DOCSLIB.ORG

Radio Adelaide Presents

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

> Ni Hao to Adelaide Chinese Youth Radio > Verse around with Friendly Street Poets > More Bilby Awards from SA Community Broadcasting > Profiling the stars behind the stars in The Fifth Beatle SPRING 2010 PROGRAM GUIDE L I V E M U S I C F E S T 20 Radio Adelaide Program Guide10 Spring 2010 i SUSTAINABLE The Australian PROPERTY Ethical INVESTING Property Trust Allara Street Canberra 1800 021 227 www.australianethical.com.au Australian Ethical Investment Ltd (‘AEI’) ABN 47 003 188 930, AFSL 229949. Australian Ethical Superannuation Pty Ltd ABN 43 079 259 733 RSEL L0001441. A PDS is available from our website or by calling us and should be considered before making an investment decision. Australian Ethical® is a registered trademark of AEI. ii CAAMA Radio trainee Thecla Brogan in between TEABBA's LeeLee Hewitt and Bernard Namok, live to air from the Garma Festival in North East Arnhem Land. Thecla is undertaking a school- based apprenticeship at CAAMA in Alice Springs, with Radio Adelaide as the Registered Training Organisationn We are a community radio station owned and operated by The University At Garma, Radio Adelaide's of Adelaide. In Adelaide tune into 101.5 Deb Welch with Minister FM. Everywhere else streaming at radio. for Indigenous Affairs Jenny adelaide.edu.au As we go to press it's just three days out Macklin and CAAMA We provide diverse radio to Adelaide from the federal election. Amid the focus Manager Jim Remedio and the world with a focus on lifelong on personalities and simple slogans, learning, arts, ideas, news, local issues, we're still to hear if either major party will current affairs and good music in many others. I was a guest of CAAMA genres. make a policy and funding commitment to Radio Alice Springs, Radio Adelaide's Australia's community media sector. The We have a large and committed team partner in many training and program of volunteers and a small core staff. Greens have been clear and vocal in their activities. Also there was TEABBA, the We're not for profit and rely on the support, the Nationals at least have a Top End Aboriginal Bush Broadcasting active support of our listeners. policy, but three days out the major parties Association. Being in such a remote Subscription are still silent on their policy intentions. location, it was great to be able to We stand for Diversity, Innovation, Access & Independence. Your support is vital combine resources and send interviews for this unique service to continue. Only This is disappointing given there are and programs back to listeners across $52 per year; $26 if you hold a current more than nine million community radio the Territory and here in SA. government concession card, $500 for listeners - nearly all voters - who value life subscription. All tax deductible. their alternative and independent source contact Sarah Strong-Law Yolngu say 'Garma is what happens of information, music and culture. In the when people with different ideas and Sponsorship/On Air Promotions meantime, if you are keen to know what Over 88,000 attentive, active and values come together and negotiate curious listeners each week; interested Community Broadcasting is seeking from knowledge in a respectful learning in good music, the arts and new ideas. whoever forms Government, please check environment'. It seems like a good Competitive rates, window display & out www.communitymediavotes.org.au Program Guide packages are available. way to describe what we try to do contact Max Hicks here at Radio Adelaide with our Community radio is all over the country Radio Adelaide Training listeners, presenters and producers, We are a Registered Training and its reach and value was great to see and with our friends around the Organisation providing nationally when, in August, I attended the annual country in community broadcasting. accredited training. We specialise in Garma Festival, in the lands of the Yolngu And a whole lot better than the type tailoring training to the needs of groups people, at the eastern tip of Arnhem Land, and individuals. of communication and discussion contact Nicky Page overlooking the Gulf of Carpentaria and we all get to have during an election the Arafura Sea. A festival of cultural Production Services campaign. Enjoy your springtime radio Our studios and production facilities are exchange between traditional and .. and online!, fully equipped for digital and analogue contemporary Indigenous cultures and best regards, Deborah Welch, Station Manager production, audio and video. We specialise in recording, online audio and video, duplication and message-on-hold. contact Don Balaz, Darren van Schaik SACBA Awards address 228 North Terrace Adelaide, SA 5000 The Bilby has taken over as the mascot for Easter and the Radio Adelaide awards phone 08 8303 5000 cabinet is also being taken over by the cute marsupial. At the recent South Australian fax 08 8303 4374 Community Broadcasting Association (SACBA) awards we picked up another four email [email protected] internet radio.adelaide.edu.au Bilby’s for the collection. Radio Adelaide survives and prospers Runners up were: thanks to the support of our listeners, Best Station Message: producer Casey sponsors and these organisations: Briggs promo for Barometer Can’t Get Out of the Car: Catherine Zengerer’s interview with Dr Craig Juresevic for The Wire Best coverage of a sport event: Breakfast with Peter Godfrey for Roller Derby. Program Guide team Editors: Nikki Marcel, Kat Mc Guffie, Deb Welch Design & layout: Deb Welch, Shadia Design Our big winner for the night was for Best Photography: Radio Adelaide station workers Advertising: Max Hicks Music Program won by Songcatcher. Printing: Finsbury Green Congratulations to presenters Claire Thackary and Clayton Werner. Peter Godfrey, Kathryn Jensen and Don Balaz share the spoils Radio Adelaide Program Guide Spring 2010 1 All kinds of music for all kinds of people. L 90 live acts bring you music from all corners of the globe. Glue yourself to the radio and indulge in the decadent delights of Live Music Fest 2010; showcasing local favourites, up and comers and touring national and international acts. We open with the raucous tones of Adelaide’s favourite comedy and 80s devotees, The Adelaide Sax Pack and go back to I the Baroque with Early Music @ Adelaide and their gamba and harpsichord timbres. We’ve got spicy salsa with 10 piece Latino group Salcedo, cool jazz funk outfit the Mobiustrips, the energetic Bearded Gypsys, Ghanaian drumming with the Damushi Ensemble, rock from V Pimpin Horus and, a 30 piece chorus, and more. Read on! E Put on your dancin' shoes .... and join in the action at our Swing and Big Band Night! We invite you to a night of Swing Dance Lessons with the sensational Adelaide Swing Sesh Dancers and live toe tapping danceable tunes from the Mike Stewart Big Band. M Share a drink, have a dance, and have a hoot or a holler with your friends from Radio Adelaide. No experience required. Tickets are only $10 and are available by contacting us at Radio Adelaide, in person, telephone, or email [email protected]…. U but make sure you get them while they last! Nunga Wangga brings you country soul Tuesday 14 from the Warren Milera Band with the September S star studded line up of Warren Milera, Glenn Skuthorpe, Daryl Lee, Jamie Butler DeafSA Hall, 262 South Terrace. I Doors open at 6:30 pm, dance lessons from 7pm. C Live Broadcast from 7pm F EMU Live! Arts Breakfast presents the Live from the Electronic Music Studio of the E distinctive compositions Elder Conservatorium, staff and students play of Tibetan born Tenzin conventional and electronic instruments, devices Choegyal whose cantering and computers, demonstrating many of the rhythms, extraordinary vocal new directions music is taking. Featuring a abilities and flute playing demonstration of the legendary Moog Modular S come together to create Synthesiser, the only working one of its kind uniquely beautiful music. in Australia, part of a unique and important Saturday, 9am collection of historic electronic instruments in the studio dating back to the 1960s. T Leading Jazz pianist Chris Martin brings something new to Jazz on the Terrace with a collection of his own compositions/ September 13 - 19 improvisations, combining Jazz traditions with ‘ the harmonic ideas of Lutoslawski, Alban Berg 102 radio.adelaide.edu.au/lmf and other giants of the 20th century classical landscape. the L I N E 8 The Adelaide Sax Pack up 9 Alex McFarlane 11 Tinel Dragoi 12 Limbo Tuesday 14 1 Siobhan Owens 8 The Baker Suite 3 Bird Wizdom 9 Live Music Fest’s 4 The Aves Fire! Santa Rosa, Fire! Baroque Pocket featuring; 6 Nice Verdes Early Music @ Adelaide with 7 Warren Milera Band guests Louisa Perfect, Keith 9 Dexter Jones Student Radio crashes the UniBar 13 Monday Hempton, Lesley Lewis and Escaping from the comfort of late night airwaves for one night 10 The Mobiustrips Graham Strahle only, Adelaide University Student Radio and its ragtag gang 11 P.I.G 12 The Slowpokes of presenters take over the UniBar, bringing some of their 1 Zak Vasiliou favourite bands along for the ride. Featuring Fire! Santa 4 Olivers Army Rosa, Fire! and 20th Century Graduates, this free show 6 The Dudleys is your chance to get involved in the longstanding institution 8 Etype 7 Radio Adelaide’s Swing of campus culture and have a whole lot of fun. 9 Fest Flute Frenzy and Big Band night featuring featuring the flautists of Swing Sesh and the Mike …come early to catch the Friday Sessions on the Range…with the The Piping Shrikes Stewart Big Band New York/Melbourne outfit Luluc performing their exquisite 12 Brendan Fitzgerald 9 Cal Williams Jr melodies.
Recommended publications
  • APRIL 2011 || the Magazine of the Community Broadcasting Association of Australia

    APRIL 2011 || the Magazine of the Community Broadcasting Association of Australia

    APRIL 2011 || The Magazine of the Community Broadcasting Association of Australia ON AIR A Local Focus || Dispute Resolution Initiative || Social Networking 101 We have lift off... 36 metro-wide CBX is the triennial magazine of the Community Broadcasting community radio Association of Australia. stations officially CBX is mailed to CBAA members launch their and stakeholders. Subscribe to CBX by emailing: digital services! [email protected] CBX is also available online at: www.cbaa.org.au/cbx By > Adrian Basso Follow us on Twitter: CBAA President @_CBX_ Like us on Facebook: CBX We have lift off! From April, across Australia, 36 metro-wide community EDITOR: radio stations will officially launch their digital services. Nell Greco Ph 02 9310 2999 This marks a new era for community radio and, just like the lunar landing, Email [email protected] it has not occurred by chance or overnight. It has involved many years of lobbying, planning, negotiations, wading through complex legislation and GRAPHIC DESIGN: contracts and considerable determination to ensure community broadcasters’ birdcreative Judith Martinez participation in the digital radio framework. & Kasia Froncek www.birdcreative.com.au The implementation of digital radio in the five mainland capital cities is the first stage of the digital radio roll out. The CBAA will continue to advocate SUBMISSIONS: and negotiate for the inclusion of all community broadcasters as digital radio Email articles and images develops. to [email protected] Minister Conroy’s article, on page nine, acknowledges both the Federal ADVERTISING: For all advertising enquiries Government’s recognition of our contribution to Australian cultural life and its please contact the Editor.
  • ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours

    ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours

    AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein.
  • Comparative Analysis of NLP Models for Google Meet Transcript Summarization

    Comparative Analysis of NLP Models for Google Meet Transcript Summarization

    EasyChair Preprint № 5404 Comparative Analysis of NLP models for Google Meet Transcript Summarization Yash Agrawal, Atul Thakre, Tejas Tapas, Ayush Kedia, Yash Telkhade and Vasundhara Rathod EasyChair preprints are intended for rapid dissemination of research results and are integrated with the rest of EasyChair. April 28, 2021 Comparative Analysis of NLP models for Google Meet Transcript Summarization Yash Agrawal1,a) Atul Thakre1,b) Tejas Tapas1,c) Ayush Kedia1,d) Yash Telkhade1,e) Vasundhara Rathod1,f) 1) Computer Science & Engineering, Shri Ramdeobaba College of Engineering and Management, Nagpur, India a) [email protected] , +91 7083645470 b) [email protected] , +91 8956758226 c) [email protected] , +918380073925 d) [email protected] , +91 8459811323 e) [email protected] , +91 9021067230 f) [email protected], +918055225407 Abstract. Manual transcription and summarization is a cumbersome process necessitating the development of an efficient automatic text summarization technique. In this study, a Chrome extension is used for making the process of transcription hassle- free. It uses the text summarization technique to generate concise and succinct matter. Also, the tool is accessorized using Google Translation, to convert the processed text into users' desired language. This paper illustrates, how captions can be traced from the online meetings, corresponding to which, meeting transcript is sent to the backend where it is summarized using an NLP model. It also walks through three different NLP models and presents a comparative study among them. The NLTK model utilizes the sentence ranking technique for extractive summarization. Word Embedding model uses pre-trained Glove Embeddings for extractive summarization. The T5 model performs abstractive summarization using transformer architecture.
  • Community Broadcasting Foundation Annual Report 2016

    Community Broadcasting Foundation Annual Report 2016

    Community Broadcasting Foundation Annual Report 2016 Snapshot 2015.16 500 $200M 24,600 Licensed community owned and The Community Broadcasting Foundation has given more operated broadcasting services making than $200M in grants since 1984. Volunteers involved in community broadcasting Australia's community broadcasting largest independent media sector. 230 70% 5,800 This year the Community Broadcasting 70% of community radio and television People trained each year in Foundation allocated 617 grants totaling services are located in regional, rural media skills, leadership skills $ $15,882,792 to 230 organisations. and remote areas. The median income and digital literacy. at regional and rural stations is $52,900. 42% of regional and rural stations are 605M wholly volunteer operated. With a turnover of over $120m and the economic value of its volunteer effort estimated at $485m per annum, the community broadcasting sector makes a significant contribution to the 78% 8,743 Australian economy. 78% of all community radio broadcast 8,743 hours of specialist programming in an average week time is local content. Local news and information is the primary reason Australians listen to community radio. Religious Ethnic + RPH Cover: 100.3 Bay FM broadcaster Hannah Sbeghen. This photo taken 5M Indigenous by Sean Smith won the Exterior/ 27% of Australians aged over Interior category in the CBF’s Focus 15 listen to community radio in an LGBTIQ on Community Broadcasting Photo average week. 808,000 listen exclusively Competition. to community radio. 0 500 1000 1500 2000 2500 3000 3500 4000 Community Broadcasting Foundation Annual Report 2016 1 Success Stories Leveraging support to expand Success broadcast range Coastal FM broadcasts to the Stories northwest coast of Tasmania, with the main transmitter located The increase in phone in Wynyard and additional calls and visits to our transmitter sites in Devonport and Smithton.
  • Media Tracking List Edition January 2021

    Media Tracking List Edition January 2021

    AN ISENTIA COMPANY Australia Media Tracking List Edition January 2021 The coverage listed in this document is correct at the time of printing. Slice Media reserves the right to change coverage monitored at any time without notification. National National AFR Weekend Australian Financial Review The Australian The Saturday Paper Weekend Australian SLICE MEDIA Media Tracking List January PAGE 2/89 2021 Capital City Daily ACT Canberra Times Sunday Canberra Times NSW Daily Telegraph Sun-Herald(Sydney) Sunday Telegraph (Sydney) Sydney Morning Herald NT Northern Territory News Sunday Territorian (Darwin) QLD Courier Mail Sunday Mail (Brisbane) SA Advertiser (Adelaide) Sunday Mail (Adel) 1st ed. TAS Mercury (Hobart) Sunday Tasmanian VIC Age Herald Sun (Melbourne) Sunday Age Sunday Herald Sun (Melbourne) The Saturday Age WA Sunday Times (Perth) The Weekend West West Australian SLICE MEDIA Media Tracking List January PAGE 3/89 2021 Suburban National Messenger ACT Canberra City News Northside Chronicle (Canberra) NSW Auburn Review Pictorial Bankstown - Canterbury Torch Blacktown Advocate Camden Advertiser Campbelltown-Macarthur Advertiser Canterbury-Bankstown Express CENTRAL Central Coast Express - Gosford City Hub District Reporter Camden Eastern Suburbs Spectator Emu & Leonay Gazette Fairfield Advance Fairfield City Champion Galston & District Community News Glenmore Gazette Hills District Independent Hills Shire Times Hills to Hawkesbury Hornsby Advocate Inner West Courier Inner West Independent Inner West Times Jordan Springs Gazette Liverpool
  • Song List 2012

    Song List 2012

    SONG LIST 2012 www.ultimamusic.com.au [email protected] (03) 9942 8391 / 1800 985 892 Ultima Music SONG LIST Contents Genre | Page 2012…………3-7 2011…………8-15 2010…………16-25 2000’s…………26-94 1990’s…………95-114 1980’s…………115-132 1970’s…………133-149 1960’s…………150-160 1950’s…………161-163 House, Dance & Electro…………164-172 Background Music…………173 2 Ultima Music Song List – 2012 Artist Title 360 ft. Gossling Boys Like You □ Adele Rolling In The Deep (Avicii Remix) □ Adele Rolling In The Deep (Dan Clare Club Mix) □ Afrojack Lionheart (Delicious Layzas Moombahton) □ Akon Angel □ Alyssa Reid ft. Jump Smokers Alone Again □ Avicii Levels (Skrillex Remix) □ Azealia Banks 212 □ Bassnectar Timestretch □ Beatgrinder feat. Udachi & Short Stories Stumble □ Benny Benassi & Pitbull ft. Alex Saidac Put It On Me (Original mix) □ Big Chocolate American Head □ Big Chocolate B--ches On My Money □ Big Chocolate Eye This Way (Electro) □ Big Chocolate Next Level Sh-- □ Big Chocolate Praise 2011 □ Big Chocolate Stuck Up F--k Up □ Big Chocolate This Is Friday □ Big Sean ft. Nicki Minaj Dance Ass (Remix) □ Bob Sinclair ft. Pitbull, Dragonfly & Fatman Scoop Rock the Boat □ Bruno Mars Count On Me □ Bruno Mars Our First Time □ Bruno Mars ft. Cee Lo Green & B.O.B The Other Side □ Bruno Mars Turn Around □ Calvin Harris ft. Ne-Yo Let's Go □ Carly Rae Jepsen Call Me Maybe □ Chasing Shadows Ill □ Chris Brown Turn Up The Music □ Clinton Sparks Sucks To Be You (Disco Fries Remix Dirty) □ Cody Simpson ft. Flo Rida iYiYi □ Cover Drive Twilight □ Datsik & Kill The Noise Lightspeed □ Datsik Feat.
  • Geographical Connections

    Geographical Connections

    WorldWise resource pack Making geographical connections WorldWise Week: 20-24 June 2016 WorldWise Week 2016: Making geographical connections This pack of resources provide activities for students from primary to post-16 around the theme ‘Making Geographical Connections‘, to consider how we are all surrounded by geographically based connections as well as disconnections; whether they be via transport and travel or technology, or even due to flooding. Resources: How do we connect? (Early years and primary, pp. 3–5) These activities for early years and primary pupils explore what making connections means and how people connect with each other. Mapping connections (Cross-curricular, pp. 6–7) These activities use a range of maps to explore how the world is connected on a global and local scale and connections with oceans and seas. Connecting with the future (Cross-curricular, pp. 8–9) These activities consider ways we currently connect with others and how we are likely to connect in the future. Transport and travel connections (Cross-curricular, pp. 10–12) This resource looks at how transport and travel enables us to make connections, and suggests ways of getting out of the classroom. Wet, Wet, Wet – Flooding connections (Secondary, pp. 13–18) These activities investigate how flooding can result from a combination of connected factors. How do students with special educational needs connect with the world? (Cross-curricular, pp. 19–20) This resource focuses on connecting SEN students with the outside world, and can be adapted for both primary and secondary groups. How can you use this year’s WorldWise Week resource pack? These resources have been written for young people of all ages to appreciate the value of school geography.
  • COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station

    COMMUNITY RADIO NETWORK PROGRAMS and CONTENT LIST - Content for Broadcast on Your Station

    COMMUNITY RADIO NETWORK PROGRAMS AND CONTENT LIST - Content for broadcast on your station May 2019 All times AEST/AEDT CRN PROGRAMS AND CONTENT LIST - Table of contents FLAGSHIP PROGRAMMING Beyond Zero 9 Phil Ackman Current Affairs 19 National Features and Documentary Bluesbeat 9 Playback 19 Series 1 Cinemascape 9 Pop Heads Hour of Power 19 National Radio News 1 Concert Hour 9 Pregnancy, Birth and Beyond 20 Good Morning Country 1 Contact! 10 Primary Perspectives 20 The Wire 1 Countryfolk Around Australia 10 Radio-Active 20 SHORT PROGRAMS / DROP-IN Dads on the Air 10 Real World Gardener 20 CONTENT Definition Radio 10 Roots’n’Reggae Show 21 BBC World News 2 Democracy Now! 11 Saturday Breakfast 21 Daily Interview 2 Diffusion 11 Service Voices 21 Extras 1 & 2 2 Dirt Music 11 Spectrum 21 Inside Motorsport 2 Earth Matters 11 Spotlight 22 Jumping Jellybeans 3 Fair Comment 12 Stick Together 22 More Civil Societies 3 FiERCE 12 Subsequence 22 Overdrive News 3 Fine Music Live 12 Tecka’s Rock & Blues Show 22 QNN | Q-mmunity Network News 3 Global Village 12 The AFL Multicultural Show 23 Recorded Live 4 Heard it Through the Grapevine 13 The Bohemian Beat 23 Regional Voices 4 Hit Parade of Yesterday 14 The Breeze 23 Rural Livestock 4 Hot, Sweet & Jazzy 14 The Folk Show 23 Rural News 4 In a Sentimental Mood 14 The Fourth Estate 24 RECENT EXTRAS Indij Hip Hop Show 14 The Phantom Dancer 24 New Shoots 5 It’s Time 15 The Tiki Lounge Remix 24 The Good Life: Season 2 5 Jailbreak 15 The Why Factor 24 City Road 5 Jam Pakt 15 Think: Stories and Ideas 25 Marysville
  • Reclink Annual Report 2017-18

    Reclink Annual Report 2017-18

    , Annual Report 2017-18 Partners Our Mission Respond. Rebuild. Reconnect. We seek to give all participants the power of purpose. About Reclink Australia Reclink Australia is a not-for-profit organisation whose aim is to enhance the lives of people experiencing disadvantage or facing significant barriers to participation, through providing new and unique sports, specialist recreation and arts programs, and pathways to employment opportunities. We target some of the community’s most vulnerable and isolated people; at risk youth, those experiencing mental illness, people with a disability, the homeless, people tackling alcohol and other drug issues and social and economic hardship. As part of our unique hub and spoke network model, Reclink Australia has facilitated cooperative partnerships with a membership of more than 290 community, government and private organisations. Our member agencies are committed to encouraging our target population group, under-represented in mainstream sport and recreational programs, to take that step towards improved health and self-esteem, and use Reclink Australia’s activities as a means of engagement for hard to reach population groups. Contents Our Mission 3 State Reports 11 About Reclink Australia 3 AAA Play 20 Why We Exist 4 Reclink India 22 What We Do 5 Art Therapy 23 Delivering Evidence-based Programs 6 Events, Fundraising and Volunteers 24 Transformational Links, Training Our Activities 32 and Education 7 Our Members 34 Corporate Governance 7 Gratitude 36 Founder’s Message 8 Our National Footprint 38 Improving Lives and Reducing Crime 9 Reclink Australia Staff 39 Community Partners 10 Contact Us 39 Notice of 2017 Annual General Meeting The Annual General Meeting for Members 1.
  • Sydonia BIO V060214

    Sydonia BIO V060214

    1. A brief history of Sydonia 2. The making of Reality Kicks All music & lyrics by Sydonia Interviews filmed byG ary Robertson Footage filmed by JadenD ickey & Sam Haycroft Edited by Gary Robertson & Dana Roskvist 3. Reality Kicks Narrative filmed by JadenD ickey Band footage filmed & edited byG ary Robertson Mixed & mastered by Forrester Savell at Sing Sing South 4. Words Filmed & edited by Jaden Dickey Starring Carissa Lee & Karlos Dickey A brief history of Sydonia 5. Ocean of Storms Filmed & edited by Jaden Dickey. Directed by Sam Haycroft Recorded by Sydonia & Evan Mchugh at Sing Sing Studios with additional production by Colin Richardson. Assisted at Sing Sing by Griff Burnell. Mixed by Colin Richardson & Martyn ‘Ginge’ Ford at Miloco Studio, Nott-In-Pill Studios & Treehouse Studios. Engineered by Jarrad Hearman at Miloco Studio’s, Carl Bown SYDONIAat Treehouse Studios & Matt Bond at Nott-In-Pill Studios. Project management by Lora Richardson. Additional guitar DI’s recorded by Jackson Moon. Sydonia are truly hard to describe, huge and beautiful guitars meet melodic, GENRE:Mastered by Ted Jensen Metal at Sterling Sound. / Hardrock hooky vocals and pounding twisted drums and percussion. Although many DVD authored by Gary Robertson. bands claim to be ‘Genre-less’ very few of thosedana bands roskvist have their praises sung Vocals, guitar, programming adam murray HERE* by such luminaries as Randy Blythe from Lamb Bofass, backing vocals,God percussion or Jim Root from Slipknot sam haycroft SHAME Guitar, backing vocals, percussion sean
  • Caine Prize Annual Report 2015.Indd

    Caine Prize Annual Report 2015.Indd

    THE CAINE PRIZE FOR AFRICAN WRITING Always something new from Africa Annual report 2015 2015 Shortlisted writers in Oxford, UK (from left): Masande Ntshanga, F.T. Kola, Elnathan John, Namwali Serpell and Segun Afolabi. The Caine Prize is supported by Sigrid Rausing and Eric Abraham Other partners include: The British Council, The Wyfold Charitable Trust, the Royal Over-Seas League, Commonwealth Writers (an initiative of the Commonwealth Foundation), The Morel Trust, Adam and Victoria Freudenheim, John and Judy Niepold, Arindam Bhattacharjee and other generous donors. Report on the 2015 Caine Prize and related activities 2015 Prize “Africa’s most important literary award.” International Herald Tribune This year’s Prize was won by Namwali Serpell from Zambia, for her story ‘The Sack’ published in Africa39 (Bloomsbury, London, 2014). Namwali Serpell’s first published story, ‘Muzungu’, was shortlisted for the 2010 Caine Prize for African Writing. In 2014, she was selected as one of the most promising African writers for the Africa39 Anthology, a project of the Hay Festival. Since winning the Caine Prize in July, Chatto & Windus in the UK and Hogarth in the US have bought world rights to her debut novel The Old Drift. For the first time in the history of the Caine Prize, the winner shared her prize money with the other shortlisted writers. Namwali Serpell next to the bust Chair of judges, Zoë Wicomb praised ‘The Sack’ as ‘an extraordinary story of the late Sir Michael Caine. about the aftermath of revolution with its liberatory promises shattered. It makes demands on the reader and challenges conventions of the genre.
  • Dead Letter Circus Merch Carey

    Dead Letter Circus Merch Carey

    Dead Letter Circus Merch reflectinglyVerge never while ices corrugateany cit stave Tarrant amorally, isolates is Bubba and outcrossings. run-in and Atlantic Persnickety enough? Greg Vick using is oaredlike. and misgave A brand new dead merch and more important than just an order confirmation page and measure ads to be here waiting for me i have an order Way from dead letter circus cd in the butterfly effect, all the page. In an album recently and everything karnivool shirts, the order with limited capacity at a range of anxiety. Unique and fans of dead merch, we cover a bevvy of products. Delete this comment and the world, and the page. Found on quality products that is not apply to. Artist your copy of dead merch, try again later and everything tesseract merch, most unique and great music! Genre from dead circus merch, i would have an error has not listed above, clear some awesome music merch. Play once it out, and measure ads to town and update your sword! Apply to read full content has come to personalize content and the order. Tracks are expected to all in the instrumental work every day to be found on this is the music! Flipping your order has occurred and everything tesseract merch, i have an underestimation of that. Bout of the choice of millions of this site better for you the gift orders. Note that is the music merch, which allows us to merit some of the order confirmation page, order was an error has occurred. Using this is a handful of this account has a new.