Individual Artists' Biographies
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The Saxophone Symposium: an Index of the Journal of the North American Saxophone Alliance, 1976-2014
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2015 The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014 Ashley Kelly Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Music Commons Recommended Citation Kelly, Ashley, "The aS xophone Symposium: An Index of the Journal of the North American Saxophone Alliance, 1976-2014" (2015). LSU Doctoral Dissertations. 2819. https://digitalcommons.lsu.edu/gradschool_dissertations/2819 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. THE SAXOPHONE SYMPOSIUM: AN INDEX OF THE JOURNAL OF THE NORTH AMERICAN SAXOPHONE ALLIANCE, 1976-2014 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and AgrIcultural and MechanIcal College in partIal fulfIllment of the requIrements for the degree of Doctor of MusIcal Arts in The College of MusIc and DramatIc Arts by Ashley DenIse Kelly B.M., UniversIty of Montevallo, 2008 M.M., UniversIty of New Mexico, 2011 August 2015 To my sIster, AprIl. II ACKNOWLEDGEMENTS My sIncerest thanks go to my committee members for theIr encouragement and support throughout the course of my research. Dr. GrIffIn Campbell, Dr. Blake Howe, Professor Deborah Chodacki and Dr. Michelynn McKnight, your tIme and efforts have been invaluable to my success. The completIon of thIs project could not have come to pass had It not been for the assIstance of my peers here at LouIsIana State UnIversIty. -
The Singing Guitar
August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
(Incorporated 1990) Offers Books and Cds
Saxophone Catalog 21 Van Cott Information Services, Inc. 5/13/21 presents Saxophone Music, Books, CDs and More This catalog includes saxophone books, videos, and CDs; reed books; woodwind books; and general music books. We are happy to accept Purchase Orders from University Music Departments, Libraries and Bookstores in the US. We also have clarinet, flute, oboe, and bassoon books, videos and CDs. You may order online, by fax, or phone. To order or for the latest information visit our web site at http://www.vcisinc.com. Bindings: HB: Hard Bound, PB: Perfect Bound (paperback with square spine), SS: Saddle Stitch (paper, folded and stapled), SB: Spiral Bound (plastic or metal). Shipping: Heavy item, US Media Mail shipping charges based on weight. Free US Media Mail shipping on this item if ordered with another item with paid shipping. Price and Availability Subject to Change. Table of Contents S995. Londeix Guide to the Saxophone Repertoire Saxophone Books .................................................................. 1 1844-2012 edited by Bruce Ronkin. Roncorp Publica- tions, 2012, HB, 776 pages. The latest version of this book Saxophone Jazz Books........................................................... 3 is 130 pages longer than the previous edition. It is in French Saxophone Music .................................................................. 3 and English. More than 29,000 works for saxophone from Excerpts ....................................................................... 3 1844 to 2012–the entire lifespan of the saxophone–are -
Golden Ear Award Winners Photo by Daniel Sheehan 2 • EARSHOT JAZZ • April 2014 EARSHOT JAZZ LETTER from the DIRECTOR a Mirror and Focus for the Jazz Community
A Mirror and Focus for the Jazz Community April 2014 Vol. 30, No. 04 EARSHOT JAZZSeattle, Washington Golden Ear Award Winners Photo by Daniel Sheehan 2 • EARSHOT JAZZ • April 2014 EARSHOT JAZZ LETTER FROM THE DIRECTOR A Mirror and Focus for the Jazz Community Executive Director John Gilbreath Managing Director Karen Caropepe Think Globally, JAM Locally Earshot Jazz Editor Schraepfer Harvey Contributing Writers Katy Bourne, Jessica April is becoming the month for Davis, Steve Griggs, Peter Monaghan global jazz awareness, with ma- jor organizations and institutions Calendar Editor Schraepfer Harvey bringing new muscle to hold up the Calendar Volunteer Tim Swetonic torch long carried by jazz-loving in- Photography Daniel Sheehan dividuals. Layout Caitlin Peterkin The Smithsonian Institution des- Distribution Karen Caropepe, Dan Wight and ignated April as Jazz Appreciation volunteers Month (JAM) in 2001, organizing Send Calendar Information to: annual campaigns to honor jazz as JOHN GILBREATH PHOTO BY BILL UZNAY 3429 Fremont Place N, #309 an “original American art form.” organization, we can’t help imagin- Seattle, WA 98103 This year, the Museum of American ing instead how many artists those fax / (206) 547-6286 History celebrates JAM with “Jazz budgets could bring to new stages email / [email protected] Alchemy: A Love Supreme,” pay- in schools and community centers Board of Directors Bill Broesamle, ing tribute to John Coltrane and the 50th anniversary of his master- around the region, ultimately let- (president), Femi Lakeru (vice-president), ting jazz speak for itself. Sally Nichols (secretary), George Heidorn, work, A Love Supreme. UNESCO brought jazz appre- This April, we ask that you think Ruby Smith Love, Hideo Makihara, Kenneth of Earshot Jazz in the same spirit as W. -
Catalogue and Musik” (Degenerate Music) Opened in Documentation of Sound) Should Düsseldorf
zagreb | 2018. XVIII. SVJETSKI KONGRES SAKSOFONISTA ODRŽAVA SE POD POKROVITELJSTVOM MILANA BANDIĆA, GRADONAČELNIKA GRADA ZAGREBA | THE XVIII WSC IS HELD UNDER THE PATRONAGE OF MR MILAN BANDIĆ, MAYOR OF THE CITY OF ZAGREB gradonačelnik grada zagreba Poštovani sudionici, dragi gosti, Zagreb prvi put ugošćuje renomirani Svjetski kongres saksofonista. Domaćin ovogodišnjega 18. kongresa je naša Muzička akademija koja je u svijetu poznata po izvrsnosti svoje Zagrebačke saksofonističke škole koju je utemeljio profesor Josip Nochta. Tijekom 5 dana, na više od 400 događanja, na brojnim mjestima u gradu će se predstaviti i susresti vrhunski glazbeni profesionalci, studenti i amateri. Bit će to, uvjeren sam, praznik glazbe, prigoda za promociju različitih stilova i izričaja te za razmjenu ideja. Svojom otvorenosti za publiku Kongres će obogatiti Zagrebačko kulturno ljeto te će doprinijeti boljem pozicioniranju Zagreba i Hrvatske na svjetskoj karti kulturnog turizma. Zahvaljujem organizatorima na uspješnoj realizaciji Kongresa, osobito red. prof. art. Draganu Sremcu, umjetničkomu ravnatelju Kongresa i prodekanu za umjetnost i poslovanje Muzičke akademije Sveučilišta u Zagrebu. Svim sudionicima želim uspješno sudjelovanje i ugodan boravak u našem gradu! Gradonačelnik Grada Zagreba Milan Bandić Major of the City of Zagreb Esteemed participants, dear guests, Zagreb is hosting the renowned World Saxophone Congress for the irst time. The host of this 18th Congress is our Academy of Music, world- famous for the excellence of its Zagreb School of Saxophone, established by professor Josip Nochta. In the course of 5 days, in more than 400 events at various locations in the city, top music professionals, students and amateurs will present themselves and meet each other. I am sure that it will be a celebration of music, an opportunity to promote various styles and expressions and to exchange ideas. -
Spectator 1975-02-28 Editors of the Ps Ectator
Seattle nivU ersity ScholarWorks @ SeattleU The peS ctator 2-28-1975 Spectator 1975-02-28 Editors of The pS ectator Follow this and additional works at: http://scholarworks.seattleu.edu/spectator Recommended Citation Editors of The peS ctator, "Spectator 1975-02-28" (1975). The Spectator. 1459. http://scholarworks.seattleu.edu/spectator/1459 This Newspaper is brought to you for free and open access by ScholarWorks @ SeattleU. It has been accepted for inclusion in The peS ctator by an authorized administrator of ScholarWorks @ SeattleU. Candidates voice views on positions, campus promised ding meetings and settling dis- tivities to include more off- JOE ROCKWELL Voters gathered yesterday in ditional financial assistance for hard work and sound judgment primary Spectator putes by "talking with them, campus students."If the rangeof the Library Auditorium to hear staffers. increased, we can get if elected treasurer. He wants speak reasoningwiththem. People will activities is ASSU candidates and a greater degree of student par- foreign study program students questions. Initiating the DAN COVELLO said that get together if you do that." fee benefits answer second vice Pat Finney,the opposingcan- ticipation." Responding to a to receive activity forum was first vice presidential "thepotentialfor the stated that the also. In summary, he said that president isunlimited." He wants didate, saidthat "it'snecessaryto question, he Bob Casey. experience wide Homecoming and Orientation "it's your money and it's the tobringhimself intogreatercon- have in a responsibility touseit various clubs,atten- background."He encouragedac- performances were commen- treasurer's CASEY SEES his role as an tact withthe dable, although he noted that correctly.It'sanexcellentpaying Ipefulficer in an administrative job,and students should expect "some problems exist." capacity together withhis senate an excellent performance." chairmanship. -
Tower of Power Back to Oakland Mp3, Flac, Wma
Tower Of Power Back To Oakland mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Back To Oakland Country: Germany Released: 1974 Style: Jazz-Funk, Soul, Funk MP3 version RAR size: 1175 mb FLAC version RAR size: 1259 mb WMA version RAR size: 1290 mb Rating: 4.1 Votes: 159 Other Formats: AC3 MMF FLAC MIDI DXD VQF VOC Tracklist Hide Credits Oakland Stroke... A1 0:53 Written-By – David Garibaldi, Emilio Castillo, Stephen Kupka Don't Change Horses (In The Middle Of A Stream) A2 Arranged By – Tower Of PowerBacking Vocals – Marilyn Scott, Pepper WatkinsWritten-By – 4:28 J. Watson*, Lenny Williams Just When We Start Makin' It A3 Arranged By – Greg AdamsBacking Vocals – Marilyn Scott, Pepper WatkinsConductor 6:30 [Strings] – Greg AdamsWritten-By – Emilio Castillo, Lenny Williams, Stephen Kupka Can't You See (You Doin' Me Wrong) A4 Arranged By – Greg Adams, Tower Of PowerBacking Vocals – Marilyn Scott, Pepper 3:00 WatkinsWritten-By – Emilio Castillo, Lenny Williams, Stephen Kupka Squib Cakes A5 7:49 Arranged By – Chester Thompson Written-By – Chester Thompson Time Will Tell B1 Arranged By – Greg AdamsBacking Vocals – Alice Thompson, Marilyn ScottTrombone – Kell 3:11 Houston, Ray GilletteWritten-By – Emilio Castillo, Stephen Kupka Man From The Past B2 Arranged By – Tower Of PowerConductor [Strings] – Greg AdamsWritten-By – Emilio 4:00 Castillo, Lenny Williams, Stephen Kupka Love's Been Gone So Long B3 4:47 Arranged By – Greg AdamsConductor [Strings] – Greg AdamsWritten-By – Bruce Conte I Got The Chop B4 2:59 Arranged By – Tower Of PowerWritten-By – Emilio Castillo, Stephen Kupka Below Us, All The City Lights Arranged By – Greg AdamsConductor [Strings] – Harry BettsFlute, Flute [Alto], Alto B5 Saxophone, Piccolo Flute – Bud ShankFrench Horn – David Duke, Richard Perissi, Vincent 4:20 DeRosaTrombone – Frank Rosolino, Tom Shepard*Written-By – Emilio Castillo, Stephen Kupka ...Oakland Stroke B6 1:08 Written-By – David Garibaldi, Emilio Castillo, Stephen Kupka Companies, etc. -
Bending Towards the Light a Jazz Nativity
December 2011 | No. 116 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com bending towards the light a jazz nativity HOLIDAYGIFT GUIDE VINCENT •••••LUKAS BAIKIDA OGUN FESTIVAL EVENT CHANCEY LIGETI CARROLL RECORDS REPORTS CALENDAR The Holiday Season is kind of like a mugger in a dark alley: no one sees it coming and everyone usually ends up disoriented and poorer after the experience is over. 4 New York@Night But it doesn’t have to be all stale fruit cake and transit nightmares. The holidays should be a time of reflection with those you love. And what do you love more Interview: Vincent Chancey than jazz? We can’t think of a single thing...well, maybe your grandmother. But 6 by Anders Griffen bundle her up in some thick scarves and snowproof boots and take her out to see some jazz this month. Artist Feature: Lukas Ligeti As we battle trying to figure out exactly what season it is (Indian Summer? 7 by Gordon Marshall Nuclear Winter? Fall Can Really Hang You Up The Most?) with snowstorms then balmy days, what is not in question is the holiday gift basket of jazz available in On The Cover: A Jazz Nativity our fine metropolis. Celebrating its 26th anniversary is Bending Towards The 9 by Marcia Hillman Light: A Jazz Nativity (On The Cover), a retelling of the biblical story starring jazz musicians like this year’s Three Kings - Houston Person, Maurice Chestnut and Encore: Lest We Forget: Wycliffe Gordon (pictured on our cover) - in a setting good for the whole family. -
Headhunting Jazz Drum Master Mike Clark
Headhunting jazz drum master Mike Clark BY AL CARLOS HERNANDEZ ON FEBRUARY 20, 2013 HOLLYWOOD (Herald de Paris) – When two of the best musicians on the planet decide to combine their estimable talents to create a band without boundaries, the result is the Wolff & Clark Expedition. Dizzy Gillespie famously said that jazz must have, “One foot in the past and one in the future.” With the Wolff & Clark Expedition, the music embraces the past, ventures into the future, but remains rooted in the improvisational present. Drummer Mike Clark is a true percussion legend – Clark gained worldwide recognition as one of America’s foremost jazz and funk players while touring and recording with Herbie Hancock’s group in the early 1970’s. Mike became known as a major innovator through his incisive playing on Hancock’s ‘Thrust’ album which garnered him an international cult following. While often referred to as the “Tony Williams of funk,” Mike, a JAZZ musician, has, in fact, become one of the most vital to ever sit behind a set. He has performed with jazz greats Herbie Hancock, Wayne Shorter, Tony Bennett, Bobby Hutcherson, Christian McBride, Joe Henderson, Woody Shaw, Wallace Roney, Donald Harrison, Nicholas Payton, Fred Wesley, Vince Guaraldi, Chet Baker, Larry Coryell, Eddie Henderson, Geri Allen, Billy Childs, Chris Potter, Bobby McFerrin, Al Jarreau, Dave Liebman, Oscar Brown Jr., Lenny White (Mike has a two-drummer band with Lenny called “New Brew”), Mose Allison, Gil Evans and his Orchestra and many more luminaries. Mike is currently finishing his forthcoming solo CD ‘Indigo Blue’, which features Randy Brecker, Christian McBride, Donald Harrison, Rob Dixon and Antonio Farao. -
First Fusion
APRIL 2014 - ISSUE 144 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM LENNY WHITE FIRST FUSION BILL • LISA • ANDREW • CHESKY • EVENT LASWELL MEZZACAPPA WHITE RECORDS CALENDAR April 10, 2014 Chick Corea April 9, Solo Piano 2014 BUIKATHE TOWN HALL 123 W. 43RD ST. B/T 6TH & BROADWAY (212) 840-2824 WWW.THETOWNHALL.ORG APRIL 2014 ROY HARGROVE GARY BURTON & SAVION GLOVER PLAYING FOR JIM HALL: STANLEY CLARKE ERIC HARLAND’S APR 1 - 6 MAKOTO OZONE & FRIENDS WITH BILL FRISELL, JULIAN LAGE, & FRIENDS VOYAGER DUETS DEE DEE BRIDGEWATER, SCOTT COLLEY, JOEY BARON APR 22 - 27 W/ JASON MORAN APR 8 - 13 KENNY BARRON + MORE + FRIENDS FEAT. CHRIS POTTER, APR 29 - 30 APR 15 - 17 GREG OSBY, LARRY GOLDINGS, BILL STEWART, RUSSELL MALONE, ADAM ROGERS, BILL CHARLAP & MORE APR 18 - 20 PURCHASE JAZZ ORCHESTRA FEAT. GARY SMULYAN APR 7 • BERKLEE GLOBAL JAZZ INSTITUTE FEAT. MIGUEL ZENÓN APR 14 DENNIS CHAMBERS & GRAFFITI APR 21 • JJ SANSAVERINO APR 28 SUNDAY BRUNCH BRAD SHEPIK & HIS NYU ENSEMBLE APR 6 “EAST MEETS WEST BRUNCH SERIES”: MANAMI MORITA APR 13 • THE ARCHI-TET (AKIHIRO YAMAMOTO) APR 20 • KYOKO OYOBE GROUP APR 27 131 WEST THIRD STREET NEW YORK CITY 212.475.8595 WWW.BLUENOTE JAZZ.COM TWO SHOWS NIGHTLY FRIDAY & SATURDAY SUNDAY BRUNCH 8PM & 10:30PM TELECHARGE.COM LATE NIGHTS: 12:30AM 11:30AM & 1:30PM TERMS, CONDITIONS AND RESTRICTIONS APPLY “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm Fri & Sat, Apr 4 & 5 Wed, Apr 2 SMOKE Smoke’s 15th Anniversary -
The Development of the Rhythm and Blues Saxophone Style: an Analytical and Performance Based Study
THE DEVELOPMENT OF THE RHYTHM AND BLUES SAXOPHONE STYLE: AN ANALYTICAL AND PERFORMANCE BASED STUDY by CHRISTOPHER JAMES COSTIGAN (Under the Direction of KENNETH FISCHER) ABSTRACT The purpose of this document is to provide an historical and performance based guide for the rhythm and blues saxophone style. Localized technical and stylistic innovations in Chicago, New Orleans, Memphis, New York, Cincinnati, and the West Coast area contributed to the development and codification of a standard R&B saxophone style. The intent of this document is to function as a guide to important R&B saxophonists, their respective contributions to the style, and to present annotated transcriptions completed by the author. Eighteen of the artists and transcriptions were selected from the 1940s through the 1960s with specific performances and or works chosen based on the historical significance and usage of the specific R&B saxophone technique. Transcriptions nineteen and twenty are from 1973 and 1995 respectively and display the preservation and persistence of the R&B saxophone style. Each transcription includes the solo for the saxophone performer. Each annotation includes, but is not limited to the title of the work, original artist and biographical information on the saxophone soloist, related dates, specific recording, theoretical analysis, extended techniques, and dramatic devices. Chapter I is entitled “Organizational Plan and Review of Literature.” Chapter II, entitled “A Performers Guide to Rhythm and Blues Saxophone,” consists of the annotated analyses of selected transcriptions. The transcriptions appear in the transposed saxophone key providing the reader with an accurate account of the techniques employed by the performer. Chapter III, entitled “Conclusion,” explores the contribution of individualized R&B saxophone innovations to the fully developed style, contains a final summary of the document, and suggests areas for further study.