Viracocha Christ Among the Ancient Peruvians?
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Viracocha 1 Viracocha
ווירָאקוצֱ'ה http://www.google.com/url?sa=t&rct=j&q=&esrc=s&source=web&cd=37&ved=0COYCEBYwJA&url=http %3A%2F%2Fxa.yimg.com%2Fkq%2Fgroups%2F35127479%2F1278251593%2Fname%2F14_Ollantaytam bo_South_Peru.ppsx&ei=TZQaVK- 1HpavyASW14IY&usg=AFQjCNEHlXgmJslFl2wTClYsRMKzECmYCQ&sig2=rgfzPgv5EqG-IYhL5ZNvDA ויראקוצ'ה http://klasky-csupo.livejournal.com/354414.html https://he.wikipedia.org/wiki/%D7%A7%D7%95%D7%9F_%D7%98%D7%99%D7%A7%D7%99 ווירקוצ'ה فيراكوتشا http://www.startimes.com/?t=20560975 Viracocha 1 Viracocha Viracocha Great creator god in Inca mythology Offspring (according to some legends) Inti, Killa, Pachamama This article is about the Andean deity. For other uses, see Wiraqucha (disambiguation). Viracocha is the great creator god in the pre-Inca and Inca mythology in the Andes region of South America. Full name and some spelling alternatives are Wiracocha, Apu Qun Tiqsi Wiraqutra, and Con-Tici (also spelled Kon-Tiki) Viracocha. Viracocha was one of the most important deities in the Inca pantheon and seen as the creator of all things, or the substance from which all things are created, and intimately associated with the sea.[1] Viracocha created the universe, sun, moon, and stars, time (by commanding the sun to move over the sky) and civilization itself. Viracocha was worshipped as god of the sun and of storms. He was represented as wearing the sun for a crown, with thunderbolts in his hands, and tears descending from his eyes as rain. Cosmogony according to Spanish accounts According to a myth recorded by Juan de Betanzos,[2] Viracocha rose from Lake Titicaca (or sometimes the cave of Paqariq Tampu) during the time of darkness to bring forth light. -
Ophir De España & Fernando De Montesinos's Divine
OPHIR DE ESPAÑA & FERNANDO DE MONTESINOS’S DIVINE DEFENSE OF THE SPANISH COLONIAL EMPIRE: A MYSTERIOUS ANCESTRAL MERGING OF PRE-INCA AND CHRISTIAN HISTORIES by NATHAN JAMES GORDON A.A., Mt. San Jacinto College, 2006 B.A., University of Colorado, 2010 M.A., University of Colorado, 2012 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirment for the degree of Doctor of Philosophy Department of Spanish and Portuguese 2017 This thesis entitled: Ophir de España & Fernando de Montesinos’s Divine Defense of the Spanish Colonial Empire: A Mysterious Ancestral Merging of pre-Inca and Christian Histories written by Nathan James Gordon has been approved for the Department of Spanish and Portuguese Andrés Prieto Leila Gómez Gerardo Gutiérrez Núria Silleras-Fernández Juan Dabove Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. ii ABSTRACT Gordon, Nathan James (Ph.D., Spanish Literature, Department of Spanish and Portuguese) Ophir de España & Fernando de Montesinos’s Divine Defense of the Spanish Colonial Empire: A Mysterious Ancestral Merging of pre-Inca and Christian Histories Thesis directed by Associate Professor Andrés Prieto Over the last two centuries, Books I and III of Ophir de España: Memorias historiales y políticas del Perú (1644) by Fernando de Montesinos have been generally overlooked. The cause of this inattention is associated with the mysterious and unique pre-Columbian historical account from Book II, which affords the most extensive version of Andean genealogy. -
A Thesis Entitled Knotted Numbers, Mnemonics, and Narratives: Khipu
A Thesis entitled Knotted Numbers, Mnemonics, and Narratives: Khipu Scholarship and the Search for the “Khipu Code” throughout the Twentieth and Twenty First Century by Veronica Lysaght Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Arts Degree in History ________________________________________ Charles Beatty-Medina, Committee Chair ________________________________________ Roberto Padilla, Committee Member ________________________________________ Kim Nielsen, Committee Member _______________________________________ Amanda Bryant-Friedrich, Dean College of Graduate Studies The University of Toledo July 2016 Copyright 2016, Veronica Lee Lysaght This document is copyrighted material. Under copyright law, no parts of this document may be reproduced without the expressed permission of the author. An Abstract of Knotted Numbers, Mnemonics, and Narratives: Khipu Scholarship and the Search for the “Khipu Code” throughout the Twentieth and Twenty First Century by Veronica Lysaght Submitted to the Graduate Faculty as partial fulfillment of the requirements for the Master of Arts Degree in History The University of Toledo July 2016 My thesis explores the works of European and North American khipu scholars (mainly anthropologists) from 1912 until 2010. I analyze how they incorporated aspects of their own culture and values into their interpretations of Inca khipus’ structure and functions. As Incas did not leave behind a written language or even clear non-written descriptions of their khipus, anthropologists interpreted khipus’ purposes with a limited base of Inca perspectives. Thus, every work of khipu literature that I study reflects both elements of Inca culture and the author’s own cultural perspectives as a twentieth or twenty-first century academic. I show how each work is indicative of modern cultural views on writing, as well as academic movements and broader social trends that were prominent during the author’s time. -
Myths of Survival and Heritage in Incan Religion
Viva Los Incas: Myths of Survival and Heritage in Incan Religion Emily Scarbrough ___________________________________________________________ Religion has taken on many forms throughout history, each revealing much about those who believed in them. In the Incan empire, religion was embraced as an explanation for natural phenomena and the formation of society. Religion served an important purpose as it developed into a complex set of myths that governed the empire. Their polytheistic religion had several deities who controlled how the world functioned, with most important of these gods controlling the sun. Looking at the mythology that developed in the Incan empire reveals unrelenting dedication to surviving as individuals and as a united society. Incan mythology seems to enshrine, above all else, a belief in preservation; the mythology suggests a belief in preserving the societal hierarchy, livelihood, and the lineage of the Inca leader. Standing as the cornerstone of Incan religion was Inti, the sun god. As the expression of the sun and light, Inti was responsible for the success of the harvest season. The sun gave life to maize, potatoes, and quinoa, which in turn ensured a steady food supply. While he did not create the Incas, he ensured their livelihood. To thank Inti, temples of the sun were built, prayers spoke, and tribute paid through the sacrifice of crops, llamas, and, in extreme cases, young children.1 Inti was also the subject of the most important of the many Incan festivals, Inti Raymi. Despite centuries of Spanish influence, the festival is still celebrated in modern day Peru, as a reminder of their Incan heritage. -
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journal of jesuit studies 6 (2019) 270-293 brill.com/jjs Catholic Presence and Power: Jesuit Painter Bernardo Bitti at Lake Titicaca in Peru Christa Irwin Marywood University [email protected] Abstract Bernardo Bitti was an Italian Jesuit and painter who traveled to the viceroyalty of Peru at the end of the sixteenth century to make altarpieces in the service of the order’s conversion campaigns. He began his New World career in Lima, the viceregal capital and then, over a span of thirty-five years, traveled to Jesuit mission centers in cities throughout Peru, leaving a significant imprint on colonial Peruvian painting. In 1586, Bitti was in Juli, a small town on Lake Titicaca in southern Peru, where the Jesuits had arrived a decade prior and continually faced great resistance from the local popula- tion. In this paper, I will argue that Bitti’s paintings were tools implemented by the Jesuit missionaries seeking to establish European, Christian presence in the conflicted city. Thus, Bitti’s contribution at Juli can serve as but one example of how the Jesuits used art as part of their methodology of conversion. Keywords Jesuit – Bernardo Bitti – Juli – Peru – missions – colonial painting – viceroyalty – Lake Titicaca In 1576, a small group of Jesuits arrived at the town of Juli in the south of Peru. After a failed attempt by an earlier set of missionaries, and significant hesi- tancy on the part of the Jesuits the evangelization efforts at Juli would eventu- ally come to mark an example of success for other Jesuit sites. Juli presents a fascinating case of Jesuit mission activity because it offers documentation of the indigenous culture’s integration into a newly created Christian town. -
The Tangled World of Inca Khipu North to Present Day Ecuador and South to Present Day Chile and Ar- What Is a Khipu? Gentina
Winding Roads and Twisting Cords: The Inca Empire: ~1,100 to 1532 The Inca Empire began in the capitol city of Cuzco, Peru and expanded The Tangled World of Inca Khipu north to present day Ecuador and south to present day Chile and Ar- What is a khipu? gentina. The empire expanded Inca khipus are twisted cords with knots that were used as a recording and communication system in the through military conquest and even- Inca Empire. Khipus are made with a primary cord where pendant cords that are plied and knotted are at- tually ruled over 12 million people. tached. Recent research has suggested that khipus are a logosyllabic system, which means that each sepa- The government constructed an ex- rate symbol stands for a sound, such as “p” in “put.” Formerly, khipus were found to represent mostly nu- tensive road system that stretched merical values for accounting and calendrical purposes. New discoveries, however, are quickly expanding over 40,000 kilometers up, down, our knowledge of this captivating recording system. and across the Andean coast. Top: This is one of the largest ex- tant khipus, and is thought to be a calendrical record. It contains 762 pendant strings, most of which are organized into 24 groups of about 30 pendants. If this khipu is a ca- lendrical record, it probably repre- sents a two-year period. Photo taken by Gary Urton. Retrieved from: <http://khipukamayuq.fas.harvard.edu/KGChachaCalendar.html> Bottom: Left: One of two khipus from the Peruvian village of Collata near Lima. This is one of two khipus that led researchers to believe that khipus could represent a logosyl- labic system. -
Fall and Winter 2017 Fall and Winter 2017
PENN STATE UNIVERSITY PRESS Fall and winter 2017 Fall and winter 2017 Fall About the Press contents Penn State University Press fulfills the academic books for mission of The Pennsylvania State University by pub- lishing peer-reviewed books and journals for national ..............2 and international reading communities. Recognized the trade for supporting first-class scholarship and demanding exceptional editorial and design standards, the press celebrated its sixtieth year in 2016. The press’s award- new in winning publication program focuses on American and European history, animal studies, art and archi- paperback ....14 tectural history, rhetoric and communication studies, Latin American studies, medieval studies, philosophy, Jewish studies, and religious studies. Moreover, the scholarly.............28 press takes seriously its mission to publish books and journals of interest and benefit to the citizens of Pennsylvania and the mid-Atlantic region. A vigor- ous journals program, now comprising more than recently fifty journals, places the press on the cutting edge of research in the arts and humanities. released ............. 56 Examination Copy Policy See www.psupress.org/ordering. ........... 58 subject index Desk Copy Policy unlocked Animal Studies............................. 4, 18, 32 See www.psupress.org/ordering. Anthropology ...................................44 Review Copy Policy ...............60 Architecture ...........................24–25, 51–53 Submit review copy requests via email to Cate Fricke, journals Art History -
Joseph Kearns Campbell
Joseph Kearns Campbell October 30, 1927 — August 4, 1997 Joseph Kearns Campbell, Professor Emeritus of Agricultural and Biological Engineering, passed away peacefully at his home in Fredricksburg Texas on August 4, 1997. Professor Campbell is survived by his wife, Sigrid (Beicht); daughter, Sabine Hyland; son, Oliver; brother, John D. Campbell; and sisters, Ann Campbell and Susan Campbell Shell. Joe was born and raised in Belleville, Pennsylvania. In 1945, he volunteered for the U.S. Navy and served three and one half years as a Radarman. In 1953, he earned a Bachelor of Science degree in Agricultural Engineering at Pennsylvania State College and then worked for eight years as a Design Engineer at New Holland Machine Company in New Holland, Pennsylvania. During the next four years, he worked at Allegheny Ballistics Laboratory in Maryland as part of the team that developed the Polaris missile launch system. In 1967, he completed a Master of Science degree in Agricultural Engineering at Cornell and joined the faculty as an Extension Engineer. Joe retired from Cornell in 1992 and he and Sigrid moved to Fredricksburg, Texas shortly thereafter. Joe had a very successful career at Cornell University and was active in teaching, research and extension, serving as Department Extension Leader from 1983-89. His outgoing personality, formal training and practical “hands- on” engineering experience in industry made him a natural extension educator and a great university teacher. Joe’s leadership in extension was clearly evident as he inspired all those around him to expand their efforts in transferring information and technology into the farmer’s hands. -
Green [email protected]
Ministers of Idolatry: The Society of Jesus, the Politics of Conversion, and the War on Indigenous Religious Traditions in Early Seventeenth-Century Peru R. L. Green [email protected] Two views of the Spanish Jesuits dominate the historical literature. One view is that the Jesuits, much like other religious orders of the era, were protectors of Indigenous peoples. As missionaries, Jesuit priests militated for Indigenous human rights against greedy encomenderos (Spanish colonists who had been granted by the Crown ownership of Native bodies and labor) and the corrupt colonial state. A recent articulation of this perspective maintains that “[t]he colonial Jesuits stood out for their defense of Indians and their cultures.”1 The other view The author wishes to thank the anonymous reviewers of JRER, Monique Moultrie, and John Gavin, S.J., for reading early drafts of this article. Research for this article was funded in part by Journal of Race, Ethnicity, and Religion Volume 4, Issue 2 (April 2013) ©Sopher Press (contact [email protected]) Page 1 of 28 reluctantly acknowledges that the Jesuits did occasionally use force against Indigenous peoples but such force was more akin to discipline and only used when absolutely necessary. In support of this view, a historian of the Jesuits, writes: “Brute force was rarely if ever used to change habits of behavior. Only if the custom so clashed with Western mores, such as the practice of human sacrifice in Mexico or the continued worship of idols in Mexico and Peru, and only if Europeans exerted -
Pedro Sarmiento De Gamboa History of the Incas Translated by Sir Clements Markham K.C.B
Pedro Sarmiento de Gamboa History of the Incas Translated by Sir Clements Markham K.C.B. (1907) In parentheses Publications Peruvian Series Cambridge, Ontario 2000 To His Sacred C¾sarian Majesty the King, Don Felipe, Our Lord. Among the excellencies, O sovereign and catholic Philip, that are the glorious decorations of princes, placing them on the highest pinnacle of estimation, are, according to the father of Latin eloquence, generosity, kindness, and liberality. And as the Roman Consuls held this to be the principal praise of their glory, they had this title curiously sculptured in marble on the Quirinal and in the forum of TrajanÑÒMost powerful gift in a Prince is liberality.Ó1 For this kings who desired much to be held dear by their own people and to be feared by strangers, were incited to acquire the name of liberal. Hence that royal sentence became immortal ÒIt is right for kings to give.Ó As this was a quality much valued among the Greeks, the wise Ulysses, conversing with Antinous, 2 King of the Ph¾acians, saidÑÒYou are something like a king, for you know how to give, better than others.Ó Hence it is certain that liberality is a good and necessary quality of kings. I do not pretend on this ground, most liberal monarch, to insinuate to your Majesty the most open frankness, for it would be very culpable on my part to venture to suggest a thing which, to your Majesty, is so natural that you would be unable to live without it. Nor will it happen to so high minded and liberal a lord and king, what befell the Emperor Titus who, remembering once, during suppertime, that he had allowed one day to pass without doing some good, gave utterance to this laudable animadversion of himself ÒO friends! I have lost a day.Ó3 For not only does your Majesty not miss a day, but not even an hour, without obliging all kinds of people with benefits and most gracious liberality. -
Sarah Elizabeth Penry Curriculum Vitae for Web Page Oct 2017
Sarah Elizabeth Penry Curriculum vitae for web page Oct 2017 Office: Department of History Dealy 620 Fordham University 440 East Fordham Road Bronx, NY 10458 718-817-4528 fax: 718-817-4680 email: [email protected] Education: Ph.D. Department of History, University of Miami, 1996 M.A. Department of History, University of Illinois, Urbana-Champaign, 1979 B.A. Department of History, Huntingdon College, Montgomery, AL, 1975 Professional Appointments: Fordham University, Department of History, Assistant Professor (tenured), 1997- New Mexico State University, Department of History, Assistant Professor, 1996-7 Publications: Book: The People are King: The Making of an Andean Politics, under contract with Oxford University Press. Articles and Book Chapters: 2018 “Canons of the Council of Trent in Arguments of Priests and Indians over Images, Chapels and Cofradías” in W. François and V. Soen, The Council of Trent: Reform and Controversy in Europe and Beyond, (1545-1700) Vol. 3, Vandenhoeck and Ruprecht, Göttingen, Germany, 277-299. 2017 “Pleitos colonials: ‘historizando’ las fuentes sobre pueblos de indígenas en el Virreinato del Perú” in Reducciones: la concentración forzada de las poblaciones indígenas en el Virreinato del Perú, Akira Saito and Claudia Rosas Lauro, eds., Colección de Estudios Andinos, Fondo Editorial de la Pontificia Universidad Católica del Peru [Lima, Peru], 439-473 Penry 2 2015 “Legal Battles over Indigenous Founded Towns in the Viceroyalty of Peru” for Minpaku Anthropology Newsletter (in-house Journal of the Ethnology Museum of Osaka, Japan) 40:7-9. 2009 Introductory essays and annotations on “Colonial Peru” and “Charcas” in Handbook of Latin American Studies, vol. 64, University of Texas Press. -
Khipus, Khipu Boards, and Sacred Texts: Toward a Philology of Andean Knotted Cords
Hyland, Sabine, Sarah Bennison, and William P. Hyland. 2021. Khipus, Khipu Boards, and Sacred Texts: Toward a Philology of Andean Knotted Cords. Latin American Research Review 56(2), pp. 400–416. DOI: https://doi.org/10.25222/larr.1032 ANTHROPOLOGY Khipus, Khipu Boards, and Sacred Texts: Toward a Philology of Andean Knotted Cords Sabine Hyland, Sarah Bennison and William P. Hyland University of St. Andrews, UK Corresponding author: Sabine Hyland ([email protected]) Although the knotted cord texts known as khipus have been created in the Andes for over a millennium (ca. AD 950–1950), their historical philology has been little understood. This study, based on original archival and ethnographic research, analyzes hybrid khipu/alphabetic texts known as “khipu boards,” examining their development in colonial Peru, and their role in twentieth-century Andean rituals. Particular attention is paid to a previously unknown sacred manuscript, the Entablo, from the community of San Pedro de Casta, Peru, which describes how villagers used khipu boards in their annual religious ceremonies until the 1950s. This study reveals new insights into the social and symbolic nature of post-Inka khipus as texts, particularly with reference to gender, place, and knowledge. Aunque los cordones anudados conocidos como “khipus” se han creado en los Andes durante más de un milenio (ca. 850–1950), su filología histórica ha sido poco entendida. Basado en una investigación etnográfica y de archivo original, este estudio analiza textos híbridos khipu/ alfabéticos conocidos como “khipu tabla”, examinando su desarolla en el Perú colonial y su papel en los rituales andinos del siglo XX.