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Rapport Annuel 18/19
RAPPORT ANNUEL 2018-2019 SOMMAIRE TABLE OF CONTENTS LES GRANDS BALLETS 4 LES GRANDS BALLETS MOT DU PRÉSIDENT 6 MESSAGE FROM THE PRESIDENT HISTORIQUE DES GRANDS BALLETS 8 HISTORY OF LES GRANDS BALLETS LES GRANDS BALLETS EN CHIFFRES 12 LES GRANDS BALLETS AT A GLANCE SAISON 2018-2019 16 2018-2019 SEASON MUSIQUE ET CHANT 18 MUSIC AND SONG LE BALLET NATIONAL DE POLOGNE 21 THE POLISH NATIONAL BALLET RAYONNEMENT INTERNATIONAL 23 INTERNATIONAL CELEBRITY LA FAMILLE CASSE-NOISETTE 26 THE NUTCRACKER FAMILY CENTRE NATIONAL DE DANSE-THÉRAPIE 28 NATIONAL CENTRE FOR DANCE THERAPY LES STUDIOS 30 GALA-BÉNÉFICE 2018 35 2018 ANNUAL BENEFIT GALA LES JEUNES GOUVERNEURS 36 THE JEUNES GOUVERNEURS COMMANDITAIRES ET PARTENAIRES 38 SPONSORS AND PARTNERS REMERCIEMENTS 39 SPECIAL THANKS Photo: Sasha Onyshchenko • Danseuse / Dancer: Maude Sabourin DANSEURS 45 DANCERS 3 LES GRANDS BALLETS FAIRE BOUGER LE MONDE. AUTREMENT. Depuis plus de 60 ans, Les Grands Ballets Canadiens de Montréal sont une compagnie de création, de production et de diffusion internationale qui se consacre au développement de la danse sous toutes ses formes, en s’appuyant sur la discipline du ballet classique. Les danseuses et danseurs des Grands Ballets, sous la direction artistique d’Ivan Cavallari, interprètent des chorégraphies de créateurs de référence et d’avant-garde. Les Grands Ballets, reconnus pour leur excellence, leur créativité et leur audace, sont pleinement engagés au sein de la collectivité et rayonnent sur toutes les scènes du monde. MOVING THE WORLD. DIFFERENTLY. For over 60 years, Les Grands Ballets Canadiens de Montréal has been a creation, production and international performance company devoted to the development of dance in all its forms, while always staying faithful to the spirit of classical ballet. -
A Capital Occasion
WP10 nationalpost.com NATIONAL POST, SatURDAY, MAY 31, 2014 nationalpost.com WP11 Jean-Philippe Fortier-Lazure, citylife tenor and 2014 protégé for Roxanna Benoit, VP of the GGPAA government and aboriginal affairs, Mentorship Program, and Jim Treliving, Enbridge, D’Arcy Levesque, VP, chairman and enterprise communications, brand & mentor and renowned bass founder of Boston Sheila McCarthy community partners, Enbridge, and Pizza Restaurants, Brent Trepel, and Brent Carver, Joseph Rouleau. Guillaume Côté, principal Sonya Savage, manager, public and and Sandi president & GGPAA dancer with the National government affairs, Enbridge. Treliving (both CEO, Ben Moss recipient for life- Ballet of Canada, Anik GGPAA National Jewellers, time achievement Bissonnette, GGPAA recipi- Committee and Brenlee in theatre. A CAPITAL Carrington Trepel. ent for lifetime achievement members). in dance, and Karen Kain, C.C., artistic director of the National Ballet of Canada. OCCASION Governor General’s Performing Arts Awards draw a talented crowd to Ottawa AMORYN ENG E L t was a sight to behold as captains of industry from across the country and some of Canada’s finest artists I made their way to the National Arts Centre in Ottawa for Ann McCaig, Alison Jackson the Governor General’s Performing Arts Awards. As always, C.M., A.O.E., and Tom Jackson, the evening would exceed expectation with all of the pomp LL.D. and Jian daughter Jane Rick Mercer, 2004 NAC GGPAA recipi- W. Galen Weston, The Hon. Hilary M. Weston, and circumstance that our capital city has to offer. Created Award recipient, Jim Cuddy ent for lifetime in 1992, the Governor General’s Performing Arts Awards are Ghomeshi and McCaig. -
SPRING 2008 Full Circle
News from the Donors’ Circle and Corporate Club The National Arts Centre Foundation’s Annual Giving Clubs SPRING 2008 Full Circle Celebrating the th 10 Summer Music Institute Inside Message from the CEO |2 March Break Theatre Workshop |3 e can hardly believe the phenomenal growth of the providing a valuable opportunity Manhattan on the Rideau |4 NAC’s Summer Music Institute (SMI) since its inception for orchestral conductors to Making Giving Easy |5 inW the summer of 1999. Nine summers ago, the Young Artist develop under the expert guidance Donor Profile |5 Programme (YAP) – the first branch of the SMI programme – of accomplished orchestra leaders; was created, which 10 Canadian students participated. In June the Composers Programme – Shakespeare in the Lobby |6 2008, we’ll be celebrating the 10th anniversary of SMI, and the designed for composers preparing Diavolo Dance Theatre |7 programme has grown by leaps and bounds under the vision for a professional career in composi- Calendar of Activities |8 of Maestro Pinchas Zukerman. tion; and the original component, the The First Season |8 Young Artists Programme. Since 1999, the SMI has grown into a world-renowned magnet for the best young Canadian and international classical artists, The Young Artists Programme identifies and providing world-class instruction for especially gifted young fosters young, exceptional musical talent through musicians, conductors and composers. To date, we have welcomed intensive instruction led by Pinchas Zukerman close to 500 participants from 10 Canadian provinces, and and an internationally-renowned faculty. This year, 26 countries around the world. 65 highly-talented students from across Canada and around the globe will have the opportunity 85 students take part The excitement generated by the success of the YAP in the along with 25 faculty to take part in two levels of technical study early years led to the expansion of SMI which now comprises and staff in the Summer during three and a half weeks in June. -
LES BALLETS TROCKADERO DE MONTE CARLO Mixed Program / Programme Mixte
NAC 1617 DANCE DANSE LIFE IN CNA MOTION Cathy Levy LA VIE EN Executive Producer, Dance Productrice générale, Danse MOUVEMENT LES BALLETS TROCKADERO DE MONTE CARLO Mixed Program / Programme mixte February 17 février 2017 Salle Southam Hall Duration: 2 hours 5 minutes, including two intermissions Durée : 2 heures 5 minutes avec deux entractes Performance Sponsor / Commanditaire du spectacle Julie Teskey / Stephanie Cartwright Re/Max Metro City Realty Peter A. Herrndorf President and Chief Executive Officer / Président et chef de la direction 1617 © Nick Lafontaine Quite simply, Les Ballets Trockadero de Les Ballets Trockadero de Monte Carlo Monte Carlo just keeps getting better. As sont tout simplement meilleurs d’une fois the company continually tours the world, à l’autre. Constamment en tournée dans le expanding its repertoire and audiences, its monde, la compagnie ne cesse d’étendre performances are never tired or diminished. son répertoire et son public, sans jamais que This is quite a feat for any artist, let alone ses prestations n’aient à en souffrir. C’est ones that have been on the road — and on tout un exploit pour n’importe quel artiste, à pointe — for more than 40 years. Born out plus forte raison pour des danseurs qui sont of the underground New York City drag en tournée — et sur pointes — depuis plus de scene of the late 60s/early 70s, the Trocks’ 40 ans. Née de la scène drag new-yorkaise unique blend of masterful, classical ballet du tournant des années 1970, la formule technique with humour and parody results singulière des « Trocks », alliant une in a celebratory, comedic performance that parfaite maîtrise de la technique du ballet speaks to audiences of all ages. -
2017 - 2018 SEASON World Ballet Stars • Giselle • the Nutcracker • Peter Pan Lightwire Theater: a Very Electric Christmas
2017 - 2018 SEASON World Ballet Stars • Giselle • The Nutcracker • Peter Pan Lightwire Theater: A Very Electric Christmas 2017-2018 SEASON PASSION. DISCIPLINE. GRACE. Attributes that both ballet dancers and our expert group of medical professionals possess. At Fort Walton Beach Medical Center, each member of our team plays an important part in serving our patients with the highest quality care. We are proud to support the ballet in its mission to share the beauty and artistry of dance with our community. Exceptional People. Exceptional Care. 23666 Ballet 5.5 x 8.5.indd 1 8/26/2016 3:47:56 PM MESSAGE FROM THE DIRECTOR Dear Friends: Welcome to the 48th season of the Northwest Florida Ballet! With the return of the Northwest Florida Ballet Symphony Orchestra and FIVE productions at venues all along the Emerald Coast, we have proven our commitment to elevating the performing arts in the communities we serve. As friends of NFB and valued patrons of the arts, we have listened to your feedback and identified new performance locations and expanded use of others to continue bringing you the world-class productions our organization is known for. Todd Eric Allen, NFB Artistic Director & CEO The season begins with World Ballet Stars, a main stage production at the Mattie Kelly Arts Center in September. Through our expanded partnership with Grand Boulevard, we will present Giselle to the community as a free outdoor performance in Grand Park in October. We return to the Mattie Kelly Arts Center in November for our 38th annual production of The Nutcracker. In December we bring back the electrifying Lightwire Theater with A Very Electric Christmas for two performances at the Destin United Methodist Church Life Center. -
Master Plan for Professional Dance in Quebec 2011–2021 Is the Fruit of a Similar Creative Process
MASTERdance PLAN FOR PROFESSIONAL IN QUEBEC 2011~2021 REGROUPEMENT QUÉBÉCOIS DE LA DANSE C2 RQD Master Plan for Dance in Quebec 2011-2021 MASTERdance PLAN FOR PROFESSIONAL IN QUEBEC 2011~2021 REGROUPEMENT QUÉBÉCOIS DE LA DANSE 2 RQD Master Plan for Dance in Quebec 2011-2021 Message from the Minister of Culture, Communications and the Status of Women Dance is a universal art that touches our deepest emotions. Hidden from view in their studios, dancers, choreographers and teachers put together steps, movements and stylistic touches with great sensitivity. Out of this hard work is born a unique choreography, unveiled before an enraptured audience. The Master Plan for Professional Dance in Quebec 2011–2021 is the fruit of a similar creative process. It is the result of an extended period of reflection and consultation between the Regroupement québécois de la danse and a great many dance professionals. I extend my warm congratulations to the entire Regroupement team, who have done everything possible to ensure optimal conditions for the practice of dance. I also offer my sincere thanks for this valuable contribution to the promotion of Quebec culture. It is a big step forward for our dance professionals—one I am certain they will take with grace, elegance and success. Christine St-Pierre Minister of Culture, Communications and the Status of Women 3 RQD Master Plan for Dance in Quebec 2011-2021 Message from the Conseil des arts et des lettres du Québec The Conseil des arts et des lettres du Québec is pleased to pay tribute to the launching of the first Master Plan for Professional Dance in Quebec 2011–2021. -
National Ballet of China Feng Ying, Artistic Director the Peony Pavilion Ballet in Two Acts and Six Scenes Adapted from Tang Xianzu’S Play of the Same Name
07-08 Peony_Gp 3.qxt 6/29/15 2:42 PM Page 1 Lincoln Center Festival lead support is provided by American Express July 8 – 10 David H. Koch Theater National Ballet of China Feng Ying, Artistic Director The Peony Pavilion Ballet in two acts and six scenes Adapted from Tang Xianzu’s play of the same name Producer Zhao Ruheng Adaptation and Director Li Liuyi Composer, Arranger, and Orchestrator Guo Wenjing Choreographer Fei Bo Set Designer Michael Simon Costume Designer Emi Wada Lighting Designers Michael Simon, Han Jiang National Ballet of China Symphony Orchestra Conductors Zhang Yi, Liu Ju Approximate performance time: 2 hours, including one intermission Major support for Lincoln Center Festival 2015 is provided by The Andrew W. Mellon Foundation. This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Lincoln Center Festival 2015 is made possible in part with public funds from the New York City Department of Cultural Affairs, New York State Council on the Arts, and the National Endowment for the Arts. Endowment support for the Lincoln Center Festival 2015 presentation of the National Ballet of China is provided by Blavatnik Family Foundation Fund for Dance. The Lincoln Center Festival 2015 presentation of the National Ballet of China is made possible in part by generous support from Yang Lan and The Joelson Foundation. National Ballet of China’s participation in Lincoln Center Festival is made possible by the support of the Ministry of Culture of China and the China National Arts Fund. 07-08 Peony_Gp 3.qxt 6/29/15 2:42 PM Page 2 LINCOLN CENTER FESTIVAL 2015 THE PEONY PAVILION July 8, 2015, at 8:00 p.m. -
In Colour & Emergence & Dextris
Ballet Notes IN COLOUR & EMERGENCE & DEXTRIS March 4-8, 2009 Aleksandar Antonijevic Photo by Sian Richards. 2008/09 Souvenir Book On Sale Now in the Lobby Featuring beautiful new images by Canadian photographer Sian Richards Alejandra Perez-Gomez Photo by Sian Richards. Orchestra Violins Horns Fujiko Imajishi, Gary Pattison, Principal Concertmaster Vincent Barbee Lynn Kuo, Derek Conrod Assistant Concertmaster Scott Wevers Dominique Laplante, Trumpets Celia Franca, C.C., Founder Principal Second Violin Richard Sandals, Principal James Aylesworth Mark Dharmaratnam George Crum, Music Director Emeritus Jennie Baccante Raymond Tizzard Karen Kain, C.C. Kevin Garland • Sheldon Grabke Xiao Grabke Trombones Artistic Director Executive Director • Nancy Kershaw David Archer, Principal David Briskin Rex Harrington, O.C. Sonia Klimasko-Leheniuk Robert Ferguson Music Director and Artist-in-Residence Csaba Koczó David Pell, Principal Conductor Yakov Lerner Bass Trombone Jayne Maddison Tuba Magdalena Popa Lindsay Fischer Ron Mah Sasha Johnson Principal Artistic Coach Artistic Director, Aya Miyagawa YOU dance / Ballet Master Wendy Rogers Harp Aleksandar Antonijevic, Guillaume Côté, Filip Tomov Lucie Parent, Principal Joanna Zabrowarna Chan Hon Goh, Greta Hodgkinson, Timpany Paul Zevenhuizen Nehemiah Kish, Zdenek Konvalina, Michael Perry, Principal Violas Heather Ogden, Sonia Rodriguez, Percussion Angela Rudden, Principal Piotr Stanczyk, Xiao Nan Yu Robert Comber, Principal Theresa Rudolph Koczó, Mark Mazur Victoria Bertram, Kevin D. Bowles, Assistant -
YAGP National Brochure 2015-2016
www.yagp.org 646.791.9500 GENNADI LARISSA Welcome to the SAVELIEV SAVELIEV President Artistic Director 2016 Season and Founder and Founder EAR FRIENDS, WELCOME TO THE 17TH SEASON OF YOUTH AMERICA GRAND PRIX! This season is dedicated to the loving memory of Shelley King – who, as D YAGP’s Director of Operations for the past 12 years, has changed countless young artists’ lives by helping them realize their dreams of becoming professional dancers. As we continue to honor Shelley’s dedication and passionate love for dance, we ask that you join us in celebrating her indomitable spirit. We would like to introduce two newest members of our team who will be in charge of registration - Billie Buddenhagen and Justin Sebesta. As a former General Manager of Ballet Austin, Billie brings a wealth of professional experience to our organization – and, as a ballet mom herself, she has a thorough understanding of the perspective of participants, parents and teachers. She joins YAGP as Regional Director, with Justin as Regional Manager. As the world’s largest student ballet scholarship competition, YAGP constantly works to expand its global network of dance. This year, we are thrilled to announce two new semi-final locations: Beijing, People’s Republic of China and Salt Lake City in the United States. We hope that this will create greater access for more talented young dance artists to participate in YAGP’s education and performance opportunities. In an effort to make the NYC Finals experience more convenient and economical for participants and their families, we have chosen a new venue for the Finals and Gala: the Howard Gilman Opera House at the Brooklyn Academy of Music. -
VRB Handbook Done
Virginia Regional Ballet Handbook 2018 – 2019 Dance Year 1228 Richmond Road, Williamsburg, VA 23185 4839 George Washington Memorial Hwy., Yorktown, VA 23692 757-229-2553 www.danceVRB.com [email protected] 1 Table of Contents ABOUT Virginia Regional Ballet 3 FOUNDERS 4 Heidrun S. Robitshek, Artistic Director & Instructor 4 Adelle Page Carpenter, Studio Director & Instructor 4 THE ACADEMY 5 Admission 5 Class Placement 5 Registration & Tuition 5 Online Account Access 6 Scholarship Program 6 General Information 6 Class/Rehearsal Rules 7 Class Descriptions 7 Summer Programs 9 Dress Code 10 PERFORMANCE OPPORTUNITIES 12 INSTRUCTORS & GUEST INSTRUCTORS 13 Instructors 13 Guest Instructors/Choreographers 15 2 ABOUT Virginia Regional Ballet In 2007, Heidi Robitshek, former artistic director and founder of the Chamber Ballet along with her protégée Adelle Carpenter founded the Virginia Regional Ballet to dedicate a school to the continued improvement and enhancement of classical ballet technique. Virginia Regional Ballet Academy sponsors the Virginia Regional Ballet, Inc., whose purpose is to bring to the community and develop among its citizens an educational and cultural program in dance. Virginia Regional Ballet is located in Williamsburg’s Art District at 1228 Richmond Road adjacent to the Williamsburg Community Pool and is professionally designed and constructed to provide the best possible facilities for instruction. In 2013, Virginia Regional Ballet acquired a second location in Yorktown at 5315 George Washington Memorial Highway and 110-B Dare Road. Virginia Regional Ballet Academy offers a beginning through pre-professional curriculum in all dance forms through a variety of weekly classes and performance opportunities. Professionally trained and experienced teachers qualified to teach classical ballet, contemporary, character, creative dance, jazz, tap, modern, hip-hop, and lyrical dance are available at all levels. -
University Musical Society
UNIVERSITY MUSICAL SOCIETY Les Grands Ballets Canadians COPPELIA(1870) Saturday Evening, October 17, 1992, at 8:00 Sunday Afternoon, October 18, 1992, at 3:00 Power Center for the Performing Arts Ann Arbor, Michigan Choreography: Enrique Martinez after Marius Petipa Music: Leo Delibes Sets and Costumes: Peter Home Costumes Design Collaborator: Lydia Randolph Lighting: Nicholas Cernovitch Act I A village square The action evolves around Coppelia, the beautiful but enigmatic young daughter of Dr. Coppelius. Swanilda suspects her fiance, Frantz, of harboring a secret love for Coppelia. The burgermeister announces that tomorrow he will distribute dowries to the engaged couples of the village and urges Swanilda to wed Frantz. But possessed by jealousy, Swanilda breaks off the engagement. Night falls and the crowd disperses. As Coppelius leaves his house, he is jostled by a group of young men and drops his key. Swanilda finds the key and enters the forbidden house with her friends. Frantz, too, is attempting to enter the house when Coppelius returns unexpectedly. Act II Coppelius' workshop peopled with curious figures The young women overcome their initial timidity and boldly make their way through the house. Swanilda quickly discovers to her joy that Coppelia is only a mechanical doll. At this point, Coppelius suddenly appears and chases out the intruders, all but Swanilda who, hidden behind the curtain, takes the place of Coppelia. Coming upon Frantz, who has finally gotten into the house, Coppelius makes him drink a potion intended to pull the young man's vital force from his body and transfer it to the doll. -
Program 2 1St Flash Jorma Elo
Program 2 1st Flash Jorma Elo WHICH/ONE Adi Salant Solo Echo Crystal Pite Feb 28 Mar 1 2 Queen Elizabeth Theatre @BALLETBC AN ARTSLANDIA #BALLETBCPROGRAM2 #TALKBALLET PUBLICATION WECHAT JOIN THE BALLET BC E-LIST: BALLETBC.COM Program 1st Flash orma lo WHICH/ONE Adi alant Solo Echo Crystal ite Learning Guide The goal of this Learning Guide is to help students engage fully with the dance performance featured in Ballet BC’s 2018 production of Program at the Queen Elizabeth Theatre. TABLE OF CONTENTS 3… Welcome from Artistic Director 4… About Ballet BC 5… nterie it Emi nr i … About Ballet BC’s Program … About the Artists 1… Before the Performance Lesson I - Dance … Before the Performance Lesson II - Storytelling … After the Performance Lesson III … Continue Your Exploration Ballet BC would like to thank Diamond Foundation for their geners support of Ballet BC’s Student and Community Dress Rehearsal rgrm. Ballet BC acknowledges the financial assistance of the Province of British Columbia for Ballet BC’s Outreach and Education Program. A message from Ballet BC WELCOME TO PROGRAM 2! First, a sincere thank you for joining and supporting us as we journey through this celebratory 2018–19 season . After weeks of exciting touring in new locations, we return to our home town to present a captivating evening of dance featuring three remarkable and inspired works. Tonight’s program features the return of Jorma Elo’s gripping 1st Flash, followed by a world premiere by the fresh choreographic voice of Adi Salant, and we close the evening with Solo Echo, a company signature and audience favourite by renowned Canadian choreographer, Crystal Pite.