Greener Promoted Work from Moving Them out of Abrams Teams Their Airshifts
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REO Speedwagon: Wheels Are Tumin'
Retort—May 15, 1985—Page 6 REO Speedwagon: Wheels Are Tumin' In . Rory Kremer REO's members found 01 the Retort stall themselves looking through On the night of April 23, the windshield at a forest of REO Speedwagon rocked the cornstalks. But REO did Metra. I had the opportunity become the biggest band in Il- to spend the night backstage linois. with the band. Among their friends, REO "Our next goal," Richrath Speedwagon's Kevin Cronin, recalls, "was to be the biggest Gary Richrath, Alan Gratzer, band in the midwest." The Bruce Hall and Neal Doughty midwest is a big place and get- had been known for years as ting around can be a problem. the Marx Brothers of Rock and One day the band was late for a Roll. Their comic capers had gig—so they rented a private gotten then banned from the plane and packed themselves, a entire Hyatt Hotel chain, had roadie, and all their guitars in- perplexed policemen in the to a six-seat Piper Cub. "The deep south, had appalled little pilot was a real straight guy old ladies in the midwest, and with a tie and a short haircut," had turned LA's disastrous says Cronin. "He through we floods into fodder for gags. But were crazy. But he came to our in the summer of 1983, there concert that night, and it turn- was little humor in REO-ville. ed him into a new man." The The band was suffering from a pilot voluntered to quit his job strange malady... success. -
The Daily Egyptian, September 15, 1981
Southern Illinois University Carbondale OpenSIUC September 1981 Daily Egyptian 1981 9-15-1981 The aiD ly Egyptian, September 15, 1981 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_September1981 Volume 66, Issue 17 Recommended Citation , . "The aiD ly Egyptian, September 15, 1981." (Sep 1981). This Article is brought to you for free and open access by the Daily Egyptian 1981 at OpenSIUC. It has been accepted for inclusion in September 1981 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Somit to explain new budget cuts R\· ,\Ian S('ulll"'I' presidential area's cuts are About $900.000 to 51 million was siarr WriloPr - $2t6.000 for academic affairs which happen when a pay raise Athletics budget and changes In fort'C'ast last year but the rest of 15 given because a job is and research. S76.500 for the 51.5 million was not known fee allocation gUidelines. President Albert Somil and stud!'n! aHairs. S45.000 for upgraded, $160.000 from the SI(' Budgt'! Plannt'r John Bak!'r until (;0\'. James Thompson annualization of salarv in· The WomlC/is AthletiCS l·ni\·t'rsity relations. $9.000 for Signed src -("s appropriation in r{'solution urges tilat 1100.152 of will explain Wednt'sdav whv an Financial affairs and 14.500 for creases. which was causf..d b\' additional $4S0.roo in budge! July The appropriation left the higher than expected Increase's the 5125.152 carrY-<lver !rom eampus services. Bakt'r said l'OIversity With the aditional cuts must hE> madP this vt'ar and In t'mployet' pay. -
The Roots Report: E-Nnoying!: Those Highway Signs Should Hit the Road
The Roots Report: E-nnoying!: Those highway signs should hit the road Okee dokee folks… Have you noticed the illuminated message signs along our major highways and the annoyingly punny sayings on them? Personally, I think that these signs should be used for one thing only: emergencies. Instead, they visually shout stupidity at you as you pass. They are such a turn-off because they never seem to be turned off so I TRY to ignore them, which is exactly the opposite of what they are there for. Last month, with St. Paddy’s approaching, they constantly flashed out messages like, “Make your own luck, drive sober” and “You’re someone’s pot of gold, drive sober.” Yes, I agree, drive sober, but a driver has to take their eyes off the road to read the message. If you don’t know enough to drive sober, I seriously doubt that this electronic conscience is going to influence your imbibing, especially with puerile quips such as these. Other examples read: “Use yah blinkah,” “That seat belt looks good on you” and “Santa sees you when you’re speeding.” Maybe the sign people just aren’t getting enough emergencies to light write about. Maybe they should become songwriters and hit the open mics; they might be less annoying this way. Am I alone? Read on… Ding, Da-Ding, Ding, Ding, Ding, Ding, Ding, Ding… Does that sound familiar? Ha! Well, it’s the plucking banjo intro of the instrumental “Dueling Banjos” from the motion picture, Deliverance. The film was about four friends taking an ill-fated canoe trip through northern Georgia and starred Burt Reynolds, Jon Voight, Ned Beatty and Ronny Cox. -
Mustang Daily, October 24, 1980
· 7 t.. � ive c_ Richter-reducingconditi ons discusSed athearings BY JIM MALONE Staff Writer relat� _to soil �tructure and the Diablo Canyon power P!ant s rntera t1on. ewrnark, a structural i_tness � engineer, also � es representing the uclear Regulatory Com ci�ed several instances where nuss1on took building and equipment the stand before the commission's three withstoo_d the quakes of a magnitude m mber higher than they � appeals board Thursday in the fourth day of were designed to survive. D1ablo . Can�o� s�ismic hearings at the Veteran's "We can learn about earthquake · (effects on Memorial struc Bwldmg m an Luis Obispo. tures) from buildings that survive as much as from in• D . Please see Page 6 � Nathan ewmark, an NRC consultant, provided st:uments," the former University of Illinois professor testunony on the possible earthquake-softening factors said. • a1 Friday, October 24, 1980 California Polytechnic State University, San Luis Obispo Volume45, No. 18 BY TERESA HAMILTON • Staff Writer source." • Democratic candidate for state senate Henry Mello said he has not been impressed with the Nuclear Regulatory Commission in the past and Mello announced to several hundred Cal Poly believes the Diablo Canyon nuclear power plant students that he is opposed to oil drilling off the should not be opened "unless the NRC can coast of San Luis Obispo County. guarantee protection to the public." Mello does not "It's not worth the risk to expose the hazards ex believe this promise can be made. ploration would bring to the area," he said, referr· Reviewing his past record, Mello said education ing to the U.S. -
Rolling Stone Magazine
mammoth bass tones. Both live afid in the studio, Rush's mixes make everything above the midrange sound like an afterthought - and that's just as well. Though Lee's falsetto isn't a shriek anymore, drummer Neil Peart's lyrics can still irritate. Taking individuglism ~o Ayn Rand-inspired extremes, Peart's most pessimistic screeds suggest that in the upcoming apocalypse, every-man-for-him self w.ill turn into stomp-the- other:.guy. There's not much propag~nda on Exit . .. Stage Left - only "The Trees" (the maples unionize and, in the name of equality, destroy the taller oaks), "Free Will" (the group is for it) and "Tom Sawyer" (hardly the -fun-loving guy Mark Twain invented). The rest of the record includes pessimistic fables ("Red Barchetta"), travelogues ('1\ Passage to Bangkok"), hippie isms ("The Spirit of Radio") and 'instrumentals ("YYZ" :U1d ' "La Exit ... StaJ'e Left Villa Strangiato," minus its origi Rush nal subtitle). Except for a singa Mercury long in "Closer to theHe'art" and a **V2 jokey intro to "Jacob's Ladder," the versions here are virtl}alIy identical By Jon Pareles to the studio renditions, so Rush fans may find the set redundant. Others might get a kick out of the USH HAVE BEEN UN big, surging E chords the band fairly maligned as just an- keeps pumping out and perhaps , Rother barnstorming heavy- appreciate Peart's fine-tuned per metal act, fit only to vibrate arena Cussion, but one Rush album (pref walls. Actually, the group. is a lot erably Moving Pictures) siwuld be . -
Mustang Daily, January 25, 1990
A IL Y California Polytechnic State University San Luis Obispo Volume 54, No.55 Thursday, Jan. 25, 1990 w: ^ ; W-' “S 1 si-s- ■ Bradley rancher leases land to Poly agriculture Property will cost $75,000 over 5 years By Leo Shiffrar tude to the Bashams for much stuff.” staff Writer their generosity,” Scotto Basham said the ranch has The School of Agriculture said. never lost money in the 25 will benefit from another In addition to the ranch, years he’s had it. He at valuable piece of real estate the Bashams also gave Cal tributed much of his success in teaching its learn-by-doing Poly Foundation 75 cow-calf to having a conservative at philosophy to students. pairs worth about $88,000 titude. On Nov. 1, Walter and total. Basham said this will “ I’ve always been conser Vida Basham agreed to lease give Cal Poly a good start vative,” he sdid. “ I don’t S.OOO acres of their 8,000- for its cattle operations. --------------------------------------- acre Bradley ranch to Cal The Bashams have owned Poly. the ranch for nearly 25 “ I leased it to Cal Poly years. They decided to lease It's a good because I decided 1 wanted the property in hopes that out of the cattle business,” students will benefit from opportunity for Walter Basham said in a the actual operation of a phone interview Tuesday ranch. students to evening. *Tve been at it 50 "It’s a good opportunity years and decided to turn it for students to gain hands- gain hands-on over to the Cal Poly Foun on experience,” Basham dation. -
Reo Speedwagon
FEATURE REO SPEEDWAGON The REO line up that recorded 1977’s ‘Live: You Get What You Play For’ album. L-R: Alan Gratzer (drums), Gregg Philbin (bass), Kevin Cronin (vocals and guitar), Gary Richrath (guitar), Neal Doughty (keyboards) KEVIN CRONIN HAS NO problem remembering the night was just in the right place at the right time, I guess…” his life changed, even though it was almost a lifetime Cronin, who’s just celebrated his 67th birthday, is REO SPEEDWAGON defined the sound of American radio rock ago. The date was 9 February 1964, when The Beatles looking back over a life in music that began for real that with their 10 times platinum 1980 album, ‘Hi Infidelity’. But the band appeared for the first of three consecutive Sundays on day. It was one of the few overnight transformations that had an extensive history of music-making throughout the ’70s as The Ed Sullivan Show in the States. Cronin was 12 years he or his band of 40-something years, REO Speedwagon, they struggled to make the big time. As a new box set charting the old, and felt like he was the only kid in school interested have had. The public image is of a group that recorded years from 1971 to 1977 emerges, Jon Hotten talks to frontman in the guitar and piano rather than sports. When he the proto-power ballad ‘Keep On Loving You’ in 1980 and KEVIN CRONIN and keyboardist NEAL DOUGHTY about the carried a guitar to his weekly lesson – his parents rented relentlessly rode the wave they created, before sliding the instrument for the sum of 50 cents a week from a under the surface as the decade closed and generational long, hard road they travelled… shop called Rossi Music in Oak Lawn, Illinois – the other change came along. -
Discos Zeppelin
DISCOS ZEPPELIN Para obtener más información puede visitar www.zeppelindiscos.com CATÁLOGO COMPLETO DE ARTÍCULOS A FECHA 25/08/2006 Autor Titulo Año E.Disco E.Carátula Precio 10 cc 10 cc 1973 VG++ VG+ 12.00 € 10 cc bloody tourist 1978 VG++ VG+ 6.00 € 10 cc look hear - - - VG++ VG+ 9.00 € 10 cc ten out of 10 - - - VG++ VG++ 9.00 € 10 cc the original soundtrack 1975 VG++ VG+ 9.00 € 10.000 maniacs in my tribe 1987 NM- NM- 9.00 € 11 WAYS TO GET OUT LMOOR RECs ,PUNK/KBD 1990 VG++ VG+ 9.00 € 13TH FOOR ELEVATOR,GREAT SOCIETY fillmore 26-27-agosto-1966 1966 Cartel 9.00 € 1994 please stand by.. 1979 VG++ VG+ 6.00 € 2001 a space odyssey banda sonora ,Stanley KUBRICK 1973 NM- NM- 12.00 € 2001 a space odyssey vol.2,banda sonora ,Stanley KUBRICK 1970 VG++ VG+ 12.00 € 5th dimension,the greatest hits 1970 VG++ VG++ 9.00 € 5th dimension,the individually & collectively 1972 VG++ NM- 10.00 € 5th dimension,the living together growing... 1973 VG++ VG++ 9.00 € 5th dimension,the Love's Lines, Angles and Rhymes 1971 VG++ VG++ 10.00 € 5th dimension,the portrait 1970 VG+ VG++ 9.00 € 5th dimension,the star dancing 1978 VG++ VG++ 9.00 € 5th dimension,the The 5th Dimension Live 1971 VG VG++ 10.00 € 5th dimension,the The 5th Dimension Live 1971 VG+ VG+ 12.00 € 5th dimension,the the age of aquarius 1969 VG++ VG++ 10.00 € 5th dimension,the worst that could happen 1967 VG+ VG+ 12.00 € 5th dimension,the,marilyn mccoo and billy davis i hope we get to love in time 1976 VG++ VG++ 9.00 € 8th day,the the 8th day 1983 VG++ VG++ 6.00 € A Chorus Line Broadway Cast 1975 VG++ VG++ -
Record Execs Speak at ITA's Home Video Conference
Record Execs Speak At ITA's Home Video Conference (continued from page 16) Rothfeld wondered whether or not peo- Some observers felt that video cassettes 000 video cassette recorders (VCRs) will be of retail record stores carry some audio ple would want to see movies over and over will continue to be primarily used for in American homes; as many as 1.2 million hardware, and those that have also begun at home, and said he thought that a strong recording TV programs, unless the cost of units could be in use by 1980. In contrast, selling video hardware have experienced soundtrack could be the determining fac- pre-programmed cassettes comes down the most sanguine observers estimate that considerable success with their new line. tor. Citing the huge success of the "Satur- considerably from the present range of there will be 250,000 disc players in homes Among the chains cited were Record Ren- day Night Fever" and "Grease" albums, he $40-$70 for non -pornographic material. by 1980. dezvous and the Sam Goody chain, head- said,"l'm talking about a product that's (The key to this problem is high-speed Little Price Difference quartered in the Northeast. In addition, audio only. Can you imagine the potential of duplication. A practical method for doing A major reason for the continued op- Cohen noted, all three Franklin Music something like this in videodisc format?" this could easily be developed, but the feel- timism of video cassette proponents is the stores in Atlanta have been carrying home Currently, Rothfeld said, video products ing is that software companies would not fact that, even at $600 per unit, videodisc video hardware and blank video cassettes are being sold in Korvettes' TV department. -
Rock Candy Magazine
MOSCOW MUSIC PEACE FESTIVAL STRICTLY OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION EXCUSE OLD SCHOOL BADGES MÖTLEY CRÜE’S LAME CANCELLATION STRICTLY FESTIVAL MUSIC PEACE MOSCOW COLLECTORS REMASTERED ISSUE EDITIONS & RELOADED 2 OUT NOW June–July 2017 £9.99 HARD, SWEET & STICKY LILLIAN AXE - ‘S/T’ LILLIAN AXE - ‘LOVE+WAR’ WARRANT - ‘CHERRY PIE’ WARRANT - ‘DIRTY ROTTEN FILTHY MOTHER’S FINEST - ‘IRON AGE’ STINKING RICH’ ROCK CANDY MAG ISSUE 2 JUNE – JULY 2017 ISSUE 2 JUNE – JULY MAG CANDY ROCK MAHOGANY RUSH - ‘LIVE’ FRANK MARINO - ‘WHAT’S NEXT’ FRANK MARINO FRANK MARINO - ‘JUGGERNAUT’ CREED - ‘S/T’ SURVIVOR ‘THE POWER OF ROCK AND ROLL’ ‘EYE OF THE TIGER’ KING KOBRA - ‘READY TO STRIKE’ KING KOBRA 707 - ‘S/T’ 707 - ‘THE SECOND ALBUM’ 707 - ‘MEGAFORCE’ OUTLAWS - ‘PLAYIN’ TO WIN’ ‘THRILL OF A LIFETIME’ “IT WAS LOUD – LIKE A FACTORY!” LOUD “IT WAS SAMMY HAGAR SALTY DOG TYKETTO - ‘DON’T COME EASY’ KICK AXE - ‘VICES’ KICK AXE KICK AXE - ‘ROCK THE WORLD’ ‘ALL NIGHT LONG’ ‘EVERY DOG HAS IT’S DAY’ ‘WELCOME TO THE CLUB’ NYMPHS -’S/T’ RTZ - ‘RETURN TO ZERO’ WARTHCHILD AMERICA GIRL - ‘SHEER GREED’ GIRL - ‘WASTED YOUTH’ LOVE/HATE ‘CLIMBIN’ THE WALLS’ ‘BLACKOUT IN THE RED ROOM’ MAIDEN ‘84 BEHIND THE SCENES ON THE LEGENDARY POLAND TOUR TARGET - ‘S/T’ TARGET - ‘CAPTURED’ MAYDAY - ‘S/T’ MAYDAY - ‘REVENGE’ BAD BOY - ‘THE BAND THAT BAD BOY - ‘BACK TO BACK’ MILWAUKEE MADE FAMOUS’ COMING SOON BAD ENGLISH - ‘S/T’ JETBOY - ‘FEEL THE SHAKE’ DOKKEN STONE FURY ALANNAH MILES - ‘S/T’ ‘BEAST FROM THE EAST’ ‘BURNS LIKE A STAR’ www.rockcandyrecords.com / [email protected] -
MX Approval Draws Wrath of Soviets
I 20 MANC'IIKSTKH HKHAU). Tm'sd;iy. Mjich 19. lilBf. WEATHER Here’S text of Weiss’s 1985-86 budget message Friendship Force \ I Letter from Pierog ! jFrozen food makes | [Clear, cold tonight; activities to begin in October 1985 and $33,1(10 is Here is the text of General Manager Robert B. recommended in the capital budget for office plans trip to Poland | spurs feud on board 1 ihearty fare for breezy on Thursday Weiss's budget message to the Board of Directors M anager’s General Fund Summary equipment, a microprocessor, and necessary soft Monday: P e r c e n t o f ware. These items together with the completion of the ... page 2 property line delineation element of the mapping ... page 3 j j ... page 4 TO: Board of Directors Adopted Mgr. Rec. D o lla r P e r c e n t Total Dollar FROM: Robert B. Weiss, General Manager project which you funded in the F Y 1984/85 budget, will In c r e a s e In c r e a s e RE: Recommended Budget for Fiscal Year 1985/86 A c t iv it y 1984-85 1985-86 In c r e a s e enable us to begin this important program. ; In accordance with Section 5-2 of the Charter of the SPECIAL FUNDS General Govt. 1,443,611 1,799,427 355,816 24.6% 9.1% Town of Manchester, I submit my Recommended Fire Fund Budget for the fiscal year July 1, 1985 through June 30, Public Works 4,141,309 4,387,617 246,308 6.0% 6.3% The total Fire District budget recommended for FY 1986. -
Kasha-Hirshhorn Tome Teaches Songwriting
Book Review 11111,,,,1,,,,,,1,11,,,,,111,1111,,,,cullmIll,,,l,c1,,,1,,,11 Kasha-Hirshhorn Tome Teaches Songwriting By DAVID FINKLE of various formulas; and surely flow of sincere passion that an And also don't as Kasha and If there is one thing most peo- they are right as far as they go. off -rhyme lets out. Poppycock! Hirshhorn do, tell songwriters ple on God's green earth think What they don't mention is the Yes, when rhyme muddles sense, aiming at Broadway that they'd they can do, it's write a song. importance, once the would-be it is superfluous and often de- better use rhymes because the Therefore the market for anec- tunesmith has learned the rules, structive, but a disregard of rhyme standards are higher; it's a flimsy dotes, articles, magazines and of rule -breaking, how often it is can be seen just as frequently not means to an uncertain end (two especially books on how to pen the avoidance of the mold that as honesty but as laziness, a of the acclaimed scores of recent that unpenned ditty-and then leads to success for the best com- thumbed nose at the listener that years, "Hair" and "A Chorus sell it-is what might be called posers and lyricists. One thinks, sends the message, "Why should Line," have entirely different wide; and over the past 50 years for example, of the story Bernie I bother to write more carefully; philosophies about the use of (at least) publishers have not Taupin and Elton John tell of what do they know out there rhyme).