Postwar Art and the New York Contemporary Art Market Symposium Schedule Yale University Art Gallery, October 3–4, 2008

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Postwar Art and the New York Contemporary Art Market Symposium Schedule Yale University Art Gallery, October 3–4, 2008 Friday, October 3, 5:30–6:30 pm 12:00–1:30 pm Keynote Panel Discussion: Reflections on the Richard Brown Baker Lunch on your own and free time to visit the Gallery Collection of Contemporary Art Introduction: Susan B. Matheson, Acting Director, Chief Curator, 1:30–2:10 pm Nomads and Monads: The Postmodern Patron and the Molly and Walter Bareiss Curator of Ancient Art, Yale Caroline Jones, Professor of Art History, and Director of University Art Gallery the History, Theory, and Criticism Program, Department of Moderator: Judith Tannenbaum, the Richard Brown Baker Architecture, Massachusetts Institute of Technology Curator of Contemporary Art, Museum of Art, Rhode Island School of Design 2:20–3:10 pm Panelists: artists Walter Darby Bannard, Robert Bechtle, and Collectors Panel Peter Saul, and gallery owner George Adams Moderator: John Walsh, Director Emeritus, J. Paul Getty Museum Saturday, October 4, 9:00 am Panelists: collectors Eileen Cohen, Carol LeWitt, Janice Check-in Oresman, and Barbara Schwartz 9:15 am 3:20–4:00 pm Introduction: Pamela Franks, Deputy Director for Collections Free Lunch at the Hacienda: Big Shows in New York City and Education and the Nolen Curator of Academic Initiatives Alan Moore, independent scholar 9:30–10:15 am 4:10–4:50 pm Drips and Zips: The Marketing of Freedom and Individuality Artists Panel in the 1950s Moderator: Robert Storr, Dean, Yale University School of Art Serge Guilbaut, Professor of Art History, Visual Art, and Theory, Panelists: artists Philip-Lorca diCorcia, Peter Halley, and University of British Columbia Dorothea Rockburne 10:30–11:15 am 4:50–5:30 pm New York Galleries and Art Dealers Market as Medium David Joselit, Professor and Chair, History of Art, Yale Moderator: Walter Robinson, artist, and Editor-in-Chief, artnet University Magazine Panelists: art dealers and gallery owners Irving Blum, Jeffrey 5:30–6:00 pm Deitch, Klaus Kertess, and Gracie Mansion Roundtable Discussion and Question-and-Answer Session Moderator: Robert Storr, Dean, Yale University School of Art 11:20 am–12:00 pm Symposium participants and audience Women On, and Off, the Market: Hannah Wilke and Lee Lozano Anna C. Chave, Professor of Art History, CUNY Graduate 6:00–7:00 pm Center and Queens College Lobby Reception Symposium organized by Jennifer Farrell, the Florence B. Selden Curatorial Fellow, Department of Prints, Drawings, and Photographs.

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The East Hampton Star - Arts 6/7/08 12:13 AM
Jumping Genres and Generations in Art - The East Hampton Star - Arts 6/7/08 12:13 AM Register June 6, 2008 Login Home Business & Real Estate Arts Food & Wine Sports Outdoors Commentary Obituaries Letters Fiction Real Estate Listings Jumping Genres and Generations in Art Web Directory By Jess Frost Media Kit (6/03/2008) “I guess I have Search & Forms a reputation as a painting Local History guy,” Klaus Kertess said, an understatement to be sure. FAQs/Contact Us Proof of his propensity for painting can be found at “The Annual Hamptons Show,” an exhibit opening tomorrow, © Copyright 1996-2008 and running through June 16, The East Hampton Star that he has curated for the 153 Main Street Fireplace Project in Springs. Morgan McGivern East Hampton, NY 11937 Klaus Kertess at home in East Hampton Mr. Kertess lives in East Hampton with his partner, the artist Billy Sullivan. As a writer and curator he has worked for any number of highly respected museums, but his success seems to have as much to do with his departure from such positions as with the prestige they have brought him. In 1966 Mr. Kertess founded, with John Byers, the influential Bykert Gallery in New York, where he acted as director for almost 10 years, exhibiting burgeoning artists such as Brice Marden, Chuck Close, Agnes Martin, and Joe Zucker, who is represented in the Fireplace Project exhibit. Seacoast Enterprises “It was a starter gallery essentially, when I look back on it,” Mr. Kertess said. 423 Three Mile Harbor Road “What gave me pleasure was showing somebody for the first time and trying to clear East Hampton a path for them into the art world.” www.sea-incorp.com “Part of the reason I left the gallery was because I was going to have to become a career manager more than anything else, and that wasn’t what I did well.
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If an Imaginary Line Could Be Traced Around Three Outer Elements of This Exhibition
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Oral History Interview with Chuck Close, 1987 May 14-September 30
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Oral History Interview with David Novros, 2008 Oct. 22-27
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Lynda Benglis’, Cloakroom, Issue 2, Summer 2020
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Pirate, Rebel, Trickster
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In the Mid '70S When I Was a Young Painter
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This Document Was Updated November 19, 2020. for Reference Only and Not for Purposes of Publication. for More Information, Please Contact the Gallery
This document was updated November 19, 2020. For reference only and not for purposes of publication. For more information, please contact the gallery. AL TAYLOR Born March 2, 1948 in Springfield, Missouri Died March 31, 1999 in New York City Education: Kansas City Art Institute, Kansas City, Missouri, B.F.A. (1970) Yale-Norfolk Summer Session, Norfolk, Connecticut (1969) Whitney Museum of American Art Independent Study Program, New York (1969) SOLO EXHIBITIONS 1986 Al Taylor: Recent Work, Alfred Kren Gallery, New York (June 4–28). Catalogue with text by Klaus Kertess 1987 Al Taylor: Neue Arbeiten, Galerie Alfred Kren, Cologne (March 5–April 4) 1988 Al Taylor, Lorence·Monk Gallery, New York (October 22–November 12) 1989 Al Taylor: Recent Work, Trans Avant-Garde Gallery, Austin, Texas (October 10–November 4) Al Taylor: Pet Stains—Neue Arbeiten/New Work, Galerie Alfred Kren, Cologne (November 17– December 22) 1990 Al Taylor: Eine Radierungsmappe “Ten Common Hawaiien Household Objekts” und Bilder, Galerie 86—Europäische Akademie für Bildende Kunst, Trier, Germany (June 7– July 1) Al Taylor, Lorence·Monk Gallery, New York (November 17–December 8) 1991 Al Taylor: Large Drawings, Galerie Alfred Kren, Cologne (January 30–February 23) 1992 Al Taylor: Puddles, David Nolan Gallery, New York (March 7–April 11). Catalogue with text by Klaus Kertess Al Taylor: Pass the Peas, Galerie Jahn und Fusban, Munich (April 2–30) Al Taylor, Kunsthalle Bern, Bern, Switzerland (May 9–June 21). Catalogue with text and interview with the artist by Ulrich Loock Peter
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Untitled, 1978
(1) Marc H. Miller in his studio (2) Wynn Chamberlain, Brand X, 1969. (3), (4) Gray, July 21, 2011. at 98 Bowery, New York, ca. Production still showing Ultra Violet in the scene Performance at the New 1974. Courtesy the artist “Tomorrow’s Stars Today.” This scene was filmed Museum. Nicholas Taylor, left, in the gymnasium of 222 Bowery, New York. Michael Holman, right. Photo: Photo: © Gianfranco Mantegna, care of the New Linda Covello York Public Library Published by In her 2010 interview for the Bowery the Bowery, “Come Closer” outlines the We are indebted to Hermine and Artist Tribute, Mary Heilmann described landscape of the neighborhood, the sys- David Heller for funding the research, how the seven years she spent on the tem of relationships it fostered, and the development, and presentation of this south end of the Bowery redefined her local and global concerns of its artists. archive, and for providing endowment newmuseum.org conception of an artist’s life: “My model The exhibition will be on view on the funds for its future. We are also grateful for being an artist was this sort of lone Fifth Floor from September 19, 2012, to a number of individuals who have Editor: Ethan Swan Designer: Chelsea Amato person up in a garret,” she recalled, through January 6, 2013. been instrumental in the research and Copy Editor and Publications Coordinator: Sarah Stephenson “where you work all alone.” But her coordination of these efforts over the Editorial Intern: Ella Strauss time spent on the Bowery, attending In many ways, the Bowery Artist Tribute past six years, especially Ethan Swan, Printed by: Mirror NYC informal loft performances and visiting mirrors the routes by which artists first who manages the project, Eungie Joo, Front Cover: Poetry recital and performance by Joe Lewis.
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Gagosian Gallery in Paris on April 4, Having Been on View at the Yves Saint Laurent Museum in Marrakesh
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