Abuse of Dominantposition and Switching Costs
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Audiences, Gender and Community in Fan Vidding Katharina M
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2011 "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding Katharina M. Freund University of Wollongong, [email protected] Recommended Citation Freund, Katharina M., "Veni, Vidi, Vids!" audiences, gender and community in Fan Vidding, Doctor of Philosophy thesis, School of Social Sciences, Media and Communications, Faculty of Arts, University of Wollongong, 2011. http://ro.uow.edu.au/theses/3447 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] “Veni, Vidi, Vids!”: Audiences, Gender and Community in Fan Vidding A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy From University of Wollongong by Katharina Freund (BA Hons) School of Social Sciences, Media and Communications 2011 CERTIFICATION I, Katharina Freund, declare that this thesis, submitted in fulfilment of the requirements for the award of Doctor of Philosophy, in the Arts Faculty, University of Wollongong, is wholly my own work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Katharina Freund 30 September, 2011 i ABSTRACT This thesis documents and analyses the contemporary community of (mostly) female fan video editors, known as vidders, through a triangulated, ethnographic study. It provides historical and contextual background for the development of the vidding community, and explores the role of agency among this specialised audience community. Utilising semiotic theory, it offers a theoretical language for understanding the structure and function of remix videos. -
THE EVOLVING COMMON LAW DOCTRINE of COPYRIGHT MISUSE: a UNIFIED THEORY and ITS APPLICATION to SOFTWARE by Brett .Frischmannt and Dan Mqylai
THE EVOLVING COMMON LAW DOCTRINE OF COPYRIGHT MISUSE: A UNIFIED THEORY AND ITS APPLICATION TO SOFTWARE By Brett .Frischmannt and Dan Mqylai ABSTRACT This Article explores the common law defense of copyright misuse from a variety of angles in an effort to refine and unify ex- isting views. The unified model that emerges is then applied to software copyright, addressing the tension that software creates within copyright law as well as between copyright, patent, and an- titrust law. Part I develops a jurisprudential model for understand- ing the substantive relationship between the copyright misuse doc- trine and copyright, patent, and antitrust laws, and the procedural approaches taken by courts when formulating and applying misuse principles-per se rules and the rule of reason. Part Ill examines four Supreme Court cases that provide guidance for the application of misuse principles in the copyright context. It then turns to an analysis of the application of copyright misuse in the federal courts of appeals. These discussions enable a distillation of guiding prin- ciples from the case law in an attempt to clarify the "current state of the copyright misuse doctrine." Part V applies the principles derived in Parts II and 111 to software copyrights and proposes a per se rule against licensing restrictions upon reverse engineering that complements antitrust-based misuse and the fair use doctrine. Rather than attempt to provide a comprehensive set of public pol- icy-based misuse rules, this Article instead presents a single rule as © 2000 Brett Frischmann and Dan Moylan. t Associate with Wilmer, Cutler & Pickering; M.S., B.A., Columbia University, J.D., Georgetown University Law Center. -
REVITALIZING the DOCTRINE of TRADEMARK MISUSE by William E
REVITALIZING THE DOCTRINE OF TRADEMARK MISUSE By William E. Ridgwayt TABLE OF CONTENTS I. O VERVIEW O F M ISUSE ..................................................................... 1550 A. MISUSE WITHIN PATENT AND COPYRIGHT LAW .............................. 1550 B. MISUSE WITHIN TRADEMARK LAW .................................................. 1553 1. Early Cases and Unclean Hands ............................................... 1553 2. Modern Decline .......................................................................... 1554 II. TRANSLATING MISUSE TO TRADEMARK LAW ........................ 1557 A. OVERVIEW OF TRADEMARK LAW ..................................................... 1557 B. DISTINGUISHING TRADEMARK LAW FROM PATENT AND C OPYRIGHT LAW .............................................................................. 1558 1. TrademarksPrincipally Protect Society Rather than Creators. 1558 2. Differences in ConstitutionalBasis for Protection .................... 1561 3. TrademarkLaw's Vague, Fairness-BasedBoundaries .............. 1562 III. WHAT CONDUCT SHOULD CONSTITUTE TRADEMARK M ISU SE ? ................................................................................................. 1564 A. ANTICOMPETITIVE AND PUBLIC POLICY APPROACH ........................ 1565 B. THE PROPOSED APPROACH ............................................................... 1566 1. IncorrectAssertion of Rights ..................................................... 1567 2. Improper Purpose ..................................................................... -
Proposal to Add the Copyleft Symbol to Unicode
Proposal to add the Copyleft Symbol to Unicode by David Faulks (dаvіdј_faulks@yahоο.ca) February 23, 2016 ! 1. Introduction The purpose of this proposal is to request that a codepoint be allocated in the UCS for the Copyleft Symbol !, a symbol which is derived from U+00A9 COPYRIGHT SIGN (©), only reversed. It is proposed that the symbol be allocated at U+1F16C in the Enclosed Alphanumeric Supplement Block. If the proposed name COPYLEFT SYMBOL (by far the most common name1) is not acceptable to the UTC, alternative names (such as COPYLEFT SIGN, or REVERSED COPYRIGHT SIGN) are acceptable. Since the symbol is derived from U+00A9 copyright sign, the proposed character properties are based upon that character, but the UTC should feel free to alter the proposed properties if they wish. 1F16C;COPYLEFT SYMBOL;So;0;ON;;;;;N;;;;; As a symbol, the copyleft symbol has no special line-breaking properties, and also has no defined collation, although one may suggest it be sorted just after (or before) ©. The Proposal Summary Form is attached to the end of this proposal, as seems to be the practice nowadays. 2. History Copyleft is a term that first gained popularity with Richard Stallman's GNU Project during the late 1980's, although the term itself can be traced back earlier. The term is currently used in a formal manner, to refer to licensing schemes for copyrighted works that are not ‘All Rights Reserved' but rather grant some sort of copying and modification rights to the user or recipient automatically.2 Since the Copyright Sign (©) already existed long before the term ‘Copyleft’ was invented, it seems natural to come up with a reversed Copyright Sign to denote Copyleft. -
Should We Kill the Dinosaurs Or Will They Die of Natural Causes Peter Brown
Cornell Journal of Law and Public Policy Volume 9 Article 8 Issue 1 Fall 1999 Should We Kill the Dinosaurs or Will They Die of Natural Causes Peter Brown Lauren McCollester Follow this and additional works at: http://scholarship.law.cornell.edu/cjlpp Part of the Law Commons Recommended Citation Brown, Peter and McCollester, Lauren (1999) "Should We Kill the Dinosaurs or Will They Die of aN tural Causes," Cornell Journal of Law and Public Policy: Vol. 9: Iss. 1, Article 8. Available at: http://scholarship.law.cornell.edu/cjlpp/vol9/iss1/8 This Article is brought to you for free and open access by the Journals at Scholarship@Cornell Law: A Digital Repository. It has been accepted for inclusion in Cornell Journal of Law and Public Policy by an authorized administrator of Scholarship@Cornell Law: A Digital Repository. For more information, please contact [email protected]. SHOULD WE KILL THE DINOSAURS OR WILL THEY DIE OF NATURAL CAUSES? Peter Brown and Lauren McCollestert Since the industrial revolution, certain companies were able to attain monopolistic dominance in particular markets or industries because of the ownership of physical property such as steel mills, railroads and tele- phone lines. Such monopolies have prompted regulatory and judicial scrutiny as well as a desire to oust them from their dominant perches. With the dawn of the information age, an analogous situation has arisen in the technology industry. For example, as of this writing, Microsoft, through the copyright it holds on the Windows platform, is the leading provider of PC operating system software;1 Intuit, with its Quicken Tm software, dominates the market for personal financial management 3 software;2 and Macafee leads the market in virus detection software. -
Copy, Rip, Burn : the Politics of Copyleft and Open Source
Copy, Rip, Burn Berry 00 pre i 5/8/08 12:05:39 Berry 00 pre ii 5/8/08 12:05:39 Copy, Rip, Burn The Politics of Copyleft and Open Source DAVID M. BERRY PLUTO PRESS www.plutobooks.com Berry 00 pre iii 5/8/08 12:05:39 First published 2008 by Pluto Press 345 Archway Road, London N6 5AA www.plutobooks.com Copyright © David M. Berry 2008 The right of David M. Berry to be identifi ed as the author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 978 0 7453 2415 9 Hardback ISBN 978 0 7453 2414 2 Paperback Library of Congress Cataloging in Publication Data applied for This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental standards of the country of origin. The paper may contain up to 70% post consumer waste. 10 9 8 7 6 5 4 3 2 1 Designed and produced for Pluto Press by Chase Publishing Services Ltd, Sidmouth, EX10 9QG, England Typeset from disk by Stanford DTP Services, Northampton Printed and bound in the European Union by CPI Antony Rowe, Chippenham and Eastbourne Berry 00 pre iv 5/8/08 12:05:41 CONTENTS Acknowledgements ix Preface x 1. The Canary in the Mine 1 2. The Information Society 41 3. -
Management ABSTRACT
Research Paper Volume : 2 | Issue : 7 | July 2013 • ISSN No 2277 - 8179 Management KEYWORDS : Intellectual Property Copyleft for the Copyright Rights, Copyright, Copyleft, Licensing Suvrashis Sarkar Researcher for PhD with Mumbai University at Jamnalal Bajaj Institute of Management Studies ABSTRACT Copyright is a kind of intellectual property right whose importance has increased tremendously in the re- cent years due to rapid technological developments in the field of information and communication technology, printing, publishing, music and entertainment, etc. The object of copyright is to encourage authors, composers, artists, designers to create original works by rewarding them with exclusive rights for a certain time period. However economic exploitation of copyright is done by licensing the exclusive rights to others for monitory consideration. In the rapidly changing technological environment, cop- yright protection has been extended to areas of creative work particularly in the information technology industry relating to comput- er software and databases. Copyleft is emerging as a paradigm opposed to copyright which allows authors to grant the users of their works the right to use, modify, distribute and copy their works. This paper attempts to provide a basic understanding of copyright, followed with the introduction to the concept of copyleft, its history, the various methods and types of copyleft, and the fundamental thought behind it. This paper also attempts to touch upon the criticisms of copyleft, the current state and future outlook for copyleft. Introduction: The word “copyright” is derived from the expression ‘copier of existing business models of software companies, which lead to words’. The word ‘copy’ is presumed to date back to 1485AD anand increase redistribute in copyrighted the software. -
IN5320 Free and Open Source Software
IN5320 Free and Open Source Software University of Oslo Department of Informatics Outline • What is FOSS? • FOSS as an approach to software development • Business models for FOSS development • Intellectual property rights - copyrights and patents • Software licenses • FOSS and Platform Ecosystems Free and Open Source Software […] anyone is freely licensed to use, copy, study, and change the software in any way, and the source code is openly shared so that people are encouraged to voluntarily improve the design of the software. – Wikipedia Types of software Redistri- Unlimited use Source code Source code Software type Free (cost) butable and users available modifiable Commercial - Shareware X X Freeware X X X Royalty-free X X X X libraries Open source X X X X X Historical context • In the early days of programming, sharing of software among programmers was the norm • Hardware vendors started to dominate software distribution in the 1980s, releasing proprietary software in binary form • FSF established in 1985 to re-establish free software norms - defined 4 freedoms for software • In the second half of the 1990s, the internet facilitated distributed OSS development • Open Source Initiative (OSI) founded in 1998 to promote OSS as a solution for businesses - defined 10 criteria for OSS 1. Free redistribution • No restriction on redistribution (free or paid) of the software • The software can be redistributed alone or as a component of an aggregate software distribution • The licensee can not require a royalty or fee for redistribution 2. Source code • The software must include the source code, or it must be easily obtainable through well-published means • The source code should not be deliberately obfuscated, and intermediate forms (preprocessor/translator output) are not allowed. -
The First Sale Doctrine and the Economics of Post-Sale Restraints, 2014 BYU L
BYU Law Review Volume 2014 | Issue 1 Article 4 4-30-2014 The irsF t Sale Doctrine and the Economics of Post- Sale Restraints Ariel Katz Follow this and additional works at: https://digitalcommons.law.byu.edu/lawreview Part of the Intellectual Property Law Commons Recommended Citation Ariel Katz, The First Sale Doctrine and the Economics of Post-Sale Restraints, 2014 BYU L. Rev. 55 (2014). Available at: https://digitalcommons.law.byu.edu/lawreview/vol2014/iss1/4 This Article is brought to you for free and open access by the Brigham Young University Law Review at BYU Law Digital Commons. It has been accepted for inclusion in BYU Law Review by an authorized editor of BYU Law Digital Commons. For more information, please contact [email protected]. DO NOT DELETE 5/5/2014 3:43 PM The First Sale Doctrine and the Economics of Post- Sale Restraints Ariel Katz* ABSTRACT The first sale doctrine limits the exclusive rights that survive the initial authorized sale of an item protected by intellectual property (IP) rights, and therefore limits the ability of IP owners to impose post-sale restraints on the distribution or use of items embodying their IP. While the doctrine has deep common law and statutory roots, its exact rationale and scope have never been fully explored and articulated. As a result, the law remains somewhat unsettled, in particular with respect to the ability of IP owners to opt-out of the doctrine and with respect to the applicability of the doctrine to situations of parallel importation. This Article provides answers to these unsettled issues. -
Proposal to Add the Copyleft Symbol to Unicode
Proposal to add the Copyleft Symbol to Unicode by David Faulks (dаvіdј_faulks@yahоο.ca) February 23, 2016, modified August 12, 2016 ! 1. Introduction The purpose of this proposal is to request that a codepoint be allocated in the UCS for the Copyleft Symbol !, a symbol which is derived from U+00A9 COPYRIGHT SIGN (©), only reversed. It is proposed that the symbol be allocated at U+1F12F1 in the Enclosed Alphanumeric Supplement Block. If the proposed name COPYLEFT SYMBOL (by far the most common name2) is not acceptable to the UTC, alternative names (such as COPYLEFT SIGN, or REVERSED COPYRIGHT SIGN) are acceptable. Since the symbol is derived from U+00A9 copyright sign, the proposed character properties are based upon that character, but the UTC should feel free to alter the proposed properties if they wish. 1F12F;COPYLEFT SYMBOL;So;0;ON;;;;;N;;;;; As a symbol, the copyleft symbol has no special line-breaking properties, and also has no defined collation, although one may suggest it be sorted just after (or before) ©. The Proposal Summary Form is attached to the end of this proposal, as seems to be the practice nowadays. 2. History Copyleft is a term that first gained popularity with Richard Stallman's GNU Project during the late 1980's, although the term itself can be traced back earlier. The term is currently used in a formal manner, to refer to licensing schemes for copyrighted works that are not ‘All Rights Reserved' but rather grant some sort of copying and modification rights to the user or recipient automatically.3 Since the Copyright Sign (©) already existed long before the term ‘Copyleft’ was invented, it 1 The original proposed position was 1F16C but the UTC decided on 1F12F, and this revision has been made to reflect that change. -
If:Book Futureofthebook.Org.Uk July 2008
read:write Digital Possibilities for Literature A report for Arts Council England by Mary Harrington & Chris Meade if:book futureofthebook.org.uk July 2008 Report commissioned by Arts Council England Contents 1. Executive summary 6 1.1 Brief and Methodology 6 1.2 Introduction 6 1.3 Web culture 6 1.4 New Writing and the Web 7 1.5 Born digital creative forms 7 1.6 Reading & writing 7 1.7 Live literature 8 1.8 Publishing 8 1.9 Technology 8 1.10 Conclusion 9 2. Introduction 10 2.1 Familiar objections 11 2.2 Rapid change 11 3. Web Culture 12 3.1 Introduction 12 3.2 Key ideas for the literature sector 12 3.2.1 The read/write Web 3.2.2 Community building strategies 3.2.3 Cultural loss leaders 3.2.4 Convergence and curation 3.2.5 Opportunities for literature 3.3. A short history of the network 13 3.3.1 The network 3.3.2 The World Wide Web 3.3.3 The first bubble 3.3.4 Web 2.0 after the dot-com bust 3.3.5 Impacts of Web 2.0 3.3.6 Ideas: the read/write Web 3.3.7 Where next? 4. New writing and the web 17 4.1 Literary magazines online 17 4.1.1 Overview 4.1.2 A first filter of quality 4.1.3 Technology 4.1.4 Print magazines online 4.1.5. Case study: Pen Pusher 4.1.5.i 21st-century literary endeavour 4.1.5.ii Using digital technologies to build community 4.1.5.iii Ad-supported 4.2 Online-only (ezines) 19 4.2.1 Case study: Pulp.net and 3:AM 4.3 Words are cheap 21 4.4 Writers’ Communities 21 4.4.1 Overview 4.4.2 Writing for publication 2 4.4.3 User case study: Joe Dunthorne 4.4.4 Case study: YouWriteOn.com 4.4.5 Writing for fun 5. -
1 Fair Use and Copyright Protection
FAIR USE AND COPYRIGHT PROTECTION: A PRICE THEORY EXPLANATION Ben Depoorter Center for Advanced Studies in Law and Economics Faculty of Law, Ghent University Universiteitstraat 4, B-9000 Gent, Belgium e-mail: [email protected] homepage: http://www.law.rug.ac.be/grond/casle/Ben-econlaw.html Francesco Parisi Professor of Law and Co-Director, J.M. Buchanan Centre for Political Economy, Program in Economics and the Law George Mason University 3401 North Fairfax Drive, Arlington, Virginia 22201-4498, USA e-mail: [email protected] 1 Ben Depoorter1 – Francesco Parisi2 FAIR USE AND COPYRIGHT PROTECTION: A PRICE THEORY EXPLANATION Abstract Copyright scholars suggest that computer technology has reduced transaction costs associated with copyright transfer, allegedly eliminating the need for the fair use doctrines that were developed to allow limited use of copyrighted material in situations where the transaction costs of securing authorized use would be prohibitive. According to this emerging view, in an ideal world with no contracting costs, third party use of copyrighted material could realistically only take place with the express consent of the copyright holder. This would give the author absolute power to dispose of his work, including the right to veto uses, without the possibility of a fair use “override” of any sort. This paper shows the limits of such transaction-cost based arguments. If transaction costs provide the dominant economic justification of "fair use" doctrines, an exogenous reduction of such transaction costs would limit the scope and application of the defense of fair use. Nevertheless, in this paper we demonstrate that, when viewed in light of the anticommons theory, fair use doctrines retain a valid efficiency justification even in a zero transaction cost environment.