Young Australians Achieving Their Dreams
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Presenter Information Pack
PRESENTER INFORMATION PACK Photo by Sherbet Birdie Contents COMPANY PROFILE .......................................................................................................................... 3 ABOUT THE SHOW ........................................................................................................................... 3 CREATIVE TEAM ............................................................................................................................... 4 BIOGRAPHYS .................................................................................................................................... 4 PERFORMANCE SPECIFICS ................................................................................................................ 5 PERFORMANCE HISTORY .................................................................................................................. 5 AUDIENCE ENGAGEMENT ................................................................................................................ 5 MARKETING ..................................................................................................................................... 6 TECHNICAL RIDER ............................................................................................................................. 6 CONTACTS ....................................................................................................................................... 8 COMPANY PROFILE Cre8ion is a dynamic and energetic company specialising in producing -
Jonathan Summers B) CATEGORY: Opera Singer / Baritone C) POSITION: Freelance
1a) NAME: Jonathan Summers b) CATEGORY: Opera singer / baritone c) POSITION: Freelance 2a) PERSONAL DETAILS: date of birth / place / country 2nd October, 1946; Melbourne; Australia b) MARITAL STATUS: date of marriage / name of spouse / number of children 29th March 1969, Melbourne Australia; Lesley; 3 children 3) PREVIOUS OCCUPATIONS: dates / occupation 1965-1974 Freelance singer/concert artist 1970-1974 Technical operator/recording engineer Australian Broadcasting Commission, Melbourne 4) EDUCATION: dates / institution / city / teacher Secondary : Melbourne; Macleod High School Tertiary : Melbourne; Prahran Technical College (Art School) 1964-1974 Melbourne; Bettine McCaughan, voice teacher 1972-1973 Melbourne;National Theatre Opera School 1974-1980 London; Otakar Kraus, voice teacher 5) PROFESSIONAL DEBUT: date / opera company / role / opera / cast Nov 1975; Kent Opera; title role in Verdi's Rigoletto; Congress Theater, Eastbourne, UK; producer: Jonathan Miller; conductor: Roger Norrington; David Hillman (Duke), Meryl Drower (Gilda), Sarah Walker (Maddalena), Malcolm King (Sparafucile) 6) EARLY CAREER WITH BRIEF RESUME: dates / opera house or company / role / opera Feb 1976; University College London Opera; title role in Macbeth (orig. 1847 version); producer: John Moody; conductor: George Badachoni Sep 1976; Glyndebourne Touring Opera; title role in Falstaff; producer: Jean-Pierre Ponnelle; conductor: Kenneth Montgomery Oct 1976; joined the Royal Opera House, Covent Garden, London, as a company principal Nov 1976; English National Opera -
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von -
(WA Opera Society
W.A.OPERA COMPANY (W.A. Opera Society - Forerunner) PR9290 Flyers and General 1. Faust – 14th to 23rd August; and La Boheme – 26th to 30th August. Flyer. 1969. 2. There’s a conspiracy brewing in Perth. It starts September 16th. ‘A Masked Ball’ Booklet. c1971. D 3. The bat comes to Perth on June 3. Don’t miss it. Flyer. 1971. 4. ‘The Gypsy Baron’ presented by The W.A. Opera Company – Gala Charity Premiere. Wednesday 10th May, 1972. Flyer. 5. 2 great love operas. Puccini’s ‘Madame Butterfly’ ; Rossini’s ‘The Barber of Seville’ on alternate nights. September 14-30. Flyer. 1972. D 6. ‘Rita’ by Donizetti and ‘Gallantry’ by Douglas Moore. Sept. 9th-11th, & 16th, 17th. 1p. flyer. c1976. 7. ‘Sour Angelica’ by Puccini, Invitation letter to workshop presentation. 1p..Undated. 8. Letter to members about Constitution Amendments. 2p. July 1976. 9. Notice of Extraordinary General Meeting re Constitution Change. 1p. 7 July 1976. 10. Notice of Extraordinay General Meeting – Agenda and Election Notice. 1p. July 1976. 11. Letter to Members summarising events occurring March – June 1976. 1p. July 1976. 12. Memo to Acting Interim Board of Directors re- Constitutional Developments and Confrontation Issues. 3p. July 1976. 13. Campaign letter for election of directors on to the Board. 3p. 1976. 14. Short Biographies on nominees for Board of Directors. 1p.. 1976. 15. Special Priviledge Offer. for ‘The Bear’ by William Walton and ‘William Derrincourt’ by Roger Smalley. 1p. 1977. 16. Membership Card. 1976. 17. Concession Vouchers for 1976 and 1977. 18. The Western Australian Opera Company 1980 Season. -
Scratch Pad 77 March 2011 TARAL WAYNE :: NIALL Mcgrath & TIM TRAIN :: DITMAR (DICK JENSSEN) :: BRUCE GILLESPIE :: ABC CLASSICS Top 100 Scratch Pad 77 March 2011
Scratch Pad 77 March 2011 TARAL WAYNE :: NIALL McGRATH & TIM TRAIN :: DITMAR (DICK JENSSEN) :: BRUCE GILLESPIE :: ABC CLASSICS Top 100 Scratch Pad 77 March 2011 Based on the non-mailing comments section of *brg* 67 and 68, a fanzine for ANZAPA (Australia and New Zealand Amateur Publishing Association) written and published by Bruce Gillespie, 5 Howard St, Greensborough VIC 3088. Phone: (03) 9435 7786. Email: [email protected]. Member fwa. Website: GillespieCochrane.com.au Contents 3 Unsolved mysteries of the hereafter — by Taral Wayne 6 The brand new Scratch Pad poetry spot — by Niall McGrath and Tim Train 9 Ditmar’s best and favourite films of 2010 — by Ditmar (Dick Jenssen) 15 Shining shores: Bruce Gillespie’s favourites 2010 — by Bruce Gillespie 36 ABC Classic 100 ten years on: 2010 — introduced by Bruce Gillespie Cover graphic — ‘Evening Phenomenon’ by Ditmar (Dick Jenssen) Cartoon p. 3: ‘Unsolved mysteries’ — by Taral Wayne 2 Unsolved mysteries of the hereafter by Taral Wayne I think some scholar, or someone who wanted to be mistaken for one, claimed that the translation from the Koran was wrong, and it wasn’t ‘seventy virgins’, but something like ‘seventy figs’, that a good Muslim could expect in Paradise, and that it only meant the blessed would be in the midst of plenty. I’m not sure I buy that. It was only 1500 years ago, and I don’t think Arabic then was so different from modern Arabic that millions of Arab Muslims make such an elementary mistake. But who knows ... maybe Allah really only did mean that the nearly arrived would be greeted with a plate of figs .. -
Is She Dead Yet? Rehearsing La Bohéme at Opera Australia
Is she dead yet? Rehearsing La Bohéme at Opera Australia Avi Michael Casebook submitted in partial fulfilment of the requirements of the degree of Bachelor of Arts (Honours). Department of Performance Studies University of Sydney 2009 Many thanks to my supervisors, Dr. Ian Maxwell and Dr. Amanda Card. 2 | Is she dead yet? Table of Contents Introduction ...................................................................................................................................... 4 Introduction ................................................................................................................................................. 4 Causality: My Method of Operating ...................................................................................................... 7 Context .............................................................................................................................................. 12 The Project ................................................................................................................................................. 12 My Musical Inertia ................................................................................................................................... 14 A Rehearsal Space in Surry Hills ......................................................................................................... 15 Personnel ................................................................................................................................................... -
Charles Gounod
todo el día, toda la noche tabaco foto-cine discos cassettes postales caramelos perfumeria CIO M revista& libreria regalos 2; souvenirs boutique Gales bar snack-cafeteria Mirador 1 RESTAURANTE INTERMEZZO i a todas horas ! cuando saiga, I e espera mos en CJRUSSTCRE LICECJ Primera representación de FAUST Opera en cuatro actos y siete cuadros, libreto lsegún Goethel REPARTO de JULES BARBIER y MICHEL CARRE Margarita ANGELES CHAMORRO Fausto JAIME ARAGALL Mefistófeles JUSTINO DIAZ CHARLES GOUNOD Va lentín VICENTE SARDINERO Siebel ROSARIO GOMEZ Marta ELENA BURGER Wagner JUAN PONS Coro General Cuerpo de Baile Con la colaboración del Orfeó Enric Morera de San Justo Desvern Maestro: ANTONIO COLL Ballarines estrellas: ASUNCION AGUADE y ALFONSO ROVIRA Primeros ballarines: AN GELES AGUADE, GUILLERMINA COLL, EMILIO GUTIERREZ y FERNANDO LIZUNDIA Ballarines solistas: CARMEN CAVALLER, CONCEPCION JUNYENT y JOSE A. FLORES Maestro Director PAUL ETHUIN Director de Escena DIEGO MONJO Decorados TITO VARISCO Maestro de Coro RICCARDO BOTTINO Coreógrafo y Maestro de Baile JUAN MAGRifíiA 14 DE DICIEMBRE DE 1973 Maestro Apuntador JOAN DORNEMANN Vestuarlo de lzquierdo. - Muebles: Miró. - Zapatería y peluquería Oamaret-Valldeperas. - Atrezzo y armerfa 16. •p de ropiedad y abono a noches propiedad de la Empresa. Turnos B y Extraordinario OROUESTA SINFONICA DEL GRAN TEATRO DEL LICEO -- s ARGUMENTO Lugar de la acción: Una aldea alemana Epoca de la misma: Siglo XV Tan antigua como el mundo, es la atrayente utopia que ofrece la base de esta ópera: alcanzar la eterna juventud. Por lograrla, Fausto vende su al ma a cambio de aquélla al Diablo, quien se la toma a trueque de aquet divino te· soro. -
21 January 2021
21 January 2021 12:01 AM Fryderyk Chopin (1810-1849), Zoltan Kocsis (transcriber) Nocturne in E flat (Op.55 No.2) arr. for flute, cor anglais and harp Bela Horvath (cor anglais), Anita Szabo (flute), Julia Szlvasy (harp) HUMR 12:07 AM Wolfgang Amadeus Mozart (1756-1791), Edvard Grieg (arranger) Sonata for piano in C major, K545 (arr. Grieg) Julie Adam (piano), Daniel Herscovitch (piano) AUABC 12:16 AM Vittorio Monti (1868-1922) Csardas (orig. for violin and piano) arr. unknown for brass ensemble Hungarian Brass Ensemble HUMR 12:20 AM John Williams (1932-) The Imperial March - from the film The Empire Strikes Back (1980) Edmonton Symphony Orchestra, Uri Mayer (conductor) CACBC 12:23 AM Sven-Erik Back (1919-1994) String Quartet No 2 Yggdrasil String Quartet SESR 12:36 AM Joseph Haydn (1732-1809) Symphony no.4 (H.1.4) in D major Slovak Radio Symphony Orchestra, Ondrej Lenard (conductor) SKSR 12:47 AM Ruth Watson Henderson (1932-) Gloria for SSAA, brass quintet, timpani & percussion Elmer Iseler Singers, Robert Venables (trumpet), Robert Devito (trumpet), Linda Broncesky (horn), Ian Cowie (trombone), Marc Bonang (tuba), Graham Hargrove (percussion), Nicolas Coulter (percussion), Lydia Adams (conductor) CACBC 12:53 AM Josef Suk (1874-1935) A Winter's tale , Op 9 Prague Radio Symphony Orchestra, Rudolf Vasata (conductor) CZCR 01:10 AM Edward Elgar (1857-1934) Sea Pictures, Op 37 Margreta Elkins (mezzo soprano), Queensland Symphony Orchestra, Werner Andreas Albert (conductor) AUABC 01:32 AM Dora Pejacevic (1885-1923) Piano Quintet in B minor, -
Alumni Recognition Ceremony & Reunion Concert
SYDNEY CONSERVATORIUM OF MUSIC ALUMNI RECOGNITION CEREMONY & REUNION CONCERT TUESDAY 22 MARCH 2011 CONTENTS 1 COLUMN CONTENTSALUMNI RECOGNITION CEREMONY A celebration to VENUE recognise the Sydney The Great Hall, The Quadrangle The University of Sydney Conservatorium of Music’s pre-1990 RECOGNITION CEREMONY alumni as part of 2pm the University of The academic procession enters the Great Hall, Sydney family. the assembly standing March from Ode for Saint Cecilia’s Day, GF Handel Introduction by Professor Kim Walker, Dean and Principal of the Sydney Conservatorium of Music The proceedings are opened by the Chancellor, Her Excellency Professor Marie Bashir AC CVO Presentation of alumni recognition certificates Address by Dr Michael Spence, Vice-Chancellor and Principal of the University of Sydney Address by Lyndon Terracini, alumni guest speaker Closing remarks by Professor Kim Walker The academic procession retires, the assembly standing Final from the First Organ Symphony, Louis Vierne Refreshments served in the Quadrangle Organ music performed by Amy Johansen, University of Sydney Organist and Carillonist Carillon recital prior to the ceremony by Hans Hielscher, guest carillonist (Wiesbaden) Carillon recital following the ceremony by Isaac Wong, Honorary Carillonist Coaches to the Sydney Conservatorium of Music depart from the Clocktower between 4 and 4.30pm. Miss Terry Greene, opera diva, Alumni Recognition Ceremony 2010 GUEST SPEAKER LYNDON TERRACINI Diploma of Operatic Art 1973 Lyndon Terracini studied opera at the NSW State Conservatorium of Music, and made his debut as a professional singer in 1976 as Sid in Benjamin Britten’s Albert Herring with the Australian Opera at the Sydney Opera House. After moving to Italy – opera’s spiritual home – Terracini sang many of the great baritone roles in opera houses all over Europe. -
Wagner Quarterly 135, December 2014
WAGNER SOCIETY nsw ISSUE NO 8 CELEBRATING THE MUSIC OF RICHARD WAGNER WAGNER QUARTERLY 135 DECEMBER 2014 PRESIDENT’S REPORT Welcome to the fourth and last Quarterly for 2014. It has been a big year for your Society. Not quite as big as last year, the bicentenary, when there was a giant surge of Wagner events and performances. But we have definitely maintained the momentum. The last events of the year at the Goethe Institute and the Mosman Art Gallery were well attended, and– if the feedback I personally received is any indication–they were very much enjoyed. One of our most unusual and entertaining functions this year was given by Dr James Wierzbicki on the topic of the Ride of the Valkyries. We are privileged that he has agreed for his talk (in a version slightly edited by our Editor) to be reproduced in this issue of the Anke Höppner (soprano) with her husband baritone Barry Ryan (on her left) with Quarterly, along with a small selection of the Members Pauline Holgerson and William Brooks at Anke’s recital at Mosman Art Gallery many and varied Valkyrie images he showed. Your Society continues its membership of the Friends of Our final function of the year was a recital by Anke Höppner, Bayreuth, and this provides us with two tickets each year, accompanied by pianist David Miller, at the Mosman Art generally taking in all the operas which are performed that Gallery of Wagner-influenced songs by Alexander Zeminsky year. But this is only a small proportion of the tickets which and Arnold Schönberg. -
PHILIPS RECORDS II I Ili/Sleteo
FRANCA : Concertino for Piano and dice, Teresa Stich -Randall is just aboutper- NEW RELEASES Orchestra (see SATIE) fect,offeringa warm, womanly, vocally captivating interpretation. FROM THE RECORDING OF SPECIAL MERIT On the negative side, however, I must - note that while Mr. Mackerras brings vigor GLUCK: Orfeo ed Litridice. Nlaureen WORLD'S GREATEST and excitement to the music, he does thisat Forrester (contralto), Orfeo; Teresa St:ch- the expense of refinement. Thereare impre- BUDGET LABEL Randall (soprano), Euridice: Nanny Steffek cise attacks and occasional lapses of "to- (soprano), Amore. Akademie Choir:Ind getherness," and the choral work isvery of- .4 I I I .4 4. .eteital ViennaStateOperaOrchestra.Charles ten ill -balanced and lacking in incisiveness. /lbAlb Al. dab,. ,,111, , Mackerras cond. VANGUARD BAC!' GUILD He conducts much of the second actata BGS 70686/87 two discs $11.58, BG 686/ rather inflexible tempo, and his pacing for ACCLAIMED BY 87 $9.58. the Dance of the Furies is decidedly hurried. CRITICS! Performance: First-rate A further debit is due in the area of textual Recording. Very good communication: Miss Forrester's Italian pro- Stereo Quality: Excellent nunciation could stand improvement, and Miss Steffek's is downright offending. These Instead of making available another conven- ACCLAIMED BY reservations prevent me from recommending tional version of Orfeo ed Euridice, the pro- the set as the decided preference among the ducers of this set embarked on an adventure RECORD -BUYERS! opera's contemporary versions, but they do in creative musicology which resulted in a performance that differs from any heretofore recorded. Without retelling here the com- plicated tale of this opera's history-which ;"-s-..._. -
Boston Symphony Orchestra Concert Programs, Summer, 1967-1968
IAN 13 ***>*!& EIGHTH WEEK August 18, 19, 20, 1967 7 .T)S TWO MAGNIFICENT RECORDING ACHIEVEMENTS BY THE BOSTON SYMPHONY UNDER ERICH LEINSDORF BOSTON I NTLSSON I , ^v Wagner r Rt SYMPH()NY CHOOKASIAN aZtZ ?ATTTl?M j [i/yUIrjiVJ LEINSDORF BERGONZ1 Pro M"liir" Vohtngnti &&L**j6kl*m\ FLAGELLO \ Complete Boston Symphony Orchestra/Leinsdorf Konya • Amara Gorr Dooley • Hines • Marsh Boston Chorus Pro Musica • Patterson rca Victor nvtwsHoovt The first absolutely complete Verdi Requiem featurin; Lohengrin on records. four celebrated soloists rca Victor d @The most trusted name in sound ^*- EIGHTY-SIXTH SEASON 1966-1967 BOSTON SYMPHONY ORCHEST ERICH LEINSDORF, Music Director Charles Wilson, Assistant Conductor Thirtieth Berkshire Festival - 1967 MUSIC SHED AT TANGLEWOOD Concert Bulletin of the EIGHTH WEEK Copyright, 1967, by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer FIenby B. Cabot Talcott M. Banks John L. Thorndtkb Philip K. Allen Francis W. Hatch Henry A. Laughlin >v. Abram Berkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James FI. Perkins Sidney R. Rabb Raymond S. Wilkins Trustees Emeritus Pale rey Perkins Lewis Perry Edward A. Taet Tangleivood Advisory Committee Alan J. Blau George E. Mole Jesse L. Thomason Lawrence K. Miller Whitney S. Stoddard Robert K. Wheeler H. George Wilde Chairmen of the Boards of Selectmen (Ex Officio): Stockbridge, Arthur W. Maskell, Jr. Lenox, John Pignatelli Lee, Andre Jaotjbn Thomas D. Perry, Jr., Manager Norman S. Shirk James J. Brosnahan Assistant Manager Business Administrator William Moyer Harry J.