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Falla Y Stravinsky: Una Amistad Hispano-Rusa

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Falla Y Stravinsky: Una Amistad Hispano-Rusa 38 etc Domingo, 14 de enero de 2007 La Opinión de Granada CONCIERTOFALLA Falla y Stravinsky: una Vida Breve Radio El néctar y la pana amistad hispano-rusa en ‘Música de nadie’ b ‘Música de nadie’ es el sugeren- z YVAN NOMMICK. Granada te título de un espacio radiofónico Apuntes semanal que dirige Pierre Élie Ma- na estrecha amistad unió a Falla mou los domingos en Radio Clási- y Stravinsky desde que se co- ca (de 22.00 a 23.00 horas). Las Unocieron en París en 1910, año Tres retratos indefinibles propuestas del pro- en el que los Ballets Russes de Dia- La amistad, el afecto grama las ensarta su conductor con ghilev estrenaron ‘El pájaro de fue- y el respeto artístico breves e intensos parlamentos. El go’ en la Ópera de la capital francesa. que existieron entre próximo domingo 21 de enero es- En este breve texto examinaremos Falla y Stravinsky se cucharemos ‘Cuando el límite imi- algunos momentos significativos de evidencian en los ta el límite’, con lieder de Schu- las relaciones entre los dos músicos. tres retratos que se mann sobre los que se recitan poe- Falla fue testigo privilegiado de las intercambiaron, mas japoneses o el experimento primeras representaciones de ‘La con- cuyas dedicatorias, del pianista Kikuchi sobre la ‘Tos- sagración de la primavera’ en 1913, en redactadas en fran- ca’ de Puccini. el Théâtre des Champs-Élysées, y de cés, son muy llamati- su reposición en 1914. Dos años des- vas. Así, el 18 de pués, describió en La Tribuna de Ma- marzo de 1929, Falla drid cómo los músicos “de mala fe y mandó al compositor Publicación los rutinarios” se desquitaron del ruso una reproduc- Los escritos éxito inmenso que había consegui- ción de su retrato do Stravinsky en París con su ballet por Picasso con la musicales de ‘Petruchka’, estrenado por los Ba- dedicatoria siguiente: Enrique Franco llets Russes en 1911: “Aquella rabia “A Igor Stravinsky, el concentrada estalló desde las prime- ‘Elegido’, con todo mi b Decano de la crítica y la radiodi- ras páginas de la obra y fue en ‘cres- viejo y profundo fusión musicales en España, pia- cendo’ hasta el final de la representa- afecto. Manuel de nista, compositor y ensayista, Enri- ción. El hecho se repitió tantas veces Falla. 1929”. En res- que Franco ha espoleado durante como se hizo el ‘ballet’; pero el teatro puesta, Stravinsky le más de cincuenta años el panora- estaba siempre lleno y el número de envió una reproduc- ma musical en nuestro país. Ahora defensores aumentaba de día en día. ción de su propio Tomás Marco, compositor, ha teni- Entre éstos y los detractores se arma- retrato por Picasso, do a su cuidado la edición de una ban verdaderas batallas campales […]. así dedicada: “He selección de los escritos musicales Pasó un año y ‘La consagración de la aquí, mi querido de Franco. El libro, publicado con el primavera’ hizo su reaparición en Pa- Falla, mi retrato a apoyo de la Fundación Albéniz, se rís; pero no como espectáculo, sino en cambio del suyo que presenta el próximo viernes 19 de concierto. El triunfo fue grande, cla- Fotografía de Stravinsky niño dedicada a Falla (1930). ARCHIVO MANUEL DE FALLA me ha causado una enero en la madrileña Residencia de moroso; la injusticia, largamente re- inmensa alegría. Su Estudiantes. www.residencia.csic.es parada […]” (‘El gran músico es nues- gorio y yo: medio siglo de colabora- biese tratado estos materiales histó- fiel Igor Stravinsky. tro huésped. Igor Stravinsky’. La Tri- ción’. México, Exportadora de Publi- ricos con la ironía de Stravinsky. Niza, abril de 1929”. buna, 5-VI-1916). caciones Mexicanas, 1953). En este caso, los compromisos de Y, por fin, Stravinsky La gran amistad que ya existía en- En los años 1919-20 los caminos ar- Falla propiciaron que Stravinsky es- remitió a Falla en Disco tre los dos músicos se manifiesta en tísticos de los dos músicos se entre- cribiera una obra. En otro caso, Falla 1930 una fotografía Claudio Prieto el hecho de que Stravinsky puso tan cruzaron curiosamente. Según Jaime fue el vehículo de un encargo al com- de él cuando era un sólo ocho días después del estreno de Pahissa, Diaghilev “encargó ‘Pulci- positor ruso. Así, hizo saber a Ar- niño, que reproduci- y su obra sinfónica ‘La consagración’ la siguiente dedica- nella’ […] a Falla y le entregó las me- thur Rubinstein en 1918 que Stra- mos en esta página, toria autógrafa –que traducimos del lodías de Pergolesi. Pero en aquellas vinsky, completamente arruinado por en la que escribió: “A b La Fundación Autor y la Or- francés– en una de las partituras de la horas Falla estaba ocupado por com- la Revolución rusa de 1917, atravesa- Manuel de Falla, al questa Filarmónica de Málaga han obra que posee Falla: “A Manuel de pleto en la composición del desgra- ba por una situación económica muy que este niño adora editado un CD que recoge algunas Falla con todo mi afecto y admiración. ciado ‘Fuego fatuo’ [ópera cómica ina- difícil. Rubinstein, generosamente, de todo corazón. Igor de las obras sinfónicas del catálo- Igor Stravinsky. París, 6/VI 1913”. cabada]. Y no pudo aceptar el encar- encargó entonces una obra para pia- Stravinsky. París, 17- go del compositor Claudio Prieto María Martínez Sierra fue testigo go. Entonces Diaghilev lo pasó a no a Stravinsky y otra a Falla, encar- V-30”, texto con el (Palencia, 1934). Grabado el pa- del interés apasionado que despertó Stravinsky, quien, seguramente, no gos que desembocaron en la compo- que parece dedicar sado mes de febrero, en él José de en Falla ‘La consagración’. Así recuerda sabe que antes se lo había ofrecido a sición de ‘Piano-rag-music’ (1919) de al músico español su Eusebio dirige al conjunto filar- el día en que lo conoció: “Hallamos al Falla” (‘Vida y obra de Manuel de Falla’. Stravinsky y de la ‘Fantasía bætica’ alma limpia de niño, mónico malagueño en obras como ‘maestro’ sentado al piano descifran- Buenos Aires, Ricordi Americana, (1919) de Falla, ambas dedicadas al con sus ideales y sus la ‘Fantasía Ibérica’ (1993) y ‘Pre- do la partitura de ‘La consagración 2/1956). Por lo tanto, si Falla hubie- gran pianista polaco. sueños sin límites. ludio a don Manuel’ (homenaje a de la primavera’, de Stravinsky. El se compuesto ‘Pulcinella’, este ballet, En 1916, a raíz de la presencia en Falla de 1995), ambas encargos de genial compositor ruso era por en- escrito por Stravinsky entre 1919 y 1920 España de Stravinsky con los Ballets Rafael Frühbeck de Burgos al com- tonces la gran admiración del genial a partir de músicas de Pergolesi y de Russes, Falla afirmó en el citado artí- positor. compositor español. […] nos deleitó compositores italianos de los siglos culo de La Tribuna que Stravinsky era –era prodigioso pianista– durante más XVIII y XIX, y considerado como una “uno de los más grandes artistas de [email protected] de una hora con la formidable inter- de las obras más influyentes del neo- Europa”. Y Stravinsky le escribió en pretación pianística de aquella parti- clasicismo musical de los años 20, hu- 1932: “[…] le envío toda mi fiel amis- En colaboración con la tura que estaba saboreando a solas biera sido otro, y su impacto, mayor o tad y la inmensa ternura (debilidad) Fundación Archivo Manuel cuando llamamos a su puerta” (‘Gre- menor, diferente, pues Falla no hu- que siento por usted y su arte”. b de Falla.
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