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Intelligent Multimedia Danièle Bourcier, Melanie Dulong De Rosnay, Pompeu Casanovas, Maracke Catharina
Intelligent Multimedia Danièle Bourcier, Melanie Dulong de Rosnay, Pompeu Casanovas, Maracke Catharina To cite this version: Danièle Bourcier, Melanie Dulong de Rosnay, Pompeu Casanovas, Maracke Catharina. Intelligent Multimedia. Danièle Bourcier, Pompeu Casanovas, Mélanie Dulong de Rosnay, Catharina Maracke. European Press Academic Publishing, pp.412, 2010, Series in Legal Information and Communication Technologies. halshs-00671623 HAL Id: halshs-00671623 https://halshs.archives-ouvertes.fr/halshs-00671623 Submitted on 17 Feb 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Series in Legal Information and Communication Technologies Volume 8 IntelligentMultimedia.tex; 28/05/2010; 20:00; p.1 Volume Editors’ Biographies Daniele Bourcier, doctorate in Public Law, is director of research at the Centre National de la Recherche Scientifique, CERSA, Paris. She is associ- ated professor at the University of Paris 1 in eGovernment. Scientific lead of CC France, she works on Commons Governance and Regulation. She wrote 16 books (collective or not) and many papers in the field of IT, Cognition and Law. She is an appointed member of the Comite d’Éthique des Sciences (CNRS). Pompeu Casanovas, director of the UAB Institute of Law and Technol- ogy (http://idt.uab.cat) and professor of Philosophy of Law at the Universitat Autònoma de Barcelona. -
Abuse of Dominantposition and Switching Costs
UNIVERSITY OF LONDON REFUSAL TO LICENSE: ABUSE OF DOMINANT POSITION AND SWITCHING COSTS NET LE SUBMITTED TO THE LAW DEPARTMENT OF THE LONDON SCHOOL OF ECONOMICS AND POLITICAL SCIENCE FOR THE DEGREE OF DOCTOR OF PHILOSOPHY LONDON, MAY 2004 U /« 3 L \ * f LONDIU) \ WtfV. / UMI Number: U615726 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615726 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Th e s e s F 353£ . Library British Library of Political and Economic Science IJW 5S 5 II ACKNOWLEDGEMENT Foremost, I wish to express my deep gratitude to my supervisors, Professor William T. Murphy and Mr. Andrew Murray for their continual support throughout this thesis. Their comments have helped to essentially improve the accuracy of my research. Further, I wish to thank Mr. Giorgio Monti for reviewing my drafts, sharing with me books, giving me invaluable feedback and assistance. Others from LSE whom I would like to thank include Doctors Carsten Sorensen and Ole Hanseth (Department of Information System), Professors Max Steuer, Dany Quah and Michele Picione (Department of Economics) for reading my drafts, generously sharing with me their knowledge, improving my understanding and moreover providing me with excellent research inspiration. -
Section 1201 Rulemaking: Seventh Triennial Proceeding to Determine
united states copyright office section 1201 rulemaking: Seventh Triennial Proceeding to Determine Exemptions to the Prohibition on Circumvention recommendation of the acting register of copyrights october 2018 Section 1201 Rulemaking: Seventh Triennial Proceeding to Determine Exemptions to the Prohibition on Circumvention Recommendation of the Acting Register of Copyrights TABLE OF CONTENTS I. INTRODUCTION ................................................................................................................. 1 II. LEGAL BACKGROUND ..................................................................................................... 9 A. Section 1201(a)(1) ............................................................................................................. 9 B. Relationship to Other Provisions of Section 1201 and Other Laws ........................ 11 C. Rulemaking Standards ................................................................................................. 12 D. Streamlined Renewal Process ...................................................................................... 17 III. HISTORY OF SEVENTH TRIENNIAL PROCEEDING ................................................ 20 IV. RENEWAL RECOMMENDATIONS ............................................................................... 22 V. DISCUSSION OF NEW PROPOSED CLASSES ............................................................. 31 A. Proposed Class 1: Audiovisual Works—Criticism and Comment ......................... 31 B. Proposed Class 2: Audiovisual -
Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
City Zoning & Subdivision Ordinances
Printed via Website Updated 1/3/20 CITY ZONING & SUBDIVISION ORDINANCES (Updated: January 3, 2020) Printed via Website Updated 1/3/20 CITY ZONING & SUBDIVISION ORDINANCE INDEX Updated: January 3, 2020 SECTION 1. Title and Application Subd. 1. Title ..................................................................................... 1-1 Subd. 2. Intent and Purpose .............................................................. 1-1 Subd. 3. Relation to Comprehensive Municipal Plan ....................... 1-1 Subd. 4. Standard, Requirement ....................................................... 1-1 Subd. 5. Interpretations and Application .......................................... 1-1 Subd. 6. Conformity .......................................................................... 1-1 Subd. 7. Building Permit Conformity ............................................... 1-2 Subd. 8. Uses Not Provided For Within Zoning Districts ................ 1-2 Subd. 9. Authority ............................................................................. 1-2 Subd. 10. Separability ....................................................................... 1-2 Subd. 11. Rules ................................................................................. 1-2 SECTION 2. Definitions Subd. 1-197. .......................................................................... 2-1 – 2-24 SECTION 3. General Provisions Subd. 1. Nonconforming Buildings, Structures and Uses ................ 3-1 Subd. 2. General Building and Performance Requirements ............. 3-9 Subd. -
Digital Rights Management and the Process of Fair Use Timothy K
University of Cincinnati College of Law University of Cincinnati College of Law Scholarship and Publications Faculty Articles and Other Publications Faculty Scholarship 1-1-2006 Digital Rights Management and the Process of Fair Use Timothy K. Armstrong University of Cincinnati College of Law Follow this and additional works at: http://scholarship.law.uc.edu/fac_pubs Part of the Intellectual Property Commons Recommended Citation Armstrong, Timothy K., "Digital Rights Management and the Process of Fair Use" (2006). Faculty Articles and Other Publications. Paper 146. http://scholarship.law.uc.edu/fac_pubs/146 This Article is brought to you for free and open access by the Faculty Scholarship at University of Cincinnati College of Law Scholarship and Publications. It has been accepted for inclusion in Faculty Articles and Other Publications by an authorized administrator of University of Cincinnati College of Law Scholarship and Publications. For more information, please contact [email protected]. Harvard Journal ofLaw & Technology Volume 20, Number 1 Fall 2006 DIGITAL RIGHTS MANAGEMENT AND THE PROCESS OF FAIR USE Timothy K. Armstrong* TABLE OF CONTENTS I. INTRODUCTION: LEGAL AND TECHNOLOGICAL PROTECTIONS FOR FAIR USE OF COPYRIGHTED WORKS ........................................ 50 II. COPYRIGHT LAW AND/OR DIGITAL RIGHTS MANAGEMENT .......... 56 A. Traditional Copyright: The Normative Baseline ........................ 56 B. Contemporary Copyright: DRM as a "Speedbump" to Slow Mass Infringement .......................................................... -
Bright Ideas a Publication of the Intellectual Property Law Section of the New York State Bar Association
NYSBA SPRING/SUMMER 2011 | VOL. 20 | NO. 1 Bright Ideas A publication of the Intellectual Property Law Section of the New York State Bar Association Message from the Chair I am pleased to report on but has never quite been able to fi nd the right place. I am a number of exciting develop- excited to report that we will be trying something differ- ments and activities of our ent this year: the Section’s 2011 Fall Meeting will be held Section. First, we had another at the Rittenhouse Hotel in Philadelphia from October great Annual Meeting in January. 20-23. We hope that moving the Meeting to an urban Kudos to our Annual Meeting venue will mix things up a bit and help keep the program Co-Chairs, Chuck Miller and Phil fresh. There are many fun things for our families (and Furgang, for putting together ourselves) to do in Philadelphia, and the city is easy to a fascinating program, which get to by train or by car from most points within New covered diverse and cutting-edge York. We are planning special events to take advantage of intellectual property topics Paul M. Fakler what the city has to offer, hopefully including an event at such as the latest developments the Franklin Institute (a wonderful museum named for in patent litigation, counterfeiting, intellectual property inventor and statesman Benjamin Franklin and dedi- legislation, ethical issues raised by cloud computing, and cated to science and technology). Traditionalists need not intellectual property protection in China. We also had the worry: we plan to return to one of our traditional upstate distinct honor of hosting a thought-provoking luncheon venues for the 2012 Fall Meeting. -
Harry Potter Fanfiction on the Internet
POTTEROTICS: HARRY POTTER FANFICTION ON THE INTERNET By CATHERINE TOSENBERGER A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2007 1 © 2007 Catherine Tosenberger 2 To my grandparents Edward and June Hard, and Michael and Katherine Tosenberger 3 ACKNOWLEDGMENTS First and foremost, I must thank the Harry Potter fandom, and all the fans who gave so generously of their talent and expertise. I have met an enormous number of brilliant, funny, creative and wise people through my interactions with this community. The following, in no particular order, have been especially kind and helpful, and I am honored to call them friends: Amy Tenbrink, Hallie Tibbetts, Kathryn Loup, Heidi Tandy, Sarah Benoot, Anna Milton, Cassandra Claire, Pogrebin, Marvolo, Ravenchel, Katiebec, Rhoddlet, Fleur, Mireille, Kayla Gagnet Castille, Sabrina Chin, Jane Glaubman, Aja Romano, Carlie Webber, Anatsuno, Rennie Guedel, Ebony Thomas, V, Folk, Kay Taylor, Katie B, Vicki Dolenga, Ellen Fremedon, Anne Kustritz, Rene, Amatia, Sharon Goetz, Executrix, Resmiranda, Kristi Brownfield, Glockgal, Flourish, Darkrose, Calico, Metempsychosis, Cathexys, Cyg, Vali, Lolaraincoat, Chris Dickson, and Meg Milford. There are others whose names have escaped me, and I hope they won’t hold it against me. I thank the mods and denizens of Fandom Wank, for continually reminding me that fandom is, indeed, fucking funny. This project would never have begun, and would certainly not have finished, without the intellectual and emotional support of my director, Kenneth Kidd, the kindest and best of men. He has been a mentor and a dear friend. -
Black Girl Magic: the (Re)Imagining of Hermione Granger: an Analysis and Autoethnography
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2021 Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography Kandice Rose DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Rose, Kandice, "Black girl magic: the (re)imagining of Hermione Granger: an analysis and autoethnography" (2021). College of Liberal Arts & Social Sciences Theses and Dissertations. 306. https://via.library.depaul.edu/etd/306 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. DePaul University Black Girl Magic: The (re)Imagining of Hermione Granger An Analysis and Autoethnography Kandice Rose Critical Ethnic Studies Graduate Candidate June 2021 1 INTRODUCTION I'd very much like to say that I've always loved to read, but that would be patently false. At the age of 6, when I was in the first grade, the grade where Americans generally learn to read, I absolutely hated it. My teacher, Mrs. Johnson, would call on students to stand up and read passages to the class. I would stare in awe as other kids would read their sentences flawlessly, even as butterflies rattled in my stomach, as I waited in dread for her to call on either myself or my twin sister. -
Report to the President: MIT and the Prosecution of Aaron Swartz
Report to the President MIT and the Prosecution of Aaron Swartz Review Panel Harold Abelson Peter A. Diamond Andrew Grosso Douglas W. Pfeiffer (support) July 26, 2013 © Copyright 2013, Massachusetts Institute of Technology This worK is licensed under a Creative Commons Attribution 3.0 Unported License. PRESIDENT REIF’S CHARGE TO HAL ABELSON | iii L. Rafael Reif, President 77 Massachusetts Avenue, Building 3-208 Cambridge, MA 02139-4307 U.S.A. Phone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
Seeing the Queerness of Ec-Static Images
Georgia State University ScholarWorks @ Georgia State University Communication Dissertations Department of Communication Fall 12-2013 Oblique Optics: Seeing the Queerness of Ec-static Images Kristopher L. Cannon Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/communication_diss Recommended Citation Cannon, Kristopher L., "Oblique Optics: Seeing the Queerness of Ec-static Images." Dissertation, Georgia State University, 2013. https://scholarworks.gsu.edu/communication_diss/48 This Dissertation is brought to you for free and open access by the Department of Communication at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Communication Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. OBLIQUE OPTICS: SEEING THE QUEERNESS OF EC-STATIC IMAGES by KRISTOPHER L. CANNON Under the Direction of Alessandra Raengo ABSTRACT Oblique Optics contends that studies of visual culture must account for the queerness of images. This argument posits images as queer residents within visual culture by asking how and where the queerness of images becomes visible. These questions are interrogated by utilizing queer theories and methods to refigure how the image is conceptualized within traditional approaches to visual culture studies and media studies. Each chapter offers different approaches to see the queerness of images by torquing our vision to see "obliquely," whereby images are located beyond visible surfaces (like pictures or photographs) through ec-static movements within thresholds between bodies and beings. Chapter One rethinks how images are conceptualized through metaphorical language by exploring how images emerge from fantasies about will-be-born bodies in fetal photographs. -
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