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BAIK ART SEOUL Installation of Working on Paper, Baik Art Seoul ELLIOTT HUNDLEY WORKING ON PAPER BAIK ART SEOUL Installation of Working On Paper, Baik Art Seoul BAIK ART SEOUL is pleased to present Elliott Hundley’s first solo exhibition in Korea, Working On Paper, ,May 20 - June 19, 2021. Working on Paper is Elliott’s introduction to exhibiting in Asia and will be his first show focusing primarily on drawing works. For Elliott, these works portray a floating state of consciousness. Drawing allows him to recover lost stimuli and discover facts that he had been previously unaware of. These works contain personal stories reflecting the artist’s inner narrative. Drawing so far has been a one-on-one conversation with himself, so this exhibition allows him to take these conversations out into the world. ELLIOTT HUNDLEY Elliott Hundley (b. 1975) received his BFA from the Rhode Island School of Design (1997) and his MFA from the University of California, Los Angeles (2005). He lives and works in Los Angeles. Selected solo exhibitions include The Bacchae, Wexner Center for the Arts, Columbus (2011); Nasher Sculpture Center, Dallas (2012); and Hammer Museum, Los Angeles (2006). He has been featured in numerous group shows, including the 7th Moscow International Biennale of Contemporary Art (2017- 2018); A Journey That Wasn’t, The Broad, Los Angeles (2018-2019); San Francisco Museum of Modern Art (2017-2018); Museum of Contemporary Art, Los Angeles (2015); and the Istanbul Museum of Modern Art (2015); among others. Hundley is a recent recipient of a John Simon Guggenheim Memorial Foundation Guggenheim Fellowship (2019). Work by the artist is held in prominent museum collections, including the Hammer Museum, Los Angeles; Los Angeles County Museum of Art; Louisiana Museum of Modern Art, Humlebæk; Museum of Contemporary Art, Los Angeles; Nasher Sculpture Center, Dallas; Pérez Art Museum, Miami; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Vancouver Art Gallery; Walker Art Center, Minneapolis; and the Whitney Museum of American Art, New York; among others. © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 5.12.19.2 2019 Oil stick, graphite, fabric, plastic and collage on paper 60.25 x 44 inches 153 x 111.75 centimeters 29.12.19.1 2019 Oil stick on paper 60 x 44 inches 152.5 x 112 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 1.11.17.1 2017 Oil stick, ink, and collage on paper 23.25 x 27.25 inches 59.25 x 89.25 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 16.5.18.4 2018 Ink and graphite on paper 10.25 x 7.25 inches 26 x 18 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 19.5.18.1 2018 Ink and graphite on paper 10.25 x 7.25 inches 26 x 18 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Marshad 2018 Gouache, ink and inkjet on paper 17 x 14 inches 43.25 x 35.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 18.6.18.1 2018 Ink on paper 12 x 9 inches 31 x 23 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 21.6.18.1 2018 Ink on paper 12 x 9 inches 31 x 23 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Installation of Working On Paper, Baik Art Seoul © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 8.12.19.1 2019 Oil stick, graphite, felt and collage on paper 60.25 x 44 inches 153 x 111.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 28.12.19.1 2019 Oil stick on paper 60 x 44 inches 152.5 x 111.75 centimeters Installation of Working On Paper, Baik Art Seoul © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 23.12.19.1 2019 Oil stick, graphite, ink, fabric and collage on paper 60 x 44 inches 152.5 x 111.75 centimeters 26.12.19.1 2019 Oil stick on paper 60 x 44 inches 152.5 x 112 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Installation of Working On Paper, Baik Art Seoul © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 12.1.20.2 2019 Oil stick and graphite on paper 43 x 35.5 inches 109.25 x 90.25 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 4.1.20.1 2020 Oil stick, ink and collage on paper 52 x 47 inches 132.25 x 119.5 centimeters Installation of Working On Paper, Baik Art Seoul 5.12.20.2 2020 Oil stick and collage on paper 64.5 x 47 inches 164 x 119.5 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 13.3.20.1 2020 Ink and collage on paper 24 x 18 inches 61 x 46 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 20.5.20.1 2020 Ink on cardboard 6.5 x 7 x 0.25 inches 16 x 16.75 x 0.25 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 21.8.20.1 2020 Ink, photographs and collage on paper 17 x 14 inches 43 x 35.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 23.8.20.1 2020 Ink, graphite and collage on paper 17 x 14 inches 43 x 35.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 23.8.20.2 2020 Ink and collage on paper 17 x 14 inches 43 x 35.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 24.8.20.1 2020 Ink and collage on paper 17 x 20.5 inches 43.25 x 52.25 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Detail of 24.8.20.1 © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 29.8.20.1 2020 Ink, photographs and collage on paper 31 x 38.25 inches 78.75 x 97 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 30.8.20.1 2020 Ink and collage on paper 23.75 x 28 inches 60.5 x 71 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 1.9.20.1 2020 Ink and collage on paper 36.5 x 41.25 inches 92.75 x 105 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 13.9.20.1 2020 Ink on paper 18 x 23.75 inches 45.75 x 60.5 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 17.9.20.1 2020 Ink, graphite and collage on paper 17 x 14 inches 43.25 x 35.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 11.10.20.1 2020 Ink, graphite and collage on paper 17 x 14 inches 43.25 x 35.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. 12.10.20.1 2020 Ink and collage on paper 17 x 14 inches 43.25 x 35.75 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Installation of Working On Paper, Baik Art Seoul Snow 2021 Encaustic, ink, paper, plastic, photographs, string, fabric, pins, foam, and linen on panel 24.25 x 30.25 x 4.5 inches 62 x 77 x 11 centimeters © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Installation of Snow, © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Detail of Snow, © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Babushka 2021 Encaustic, oil, paper, plastic, photographs, string, pins, foam, and linen on panel 73 x 86.25 x 4 inhes 185 x 219 x 10 centimeters Installation of Babushka, © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Detail of Babushka, © Elliott Hundley, Courtesy Regen Projects, Los Angeles. Detail of Babushka, © Elliott Hundley, Courtesy Regen Projects, Los Angeles. PRESS HIGHLIGHTS Installation view of Elliott Hundley Clearing at Regen Projects, Los Angeles May 17 - June 22, 2019 Photo: Evan Bedford, Courtesy Regen Projects, Los Angeles “Double Take: Elliott Hundley At Regen Projects and MOCA,” 2019, LA Weekly Astonishing collage-based mixed media paintings by Elliott Hundley cry out for in-person contemplation. While this is true of art in general, in the case of Hundley it is an absolute imperative. The furious proliferation of literally thousands of individual elements in each large-scale composition is impossible to fully appreciate in even a pageant of detail photographs, in large part because it is the magic that happens in the dance of physical proximity and distance which is so central to their aesthetic appeal. In a sense, they are like performances. It is impossible not to imagine the figure of the artist, and his scissors, blades, and push pins, in a durational exercise of gathering and harvesting on a massive and obsessive scale. On the other, despite the exceptionally analog processes by which they are created, the works speak directly to the quality of epic, unrelenting simultaneity that characterizes our modern, digital, visual culture. They are like storyboards of consciousness and cognition, oceans wherein you drift between clarity and current sweeps, buffered along the decentralized past of the mind, and the sudden clarity of the bodily present. Installation view of Open House: Elliott Hundley, April 14–September 16, 2019 at MOCA Grand Avenue. Courtesy of The Museum of Contemporary Art. Photo by Zak Kelley. “Elliott Hundley Abandons Narrative,” 2019, Cultured Magazine [Elliott Hundley] has been selected as the first artist to participate in “Open House,” a series in which the Museum of Contemporary Art, Los Angeles (MOCA) invites artists to curate shows from the museum’s storied collection, once described by Vanity Fair’s Bob Colacello as “the most impressive permanent collection of contemporary art in the country.” “I thought a lot about dissonance in art,” says Hundley, “because that’s the kind of thing I can do that a curator can’t really.” He explains he prioritized aesthetic connections over historical or theoretical.
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