Resume Wizard

Total Page：16

File Type：pdf, Size：1020Kb

LOUIS ZUTAVERN 5042 MATILIJA AVENUE • SHERMAN OAKS, CA 91423 CELL 8 1 8 / 8 0 2 - 9 4 2 2 • S H O P 8 1 8 / 9 9 0 - 9 8 2 1 E - M A I L [email protected] WORK EXPERIENCE: *UPDATED 02/21 1998-2021 "LORD OF THE RINGS" Amazon Studios Senior Model Maker "CREEPSHOW" SERIES AMC/Shudder Senior Model Maker "AVATAR" SEQUELS Lightstorm Entertainment Senior Model Maker "KING KONG vs GODZILLA" Legendary Features Senior Model Maker "VICE" Paramount Studios Senior Model Maker "MULAN" Live Action Feature The Walt Disney Company Art Department/Model Maker DISNEY IMAGINEERING The Walt Disney Company Senior Dimensional Designer Model Supervisor/Model Maker "BLACK SAILS" Starz Lead Model Maker "DEFIANCE" SyFy/NBC-Universal Studios CG Artist "TITANIC: THE FINAL WORD Lightstorm Entertainment WITH JAMES CAMERON" Model Supervisor "BATTLESTAR GALACTICA’S SyFy/ NBC-Universal Studios BLOOD & CHROME" Model Supervisor WORK "LOOPER" Endgame Entertainment EXPERIENCE: Model Supervisor "INCEPTION" Warner Bros. Model Maker "CAPRICA" SyFy/NBC-Universal Studios Model Supervisor "BATTLESTAR GALACTICA" SyFy/NBC-Universal Studios Model Maker "TEAM AMERICA" Paramount Studios Model Supervisor "SPY KIDS" Miramax Model Supervisor "STARSHIP TROOPERS" Sony Imageworks Model Supervisor "MARS ATTACKS" Warner Bros. Model Supervisor "TITANIC" Lightstorm Entertainment "TRUE LIES" "THE ABYSS" Model Maker/Supervisor "TERMINATOR 2" 4-Ward Productions Model Maker "BATMAN FOREVER" Warner Bros. "BATMAN & ROBIN" "BATMAN RETURNS" Lead Model Maker "STAR TREK: VOYAGER" Paramount TV "STAR TREK: DEEP SPACE NINE" "STAR TREK: NEXT GENERATION" Model Maker CALIFORNIA INSTITUTE OF THE ARTS EDUCATION: BFA Art Direction/Technical Direction - Theater School SPECIAL SKILLS: Knowledge of Lightwave; Rapid Prototyping; Green Screen FX; Prop Restoration and Martial Arts MEMBERSHIPS: Motion Picture Academy – Visual Effects Branch; Visual Effect Society; Art Directors Guild .

Copy Link

Recommended publications

Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd.
[Show full text]
Prop Master Production Designer Art Director
STRENGTHS Strong VFX understanding and experience CONTACT Exceptional leadership and organisational skills Cell: +64 27 537 2531 Webpage: https://www.melissaspicerartdept.com/ Detail, budget and deadline orientated Email: [email protected] IMDB: https://www.imdb.com/name/nm2373975/ Collaborative and creative problem solving Location Base: Wellington New Zealand/Aotearoa LinkedIn: https://www.linkedin.com/in/melissa-spicer-86950514/ PRODUCTION DESIGNER PROP MASTER ART DIRECTOR AVATAR SEQUELS PICK UPS' (FF) THE BFG' (FF) SPARTACUS - BLOOD AND SAND' (TV) Prop Master Digital Set Decorator Prop Master July 2021- October 2014 - Sept 2015 January 2009 - May 2009 Production Designer: Ben Procter Production Designer: Rick Carter Production Designer: Iain Aitken 880 Productions NZ Partnership Ltd/Lightstorm Entertainment Big Valley Productions/Amblin Entertainment Pacific Renaissance Spartacus Ltd WELLINGTON PARANORMAL SEASON 4' (TV) WETA DIGITAL VFX SEPARATION CITY' (FF) Production Designer Department Manager (Layout, Compositing) Prop Master April 2021 - June 2021 September 2012 - April 2018 August 2008 - November 2008 Producers: Taika Waititi, Jermain Clement, Paul Yates Multiple feature films and TV Series, including Game of Thrones, Hunger Production Designer: Iain Aitken Wellington Documentary Board Games, Mortal Engines, Avengers Infinity Wars, Guardian of the Galaxy Vol 2 Redhead Films GOING GOING' (FF) THE HOBBIT TRILOGY' (FF) AVATAR' (FF) Production Designer Assistant Prop Master Lead Props Jan 2021 - April 2021 September 2010 -
[Show full text]
Stellar Energy Lightstorm Entertainment
P "#$%&' System Proﬁles Stellar Energy Lightstorm Entertainment Overview DESIGNER: Chris Pettigrew, senior Courtesy Stellar Energy (4) commercial PV designer, Stellar Energy, stellarenergy.com n June 2012, Stellar Energy commis- period based on the facility’s historical sioned a 960 kW roof-mounted PV sys- energy consumption, which included LEAD INSTALLERS: Jim Nash, project I manager, Stellar Energy; Steve Foster, tem that provides clean energy for James the energy used to produce the #rst #lm. project manager, CSI Electrical Con- Cameron’s Lightstorm Entertainment Stellar Energy designed the system, which tractors, csielectric.com production studio. "e Lightstorm team utilizes 3,692 Yingli Solar 260 W modules DATE COMMISSIONED: June 13, 2012 wanted to make a signi#cant statement and three Solectria SGI central inverters, by powering 100% of the #lming and pro- to generate a projected 1,667 MWh annu- INSTALLATION TIME FRAME: duction of the Avatar movie sequels with ally. "e system will allow the #lmmakers 113 days solar energy. Installed at the MBS Media to achieve their goal of producing 100% LOCATION: Manhattan Beach, CA, Campus in Manhattan Beach, California, solar-powered Avatar sequels. 33.9°N the system required close cooperation "e 212,481-square-foot array is 2 SOLAR RESOURCE: 5.6 kWh/m /day between Lightstorm; the property owner, distributed over three buildings. "e ASHRAE DESIGN TEMPERATURES: the Carlyle Group; and the property man- barrel roofs presented a design chal- 78.8°F 2% average high, 39.2°F ager, Raleigh Studios. lenge requiring Stellar Energy to develop extreme minimum Stellar Energy worked with Light- a unique penetrating racking system ARRAY CAPACITY: 960 kWdc storm Entertainment to determine the that fans over the roof surfaces.
[Show full text]
Ryder V. Lightstorm Entertainment, Inc
Ryder v. Lightstorm Entertainment, Inc. Court of Appeal of California, Second Appellate District, Division Eight March 25, 2016, Opinion Filed B254922 Reporter 246 Cal. App. 4th 1064 *; 201 Cal. Rptr. 3d 110 **; 2016 Cal. App. LEXIS 318 *** a triable issue of [***2] material fact. Finally, in light of ERIC RYDER, Plaintiff and Appellant, v. LIGHTSTORM those conclusions, his appeal of the court's denial of his ENTERTAINMENT, INC., et al., Defendants and motion for discovery sanctions is moot. We therefore Respondents. affirm. Subsequent History: [***1] The Publication Status of FACTUAL AND PROCEDURAL BACKGROUND this Document has been Changed by the Court from Unpublished to Published April 22, 2016. 1. Cameron's Avatar Review denied by Ryder v. Lightstorm Entm't, 2016 Cal. LEXIS 4813 (Cal., July 13, 2016) Released in 2009, Avatar is a science fiction film written and directed by Cameron. Set in the future on Pandora, Prior History: APPEAL from a judgment of the Superior a moon of a fictional gas giant planet, it explores a world Court of Los Angeles County, No. BC474876, Alan S. of flying mountains and lush bioluminescent rain forests Rosenfield and Susan Bryant-Deason, Judges. teeming with exotic flora and fauna unlike anything on Earth. An indigenous species of humanoids called Na'vi Disposition: Affirmed. live there—10-foot-tall, blue-skinned, long-tailed, preternaturally strong beings living in harmony with their Counsel: Rincon Venture Law Group, K. Andrew Kent, natural [**113] surroundings and worshipping their deity Gregory N. Albright; King, Cheng & Miller, James W. Eywa. Pandora is also occupied by humans affiliated Colbert III and David P.
[Show full text]
Master Class with Douglas Trumbull: Selected Filmography 1 the Higher Learning Staff Curate Digital Resource Packages to Complem
Master Class with Douglas Trumbull: Selected Filmography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. * mentioned or discussed during the master class ^ special effects by Douglas Trumbull Early Special Effects Films (Pre-1968) The Execution of Mary, Queen of Scots. Dir. Alfred Clark, 1895, U.S.A. 1 min. Production Co.: Edison Manufacturing Company. The Vanishing Lady (Escamotage d’une dame au théâtre Robert Houdin). Dir. Georges Méliès, 1896, France. 1 min. Production Co.: Théâtre Robert-Houdin. A Railway Collision. Dir. Walter R. Booth, 1900, U.K. 1 mins. Production Co.: Robert W. Paul. A Trip to the Moon (Le voyage dans la lune). Dir. Georges Méliès, 1902, France. 14 mins. Production Co.: Star-Film. A Trip to Mars. Dir. Ashley Miller, 1910, U.S.A. 5 mins. Production Co.: Edison Manufacturing Company. The Conquest of the Pole (À la conquête de pôle). Dir. Georges Méliès, 1912, France. 33 mins. Production Co.: Star-Film. *Intolerance: Love’s Struggle Throughout the Ages. Dir. D.W. Griffith, 1916, U.S.A. 197 mins. Production Co.: Triangle Film Corporation / Wark Producing. The Ten Commandments.
[Show full text]
Directors Guild of America, Inc. Freelance Live and Tape Television Agreement of 2008 ______
DIRECTORS GUILD OF AMERICA, INC. FREELANCE LIVE AND TAPE TELEVISION AGREEMENT OF 2008 _______________________________ AGREEMENT entered into as of this first day of July, 2008 by and between the DIRECTORS GUILD OF AMERICA, INC., a corporation duly organized under the laws of the State of California, having its National Office at 7920 Sunset Boulevard, Hollywood, California 90046 (hereafter referred to as the "Guild") and AEG Ehrlich Ventures, LLC AJA Productions, Inc. Alive and Kicking, Inc. Allenford Productions, Inc. Alpine Productions, Inc. Am Glad Productions Andalasia Productions, Inc. Arlington Productions, Inc. Ashland Productions, Inc. Auckland Productions, Inc. The Avnet/Kerner Company Avoca Productions, Inc. Bell-Phillip Television Company Belleville Productions, Inc. BL4 Productions, Inc. Blue Diamond Entertainment Inc. Bob Weis Design Island Associates Inc. Boss Productions, Inc. B.O.T. Productions, Inc. Bruce Nash Entertainment BWDI Battlestations, Inc. Califon Productions, Inc. Canterbury Productions, Inc. Category 5 Productions, Inc. CBS Films Inc. CBS Studios Inc. Charles Evans Close It Colony Way Productions, Inc. Corsica Productions, Inc. Cosgrove-Meurer Productions, Inc. Country Music Association, Inc. The Couturie Co., Inc. CPT Holdings, Inc. Crawfish Productions, LLC dick clark productions, inc. Direct Court Productions, Inc. Do You Trust Me Productions, Inc. Done and Dusted, Inc. Done and Dusted Productions, Inc. Double Dutch Bus Productions, Inc. DW Dramatic Television L.L.C. DW SKG TV L.L.C. DW Television L.L.C. Earlham Productions, Inc. ELP Communications Entrada Productions, Inc. E.O.B. Productions, Inc. Eye Productions Floresta Productions, Inc. For Christ’s Sake LLC Fox Center Productions, Inc. Fox Daytime Prod., Inc. Fox Nitetime Prod., Inc.
[Show full text]
The Hollywood Cinema Industry's Coming of Digital Age: The
The Hollywood Cinema Industry’s Coming of Digital Age: the Digitisation of Visual Effects, 1977-1999 Volume I Rama Venkatasawmy BA (Hons) Murdoch This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2010 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. -------------------------------- Rama Venkatasawmy Abstract By 1902, Georges Méliès’s Le Voyage Dans La Lune had already articulated a pivotal function for visual effects or VFX in the cinema. It enabled the visual realisation of concepts and ideas that would otherwise have been, in practical and logistical terms, too risky, expensive or plain impossible to capture, re-present and reproduce on film according to so-called “conventional” motion-picture recording techniques and devices. Since then, VFX – in conjunction with their respective techno-visual means of re-production – have gradually become utterly indispensable to the array of practices, techniques and tools commonly used in filmmaking as such. For the Hollywood cinema industry, comprehensive VFX applications have not only motivated the expansion of commercial filmmaking praxis. They have also influenced the evolution of viewing pleasures and spectatorship experiences. Following the digitisation of their associated technologies, VFX have been responsible for multiplying the strategies of re-presentation and story-telling as well as extending the range of stories that can potentially be told on screen. By the same token, the visual standards of the Hollywood film’s production and exhibition have been growing in sophistication.
[Show full text]
Chicago Manual of Style
The Ohio State University Librarie s 1 University Libraries (614) 292-OSUL (6785) http://library.osu.edu Chicago Manual of Style The following entries illustrate the citation style according to Chicago Manual of Style, 16th Edition. A slight modification of Chicago style is known as Turabian style, which is geared more toward the types of citation students encounter; please refer to Kate L. Turabian's Manual for Writers of Research Papers, Theses, and Dissertations, 7th edition. Chicago/Turabian features two basic documentation systems: Notes-Bibliography (used in the humanities) and the Author-Date style (used in the social, physical, and natural sciences). Proper citation acknowledges the creators of each source and helps your readers find the original source if they would like more information. The humanities style presents detailed bibliographic information in a note–sometimes a footnote on the page where a source is used, and sometimes as an endnote on the final page of the paper. Citation information is often repeated in a bibliography at the end of a paper, too, but always confirm with your instructor whether s/he prefers endnotes or footnotes and if the Bibliography is needed. The Author-Date style briefly cites sources used in the text, usually in parentheses, by author’s last name and date of publication. These short citations are detailed on the References page at the end of the paper, where full citation information for sources is provided. A few general rules for CMS/Turabian: • For Notes, include the author’s name as it is listed in the article (FirstName LastName).
[Show full text]
ID Name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY
ID name 112495 1 AMERICA 100003 1 EYED DOG LTD 104562 10 BY 10 ENTERTAINMENT 119140 100.000VOLTS.TV 119962 101ST STREET ENTERTAINMENT 114635 101ST STREET PRODUCTIONS 118840 101ST STREET TELEVISION 113543 11TH STREET PRODUCTIONS 119499 127 WALL PRODUCTIONS 115680 13 PRODUCTION 106472 1492 PICTURES 100008 1492 PRODUCTIONS 106474 18 HUSKY 119951 1895 FILMS 117848 18TH STREET FILM 106475 19 ENTERTAINMENT 100010 19 TELEVISION 110681 1OP1 TV EN VIDEO PRODUCTIES BV 113969 2 ROOSTERS MEDIA 112499 21 LAPS ENTERTAINMENT 119887 211 PRODUCTIONS 118463 22 PLATES 117840 24 DOC 104567 24FPS FEAUTURES 108082 24FPS PRODUCTIONS 110683 26 FILMS 118974 2LE MEDIA 109600 2MEDIA PRODUCTIONS 109601 3 ART ENTERTAINMENT 100018 3 ARTS ENTERTAINMENT 119967 3 BALL ENTERTAINMENT 110687 3 BALL PRODUCTIONS 113973 3 DOGS AND A PONY 113947 3 IN THE BOX 100022 3 SISTERS ENTERTAINMENT 119621 333 PRODUCTIONS 117690 343 INDUSTRIES 117595 360 PICTURES 119197 3DD ENTERTAINMENT LIMITED 112504 3J S ENTERTAINMENT 112505 4 BY 2 119495 4 EVER CHRISTMAS PRODUCTIONS 100026 4 TO 6 FOOT 106483 40 ACRES AND A MULE FILMWORKS Videma: unknown rightsholders as per June 30, 2020 1 118263 43 FILMS 113199 44 BLUE PRODUCTIONS 119462 5STAR BROADCASTING LTD 118045 72 PRODUCTIONS 106485 777 FILMS CORPORATION 114377 7ATE9 ENTERTAINMENT 118343 8:38 PRODUCTIONS 119790 87ELEVEN 118206 8816522 CANADA INC. 117620 9 STORY MEDIA GROUP 119415 9.14 PICTURES 119682 93 METROS 118591 9STORIES 100050 A BAND APART 119060 A BETTY PRODUCTION 116506 A GRAND ELEPHANT 118201 A PLUS IMAGE 3 119777 A RED ARROW STUDIOS COMPANY 104576 A S PANORAMA FILM INT 115151 A SCHOOL PRODUCTIONS 119436 A SINGLE SHOT PRODUCTIONS 104581 A SMITH AND CO 112509 A SON OF NATE AND JILL PRODUCTIONS 104578 A TEAM PRODUCTIONS 110698 A VERY GOOD PRODUCTION INC 117624 A&E INDIEFILMS 119788 A&E NETWORK 119722 A+E NETWORKS 116416 A.
[Show full text]
For Immediate Release Digital Cinema Initiatives (Dci) Announces Final Overall System Requirements and Specifications for Digita
FOR IMMEDIATE RELEASE DIGITAL CINEMA INITIATIVES (DCI) ANNOUNCES FINAL OVERALL SYSTEM REQUIREMENTS AND SPECIFICATIONS FOR DIGITAL CINEMA Agreement Gives Manufacturers of Digital Projectors and Theater Equipment One Universal Standard in Creating the Next Generation of Cinemas (Hollywood, CA – July 27, 2005) Digital Cinema Initiatives, LLC (DCI) has completed the final overall system requirements and specifications to help theatrical projector and equipment manufacturers create uniform and compatible digital cinema equipment throughout the United States, it was announced today by Walt Ordway, Chief Technology Officer, Digital Cinema Initiatives. “After three years of careful planning, discussion and reaching out to all the various constituencies who make up our industry, DCI member studios are pleased to have reached unanimous agreement on the necessary overall system requirements and specifications for digital cinema,” said Ordway. “We now have a unified specification that will allow manufacturers to create products that will be employable at movie theatres throughout the country and, it is hoped, throughout the world. In fact, the specification is being translated for international markets.” “These specifications should provide a common ground to spur innovation and encourage many more players who were previously resistant to invest capital in technology that may or may not have been viable,” said Ordway. “And as the market gets more competitive, the price of the equipment and its installation—previously thought to be a major barrier to digital cinema—will become increasingly affordable, to the point where that stumbling block should no longer be of consequence.” DCI member studios and industry leaders hailed this long-awaited development, which will be applicable to both 2K and 4K resolutions.
[Show full text]
Cirque Du Soleil and James Cameron to Develop Avatar Live-‐Touring Show P
CIRQUE DU SOLEIL AND JAMES CAMERON TO DEVELOP AVATAR LIVE-TOURING SHOW Production slated to open in 2015 Montreal, May 29, 2014 – Daniel Lamarre, President and CEO of Cirque du Soleil and Academy Award-winning filmmaker James Cameron announced a new partnership to develop an arena-touring show inspired by the world of Cameron’s history-making motion picture, AVATAR. This “live experience” is expected to debut late 2015 for what will become a global touring schedule. The announcement was made in Montreal during the international business C2MTL– Commerce + Creativity Conference. The live production will feature the creative signature drive of Cirque du Soleil in association with Cameron’s and Jon Landau’s Lightstorm Entertainment. The show is expected to debut before the first of three upcoming AVATAR sequels, for which Cameron is currently in pre-production. Twentieth Century Fox, which financed and distributed AVATAR, will bring the new films to theaters around the world and is also a partner on the live show. “Our relationship with Jim Cameron began with my visit at his Avatar cutting room”, explained Daniel Lamarre. “I am thrilled that almost 5 years later, Cirque du Soleil will be able to explore the very inspirational AVATAR realm for the live stage. This will mark our second creative project with Jim and I believe it will be as stimulating for both our creative forces.” “Over the years, I have discovered the extraordinary talents and imaginations of both the artists and the creative forces behind Cirque du Soleil,” said James Cameron. “I know we share the common goal of bringing audiences to another level of entertainment experiences.
[Show full text]
Filmographie
Filmographie 2001: A Space Odyssey (GB/US 1968). Regie: Stanley Kubrick. Prod.: Stanley Kubrick Productions und Metro-Goldwyn-Mayer. DVD, Turner Entertainment Co. und Warner Home Video 2001. 143 Min. À bout de souffle (FR 1960). Regie: Jean-Luc Godard. Prod.: Les Films Impéria, Les Productions Georges de Beauregard und Société Nouvelle de Cinématogra- phie. DVD, Kinowelt Home Entertainment 2008. 86 Min. Adaptation. (US 2002). Regie: Spike Jonze. Prod.: Magnet Productions et al. DVD, Sony Pictures Home Entertainment 2009. 110 Min. Ansiktet (SE 1958). Regie: Ingmar Bergman. Prod.: Svensk Filmindustri. DVD, Tar- tan Video 2001. 97 Min. Artificial Intelligence: AI (US 2001). Regie: Steven Spielberg. Prod.: Warner Bros. et al. DVD, Warner Home Video 2002. 145 Min. Arrival (US 2016). Regie: Denis Villeneuve. Prod.: Lava Bear Films et al. Blu-ray, Sony Pictures Home Entertainment 2017. 116 Min. Badlands (US 1973). Regie: Terrence Malick. Prod.: Warner Bros. et al. DVD, Süd- deutsche Zeitung 2005. 90 Min. Barton Fink (US/GB 1991). Regie: Joel Coen. Prod.: Working Title Films et al. DVD, Universal Pictures 2004. 114 Min. Being John Malkovich (US 1999). Regie: Spike Jonze. Prod.: Propaganda Films et al. DVD, Universal Studios 2003. 108 Min. Belle de jour (FR/IT 1967). Regie: Luis Buñuel. Prod.: Robert et Raymond Hakim, Paris Film Production und Five Film Rome. Blu-ray, Studiocanal 2014. 100 Min. The Big Lebowski (US/GB 1998). Regie: Joel Coen. Prod.: Working Title Films et al. DVD, Universal Pictures 2006. 112 Min. Boxes (FR 2007). Regie: Jane Birkin. Prod.: Les Films de la Croisade, La Région Bretagne und Centre National de la Cinématographie.
[Show full text]