide clients and their families as they explore diagnosis and treatment options, resolve insurance and billing disputes, and navigate employment and disability issues. FORWARD. THINKING. www.wisconsinidea.wisc.edu When Parker Summers was 3, the insurance company for the Appleton family refused to cover his cancer treatment. The CPP provided advocacy and support as Parker received vital medical care. Today, Parker is healthy and enjoys a romp in his yard. with his pal, Kahlúa. SPRING 2009 contents VOLUME 110, NUMBER 1 Features 20 Truth, Death, & Taxidermy By Eric Goldscheider Errol Morris’s documentaries are known for being quirky — and brilliant.