BOOK ADAPTATIONS the Adventures of Sherlock
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Hanna Paulouskaya, "Entry on: Phaeton, the Son of Sun [Фаэтон – сын Солнца] by Vasily Livanov", peer-reviewed by Elżbieta Olechowska and Elizabeth Hale. Our Mythical Childhood Survey (Warsaw: University of Warsaw, 2019). Link: http://omc.obta.al.uw.edu.pl/myth-survey/item/798. Entry version as of September 30, 2021. Vasily Livanov Phaeton, the Son of Sun [Фаэтон – сын Солнца] Union of Soviet Socialist Republics (1972) TAGS: Greek mythology Helios Jupiter Phaeton Zeus We are still trying to obtain permission for posting the original cover. General information Title of the work Phaeton, the Son of Sun [Фаэтон – сын Солнца] Studio/Production Company Soyuzmultfilm Country of the First Edition Union of Soviet Socialist Republics (USSR) Country/countries of popularity Union of Soviet Socialist Republics Original Language Russian First Edition Date 1972 Фаэтон – сын Солнца [Phaeton, the Son of Sun]. Directed by First Edition Details Vasily Livanov. Script by V. Ankor and Vasily Livanov. Composer Gennady Gladkov. Moscow: Soyuzmultfilm, 1972, 17 min. 36 sec. Running time 17 min. 36 sec. Animated films, Hand-drawn animation (traditional animation)*, Genre Instructional and educational work, Short films Target Audience Crossover (Youth 6+) Author of the Entry Hanna Paulouskaya, University of Warsaw, [email protected] Elżbieta Olechowska, University of Warsaw, Peer-reviewer of the Entry [email protected] Elizabeth Hale, University of New England, [email protected] 1 This Project has received funding from the European Research Council (ERC) under the European Union’s Horizon 2020 Research and Innovation Programme under grant agreement No 681202, Our Mythical Childhood... The Reception of Classical Antiquity in Children’s and Young Adults’ Culture in Response to Regional and Global Challenges, ERC Consolidator Grant (2016–2021), led by Prof. -
Irwin T. and Shirley Holtzman Collection
http://oac.cdlib.org/findaid/ark:/13030/kt5x0nd340 No online items Register of the Irwin T. and Shirley Holtzman collection Finding aid prepared by Olga Verhovskoy Dunlop and David Jacobs Hoover Institution Archives 434 Galvez Mall Stanford University Stanford, CA, 94305-6003 (650) 723-3563 [email protected] © 2007 Register of the Irwin T. and 98074 1 Shirley Holtzman collection Title: Irwin T. and Shirley Holtzman collection Date (inclusive): 1899-2010 Collection Number: 98074 Contributing Institution: Hoover Institution Archives Language of Material: English Physical Description: 157 manuscript boxes, 9 oversize boxes, 1 card file box, 32 cubic foot boxes(111.4 linear feet) Abstract: Printed matter, writings, letters, photographs, and miscellany, relating to the Russian writers Isaak Babel', Boris Pasternak and Joseph Brodsky. Consists primarily of printed matter by and about Pasternak, Brodsky and Babel'. Physical location: Hoover Institution Archives Creator: Holtzman, Irwin T creator: Holtzman, Shirley. Access Box 8 restricted; use copies available in Box 4. Box/Folder 22 : 8-15 closed; use copies available in Box/Folder 20 : 1-7. The remainder of the collection is open for research; materials must be requested at least two business days in advance of intended use. Publication Rights For copyright status, please contact the Hoover Institution Archives Preferred Citation [Identification of item], Irwin T. and Shirley Holtzman collection, [Box no., Folder no. or title], Hoover Institution Archives Acquisition Information Acquired by the Hoover Institution Archives in 1998, with subsequent increments received through 2004. Additional increments are expected. An increment was added in 2011. Accruals Materials may have been added to the collection since this finding aid was prepared. -
DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko Wrote the Screenplay Adapted from a Novel by Vasiliy Bykov
October 29, 2019 (XXXIX:10) Larisa Shepitko: THE ASCENT (1977, 111m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. DIRECTOR Larisa Shepitko WRITING Yuri Klepikov and Larisa Shepitko wrote the screenplay adapted from a novel by Vasiliy Bykov. Production Company Mosfilm MUSIC Alfred Schnittke CINEMATOGRAPHY Vladimir Chukhnov and Pavel Lebeshev EDITING Valeriya Belova CAST Boris Plotnikov...Sotnikov Vladimir Gostyukhin...Rybak Sergey Yakovlev...Village elder Lyudmila Polyakova...Demchikha Viktoriya Goldentul...Basya Anatoliy Solonitsyn...Portnov, the Nazi interrogator Mariya Vinogradova...Village elder's wife Nikolai Sektimenko...Stas' She also adopted his motto, "Make every film as if it's your last." Shepitko graduated from VGIK in 1963 with LARISA SHEPITKO (b. January 6, 1938 in her prize winning diploma film Heat*, or Znoy made Artyomovsk, Ukrainian SSR, USSR [now Artemivsk, when she was 22 years old. The film was influenced by a Donetsk Oblast, Ukraine]—d. July 2, 1979 (age 41) in short story, ''The Camel's Eye'', by Chingiz Aitmatov. near Redkino, Kalinin Oblast, Russian SFSR, USSR), Her 1967 short film, “Homeland of electricity,”* part of whose filmmaking career was tragically cut short by a car the omnibus Beginning of an Unknown Era, suffered accident, was on the verge of becoming a name censorship for its perceived negative portrayal of the synonymous with internationally renowned directors to Bolsheviks, despite its intention to commemorate the emerge from the Soviet Union. -
Stephen Norris
Stephen M. Norris Department of History Miami University 6308 Firestone Drive 200 Upham, 100 Bishop Circle Fairfield, OH 45014 Oxford, OH 45056 513-529-2615 513-529-3224 (fax) [email protected] CURRICULUM VITAE ACADEMIC APPOINTMENTS 2013- Miami University (OH). Professor of History, Faculty Associate of the Havighurst Center for Russian and Post-Soviet Studies. 2013-2016 Assistant Director, Havighurst Center for Russian and Post-Soviet Studies. 2008-2013 Miami University (OH). Associate Professor of History, Faculty Associate of the Havighurst Center for Russian and Post-Soviet Studies. 2002-2008 Miami University (OH). Assistant Professor of History, Faculty Associate of the Havighurst Center for Russian and Post-Soviet Studies 2006-2010 Miami University (OH). Director of Film Studies 1 EDUCATION Ph.D (2002) Russian History, University of Virginia; Minor Field: Latin America Since Independence Dissertation: “Russian Images of War: The Lubok and Wartime Culture, 1812- 1917” M.A (1996) Modern European History, University of Virginia (1996); Exam Fields: Imperial Russia, Modern Germany B.A (1994) History, Minor in Literature, Millikin University [Decatur, IL] (1994); Magna cum Laude, Honors in History. Russian Language Certificate, Kazan State University, Republic of Tatarstan, Russian Federation (1997) Intensive Russian, Summer Language Program, University of Virginia (1994) PUBLICATIONS BOOKS: Blockbuster History in the New Russia: Movies, Memory, and Patriotism. [cloth and paperback editions] (Bloomington: Indiana University Press, 2012). http://www.iupress.indiana.edu/product_info.php?cPath=1037_1183&products_id=806589. Reviews in The Times Literary Supplement (UK) A War of Images: Russian Popular Prints, Wartime Culture, and National Identity, 1812-1945 (DeKalb, IL: Northern Illinois University Press, 2006). -
The Remaining Second World Sokurov and Russian
The Remaining Second World: Sokurov and Russian Ark 1/20/09 8:08 PM contents great directors cteq annotations top tens about us links archive search The Remaining Second World: Sokurov and Russian Ark by Benjamin Halligan Benjamin Halligan's critical biography of Michael Reeves will be published by Manchester University Press in June. He is currently completing a study of European New Wave films. “Sir, [the Russians] have two expressions (I am not speaking of the lackeys who have only one; I am speaking of the nobles). When they come through here on the way to Europe they have a gay, free, happy air. They are like horses turned to pasture, like birds who have flown the cage – men, women, young, old, all are as happy as school children on a holiday. The same people, on their return have long, gloomy, tormented faces; they have a worried look. Their conversation is brief and their speech abrupt. I have concluded from this difference that a country which one leaves with so much joy and returns to with so much regret is a bad country.” “Perhaps you are right,” I reply, “but your observations prove that the Russians are not as deceptive as one paints them. I thought they were more inscrutable.” – The Marquis de Custine, 1839 (1) There is a perverse, contrarian impulse at the heart of Aleksandr Sokurov's new film, Russkij Kovcheg (Russian Ark, 2002). Initially this is manifested in the way in which Russian Ark is patently unlike all other films. But even this base level of difference is only one aspect of the experience of seeing Russian Ark – which is the experience of encountering something genuinely new in itself. -
FRANCOFONIA a Film by Alexander Sokurov
presents FRANCOFONIA A film by Alexander Sokurov 87 min | France/Germany/Netherlands | 2015 | Not Rated | Dolby 5.1 In French, Russian and German with English subtitles Official Website: http://www.musicboxfilms.com/francofonia Press Materials: http://www.musicboxfilms.com/francofonia-press New York/National Press Contacts: Sophie Gluck & Associates Sophie Gluck: [email protected] | 212-595-2432 Aimee Morris: [email protected] | 212-595-2432 Music Box Films Contacts Marketing & Publicity Yasmine Garcia | [email protected] | 312-508-5362 Theatrical Booking Brian Andreotti | [email protected] | 312-508-5361 Exhibition Materials Lindsey Jacobs | [email protected] | 312-508-5365 FESTIVALS AND AWARDS Opening Night Selection – First Look Festival (Museum of the Moving Image) Official Selection – Venice Film Festival Winner, Fedeora Award – Venice Film Festival Official Selection – BFI London Film Festival Official Selection – Toronto International Film Festival Official Selection – San Sebastian Film Festival Official Selection – Reykjavik International Film Festival Official Selection – Thessoloniki International Film Festival SYNOPSIS Set against the backdrop of the Louvre Museum’s history and artworks, master director Alexander Sokurov (Russian Ark) applies his uniquely personal vision onto staged re-enactments and archives for this fascinating portrait of real-life characters Jacques Jaujard and Count Franziskus Wolff-Metternich and their compulsory collaboration at the Louvre Museum under the Nazi Occupation. These two remarkable men - enemies then collaborators - share an alliance which would become the driving force behind the preservation of museum treasures. In its exploration of the Louvre Museum as a living example of civilization, FRANCOFONIA is a stunning and urgently relevant meditation on the essential relationship between art, culture, and history. -
People Power the Recent Soviet Elections Marked a Decisive Moment in the Process of Reform
People Power The recent Soviet elections marked a decisive moment in the process of reform. It is no longer a revolution simply from above. The people are now the actors. Monty Johnstone reports Boris Yeltsin: Keeping a cool head at the centre of controversy ith this spring's elections be subject to the people's support or in the USSR perestroika rejection, depending on whether or not has entered a new stage. it succeeds in bringing about the impro- For the first time since vements in their lives to which it is WGorbachev in 1985 launched the drive to committed. An increasingly active restructure Soviet society, the people public opinion is concerned to ensure have made an independent entry into that the power of the people, long pro- the political arena. They have sought to claimed in the constitution, becomes a speed up the sluggish pace of promised reality. changes by voting against Communist All this makes a reversal of pere- Party and state officials identified with stroika by conservative forces much conservative policies and bureaucratic more difficult. At the same time it in- practices. The unexpected defeat of 34 troduces new and unpredictable ele- out of 157 regional party secretaries ments into a situation where the tradi- represents a vote of no confidence in tional hegemony of the Communist Par- important sections of the party apparat. ty, whose ranks are now deeply divided, It would be wrong to see this as essen- is badly dented, although no counter- tially a vote against the party itself, hegemonic force has emerged seriously since most of those who beat them are to challenge it. -
Sesiune Speciala Intermediara De Repartitie - August 2018 DACIN SARA Aferenta Difuzarilor Din Perioada 01.04.2008 - 31.03.2009
Sesiune speciala intermediara de repartitie - August 2018 DACIN SARA aferenta difuzarilor din perioada 01.04.2008 - 31.03.2009 TITLU TITLU ORIGINAL AN TARA R1 R2 R3 R4 R5 R6 R7 R8 R9 S1 S2 S3 S4 S5 S6 S7 S8 S9 S10 S11 S12 S13 S14 S15 A1 A2 3:00 a.m. 3 A.M. 2001 US Lee Davis Lee Davis 04:30 04:30 2005 SG Royston Tan Royston Tan Liam Yeo 11:14 11:14 2003 US/CA Greg Marcks Greg Marcks 1941 1941 1979 US Steven Bob Gale Robert Zemeckis (Trecut, prezent, viitor) (Past Present Future) Imperfect Imperfect 2004 GB Roger Thorp Guy de Beaujeu 007: Viitorul e in mainile lui - Roger Bruce Feirstein - 007 si Imperiul zilei de maine Tomorrow Never Dies 1997 GB/US Spottiswoode ALCS 10 produse sau mai putin 10 Items or Less 2006 US Brad Silberling Brad Silberling 10.5 pe scara Richter I - Cutremurul I 10.5 I 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 10.5 pe scara Richter II - Cutremurul II 10.5 II 2004 US John Lafia Christopher Canaan John Lafia Ronnie Christensen 100 milioane i.Hr / Jurassic in L.A. 100 Million BC 2008 US Griff Furst Paul Bales 101 Dalmatians - One Hamilton Luske - Hundred and One Hamilton S. Wolfgang Bill Peet - William 101 dalmatieni Dalmatians 1961 US Clyde Geronimi Luske Reitherman Peed EG/FR/ GB/IR/J Alejandro Claude Marie-Jose 11 povesti pentru 11 P/MX/ Gonzalez Amos Gitai - Lelouch - Danis Tanovic - Alejandro Gonzalez Amos Gitai - Claude Lelouch Danis Tanovic - Sanselme - Paul Laverty - Samira septembrie 11'09''01 - September 11 2002 US Inarritu Mira Nair SACD SACD SACD/ALCS Ken Loach Sean Penn - ALCS -
Cannes 2001 Report
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Waterloo Library Journal Publishing Service (University of Waterloo, Canada) Cannes 2001 Report By Ron Holloway Fall 2001 Issue of KINEMA CANNES INTERNATIONAL FILM FESTIVAL 2001 Two events devotee of made the 54th Festival International du Film (9-20 May 2001) particularly memorable. The first was the news that, after 22 years as délégué général, Gilles Jacob stepped up to become Président while handing down the reins to Thierry Frémaux, the latter now divides his time between Cannes and duties as head of the Institute Lumière in Lyons. The other was the presence on the Croisette of seven previous Palme d’Or directors: Francis Ford Coppola (The Conversation, 1974, and Apocalypse Now, 1979), Ermanno Olmi (The Tree of Wooden Clogs, 1978), Shohei Imamura (The Ballad of Narayama, 1983, and The Eel, 1997), David Lynch (Wild at Heart, 1990), Joel and Ethan Coen (Barton Fink, 1991), and Abbas Kiarostami (The Taste of Cherries, 1997). One might add, too, that over the past quarter century each of their eight award-winning films helped considerably to set the tone and style of the world’s mostrevered film festival. Apocalypse Now Redux In the case of Apocalypse Now -- aka Apocalypse Now Redux, to denote a new version of an old film -- Francis Ford Coppola returned to Cannes with the completed version of his work-in-progress presented here 22 years ago. No less than 53 minutes were added to the re-edited 203-minute version, in addition to a re-mastered Technicolor transfer and a re-mastered soundtrack. -
Larissa Shepitko, VOSKHODZDENIE/THE ASCENT (1976, 109 Min)
March 31, 2009 (XVIII:11) Larissa Shepitko, VOSKHODZDENIE/THE ASCENT (1976, 109 min) Directed by Larissa Shepitko Script by Yuri Klepikov and Larissa Shepitko based on the novel by Vasili Bykov Music by Alfred Shnitke Cinematography by Vladimir Chukhnov and Pavel Lebeshev Boris Plotnikov....Sotnikov Vladimir Gostyukhin....Rybak Sergei Yakovlev….village elder Lyudmila Polyakova….Demchika Viktoriya Goldentul….Basya Anatoli Solonitsyn…Portnoy, the Nazi interrogator Mariya Vinogradova….village elder’s wife Nikolai Sektimenko….Stas Golden Bear, Berlin Film Festival LARISSA SHEPITKO (6 January 1938, Artyomovsk, Ukraine, Soviet Union-2 June 1979, Kalinin province, Soviet Union, auto accident ) directed 8 films and wrote 4 screenplays. The films she which are Ya pomnyu/I Remember (2006), Quiet Flows the Don directed are: Voskhozhdeniye/The Ascent (1976), Ty i ya/You and (2006), Pervyy posle Boga (2005), The Night Is Bright (2004), Me (1971), V trinadtsatom chasu nochi/13 PM (1969, TV), Vesegonskaya volchitsa (2004), Voyna/War (2002), American Boy Nachalo nevedomogo veka/Beginning of an Unknown Era (1967, (1992), General (1992), Urga/Close to Eden (1991), segment "Rodina elektrichestva"), Krylya/Wings (1966), Avtostop/Hitch-hiking (1990), Bez solntsa/Without Sun (1987), Znoy/Heat (1963), Zhivaya voda/Living Water (1957), and Slepoy Moonzund (1987), Levsha/The Left-Hander (1986), Skakal kazak kukhar/The Blind Cook (1956). cherez dolinu (1986), Zina-Zinulya (1986), Magistral (1983), Belyy voron/The White Crow (1981), Rodnik/The Spring (1981), BORIS PLOTNIKOV (2 April 1949, Nevyansk, Sverdlovsk Predvaritelnoye rassledovaniye/Preliminary Investigation (1978), province, Soviet Union) has 28 acting credits, some of which are Voskhozhdeniye/The Ascent (1977), and Moya sudba (1970). -
Aleksandr Sokurov's Days of Eclipse Vs the Strugatskii Brothers
Loyalty by obfuscation: Aleksandr Sokurov’s Days of eclipse vs the Strugatskii brothers’ A billion years before the end of the world1 Andrei Rogatchevski Abstract. This article seeks to rectify two misconceptions that have been following Aleksandr Sokurov’s award-winning sf film Days of Eclipse (Dni zatmeniia; USSR 1988) almost since its release. The first is reflected in the claim that the film – with its odd mix of enigmatic fictional scenes and documentary footage that would not look out of place on a visual anthropology course – is not only difficult to fathom but downright ‘anti-explicatif’ (Ostria 59).2 The second has been expressed in a statement that Days of Eclipse ‘has altered everything but the names of the principal characters’ (Moskvina 45) in the Strugatskii brothers’ story it has adapted, A Billion Years Before the End of the World (Za milliard let do kontsa sveta, 1976-77; see Strugatskie 1988: 3-148).3 Even Boris Strugatskii himself said of the film that, ‘significant, powerful and sui generis exceptional’ as it may be, it is ‘far removed from both the original book and the last version of the authors’ script’ (Strugatskie 2001: 648). I will argue that there is enough left of the source material in the film to help the viewer make sense of it – especially if the viewer has a prior knowledge of the source material. I will also try to explain why Sokurov has opted for obscuring the Strugatskiis’ message as his book adaptation strategy. Finally, I will attempt to categorise Sokurov’s approach to film adaptation in the context of some of his other films, as well as some Strugatskii-related films by other directors. -
Francofonia Press
flmswelike 0A DONOST1A ZINEMALDIA FESTIVAL DE SAN SEBASTIAN ,• .uff ,,,nto NrEmmottAt FILM FESMAL , 41 1;q • F- A FILM BY ALEXANDER SOKUROV NI AN LEGY FOR EUROPE flmswelike 20152015 VENICE FILMFILM FESTIVAL OffcialOfficial Competition IDEALEIDEALE AUDIENCE,AUDIENCE, ZERO ONE FILMFILM,, N279N279 ENTERTAINMENT presentpresent MANEinin co-production with ARTE FRANCE CINEMA and LE MUSEENIA DU LOUVRE aA FILMfilm BYby ALExANDERALEXANDER SOkUROVSOKUROV with Louis-Do DE LENCqUESAINgLENCQUESAING,, Benjamin UTZERAThUTZERATH,, Vincent NEMEThNEMETH,, JJohannaohanna kORThALSKORTHALS ALTES WORLD SALES AND FESTIVALS INTERNATIONALINTERNATIONAL PRESSPRESS FILMSFILMS BOUTIqUEBOUTIQUE RIChARDRICHARD LORMAND -- FILM|PRESS|PLUSFILMIPRESSIPLUS KöpenickerKopenicker Strasse 184 - berlin,Berlin, Germany tel.tel. +33-9-7044-9865+33-9-7044-9865 Tel : +49-30-695-378-50+49-30-695-378-50 iNIN VENiCE:VENICE: +39-347-256-4143+39-347-256-4143 www.flmsboutique.comwwwfilmsboutique.com www.FilmPressPlus.comwww.FlimPressPlus.com [email protected]@fihnsboutique.com [email protected]@aol.com 2015 -- FranceFrance/Germany/Netherlands/Germany/Netherlands -- 87 minsmins -- inin FrenchFrench,, Russian andand GermanGerman 02 - FRANCOFONIA SyNOPSISSYNOPSIS FRANCOFONIA isis thethe story of two remarkableremarkable men, Louvrelouvre director Jacques Jaujard and Nazi Occupation offcerofficer Count Franziskus Wolff-Metternich - enemies then collaboratorscollaborators -- whosewhose alliancealliance wouldwould bebe thethe drivingdriving force behind thethe preservation