Duke University Press
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Santana (Band) Album Listen (Diskografi & Tidslinje)
Santana (band) Album Listen (Diskografi & Tidslinje) Supernatural https://da.listvote.com/lists/music/albums/supernatural-819127/songs Welcome https://da.listvote.com/lists/music/albums/welcome-1502152/songs All That I Am https://da.listvote.com/lists/music/albums/all-that-i-am-2449161/songs Guitar Heaven: The Greatest Guitar https://da.listvote.com/lists/music/albums/guitar-heaven%3A-the-greatest-guitar-classics- Classics of All Time of-all-time-1931607/songs Santana IV https://da.listvote.com/lists/music/albums/santana-iv-22905759/songs In Search of Mona Lisa https://da.listvote.com/lists/music/albums/in-search-of-mona-lisa-62023938/songs Shape Shifter https://da.listvote.com/lists/music/albums/shape-shifter-2756606/songs The Very Best of Santana (Live in https://da.listvote.com/lists/music/albums/the-very-best-of-santana-%28live-in-1968%29- 1968) 2895906/songs The Best of Santana https://da.listvote.com/lists/music/albums/the-best-of-santana-23858799/songs Santana Jam https://da.listvote.com/lists/music/albums/santana-jam-3472786/songs Santana Live https://da.listvote.com/lists/music/albums/santana-live-7420042/songs Serie de colección – 15 https://da.listvote.com/lists/music/albums/serie-de-colecci%C3%B3n-%E2%80%93-15- auténticos éxitos aut%C3%A9nticos-%C3%A9xitos-25411997/songs Amigos https://da.listvote.com/lists/music/albums/amigos-978016/songs Caravanserai https://da.listvote.com/lists/music/albums/caravanserai-1035461/songs Moonflower https://da.listvote.com/lists/music/albums/moonflower-671022/songs Abraxas https://da.listvote.com/lists/music/albums/abraxas-284798/songs -
Ophir De España & Fernando De Montesinos's Divine
OPHIR DE ESPAÑA & FERNANDO DE MONTESINOS’S DIVINE DEFENSE OF THE SPANISH COLONIAL EMPIRE: A MYSTERIOUS ANCESTRAL MERGING OF PRE-INCA AND CHRISTIAN HISTORIES by NATHAN JAMES GORDON A.A., Mt. San Jacinto College, 2006 B.A., University of Colorado, 2010 M.A., University of Colorado, 2012 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirment for the degree of Doctor of Philosophy Department of Spanish and Portuguese 2017 This thesis entitled: Ophir de España & Fernando de Montesinos’s Divine Defense of the Spanish Colonial Empire: A Mysterious Ancestral Merging of pre-Inca and Christian Histories written by Nathan James Gordon has been approved for the Department of Spanish and Portuguese Andrés Prieto Leila Gómez Gerardo Gutiérrez Núria Silleras-Fernández Juan Dabove Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii ABSTRACT Gordon, Nathan James (Ph.D., Spanish Literature, Department of Spanish and Portuguese) Ophir de España & Fernando de Montesinos’s Divine Defense of the Spanish Colonial Empire: A Mysterious Ancestral Merging of pre-Inca and Christian Histories Thesis directed by Associate Professor Andrés Prieto Over the last two centuries, Books I and III of Ophir de España: Memorias historiales y políticas del Perú (1644) by Fernando de Montesinos have been generally overlooked. The cause of this inattention is associated with the mysterious and unique pre-Columbian historical account from Book II, which affords the most extensive version of Andean genealogy. -
Campus Action Party Sweeps·
They'll be rockin' The unique sound of Carlos Santana wm rock L.A. bound in 5th round the fieldhouse this Sunday night. Santana's Latino rock n' roll was in-- when in was known Delaware fullback Dan Reeder was taken as hip. higher in the NFL draft than any other player in Blue Hen history when the L.A. The group's U.D. appearance is part of a tour Raiders made him their fifth round pick to promote its latest release, Beyond Ap Tuesday. pearances. See story on page 12. 1.1.1• Today's Weather: Our second Mostly century of cloudy, skat excellence . tered ::c Newark, Del Permtt No. 26 showers. Highs 60 - 65. Vol. 110 No. 53 -~ University of Delaware, Newark, Delaware 19716 Friday, May3, 1985 Campus Action Party sweeps· by Susan Kline Foster, who helped count Staff Reporter ballots, expressed surprise The Campus Action Party over the Greek ticket's second captured the executive offices place finish. "Their campaign of the Delaware was not on a very large scale Undergraduate Student Con and WJlS not aggr.essiv~" gress b)" 'Vi/hat outgoing DUSC President Marv Pat Foster called " an • incredible • see editorial, p. 6 margin." Competing against f<mr She named the front page other parties, the winners, Review coverage and visible lead by Bob Teeven (AS 86), campaigning in the frater secured 54 percent of the nities and sororities as possi votes. ble contributors to the . Two thousand students substatial number of votes. voted this year, a 5 percent in Overwhelmed with cheers crease over last year's tur from friends and supporters, nout, when Foster ran President-elect Bob Teeven unopposed. -
Viracocha Christ Among the Ancient Peruvians?
Viracocha Christ among the Ancient Peruvians? Scott Hoyt There came from a southern direction a white man of great stature, who, by his aspect and presence, called forth great veneration and obedience. This man who thus appeared had great power, insomuch that he could change plains into mountains, and great hills into valleys, and make water flow out of stones. As soon as such power was beheld, the people called him the Maker of created things, the Prince of all things, Father of the Sun. For they say that he performed other wonders, giving life to men and animals, so that by his hand marvellous great benefits were conferred on the people. In many places he gave orders to men how they should live, and he spoke lovingly to them . admonishing them that they should do good . and that they should be loving and charitable to all. In most parts he is generally called Ticiviracocha. [And] that wherever [he] . came and there were sick, he healed them, and where there were blind he gave them sight by only uttering words.1 —Pedro de Cieza de León, Catholic Historian, 1550 iracocha was the principal deity of ancient Peru, and according to Vthe cronistas (Catholic historians, mostly priests, arriving in Peru 1. Pedro de Cieza de León, The Second Part of the Chronicle of Peru (El Seno- rio de los Incas), trans. and ed. Clements R. Markham (1874; London: Hakluyt Society, 1883; repr. Boston: Elibron Classics, 1999), 5–6. Senorio was originally handwritten in 1550. Citations are to the 1999 edition. BYU Studies Quarterly 54, no. -
A Thesis Entitled Knotted Numbers, Mnemonics, and Narratives: Khipu
A Thesis entitled Knotted Numbers, Mnemonics, and Narratives: Khipu Scholarship and the Search for the “Khipu Code” throughout the Twentieth and Twenty First Century by Veronica Lysaght Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Arts Degree in History ________________________________________ Charles Beatty-Medina, Committee Chair ________________________________________ Roberto Padilla, Committee Member ________________________________________ Kim Nielsen, Committee Member _______________________________________ Amanda Bryant-Friedrich, Dean College of Graduate Studies The University of Toledo July 2016 Copyright 2016, Veronica Lee Lysaght This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the expressed permission of the author. An Abstract of Knotted Numbers, Mnemonics, and Narratives: Khipu Scholarship and the Search for the “Khipu Code” throughout the Twentieth and Twenty First Century by Veronica Lysaght Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Arts Degree in History The University of Toledo July 2016 My thesis explores the works of European and North American khipu scholars (mainly anthropologists) from 1912 until 2010. I analyze how they incorporated aspects of their own culture and values into their interpretations of Inca khipus’ structure and functions. As Incas did not leave behind a written language or even clear non-written descriptions of their khipus, anthropologists interpreted khipus’ purposes with a limited base of Inca perspectives. Thus, every work of khipu literature that I study reflects both elements of Inca culture and the author’s own cultural perspectives as a twentieth or twenty-first century academic. I show how each work is indicative of modern cultural views on writing, as well as academic movements and broader social trends that were prominent during the author’s time. -
Downloaded from Brill.Com09/23/2021 07:29:55PM Via Free Access
journal of jesuit studies 6 (2019) 270-293 brill.com/jjs Catholic Presence and Power: Jesuit Painter Bernardo Bitti at Lake Titicaca in Peru Christa Irwin Marywood University [email protected] Abstract Bernardo Bitti was an Italian Jesuit and painter who traveled to the viceroyalty of Peru at the end of the sixteenth century to make altarpieces in the service of the order’s conversion campaigns. He began his New World career in Lima, the viceregal capital and then, over a span of thirty-five years, traveled to Jesuit mission centers in cities throughout Peru, leaving a significant imprint on colonial Peruvian painting. In 1586, Bitti was in Juli, a small town on Lake Titicaca in southern Peru, where the Jesuits had arrived a decade prior and continually faced great resistance from the local popula- tion. In this paper, I will argue that Bitti’s paintings were tools implemented by the Jesuit missionaries seeking to establish European, Christian presence in the conflicted city. Thus, Bitti’s contribution at Juli can serve as but one example of how the Jesuits used art as part of their methodology of conversion. Keywords Jesuit – Bernardo Bitti – Juli – Peru – missions – colonial painting – viceroyalty – Lake Titicaca In 1576, a small group of Jesuits arrived at the town of Juli in the south of Peru. After a failed attempt by an earlier set of missionaries, and significant hesi- tancy on the part of the Jesuits the evangelization efforts at Juli would eventu- ally come to mark an example of success for other Jesuit sites. Juli presents a fascinating case of Jesuit mission activity because it offers documentation of the indigenous culture’s integration into a newly created Christian town. -
The Tangled World of Inca Khipu North to Present Day Ecuador and South to Present Day Chile and Ar- What Is a Khipu? Gentina
Winding Roads and Twisting Cords: The Inca Empire: ~1,100 to 1532 The Inca Empire began in the capitol city of Cuzco, Peru and expanded The Tangled World of Inca Khipu north to present day Ecuador and south to present day Chile and Ar- What is a khipu? gentina. The empire expanded Inca khipus are twisted cords with knots that were used as a recording and communication system in the through military conquest and even- Inca Empire. Khipus are made with a primary cord where pendant cords that are plied and knotted are at- tually ruled over 12 million people. tached. Recent research has suggested that khipus are a logosyllabic system, which means that each sepa- The government constructed an ex- rate symbol stands for a sound, such as “p” in “put.” Formerly, khipus were found to represent mostly nu- tensive road system that stretched merical values for accounting and calendrical purposes. New discoveries, however, are quickly expanding over 40,000 kilometers up, down, our knowledge of this captivating recording system. and across the Andean coast. Top: This is one of the largest ex- tant khipus, and is thought to be a calendrical record. It contains 762 pendant strings, most of which are organized into 24 groups of about 30 pendants. If this khipu is a ca- lendrical record, it probably repre- sents a two-year period. Photo taken by Gary Urton. Retrieved from: <http://khipukamayuq.fas.harvard.edu/KGChachaCalendar.html> Bottom: Left: One of two khipus from the Peruvian village of Collata near Lima. This is one of two khipus that led researchers to believe that khipus could represent a logosyl- labic system. -
Fall and Winter 2017 Fall and Winter 2017
PENN STATE UNIVERSITY PRESS Fall and winter 2017 Fall and winter 2017 Fall About the Press contents Penn State University Press fulfills the academic books for mission of The Pennsylvania State University by pub- lishing peer-reviewed books and journals for national ..............2 and international reading communities. Recognized the trade for supporting first-class scholarship and demanding exceptional editorial and design standards, the press celebrated its sixtieth year in 2016. The press’s award- new in winning publication program focuses on American and European history, animal studies, art and archi- paperback ....14 tectural history, rhetoric and communication studies, Latin American studies, medieval studies, philosophy, Jewish studies, and religious studies. Moreover, the scholarly.............28 press takes seriously its mission to publish books and journals of interest and benefit to the citizens of Pennsylvania and the mid-Atlantic region. A vigor- ous journals program, now comprising more than recently fifty journals, places the press on the cutting edge of research in the arts and humanities. released ............. 56 Examination Copy Policy See www.psupress.org/ordering. ........... 58 subject index Desk Copy Policy unlocked Animal Studies............................. 4, 18, 32 See www.psupress.org/ordering. Anthropology ...................................44 Review Copy Policy ...............60 Architecture ...........................24–25, 51–53 Submit review copy requests via email to Cate Fricke, journals Art History -
Download Santana Discography Torrent Download Santana Discography Torrent
download santana discography torrent Download santana discography torrent. tumbarrancho at 2011-10-12 20:47 CET: UncleBorg at 2012-09-03 13:31 CET: What the hey? What's with the weird "Anonymous Download" links? These just install a VPN, but there's no link to the download, no way to log in, and no way to download the material. Is this some kind of advertising, or what? kharvan at 2013-05-09 10:16 CET: mr_gggls at 2013-05-19 09:45 CET: taaroa73 at 2013-10-14 12:18 CET: Rise47 at 2017-04-07 15:55 CET: If you were so disappointed with the torrent, why didn't you re-upload it after doing the extra work, so that others could enjoy a better torrent? Download santana discography torrent. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66a3759d691ec44c • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Santana – Discography (1969 – 2014) Santana – Discography (1969 – 2014) EAC Rip | 109xCD + 1xDVD | FLAC Tracks & Image + Cue + Log | Full Scans Included Total Size: 42.3 GB | 3% RAR Recovery STUDIO ALBUMS | LIVE ALBUMS | COMPILATIONS | BOX SETS | SOLO Label: Various | Genre: Blues Rock, Latin Rock, Classic Rock. -
Ariel Dorfman, Feeding on Dreams
International Journal of Communication 7 (2013), Book Review 2279–2281 1932–8036/2013BKR0009 Ariel Dorfman, Feeding on Dreams: Confessions of an Unrepentant Exile, Boston: Houghton Mifflin Harcourt, 2011, 352 pp., $15.94 (hardcover), $11.78 (paperback), $9.99 (Kindle). Reviewed by Nancy Morris Temple University Ariel Dorfman is widely known in media and cultural studies as co-author, with Armand Mattelart, of How to Read Donald Duck, a seminal 1971 text developing the concept of cultural imperialism. The book, a semiotic reading of Disney comics sold in Chile, uncovers the messages of inferiority of the native peoples encountered by magnate Scrooge McDuck in such places as Franistan and Aztecland. Dorfman and Mattelart deconstruct the texts, asserting that the comics’ underlying messages influence readers to accept the domination of their “backward” society by McDuck’s advanced society as natural and appropriate: “According to Disney, underdeveloped peoples are like children, to be treated as such” (Dorfman & Mattelart, 1975 [1971], p. 48). The caricatures of the natives in “Inka-Blinka” and other comic lands are based on stereotypes that “become a channel of distorted self-knowledge” for Latin Americans (p. 54). Forty years after its initial publication, How to Read Donald Duck remains a classic. It is in print in numerous translations and is often required reading in classes on globalization, semiotics, media studies, and cultural theory. Dorfman’s co-author, Armand Mattelart, a Belgian scholar and then-resident of Chile, has become a renowned media analyst and has written several classic texts. Dorfman himself has become well known in circles beyond media and communication for his work in many genres, both nonfiction and fiction. -
COMICS and MEMORY in LATIN AMERICA Jorge L
INTRODUCTION COMICS AND MEMORY IN LATIN AMERICA Jorge L. Catalá Carrasco, Paulo Drinot, and James Scorer Remembering’s dangerous. I find the past such a worrying, anxious place. “The past tense,” I suppose you’d call it. Ha ha ha. THE JOKER ince the publication of Ariel Dorfman and Armand Mattelart’s Para Sleer al Pato Donald in 1971, scholars of Latin America have increasingly turned to comics as objects of study. The analytical framework privileged by most of these scholars has moved beyond Dorfman and Mattelart’s somewhat restrictive cultural imperialism hypothesis influenced by dependency theory. Comics, and more recently graphic novels, are increasingly understood as cultural artifacts that open unique and compelling windows not only onto mass or popular culture but also onto social, cultural, and political processes that have helped define the region since comic art began to appear in mass media in the early twentieth century (and in some cases even before) (see, among others, Foster 1989; Rubenstein 1998; Merino 2003 and 2011; Lent 2005; Fernández L’Hoeste and Poblete 2009). This book presents new research from scholars working in different disciplines, including literary theory, cul- tural studies, and history. The contributions explore the ways in which comics and graphic novels on and from Latin America address and express ongoing © 2017 University of Pittsburgh Press. All rights reserved. 4 | JORGE L. CATALÁ CARRASCO, PAULO DRINOT, AND JAMES SCORER processes of memory formation around a number of historical processes. Comics and graphic novels offer a particularly fruitful perspective through which to examine the work of memory in Latin America. -
La Spirale: Transnational Solidarity, Intellectual Exchange, and Chilean Exile Cinema
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by UCL Discovery Radical Americas, 1-1 (2016). This is an Open Access article distributed under the terms of the Creative Commons Attribution Licence, which permits unrestricted use, distribution and reproduction in any medium, provided the original author and source are credited• UCL Press• Online ISSN 2399-4606 • DOI 10.14324/111.444.ra.2016.v1.1.007 La Spirale: Transnational Solidarity, intellectual exchange, and Chilean exile Cinema F.D. Fuentes Rettig The authors of a film are not just the film-makers or cameraman but the people who figure in the film.1 A collective effort by its three ‘directors’, La Spirale presents sociologist Armand Mattelart’s thesis that the Chilean right formed a reactionary ‘mass line’ to destabilize Chile and wrest control from Salvador Allende’s Unidad Popular (UP) government.2 Emerging from the auspices of ISKRA, the French Left Bank film cooperative initiated by director Chris Marker, La Spirale, perhaps more than any other film of the period, is a document of the intellectual and cultural crossings of the 1970s radical left in Chile and in exile.3 Conceivably for the same reasons, it is a widely neglected film that, until recently, was almost impossible to see and remains under preservation threat. Consisting almost entirely of footage retrieved from inter- national television news and film archives cut to a rigorous voice-over, La Spirale is an exemplar of the political principles of cooperative filmmaking with respect to its production, content, form and distribution.