The Weir by Conor Mcpherson
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Theater Souvenir Programs Guide [1881-1979]
Theater Souvenir Programs Guide [1881-1979] RBC PN2037 .T54 1881 Choose which boxes you want to see, go to SearchWorks record, and page boxes electronically. BOX 1 1: An Illustrated Record by "The Sphere" of the Gilbert & Sullivan Operas 1939 (1939). Note: Operas: The Mikado; The Goldoliers; Iolanthe; Trial by Jury; The Pirates of Penzance; The Yeomen of the Guard; Patience; Princess Ida; Ruddigore; H.M.S. Pinafore; The Grand Duke; Utopia, Limited; The Sorcerer. 2: Glyndebourne Festival Opera (1960). Note: 26th Anniversary of the Glyndebourne Festival, operas: I Puritani; Falstaff; Der Rosenkavalier; Don Giovanni; La Cenerentola; Die Zauberflöte. 3: Parts I Have Played: Mr. Martin Harvey (1881-1909). Note: 30 Photographs and A Biographical Sketch. 4: Souvenir of The Christian King (Or Alfred of "Engle-Land"), by Wilson Barrett. Note: Photographs by W. & D. Downey. 5: Adelphi Theatre : Adelphi Theatre Souvenir of the 200th Performance of "Tina" (1916). 6: Comedy Theatre : Souvenir of "Sunday" (1904), by Thomas Raceward. 7: Daly's Theatre : The Lady of the Rose: Souvenir of Anniversary Perforamnce Feb. 21, 1923 (1923), by Frederick Lonsdale. Note: Musical theater. 8: Drury Lane Theatre : The Pageant of Drury Lane Theatre (1918), by Louis N. Parker. Note: In celebration of the 21 years of management by Arthur Collins. 9: Duke of York's Theatre : Souvenir of the 200th Performance of "The Admirable Crichton" (1902), by J.M. Barrie. Note: Oil paintings by Chas. A. Buchel, produced under the management of Charles Frohman. 10: Gaiety Theatre : The Orchid (1904), by James T. Tanner. Note: Managing Director, Mr. George Edwardes, musical comedy. -
Tadhg Murphy
Tadhg Murphy | Represented by Susannah Norris Tadhg most recently filmed Guy Ritchie’s WRATH OF MAN alongside Jason Statham, Niamh Algar, and Holt McCallany, the role of Nigel Braynor in RED ELECTION directed by Jill Robertson for A&E Studios, and Robert Eggers’ feature THE NORTHMAN. In 2019 he filmed the role of Kristophe in ABSENTIA for Amazon Studios, season two of Sky One’s BRASSIC (returning to his role as Gary Cullen), MISS SCARLET AND THE DUKE with Kate Philips for A+E Studios, the role of Ray Miller opposite Gemma-Leah Devereux in the feature DEAD HAPPY, and BLOODMOON directed by SJ Clarkson for HBO. Further recent credits include the feature adaptation of Caitlin Moran’s HOW TO BUILD A GIRL directed by Coky Giedroyc, COUNTERPART for Starz, and the part of Johann opposite Tanya Reynolds in the forthcoming BFI-backed feature UNDERGODS, directed by Chino Moya. Most recent stage credits include the role of Damus opposite Ruth Negga’s PORTIA COUGHLAN in a rehearsed reading of the play directed by Caroline Byrne for Kwame Kwei-Armah at the Young Vic, BALLYTURK written and directed by Enda Walsh, which ran at St. Ann’s Warehouse in New York to excellent reviews, and BAD ROADS opposite Ria Zmitrowicz, which was directed by Vicky Featherstone at the Royal Court Theatre, London. Tadhg is Dublin based. Playing Age: 30 - 40 Height: 5 ft. 8” Hair: Brown, shoulder-length Eyes: Blue Full driver’s licence and motorcycle licence FILM THE NORTHMAN | Eirikr Blaze-Eye New Regency Robert Eggers WRATH OF MAN | Shirley Miramax Guy Ritchie -
S011630 Brettenham House Brochure V10.Indd
Striking. The Thames & Covent Garden on your doorstep. Brettenham House is a magnificent building adjacent to Waterloo Bridge overlooking the Thames. Its powerful presence is accentuated by its Art Deco façade and positioning on the west side of Lancaster Place. Hyde Park Green Park Mayfair Oxford Street Regent Street Tottenham Court Road St James’s Charing Cross Station Covent Garden Holborn Waterloo Temple CHANCERY LANE HOLBORN CULTURE O R N H O L B H I G H 1 Adelphi Theatre 9 Theatre Royal, Drury Lane 10 M Lincoln’s I 2 Savoy Theatre 10 National Theatre TOTTENHAM COURT ROAD N Inn Fields U 4 Place. T A 3 London Coliseum 11 S E T E Royal Festival Hall T R E S A G S T 4 I L H E S H I G K 4 Noël Coward Theatre 12 Cambridge Theatre 0 The area benefi ts from I 0 N G 5 Garrick Theatre 13 Proud Galleries 15 S W London’s most historic A 6 14 6 Y Lyceum Theatre National Portrait Gallery 5 M theatres, galleries and 7 The Duchess Theatre 15 Southbank Centre IN Seven U 4 8 Dials T A Fortune Theatre E opera houses that are 12 12 S A 4 COVENT GARDEN 8 8 steeped in tradition A 9 7 WINE & DINE 4 0 10 13 16 0 and history. 1 Savoy Kaspar’s 10 Ivy COVENT D Seafood Bar & Grill 11 N 11 R A Inner Cucina Asellina GARDEN 7 4 S T 6 A Temple 2 Savoy American Bar 3 6 5 12 Hawksmoor Seven Dials LEICESTER SQUARE 17 7 Gardens Amenities are unrivalled with some 14 15 4 3 Gordon’s Wine Bar 13 Dishoom 4 8 Somerset House TEMPLE A 3 2 1 1 of the best eateries, hotels and cafés 5 4 Polpo Covent Garden 4 14 Petersham Nurseries Leicester the city has to off er on your doorstep. -
Women in Theatre 2006 Survey
WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company 2006 copyright. No part of this survey may be reproduced without permission WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission The comparative employment of men and women as actors, directors and writers in the UK theatre industry, and how new writing features in venues’ programming Period 1: 16 – 29 January 2006 (inclusive) Section A: Actors, Writers, Directors and New Writing. For the two weeks covered in Period 1, there were 140 productions staged at 112 venues. Writers Of the 140 productions there were: 98 written by men 70% 13 written by women 9% 22 mixed collaboration 16% (7 unknown) 5% New Writing 48 of the 140 plays were new writing (34%). Of the 48 new plays: 30 written by men 62% 8 written by women 17% 10 mixed collaboration 21% The greatest volume of new writing was shown at Fringe venues, with 31% of its programme for the specified time period featuring new writing. New Adaptations/ New Translations 9 of the 140 plays were new adaptations/ new translations (6%). Of the 9 new adaptations/ new translations: 5 written by men 0 written by women 4 mixed collaboration 2 WOMEN IN THEATRE 2006 SURVEY Sphinx Theatre Company copyright 2006. No part of this survey may be reproduced without permission Directors 97 male directors 69% 32 female directors 23% 6 mixed collaborations 4% (5 unknown) 4% Fringe theatres employed the most female directors (9 or 32% of Fringe directors were female), while subsidised west end venues employed the highest proportion of female directors (8 or 36% were female). -
The Findings at a Glance
Act 2 Findings At A Glance 62K 232 Audience responses Organisations Booking Only 17% Half NOW for of those booking are for events of respondents are from NOVEMBER events booking for events Returning 67% 70% would consider attending would not consider booking for to events events if venues re-opened events for at least 3 months with social distancing Covid-safe ‘kite mark’ Masks for audiences Households seated together Safety & Unallocated seating Limited numbers Restricted facilities ü Seat spacing û Comfort Digital 83% >½ Culture interested in culture online would pay for it Outdoor 94% >¾ Culture Are interested in culture outdoors would pay for it Audiences expect to Economic 81% Concern for survival of spend 4% more on Viability cultural organisations culture Act 2 Wave 1 Report June 2020 © Indigo-Ltd 3 Appendix 2: Participating Organisations England Ipswich Regent Theatre Strode Theatre YMCA Theatre Scarborough a space arts Jacksons Lane Sunderland Culture Arts Centre York Concerts ADC Theatre Jersey Arts Centre Washington Alnwick Playhouse Jumped Up Theatre Take Art Scotland AMATA, Falmouth University Junction Goole Tetbury Music Festival Aberdeen Performing Arts Arts In Rural Gloucestershire Kenton Theatre Tete a Tete Productions Ayr Gaiety Partnership Artsadmin Kings Theatre Portsmouth The Albany Byre Theatre artsdepot Kirkgate Arts The Albany Theatre Cranleigh Arts Artsreach Kneehigh The Apex Edinburgh Festival Fringe Assembly Hall Lakeside Arts, Uni of Nott. The Atkinson Edinburgh International Attenborough Centre for the Leeds -
There's a Little Theatre in Us All!
THERE’S A LITTLE THEATRE IN US ALL! Theatre Tokens - Participating Venues Details correct as of Friday, 07 July 2017 * Plus your telephone company's network charge Aberdare Coliseum 0800 014 7111 Dumfries Theatre Royal 01387 254209 Aberdeen Aberdeen Box Office 01224 641122 Dumfries (for His Majesty's Dundee Dundee Repertory 01382 223530 Theatre & Music Hall) Theatre Aberdeen His Majesty's Theatre 01224 641122 East Grinstead Chequer Mead 01342 302000 Aberdeen Music Hall 01224 641122 Theatre Aberystwyth Arts Centre 01970 623232 Eastleigh The Point Theatre 02380 652333 Aylesbury Aylesbury Waterside 0844 871 7667 Calls cost 7p/pm* Edinburgh Festival City Theatres 0131 529 6000 Theatre Edinburgh Kings Theatre 0131 529 6000 Bath Theatre Royal 01225 448844 Edinburgh Playhouse Edinburgh 0844 871 7667 Calls cost 7p/pm* Bedworth Civic Hall 02476 376707 Edinburgh Royal Lyceum Theatre 0131 248 4848 Birmingham Alexandra Theatre 0844 871 7667 Calls cost 7p/pm* Edinburgh Traverse Theatre 0131 228 1404 Birmingham Repertory Theatre 0121 236 4455 Epsom Epsom Playhouse 01372 742555 Blackburn King George's Hall 0844 847 1664 Calls cost 7p/pm* Exeter The Exeter Northcott 01392 726363 Blackpool Grand Theatre 01253 290190 Theatre Bognor Regis Alexandra Theatre 01243 861010 Eastbourne Congress Theatre 01323 412000 Bolton Octagon Theatre 01204 520661 Eastbourne Devonshire Park 01323 412000 Bradford Alhambra Theatre 01274 432000 Theatre Bradford St George's Concert 01274 432000 Eastbourne Royal Hippodrome 01323 802020 Hall Theatre Bristol Bristol Hippodrome 0844 -
DAYTONA a New Play by Oliver Cotton
For Immediate Release Press Release Lee Dean and Jenny Topper in association with Park Theatre presents DAYTONA A new play by Oliver Cotton Starring Maureen Lipman, Harry Shearer and John Bowe, and directed by David Grindley, Daytona will tour the UK for seven weeks this autumn. Daytona is a brand new play by actor and playwright, Oliver Cotton. "See the ripples? You’re underneath. Your body’s under those ripples." Daytona is a brand new play by Oliver Cotton, which today announced its UK tour. After its premiere at the Park Theatre, London on the 17 July, Daytona will embark on a seven week tour visiting Rose Theatre Kingston, Watford Palace Theatre, Clwyd Theatr Cymru, Oxford Playhouse, Lyceum Theatre Sheffield, Malvern Festival Theatre and Bath Theatre Royal. Directed by David Grindley and starring Maureen Lipman, Harry Shearer (The Simpsons, This is Spinal Tap, Saturday Night Live) and John Bowe (Cranford, Sweeney Todd), Daytona is a haunting, funny and poignant play full of mystery, with not one but two love stories at its heart. Happy in their shared passion for ballroom dancing, Joe and Elli plan to win the next big competition. But the unexpected arrival of a figure from their past threatens to throw everything off balance. What can this man possibly want of them on this cold winter’s night? What can be gained from this uneasy reunion? When they discover the story behind his sudden return, Joe and Elli must confront a profound moral dilemma. Oliver Cotton (playwright) is primarily known as an actor but as a writer his credits include Wet Weather Cover (King’s Head & Arts Theatre), The Incredible Journey of Sir Francis Younghusband, The Enoch Show (Royal Court), Scrabble (National Theatre) and Man Falling Down (Shakespeare’s Globe). -
December Next Wave Festival Performances at BAM Fisher
December Next Wave Festival Performances at BAM Fisher Dec 3—6: The world premiere Jessica Lang’s The Wanderer, a story ballet based on Franz Schubert’s Die schöne Müllerin, with live accompaniment by pianist Tyson Deaton and vocalist Steven LaBrie Dec 10—14: A one-man remounting of Mark O’Rowe’s critically acclaimed Howie the Rookie featuring Tom Vaughan-Lawlor, presented in association with Irish Arts Center Bloomberg Philanthropies is the 2014-2015 Season Sponsor Time Warner Inc. is the BAM 2014 Next Wave Festival Sponsor BAM Fisher (Fishman Space, 321 Ashland Pl) All tickets: $20 Brooklyn, NY/October 23, 2014—BAM Fisher performances as part of the 2014 Next Wave Festival culminate in December with an elaborate story ballet and a critically- acclaimed one-man show. Designed as an intimate and flexible performance space for both emerging and established artists, the BAM Fisher became part of the BAM campus in the fall of 2012. All tickets are $20. The Wanderer World Premiere Jessica Lang Dance Choreography by Jessica Lang Lighting design by Nicole Pearce Visual Concept by Jessica Lang Set design by Mimi Lien BAM Fisher (Fishman Space), 321 Ashland Pl Dec 3—6 at 7:30pm Tickets: $20 Master Class: Jessica Lang Dance With Jessica Lang and company members Dec 4 at 12pm Mark Morris Dance Center (3 Lafayette Ave) Price: $20 BAM.org/master-classes Hailed as “a master of visual composition” (Dance Magazine), Jessica Lang makes her BAM debut with The Wanderer, a narrative ballet set to Franz Shubert’s Die schöne Müllerin—a song cycle based on poems by Wilhelm Müller. -
Barber Shop Chronicles
Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production WHEN: VENUE: THURSDAY, NOV 8, 7∶30 PM ROBLE STUDIO THEATER FRIDAY, NOV 9, 7∶30 PM SATURDAY, NOV 10, 2∶30 & 7∶30 PM Photo by Dean Chalkley Program Barber Shop Chronicles A Fuel, National Theatre, and West Yorkshire Playhouse co-production Writer Inua Ellams Design Associate Director Bijan Sheibani Catherine Morgan Designer Rae Smith Re-lighter and Production Electrician Lighting Designer Jack Knowles Rachel Bowen Movement Director Aline David Lighting Associate Sound Designer Gareth Fry Laura Howells Music Director Michael Henry Sound Associate Fight Director Kev McCurdy Laura Hammond Associate Director Stella Odunlami Wardrobe Supervisor Associate Director Leian John-Baptiste Louise Marchand-Paris Assistant Choreographer Kwami Odoom Barber Consultant Peter Atakpo Company Voice Work Charmian Hoare Pre-Production Manager Dialect Coach Hazel Holder Richard Eustace Tour Casting Director Lotte Hines Production Manager Sarah Cowan Wallace / Timothy / Mohammed / Tinashe Tuwaine Barrett Company Stage Manager Tanaka / Fifi Mohammed Mansaray Julia Reid Musa / Andile / Mensah Maynard Eziashi Deputy Stage Manager Ethan Alhaji Fofana Fiona Bardsley Samuel Elliot Edusah Assistant Stage Manager Winston / Shoni Solomon Israel Sylvia Darkwa-Ohemeng Tokunbo / Paul / Simphiwe Patrice Naiambana Costume Supervisor Emmanuel Anthony Ofoegbu Lydia Crimp Kwame / Fabrice / Brian Kenneth Omole Costume and Buying Supervisor Olawale / Wole / Kwabena / Simon Ekow Quartey Jessica Dixon Elnathan / Benjamin / Dwain Jo Servi Abram / Ohene / Sizwe David Webber Co-commissioned by Fuel and the National Theatre. Development funded by Arts Council England with the support of Fuel, National Theatre, West Yorkshire Playhouse, The Binks Trust, British Council ZA, Òran Mór and A Play, a Pie and a Pint. -
Oscar Asche, 1871-1936
AUSTRALIAN EPHEMERA COLLECTION FINDING AID OSCAR ASCHE, 1871-1936 PERFORMING ARTS PROGRAMS AND EPHEMERA (PROMPT) PRINTED AUSTRALIANA JANUARY 2015 John Stange(r) Heiss Oscar Asche, better known as Oscar Asche, was an Australian actor, director and writer, best known for having written, directed, and acted in the record-breaking musical Chu Chin Chow, both on stage and film, and for acting in, directing, or producing many Shakespeare plays and successful musicals. Asche was born in Geelong, Victoria on 26 January 1871 to a Norwegian father, Thomas Asche and an Australian mother, Harriet Emma (Lily) née Trear. He was educated at Laurel Lodge, Dandenong, and from 1884 at Melbourne Grammar School before leaving at the age of 16. From 1887 to 1890 Asche worked and travelled until he decided to enter the theatre/ He then trained in Christiana under Bjorn-Bjornson and London, making his London debut in March 1893 in Man and Woman, at the Opera Comique under the management of Arthur Dacre. In the same year he joined the Benson Repertory Company and for eight years acted in every kind of part, from Biondello in The Taming of the Shrew and Pistol in Henry V to the King in Hamlet. While with Benson he married Lily Brayton in 1898 or 1899. In 1902 they both worked for Herbert Beerbohn Tree, Asche playing Antinous in Phillips’s Ulysses. In 1904 when they joined up with Otho Stuart, an old Bensonian, in the management of the Adelphi Theatre, putting on productions such as The Prayer of the Sword, A Midsummer Night’s Dream, The Taming of the Shrew and Rudolf Besier’s The Virgin Goddess. -
Who Is Leisure Connect?
WHO IS LEISURE CONNECT? Leisure Connect is the exclusive travel trade supplier for tickets to theatre and other city essentials in London, New York and Las Vegas. Their valued clients include some of the most prestigious travel agent networks, tour operators and wholesalers in the world. Providing expert online and offline booking solutions, they make it easy to sell and promote theatre tickets in all our customer’s itineraries. Leisure Connect sells from guaranteed allocations of tickets in London’s West End and exact seat locations are previewed at the time of booking and confirmations with seat locations are issued instantaneously upon booking. For Broadway and Las Vegas show tickets Leisure Connect sells from confirmed blocks of tickets that are defined as best available. This is an industry term that applies to tickets located in the orchestra (stalls) or front mezzanine (dress circle) sections of the theatre and that are sold at the box office at top price. When exact seat locations are not available for preview at the time of booking, best available tickets are guaranteed against allocation, and a confirmation containing exact seat assignments is emailed within one business day of booking. MORE BENEFITS o Best Available Seats o Guaranteed Allocations o Exact Seat Assignment o Instant Confirmation Call or email Terroirs Travels to book your favorite show now! Phone (805) 227 0830 Email: terroirs.travels.com Best Sellers: Newest Tickets Popular Now From Here to Eternity Vegas! The Show Elton John: The Million Dollar Shaftesbury Theatre -
1 1 Shalt Meeting 24Th October 2012
1 ShaLT Meeting 24th October 2012 Present: GE, MH, AG, PS Guide: PS to send text to Nigel Soper [done] PS to send Caroline draft to AG [done]. MH to send PS various large images [done]. Agreed: ShaLT to proceed with NS and his suggested printer rather than RKH. 80 pp, 6,000 words, NS to work directly with printer (MH to check this as a good relationship is needed between NS and printer and an extra fee could be charged for this if necessary). Preference for sewn guide though the designer can input on this. NS to produce by Christmas. Action Points: AG to get back to PS with edited text after November 5th. PS to then send this and about 60 images to NS. Address: 2 Howletts Road / London / SE24 9JZ. (Phones: 020 7274 1243; 07790 398 710) November: Final selection of images and captions by ShaLT team and NS. November: MH to effectively hire NS with contract established for design. GE can arrange for payment. GE asked MH to ask NS to send out a sample of one of his works / booklet. Also to confirm that the section in the estimate for a CD is to be changed to a map insert. Also, MH to have NS confirm he can accomplish everything by Christmas. By November 16th NS to have all images and final text. MH to find out about distribution of booklet, possibly with help of NS. Eg networks of shops such as the Globe etc. MH to check that NS’s prices include VAT (William Clowes).