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Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Coping Strategies for Grief & Loss
Coping Strategies for Grief & Loss By Anne Moss Rogers, Karla Helbert LPC and Charlotte Moyler Cover art by Mehmet Sahin Altug reprinted with permission for Mehmet owns, Cool Colors Gallery in CaryTown Richmond, VA If you are experiencing thoughts of suicide as a result of your grief whether it’s loss of a child, spouse, or someone else close to you, please reach out for help. Like my friend Gray said after the death of her son, “I felt obligated to live until I had the will to live again.” Here is what I mean when I say reach out for help: • Call someone you trust and tell them you are suffering thoughts of suicide and just need to talk. Those brain attacks can last for a while but thirty minutes is typical length of time. Be intentional and say, “I’m having thoughts about killing myself.” • Call the suicide hotline 1800-273-8255 in USA • Contact the crisis text line 741-741 in the USA • Follow up and make an appointment with a psychologist, social worker or ask someone to help you do that Suicide hotline in the US 1-800-273-8255 U.S. Crisis text line. Text the word HELP to 741-741 Veteran’s Services 1-800-273-8255, press 1 Veteran’s Text line send HELP to 838-255 International Resources Canada 1-833-456-4566 United Kingdom 116 123 Australia 13 11 14 Grief Resources at the end of this ebook Coping Strategies for Grief & Loss by Anne Moss Rogers, Karla Helbert and Charlotte Moyler is Published by Emotionally Naked LLC Richmond, VA 23225 EmotionallyNaked.com, © 2020 Anne Moss Rogers. -
School Board to Hold Special Meeting on Replacing Andrews
50 CENTS 113TH YEAR • THURSDAY EDITION JUNE 28, 2012 A series of guest columns written by local leaders in the community begins in this issue. See the Opinion section, page A-4. OOSCEOLASCEOLA NNEWSEWS-G-GAZETTEAZETTE www.aroundosceola.com • www.holaosceola.com School Board to hold special meeting on replacing Andrews By Fallan Patterson Hartig accused Andrews of A superintendent search day’s workshop, agreed with Staff Writer breech of contract and pre- typically takes between two Wheeler. The Osceola County sented a box of evidence per- and four months to complete, “I don’t think that’s fair,” School Board at an upcoming taining to such at the June 19 School Board attorney Larry he said. “The board would be special meeting will discuss School Board meeting. Brown said. doing a disservice if we ap- whether to appoint an inter- Chairman Barbara Horn Board member Jay Wheel- point somebody (permanent) im superintendent or conduct initially made the motion last er opposed finding a perma- before the new board is sat.” News-Gazette Photo/Andrew Sullivan a search for a permanent re- week requesting his termina- nent replacement until after Hartig disagreed, citing While Debby hasn’t caused major damage in Osceola County, placement after current Su- tion from the position. The the election in which Hartig discussions with district staff several days of rain still leaves the hazard of standing water perintendent Terry Andrews motion failed 3-2. is running for re-election and who expressed to her their Vice Chairman Julius Melen- desire to have a permanent on roadways. -
ENDER's GAME by Orson Scott Card Chapter 1 -- Third
ENDER'S GAME by Orson Scott Card Chapter 1 -- Third "I've watched through his eyes, I've listened through his ears, and tell you he's the one. Or at least as close as we're going to get." "That's what you said about the brother." "The brother tested out impossible. For other reasons. Nothing to do with his ability." "Same with the sister. And there are doubts about him. He's too malleable. Too willing to submerge himself in someone else's will." "Not if the other person is his enemy." "So what do we do? Surround him with enemies all the time?" "If we have to." "I thought you said you liked this kid." "If the buggers get him, they'll make me look like his favorite uncle." "All right. We're saving the world, after all. Take him." *** The monitor lady smiled very nicely and tousled his hair and said, "Andrew, I suppose by now you're just absolutely sick of having that horrid monitor. Well, I have good news for you. That monitor is going to come out today. We're going to just take it right out, and it won't hurt a bit." Ender nodded. It was a lie, of course, that it wouldn't hurt a bit. But since adults always said it when it was going to hurt, he could count on that statement as an accurate prediction of the future. Sometimes lies were more dependable than the truth. "So if you'll just come over here, Andrew, just sit right up here on the examining table. -
FORTY-SIX PIONEERS: Louisiana Women in Non-Traditionai Jobs
DOCUMENT RESUME ED 150 432 CE 014 988 TITLE Forty-Six Pioneers: Louisiana Women in Non-Traditional Jobs INSTITUTION Louisiana State Dept. of Health and Human Resources, Baton Rouge. Bureau for Women. SPONS AGENCY Department of Labor, Washington, D.C. PUB DATE Nov 77 NOTE 53p. EDRS. PRICE MF-$0.83 HC-$3.50 Plus Postage. DESCRIP1ORS Adjustment Problems; Administrator Attitudes; Attitudes; *Blue Collar Occupations; Demography; Educational Background; *Employer Attitudes; Employment Services; *Females; Individual Characteristics; Industry; Job Placement; Program Descriptions; Research; *Skilled Occupations; *Vocational Adjustment; Vocational Followup; Wages; *Work Attitudes; Work Experience IDENTIFIERS Louisiana; *Nontraditional. Occupations AtiTRACT This report concerns forty-six Jobs Unlimited placements of women in Louisiana into nontraditional jobs (mostly blue-collar or skilled craft fields) between April 1976 and January 1977. (Jobs Unlimited was a project which informed the public, especially women, of opportunities available in nontraditional employment.) The report researches the demographic background, employment history, and social characteristics of the women placed, explores client adjustment and progress in the new job, and examines the attitudes of personnel administrators toward women in nontraditional jobs, and those of women toward their nontraditional work. Some of the major conclusions presented follow:(1) For most of the forty-six women placed, the greatest strides came in the areas of wages and chances for advancement,(2) -
17LG Nominees ENGLISH
Nominee_Export Latin Academy of Recording Arts & Sciences, Inc. List of Nominees for the 17th Annual Latin GRAMMY Awards Nominee Name Category #s Combined Category Names A Corte Musical 42 Best Classical Album Enrique Abdón Collazo 18 Best Traditional Tropical Album Sophia Abrahão 4 Best New Artist Raúl Acea Rivera 18 Best Traditional Tropical Album Dani Acedo 47 Best Short Form Music Video Héctor Acosta "El Torito" 17 Best Contemporary Tropical Album Dario Adames 11 Best Pop/Rock Album Mario Adnet 31 Best Latin Jazz Album Antonio Adolfo 31 Best Latin Jazz Album Adrián 6 Best Traditional Pop Vocal Album Raul Agraz 31 Best Latin Jazz Album Gustavo Aguado 17 Best Contemporary Tropical Album Lino Agualimpia Murillo 19 Best Tropical Fusion Album Pepe Aguilar 1 Record Of The Year José Aguirre 15 Best Salsa Album Lisa Akerman Stefaneli 44 Best Recording Package Bori Alarcón 2 Album Of The Year Pablo Alborán 1, 2, 5 Record Of The Year, Album Of The Year, Best Contemporary Pop Vocal Album Rolando Alejandro 2 Album Of The Year Álvaro Alencar 2 Album Of The Year Alexis 7 Best Urban Fusion/Performance Alexis y Fido 7 Best Urban Fusion/Performance Omar Alfanno 20 Best Tropical Song Sergio Alvarado 47 Best Short Form Music Video Page 1 Nominee_Export Andrea Álvarez 10 Best Rock Album Diego Álvarez 48 Best Long Form Music Video Julión Álvarez 23 Best Banda Album Laryssa Alves 39 Best Brazilian Roots Album Lizete Alves 39 Best Brazilian Roots Album Lucy Alves & Clã Brasil 39 Best Brazilian Roots Album Lucy Alves 39 Best Brazilian Roots Album Jorge Amaro 11 Best Pop/Rock Album Remedios Amaya 30 Best Flamenco Album Elvis "Magno" Angulo 15 Best Salsa Album Juan Alonzo V. -
AWARDS PLATINUM ALBUM March // 3/1/18 - 3/31/18
RIAA GOLD & PLATINUM LOGIC // EVERYBODY AWARDS PLATINUM ALBUM March // 3/1/18 - 3/31/18 SZA // CTRL PLATINUM ALBUM In March, RIAA certified 199 Song Awards and 75 Album Awards. All RIAA Awards DEMI LOVATO // TELL ME YOU LOVE ME dating back to 1958, are available at GOLD ALBUM riaa.com/gold-platinum! Don’t miss the NEW riaa.com/goldandplatinum60 site celebrating 60 years of Gold & Platinum NF // PERCEPTION GOLD ALBUM Awards, and many #RIAATopCertified milestones for your favorite artists! JUSTIN TIMBERLAKE // MAN OF THE WOODS SONGS GOLD ALBUM www.riaa.com // // // GOLD & PLATINUM AWARDS MARCH // 3/1/18 - 3/31/18 MULTI PLATINUM SINGLE // 47 Cert Date// Title// Artist// Genre// Label// Plat Level// Rel. Date// R&B/ 3/15/2018 IT'S A VIBE 2 CHAINZ DEF JAM 3/14/2017 HIP HOP R&B/ 3/1/2018 CAROLINE AMINE REPUBLIC RECORDS 8/26/2016 HIP HOP SIDE TO SIDE 3/9/2018 ARIANA GRANDE POP REPUBLIC RECORDS 5/20/2016 (FEAT. NICKI MINAJ) 3/20/2018 HOW FAR I'LL GO AULI'I CRAVALHO SOUNDTRACK WALT DISNEY RECORDS 11/18/2016 MEANT TO BE (FEAT. 3/28/2018 BEBE REXHA POP WARNER BROS RECORDS 8/11/2017 FLORIDA GEORGIA LINE) BRUNO MARS & 3/28/2018 FINESSE POP ATLANTIC RECORDS 11/18/2016 CARDI B HEY MAMA (FEAT. PARLOPHONE/ 3/19/2018 NICKI MINAJ, BEBE DAVID GUETTA POP 11/21/2014 ATLANTIC RECORDS REXHA, & AFROJACK) 3/1/2018 SORRY NOT SORRY DEMI LOVATO POP ISLAND RECORDS 7/11/2017 R&B/ YOUNG MONEY/CASH MONEY/ 3/8/2018 FAKE LOVE DRAKE 10/24/2016 HIP HOP REPUBLIC RECORDS R&B/ YOUNG MONEY/CASH MONEY/ 3/8/2018 FAKE LOVE DRAKE 10/24/2016 HIP HOP REPUBLIC RECORDS R&B/ YOUNG MONEY/CASH -
Sofia Reyes- Biography
Sofia Reyes- Biography At just 23-years-old, Sofia Reyes is a successful singer and songwriter who has already been nominated twice to the Latin American Music Awards, MTV Europe Music Awards, Premios Juventud and Latin GRAMMYs among many other. Most of her hits like "Muévelo", "Sólo yo" and "1,2,3", have occupied the first places of the Billboard charts and her latest single (which featured Jason Derulo and De La Ghetto) has nearly half a billion views on YouTube and certifications around the world. Born in Monterrey, Mexico, at age 16, she decided to move to Los Angeles with her independent label, Bakab, and start her solo career after leaving the girl band where she started. Sofia shared her original music and covers through YouTube and the popularity of these videos caught the attention of Warner Music Latina, which in partnership with D'Leon Records (Prince Royce’s record label) and Bakab, would boost her career. Sofia’s first single, "Muévelo"- alongside Wisin- automatically charted at Billboard's Top 20 Latin Pop Songs, where it stayed for 5 months. The song also entered Spotify’s Global 200 Chart, along with artists such as Ed Sheeran and Meghan Trainor, being Sofia the only Mexican on that list. Sofia recorded the track "Sólo yo" with Prince Royce in 2016, a song that led her to become the first female singer in five years to reach the first position in Billboard’s Latin Pop chart (2016), after Jennifer Lopez. She also received platinum and gold certifications in markets such as Spain, Argentina and Mexico due to its high sales. -
H I D D E N W O R L
HIDDEN WORLDS travel into inner space Lora Dimova / Master´s Thesis Aalto University, School of Art, Design and Architecture MA degree in Fine Art, Department of Art 2015 Abstract Te thesis refects my personal journey to the hidden worlds, located in the realm of the inner space. Tese worlds are accessed by alteration of the consciousness, which travels nonlinearly and expresses itself in various ways, presented as separate zones in the book. Te zones are related to the six intermediate states in Tibetan Buddhism - birth and life, meditation, dreams, time of death, second stage of the death process and rebirth. Te intention of the thesis is to take the reader on a journey and make him simultaneously a participant and observer. Diferent styles of writing are incorporated in order to place the reader straight in the map of the inner space. Te thesis illustrates the idea of the multidimensional body of the future, which has subtle layers and selves, exist- ing in diferent dimensions. Death, rebirth and eventually immortality are part of the construct of this body. Te art works included in the thesis explore the hidden worlds and give the reader an idea about their content. KEY WORDS: subtle body, altered states of consciousness, performance art, intermediate states, expansion, Tibet- an Buddhism, art of the future At the beginning was the IMAGE. Instructions before starting reading. Place the book on eye level and look at the image for 10 sec. Ten close your eyes and take few deep breaths. Start counting backwards from 100 to 0. Open your eyes and look back at the image for 10 sec. -
The Trendera Files
THE TRENDERA FILES Trendera THE POST VIRAL AGE Volume 8, Issue 2, Spring 2017 THE TRENDERA FILES: THE POST VIRAL AGE CONTENTS FUTURE-FORWARD INTRO 4 MARKETING 36 SOCIAL MEDIA MARKETING CHEAT STAT HIGHLIGHTS 6 SHEET 43 07 Would You Rather... 44 Facebook 08 Marketing 46 Instagram 12 Social Media Marketing 48 Snapchat 16 Shopping 50 YouTube 19 Getting Political 20 Entertainment NOW TRENDING 52 Trendera53 Lifestyle SOCIETAL SHIFTS 25 59 Entertainment 26 The Post-Viral Age 62 Fashion/Retail 28 May (A)I Help You? 65 Tech 30 Protest Is The New Brunch 32 California Rising 34 Over Worked & Over Work 2 TABLE OF CONTENTS WHAT’S HOT 69 70 Kids 72 Teens 74 Millennials 76 Actors 78 Actresses 80 Online Influencers 82 Digital Download KNOW THE SLANG Trendera84 STATISTICS 87 90 13-50 Year Olds 150 8-12 Year Olds 3 THE TRENDERA FILES: THE POST VIRAL AGE Beacons, Big Data, Facebook, Google... We have access to more information than ever, yet it seems things aren’t getting any easier for marketers—in fact, one in four teens would rather go to JAIL than never be able to skip an ad again. We’ve entered the Post-Viral age of marketing, where reach does not equal engagement and engagement does not equal profit—just ask Snapchat. After all, today’s consumers aren’t just savvy, they’re finicky, too. They can spot brands’ tactics from miles away because they’re using the same ones to build their own. They want marketers to speak their language, but are ruthlessly unforgiving when they miss the mark, whether it’s by a little (Gucci memes) or a lot (Pepsi trying to be #woke). -
Music by Bilingual Singers
St. Cloud State University theRepository at St. Cloud State Culminating Projects in TESL Department of English 12-2020 Let's Dance Hasta el Amanecer: The Functions of Code-switching in Hispanic 'Spanglish' Music by Bilingual Singers Emilia Espinal Follow this and additional works at: https://repository.stcloudstate.edu/tesl_etds Recommended Citation Espinal, Emilia, "Let's Dance Hasta el Amanecer: The Functions of Code-switching in Hispanic 'Spanglish' Music by Bilingual Singers" (2020). Culminating Projects in TESL. 34. https://repository.stcloudstate.edu/tesl_etds/34 This Thesis is brought to you for free and open access by the Department of English at theRepository at St. Cloud State. It has been accepted for inclusion in Culminating Projects in TESL by an authorized administrator of theRepository at St. Cloud State. For more information, please contact [email protected]. Let’s Dance Hasta el Amanecer: The Functions of Code-Switching in Hispanic ‘Spanglish’ Music by Bilingual Singer by Emilia Rafaela Espinal Jones A Thesis Submitted to the Graduate Faculty of St. Cloud State University in Partial Fulfillment of the Requirements for the Degree Master of Arts in English: Teaching English as a Second Language December, 2020 Thesis Committee: Edward Sadrai, Chairperson John Madden Matthew Barton 2 Abstract This study examines the role code-switching plays in the creation of song lyrics by Hispanic Bilingual artists that feature more than one language. It points out what functions the switches fulfill and what patterns they produce. Furthermore, it also investigates whether these patterns are affected based on the matrix language of the song. The data collected comes from a variety of songs from different genres that fall under the musical term ‘Latin Music’. -
London on Da Track & G-Eazy Drop New Track and Video “Throw Fits” Ft. City Girls and Juvenile
LONDON ON DA TRACK & G-EAZY DROP NEW TRACK AND VIDEO “THROW FITS” FT. CITY GIRLS AND JUVENILE CLICK HERE TO WATCH [New York, NY – May 15, 2019] Today, multi-platinum selling producer, multi-instrumentalist and recording artist, London On Da Track and his label mate, multi-platinum Bay area recording artist G- Eazy team up to release their new collaborative track “Throw Fits” featuring QC’s rapidly exploding City Girls along with New Orleans bounce legend Juvenile (of Cash Money and Hot Boys fame). The track, which is produced by London and was selected earlier today as a Zane Lowe World Record on his Beats 1 show is available at all digital service providers via London Productions/RCA Records. Click HERE to listen. The pair also release the accompanying video today. Shot in New Orleans, and co-directed by Daniel CZ (Chris Brown, G-Eazy) and 2mattyb, and executive produced by London On Da Track, the high-energy visual features London, G-Eazy, Young Miami of City Girls and Juvenile all lighting up a street party in true New Orleans style with horns and dancing. “Throw Fits” follows London’s previous singles as an artist, “No Flag” feat. Nicki Minaj, 21 Savage, Offset and “Whatever You On” feat. Young Thug, Ty Dolla $ign, YG and Jeremih and “Up Now” with Saweetie ft. G-Eazy and Rich The Kid. Combined, the tracks have been streamed over 100 million times worldwide. Most recently, London produced British rapper Octavian’s latest single, “Lit” ft. A$AP Ferg and Dreezy’s “No Love” feat.