A Location Analysis of Vandalism to the Rock Art of the Columbia River Gorge National Scenic Area
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Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 5-26-1993 A Location Analysis of Vandalism to the Rock Art of the Columbia River Gorge National Scenic Area Julia J. Wilt Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Geography Commons Let us know how access to this document benefits ou.y Recommended Citation Wilt, Julia J., "A Location Analysis of Vandalism to the Rock Art of the Columbia River Gorge National Scenic Area" (1993). Dissertations and Theses. Paper 4661. https://doi.org/10.15760/etd.6545 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACf OF THE THESIS OF Julia J. Wilt for the Master of Science Degree in Geography presented May 26, 1993. Title: A Locational Analysis of Vandalism to the Rock Art of the Columbia River Gorge National Scenic Area. APPROVED BY THE MEMBERS OF THE THESIS COMMIITEE: Teresa L Bulman, Chair Martha A Works Daniel M. J oh'f(sd'n / Ke eth M. Ames Archaeological sites in the New World are the fragile and non-renewable remains of cultures which flourished for thousands of years prior to European contact and displacement. Sites which escape the effects of erosion and development often fall victim to vandalism. Cultural resources, including rock art and other archaeological sites, are protected by state and federal laws which 2 prohibit the removal or disturbance of the sites, whether from development or from vandalism. Vandalism is frequently seen as a problem for law enforcement rather than a problem for cultural resource management. Management plans which include cultural resource protection provisions and guidelines often focus on threats to cultural resources from development, and omit planning which targets vandalism. The rock art sites of the Columbia River Gorge National Scenic Area ("Scenic Area") have been affected by developments such as The Dalles Dam and by the vandalism. In this study, the nature and degree of vandalism to the rock art sites in the Scenic Area is considered in the context of public awareness of, and access to, these sites. Rock art sites which are easily located and which have been the focus of public awareness are hypothesized to be the most severely vandalized. To test this hypothesis, fifteen of the 44 rock art sites in the Scenic Area were selected for study, and were assessed for kind and degree of vandalism, and means and ease of access. The results of analysis yielded two statistically significant associations of variables which support the hypothesis: an association between vandalism and public awareness of sites, and an association between vandalism and the primary means of access. The analysis suggests that public awareness is one of the most important issues which land managers must address when designing cultural resource protection plans. A LOCATIONAL ANALYSIS OF VANDALISM TO THE ROCK ART OF THE COLUMBIA RIVER GORGE NATIONAL SCENIC AREA by JULIA J. WILT A thesis submitted in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE in GEOGRAPHY Portland State University 1993 TO THE OFFICE OF GRADUATE STUDIES: The members of the Committee approve the thesis of Julia J. Wilt presented May 26, 1993. Teresa L Bulman, Chair APPROVED: epartment of Geography ,ch, Vice Provost for Graduate Studies and Research ACKNOWLEDGEMENTS Many people provided information and assistance with this project. Foremost among them are Dr. James Keyser, regional archaeologist in the Pacific Northwest for the Forest Service, who contributed film and processing; Rick McClure, Forest Service archaeologist in the Gifford-Pinchot National Forest, who furnished site records and other materials, as well as a copy of his own renowned master's thesis; Mike Boynton, Forest Service archaeologist in the Columbia River Gorge National Scenic Area, who spent a tremendous amount of time answering all my questions, cheerfully searching for documents, phone numbers, names, and other innumerable bits of information, as well as reviewing Chapter III and some of my maps; and Greg Bettis, who also donated time and documents, and who assisted in the location of some of the more elusive sites. Others who contributed their time and expertise include Allen Bell at the Columbia River Gorge Commission; Rich Davis, park ranger at Horsethief Lake State Park; Dr. Robert Fountain of the Statistics Consulting Lab at Portland State University; Rob Whitlam and Sara Steel at the Office of Archaeology and Historic Preservation in Olympia, Washington; Alice Tratebas, Bureau of Land Management archaeologist at Whoopup Canyon, Wyoming; and Eric Carlson, who provided the drawing which illustrates the vandalism at Horsethief Lake State Park. iv Finally, I wish to thank members of the faculty, administration, and fellow graduate students at Portland State University: Carolyn Perry, whose friendship and technical expertise were crucial in the completion of this document; Manette Simpson, Amy Benson, and Tom Harvey, for their friendship, support, and counsel; and most importantly, my committee, particularly my advisor, Dr. Teresa Bulman. TABLE OF CONTENTS PAGE ACKNOWLEDGEMENTS . iii LIST OF TABLES . vii LIST OF FIGURES . viii CHAPTER I INTRODUcriON .................................... 1 II LITERATURE REVIEW .............................. 8 III LOCATION AND DESCRIPTION OF THE STUDY AREA ... 19 Geology and Physiography of the Gorge . 21 Climate and Vegetation of the Scenic Area . 26 Fauna . 27 Prehistory . 29 Rock Art of the Gorge . 37 Euro-American Contact and Settlement . 41 N lAND OWNERSHIP AND MANAGEMENT .............. 47 Current Status of the Rock Art as a Cultural Resource . 54 V METHODOLOGY . 70 Data Collection . 73 Data Analysis . 76 vi PAGE Data Limitations . 81 VI RESULTS AND DISCUSSION ......................... 84 Management and Policy Implications ................ 102 VII CONCLUSIONS ........... o o o o o o o o o o o o o o o 0 0 o o • o o 0 o o 113 REFEREN CBS o •• o o • • o o •• o • o • o • o • • • o • • • • • • o • o • • • • o • o o • • o • • • o o 116 APPENDICES A THE 15 ROCK ART SITES SELECfED FOR THE STUDY OF VANDALISM IN THE COLUMBIA RIVER GORGE NATIONAL SCENIC AREA AND THEIR RElATIONSHIP TO THE VARIABLES AFFECTING VANDALISM . o o o o • o o o o o o o o • o ••••• o • o • o • o o .0 o o o o o • o 0124 B THE RESULTS OF THE STATISTICAL ANALYSIS .. o. 0. 0 127 LIST OF TABLES TABLE PAGE I Cultural Stages and Associated Sites in the Columbia River Gorge National Scenic Area ............................ 30 II Description of the Resource Management Entities in the Columbia River Gorge National Scenic Area ................ 50 III Summary of the Cultural Resource Protection Provisions and Guidelines for the General Management Areas of the Columbia River Gorge National Scenic Area ....................... 65 IV Descriptive, Locational, Access, and Awareness Variables of the 15 Rock Art Sites Selected for Study in the Columbia River Gorge National Scenic Area . 77 V Statistically Significant Associations Between the Variables to the Vandalism of the 15 Rock Art Sites Selected for Study in the Columbia River Gorge National Scenic Area ........... 85 VI The Six Vandalized Rock Art Sites from the 15 Selected for Study and the Statistically Significant Variables Affecting Vandalism . 86 VII Summary of Cultural Resource Management Recommendations for the Management Entities in the Columbia River Gorge National Scenic Area . 111 LIST OF FIGURES FIGURE PAGE 1. The Columbia River Gorge National Scenic Area ............ 20 2. Representative Early, Middle, and Late Archaic sites in the Columbia River Gorge National Scenic Area. 32 3. Tsagiglalal, or "She Who Watches", a petroglyph in the Columbia River Gorge National Scenic Area. 39 4. Natural and cultural features in the eastern portion of the Columbia River Gorge National Scenic Area. 40 5. Looter's pits, dug at the base of a rock art site in the Columbia River Gorge National Scenic Area. 59 6. A red and white pictograph at Horsethief Lake State Park, Washington, A) before vandalization, and B) after vandalization . 61 7. An example of vandalism which occurred in Horsethief Lake State Park, Washington, in the summer of 1992 . 62 8. The 156 prehistoric archaeological sites in the Columbia River Gorge National Scenic Area, by county . 64 9. The 44 non-inundated rock art sites in the Columbia River Gorge National Scenic Area . 71 10. Horsethief Lake State Park, Washington ................... 72 11. The 15 rock art sites selected for the study of vandalism to the rock art sites of the Columbia River Gorge National Scenic Area . 75 12. Off-road vehicles near a rock art site outside Wishram, Washington ................................. 90 ix 13. Graffiti situated near a rock art site in the Columbia River Gorge National Scenic Area............... 91 14. Graffiti in the form of a recent, non-Indian petroglyph, situated near a prehistoric rock art site in the Columbia River Gorge National Scenic Area.......... 92 15. Graffiti at Horsethief Lake State Park, Washington ........... 94 16. Rock-climber at a pictograph site in Horsethief Lake State Park, Washington ................................ 96 17. Vandalized pictographs outside of Wishram, Washington . 97 18. Petroglyph panels salvaged during the construction of The Dalles Dam .................................. 101 19. Sign at Horsethief Lake State Park, Washington, which cautions against the removal or disturbance of artifacts . 104 20. The effects of pigeons on the petroglyph panels at The Dalles Dam in the Columbia River Gorge National Scenic Area . .1 09 CHAPTER I INTRODUCTION Archaeological sites in the New World, including rock art, are the rare and endangered elements of the past cultural landscape, one that extends from the end of the Pleistocene to the present. The pressures of European-American settlement caused that landscape, and the people who created it, to be greatly diminished, and in a few cases obliterated, in a remarkably short period of time.