Sieben Marianische Gesänge Zum Gebrauche Bei Nachmittägigen Andachten

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Sieben Marianische Gesänge Zum Gebrauche Bei Nachmittägigen Andachten University of Dayton eCommons Marian Sheet Music Marian Library Special Collections January 1900 Cantica Mariana: Sieben Marianische Gesänge zum Gebrauche bei Nachmittägigen Andachten Ignaz Mitterer Follow this and additional works at: https://ecommons.udayton.edu/imri_sheetmusic Recommended Citation Mitterer, Ignaz, "Cantica Mariana: Sieben Marianische Gesänge zum Gebrauche bei Nachmittägigen Andachten" (1900). Marian Sheet Music. 68. https://ecommons.udayton.edu/imri_sheetmusic/68 This Book is brought to you for free and open access by the Marian Library Special Collections at eCommons. It has been accepted for inclusion in Marian Sheet Music by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Sieben marianische <Besiinge zum Gebrauche bei nachmittagigen Andachten ·l()'---~!!!!!!!!!!"" ~i~ o!91B-~-o · r Lc c.. furgemischten Ohormit Begleitung des Streichquarletts oderder Orgel <. :=I c componiMvon ) f J c :; ,.~ "] J ) ) ) _J Propstvon Ehrenburg und Domchordirector in Brixen. PREIS dcr Stimmen werdcn in jeder Anzahl einzeln OP. 77. Directions· u. Orgelstimrne fl. 1.- netto billigst abgegcbcn,: . Die vier Singstimmcn . • ··- .so • Instrumcntalstimmen . .. • -.70 • ··~ Nr. 1. SUB TUUM PRAESIDIUM. Nr. 4. ALMA REDEMPTORIS MATER. 11 2. 0 GLOR CO SA. ,, 5. A VE REGINA. ,, 3. A VE MARIS STELLA. ,, 6. REGINA COELI. Nr. 7. SALVE REGINA. BEMER KUNG. Vorlicgcnde Gesiinge sind flir gemischten Chor und Strcichquartctt (z:wei Corni nicht oblig11. t) gedacht, konnen jedoch auch mit Orgelbegleitung allein ausgeflihrt wcrden. Nr. 7 empfiehlt sich zur Auffiihrung mit blosser Orgel am wenigsten. c Sollte cine solche doch beliebt werden, so bind e der Organist alle rhythmi11ch gctheilten Noten des Strcichquartettsatzes. Dei ( schwacher Besctzung 11piele derselbe mit strcichenden Stimmen mit. (,. DER AUTOR. '- ( --~- ( (_ c .IUNGS.TRAGKN lN DAS VKR&lNS •AR~HIV. ("" c VERLAGS-EIGENTHUM c von ( ( ( JOHANN GROSS (Sim. A. Reiss) (. INNSBRUCK. I. Wl£N PRAG JUL. OH•EL, Hor-•ualkallenllandlUftg, JOH. HOFF•Allll'a Wwe., Hor-•ualkall91h111•lung. LEIPZIG, ZORICH, BASEL, STRASSBURG und ST. OALLBN QE8R0DER HUQ A 011. NEW·YORK MANCHESTER BOSTON ROITERDAM J, F IBOHER A SRC. E. LINQE & 0 11. OLIVER DITBON COMPANY. AL88AOH A 00 ro~ , 2 Cantica mar1ana.• Orgel-und Direktionsstimme . .M. t: Sub tuum praesidium. J. Mitterer. Op. 77. Sostenuto. (M. 76) P 'l--=> J . --===-- mf > Sop ran. Alt. Ran Tenor. Bass. Orgel. Ped. pOllO rit.p Verlags-Eige othum der Musikalicnhandlu ng ,Job. Gross (S. A. Reiss) in Innsbruck. Sh ·h der Mu si k ah~ndruclcrrei v. Jos fbf'f'lr g co Wien. VII . J. G. 269. 43609 8 Cllll - > ~ > ctls Ii - be-ra nos sem - per, JI - _ be - ra nos per, per, - per. J J U - be - ra nos som _ per, f _l_ ) _/}_ _J.i__tl i.i _L _l_ _!_ mfi sfi _h_ l J_ ..1 _I. l z l l 1 :K . = :a: '1 f T T T . TI T I _V. I T r T ff I Vlr-go glo-rl _ o _ sa ~t ~ o - -fe _Ii - dta, Do -ml-na no - stra, MC- dLo. _trfx_ 11-i_i· l> J 1 1J1 U_ 1 _1 l?_J_ J J J. ~J~ :If :lii:!X z :K ::.::: T T ~ f T I T-=J: 111f if T i. L J 1 t;:;.J_ .- . L _L 1 ( ~M ~.!J l l _l ....__._ _.....:..:I -::..:. :I ..L -::4"'r:J!_ _.... --- ,,,.. .Li_ -:_L<J _L 1- I _n 3:..1. ~ ::z: ::..:.:. ~ ~:a :.a. ...i: l :.a: ~ I.I ~ ~ ~ ~ .lllL.::JI La_ ?,. =-=- ~ --- r... IT------ T T T T r ~'y• -------- 'e7 _J_ T rr-i r ) ~ J_JJ #_ 1:1---1tc;_ 'tlC:f_._,,_ _J :&I .ll.t!: 2II ::a: !!'.: :a 7Z_ _.... ( ~:_J'I'- ~ ~ u ~ ~ LL ~ L~ -- L. ~ ~ --- ~ L l.l_jlf_ -"'°- ::r ~ --- :a \ i::::::: _}' ~ T I I -= '---'1 --... I • • ~ J . G. 269. 4 no _ stra, 1 1~ .l. _I_ - :::s: = = I I ~ ~- J. -J I r l I I ( !. l -2.. tioJtra, .r Tu _ 0 Fi - 11- o nos t- re - con cl - Ii- a, no - stra, Ad - vo - ca- ta no - - - ftra1 J. ~~~ 1. _.b_J J ~ ~ L7..r.. i?L ::;;;;;: ., T no - s~ra, f i i l 1--~ l } _J_ J_ j l I:::-t_ J_ .l J J _l -1 -1 T T 111........_ ~ leg. I T Jr1an. T TTj* Tu - o men_ da, J J ta, ; ..fl_ .Lil 1 L r.-. =-: = :I~ = :E:: :JI: :lllli: 1 a: :;;a: ~eJ (a, I nos fo-p~ae ~ fa. tt 1JJ l r.-. [i::lil: l~ = :a: :a: :JI: ~ ~ ta, PJosie}roe - sen - ta. a~Ji l _UJ l J... J_ J_ ~ 1 l l _.._l ~ I JL. ~ ~ ~ ..u.. .L [,Ljl[ ~.. I :;;a: L1Lllt...!.. --- :"" ~::I~ -.: -- 1-'o. T ~ ~ ..._ Iii.. ~ ::oil::!::.. :a •2:- (] --- __..... --- ~ ~IL I~ --- :.a:: ~ _.._~ -- ""'-""" ~ ._; - -.fl: ------T ffl--- j.t.tp ~J I ~r f 11- < I _J PP l 1 iJ.J r.-.. i..l ~ l 1il w --- _i.. 11 J1J JJ1J .n. ~ II ~ II::I I~ ~ ..J!'!t. --- .LL ( ---~ I___o!._ _A _._ _1'_~ :u -- :u......_..,,, z~ ~ ~ H , ~ --- __... I r----.L ~ Man. P ed. J. G. 269. 5 .M. 2. 0 gloriosa. Moderato. (M. J . so) > 0 glo - ri - 0 - sa Vir - fii - - num, ter si - de tri - stls abs - u - lit, fer - ml _ - al ti ja - nu - a, nl - gt. bi - a, Vir _ gi - •I J J . s~ gY.1 ~ J J Ped. lac - - ten. le mt - trls ll - be - coe - - II re - clu . dis car - di - ,en tes red - omptae plau - di - > II sem. pl - tcr - na sae - cu - ra, ui e ere - ten -to nn _ - trls 11 _ be - ne, n - trent ut 11 re - clu - - dis car. di - da: vi - tam dn - gen - tes red - em - - ptae plau.dl - cum Pa - tre et In sem. pi - ter na sae _cu _ tl J:> )) J J J ~· ~ ten - tc nu - trls ti - be _ coo - Ii re - olu.dls car. di . gen - tes red _ em.ptao plan . di - In Rem - pi ter . na sac - cu - ; ..a.. .JL.!i -==-i-- 1. 2. 3 II 4. :z l e) I re. Qlo o d IHe-Tva nes. Tn re.gis te. J e - SU ti - la. .J b. J J :zL ::H:::l:I: ::=: ::=: :c. :ii::?:'.: = ::iz:: z~ I f\ ; ----;;;::;:--__ llJ.!Ji J_ _J J_ _.L.l_ 1 l ~ 1:::::::: J_ J_ ~ _J_ _l_ ,I_ _jof[l'[ • = - ~ ~::!:: CI: _.._ :I :I :I :::lll::i: ~ I ~ _.._ :iii: .....__._ _.._I _.._ _. JI_ I .l'. ..& LL -""'-- ~ :::. .LL• :a ~ ~ --- --pll" ::!!:--- :IC""'. :.%... :.a: ::.: • ::. ::;a: -.::r T ~ I I I ~ ftj _['- ~ - r. ; ~~=-=~ r. JP l _.._l _i:2 l ~~ -~t J. I ~ ·Jof ~ -""'-- z -:i:.•-llifl. ::!!: JlI I ~ :I = I JI_ ' _.L.l_ z .I :a: _.._ _tJ• L ::rl _A -- ~ _.._ --- ~ ~ \L::: I 1 --- =-- ILJ:. T ~ T :r T I ~ - r1 T l J . G. 269. 6 Xg_ 3. Ave maris stella. Sopr. Solo. A _ ve ma - rlR stel - la, De - 1 ma _ ter: Con moto. (M. J. 122) --= al - ma, at _ que sem - per Vlr - go fe - 11x coe - Ii por - ta. Chor. p nif I Su-mens Ga -brt - e - Us o~ ; ; J:7 J .J. p nif J . G. 260. 7 Soli. Sol - ve vln - cla re - _ is, pro _ fer Ju _ men J. G. 269. 8 Sopr. Solo. Vir _ go sin - gu _ la - _ ris, - us. ; Ped. In _ ter o - mues ml - tis, nos cul -pis so - lu - tos - tes fac et ca - - stos. f Vi _ tam prae-sta pu - ram l - ter pa - ra tu - tum, Ten. J J ~ ! ~. J i J ~ ~ J ~. J i ut vLden - tes J. G. 269. 9 f Sit; laus Do - o sem - per col - lac - lo _ mur. f - nus. __ -~.;- Ped. J. G. 269. 10 .. ' Xi 4. Alma redemptoris mater. Andante sostenuto Al -ma Red -empto - rfs ma - ter, quae per. vi - a coe - U por • / ..fl_ J1L.li. 1l_ > ..1. :::n:: .l ..L ~~ ::& ~ ~~::;;;;;i:; -J -.,., - -- - .... = = = " flJlJ1 Andante sostenuto. _l...--....... J ~J: _I~ ~l J_ ..!. ,,. ,,,._ r~ _a / ~ ::Eilt! _LI ::;i: J.:. ~::oiil: ~ ~:::Ir: I .....:i.. -~ IL _/"',,I_ IL E ---_LL --- .A_.__ ~- _H -• ~ ....... I t~ ..ll.~ ---- ::i.e.: :.a: ~-:..:a: I ::;;;;;;;: u:: .1·~---- " , · ,r; f 1 i ,. 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