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Outsider(S) | 22.10.2019 Auction on Tuesday 22nd October 2019, 7PM— 7, Rond-Point des Champs-Élysées - 75008 Paris RTCURIAL The Beautiful Losers Artists, 2004 D.R. Auction on Tuesday 22nd October 2019, 7PM— 7, Rond-Point des Champs-Élysées - 75008 Paris lot n°55, Chris Johanson, Hey Ron, 2002 (détail) p.68 lot n°87, Raymond Pettibon, Untitled (We want him…), 2003 (détail) p.000 lot n°55, Chris Johanson, Hey Ron, 2002 (détail) p.68 DÉPARTEMENTS DU XXe SIÈCLE Fabien Naudan Francis Briest Vice-président Commissaire-priseur Directeur des départements Président du conseil de du XXe s. surveillance et de stratégie Bruno Jaubert Hugues Sébilleau Arnaud Oliveux Aude de Vaucresson Karine Castagna Directeur Directeur Directeur Spécialiste Spécialiste Urban Art Impressionniste & Moderne Post-War & Contemporain Urban Art Post-War & Contemporain et Limited Edition Commissaire-priseur Belgique Capucine Tamboise Florent Wanecq Jessica Cavalero Sophie Cariguel Spécialiste junior Catalogueur Recherche et certificat Catalogueur Photographie Impressionniste & Moderne Impressionniste & Moderne Post-War & Contemporain Post-War & Contemporain Elodie Landais Vanessa Favre Salomé Pirson Alma Barthélemy Administrateur Administrateur Client & Business Assistante Impressionniste & Moderne Post-War & Contemporain Développement du Vice-président des départements du XXe siècle EUROPE Martin Guesnet Vinciane de Traux Emilie Volka Caroline Messensee Miriam Krohne Louise Gréther Directeur Europe Directeur Belgique Directeur Italie Directeur Autriche Directeur Allemagne Directeur Monaco Pour les lots en provenance hors CEE,il convient d’ajouter : 5, 5 % du prix d’adjudication pour les lots précédés de ce symbole. Lots en importation temporaire : 1 à 176 et 191 à 201 22 octobre 2019 19h. Paris RTCURIAL Outsider(s) : A History of Beautiful Losers 5 lot n°38, Phil Frost × Barry McGee, Subtext, 1999 (détail) p.52 INDEX A G O ARON, David - 1, 2 GONZALES, Mark - 39, 40, 41, 42, 43, OS GEMEOS - 141, 188, 195, 200, 201 ATTOE, Dan - 3, 4, 5 44, 131, 154, 165, 168 GREEN, Doze - 151 GUERRERO, Tommy - 171 P B PETTIBON, Raymond - 87, 88, 89, 90, BASQUIAT, Jean-Michel - 126 91, 92, 93, 94, 95, 143, 144, 191 BLENDER, Neil - 6, 7 H POWERS, Steve - 96, 97, 98, 99, 100, HECOX, Evan - 45, 46, 47, 48, 155, 101, 142, 158, 169, 189 181 PUSHEAD - 102, 145, 159, 163 C CAMPBELL, Thomas - 8, 127, 131, 148, 167 J R CHALFANT, Henry - 9, 10, 11, 12 JAMES, Todd - 49, 132, 143, 177 RAMMELLZEE - 126 CLARK, Larry - 13, 149, 150 JOHANSON, Chris - 50, 51, 52, 53, RICHARDSON, Terry - 103, 104, 146 CONNOLLY, Cynthia - 14 54, 55, 56, 57, 133, 172 ROJAS, Clare - 105 D K S DALEK - 15 KAWS - 58, 59, 60, 61, 62, 63, 64, SAFFER, Ben - 176 DUNN, Cheryl - 16, 17, 18, 19, 20 65, 66, 124, 134, 162, 182, 183, 184, STASH - 192 DZAMA, Marcel - 21, 22, 23, 24, 25, 190 26 KILGALLEN, Margaret - 67, 135, 166, 193 KOONS, Jeff - 157 T KORINE, Harmony - 68, 69, 136 TEMPLETON, Ed - 106 à 123, 147, 160, KRINK - 199 E 175 ELLIS, David - 27, 28, 29, 30, 31, 32, 33 M W MARCOPOULOS, Ari - 140, 187 WOOL, Christopher - 161 F McFETRIDGE, Geoff - 185 McGEE, Barry - 38, 70, 71, 72, 73, FARBER, Neil - 34, 35 74, 75, 76, 77, 78, 79, 139, 174, 186 FAIREY, Shepard - 124, 128, 129, McGINLEY, Ryan - 80, 81, 137 152, 164, 194 McGINNESS, Ryan - 82, 83, 84, 85, FROST, Phil - 36, 37, 38, 130, 153, 86, 138, 156 170, 178, 179 MILLS, Mike - 173 FUTURA - 180, 196, 197, 198 lot n°38, Phil Frost × Barry McGee, Subtext, 1999 (détail) p.52 22 octobre 2019 19h. Paris RTCURIAL Outsider(s) : A History of Beautiful Losers 7 Couverture de l’ouvrage Beautiful Losers, Iconoclast Editions & D.A.P., 2004-2005 D.R. Fr En Quatre ans après le clin d’œil Four years after the nod to this qu’était la vente Beautiful Win- movement that was the Beautiful ners en 2015, nous sommes très Winners sale in 2015, we are de- heureux et fiers de présenter à lighted and very glad to present travers ce catalogue cet ensemble with this catalogue this collection qui est un jalon dans l’approche des which represents a landmark in contre-cultures aux États-Unis. the approach of counter-cultures Une façon de placer ces artistes in the United States. au centre du marché et de la créa- A way of placing these artists tion contemporaine actuelle. at the centre of the market and Cette collection américaine the creation of contemporary art. majeure dispersée à Paris permet- This major American collec- tra aux collectionneurs et aux ama- tion which will be sold in Paris teurs de découvrir ou redécouvrir will allow collectors and ama- ces sub-cultures. teurs to discover or rediscover La plupart de ces artistes these subcultures. ont depuis acquis leur lettre de Most of these artists have since noblesse et font partie intégrante acquired the recognition of the de l’histoire de l’art contemporain. market and are an integral part of C’est aussi une façon de rendre the history of contemporary art. hommage au regard incisif de notre It is also a way to pay homage collectionneur qui a su déceler to the incisive look of our collec- avant bien d’autres la richesse artis- tor who knew before many others tique de ces mouvements issus des the artistic richness of these cultures urbaines, skate, punk... movements coming from urban Nous avons pu partager avec cultures, skate, punk... lui la passion pour cette culture qui We were so delighted to share l’anime depuis plus de 25 ans. this passion. The Beautiful Le projet Beautiful Losers est Losers project is the story of this l’histoire de cette passion. passion. Karine Castagna & Arnaud Oliveux, Karine Castagna & Arnaud Oliveux, septembre 2019 September 2019 22 octobre 2019 19h. Paris RTCURIAL Outsider(s) : A History of Beautiful Losers 9 Fr En Dave Aron est l’un des artistes origi- Dave Aron is one of the original, naux de première génération first generation artists to be à avoir été exposé à l’Alleged Gallery shown at Alleged Gallery (New York) dans les années 1990. (New York) in the 1990s. He is Il fait partie de la scène originale part of the original scene from Vue de l’exposition David Aron à la Alleged Gallery en 1997 de cette époque qui évoluait dans that time in downtown New D.R. les cercles artistiques du centre de York artistic circles. Aron has New York. Aron a été fortement deep roots and came of age inspiré et s’est révélé sous l’influence both influenced by and part of des scènes du skateboard et du the skateboarding and punk punk rock dans les années 1980 et rock scenes of the 1980s and 1990. Ses oeuvres caractéristiques 1990s. Aron's signature work of pendant cette période incluaient de that period involved beautifully magnifiques peintures abstraites et executed, minimalist abstract minimalistes sur du bois, principale- paintings on wood, primarily ment réalisées à partir d’une made with a black and white palette de noirs et de blancs. Aron color palette. Aron was also contribuera également largement à a key contributor to Shepard la marque de skateboard Subliminal Fairey's Subliminal skateboard de Shepard Fairey pendant les brand during the 1990s while années 1990 lorsque Fairey vivait Fairey was still living in Rhode encore à Rhode Island, avant de Island before moving to Califor- déménager en Californie à la fin de nia later in the decade. In cette décennie. En plus de Fairey, les addition to Fairey, the original artistes ayant initialement contribué Subliminal contributing artists à la marque Subliminal incluaient also included Phil Frost and également Phil Frost et Mike Mills, Mike Mills, among others. pour n’en citer que quelques-uns. 10 Outsider(s) : A History of Beautiful Losers RTCURIAL 22 octobre 2019 19h. Paris 1 David ARON Américain - Né en 1970 Heart of Palm – 1997 Technique mixte sur bois Signé, titré et daté au dos 60,50 x 27,50 cm Provenance : Acquis directement auprès de l'artiste Collection particulière, États-Unis Exposition : New York, Alleged Fine Arts, David Aron, 1997 Bibliographie: David Aron, The Left Handed Coconut, New York, 1998, reproduit p.49 et 50 Mixed media on wood ; signed, titled and dated on verso 24 x 11 in. 1 000 - 1 500 € 22 octobre 2019 19h. Paris RTCURIAL Outsider(s) : A History of Beautiful Losers 11 2 David ARON Américain - Né en 1970 Sans titre – 1997 Technique mixte sur bois (diptyque) Signé et daté au dos 244 x 40,40 cm et 236,30 x 32 cm Provenance : Acquis directement auprès de l'artiste Collection particulière, États-Unis Exposition : New York, Alleged Fine Arts, David Aron, 1997 Bibliographie: David Aron, The Left Handed Coconut, New York, 1998, reproduit p.49 et 50 Mixed media on wood (diptych); signed and dated on verso 96 x 16 in. and 93 x 12.50 in. 3 000 - 4 000 € Détail lot 5 Fr En Les peintures de Dan Attoe nombreuses expositions de groupe Dan Attoe’s paintings depict across the country, as well as représentent des merveilles de dans des galeries et des musées natural wonders – populated Barneys New York and the Iowa la nature – peuplées de minus- aux États-Unis et en Europe. Il by tiny figures spouting even State Fair. Dan Attoe’s work has cules personnages délivrant des a travaillé avec et a contribué à tinier diaristic missives, culled been written about and featured missives diaristiques encore plus l’inspiration d’une ligne de vête- from the artist’s stream of in Artforum, The Los Angeles minuscules, provenant du flux de ments du styliste Adam Kimmel en consciousness. Attoe makes a Times, Art Review, The Journal, pensées de l’artiste.
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