Ari Hoenig Dominick Farinacci Reuben
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Mow!,'Mum INN Nn
mow!,'mum INN nn %AUNE 20, 1981 $2.75 R1-047-8, a.cec-s_ Q.41.001, 414 i47,>0Z tet`44S;I:47q <r, 4.. SINGLES SLEEPERS ALBUMS COMMODORES.. -LADY (YOU BRING TUBES, -DON'T WANT TO WAIT ANY- POINTER SISTERS, "BLACK & ME UP)" (prod. by Carmichael - eMORE" (prod. by Foster) (writers: WHITE." Once again,thesisters group) (writers: King -Hudson - Tubes -Foster) .Pseudo/ rving multiple lead vocals combine witt- King)(Jobete/Commodores, Foster F-ees/Boone's Tunes, Richard Perry's extra -sensory sonc ASCAP) (3:54). Shimmering BMI) (3 50Fee Waybill and the selection and snappy production :c strings and a drying rhythm sec- ganc harness their craziness long create an LP that's several singles tionbackLionelRichie,Jr.'s enoughtocreate epic drama. deep for many formats. An instant vocal soul. From the upcoming An attrEcti.e piece for AOR-pop. favoriteforsummer'31. Plane' "In the Pocket" LP. Motown 1514. Capitol 5007. P-18 (E!A) (8.98). RONNIE MILSAI3, "(There's) NO GETTIN' SPLIT ENZ, "ONE STEP AHEAD" (prod. YOKO ONO, "SEASON OF GLASS." OVER ME"(prod.byMilsap- byTickle) \rvriter:Finn)(Enz. Released to radio on tape prior to Collins)(writers:Brasfield -Ald- BMI) (2 52. Thick keyboard tex- appearing on disc, Cno's extremel ridge) {Rick Hall, ASCAP) (3:15). turesbuttressNeilFinn'slight persona and specific references tc Milsap is in a pop groove with this tenor or tit's melodic track from her late husband John Lennon have 0irresistible uptempo ballad from the new "Vlaiata- LP. An air of alreadysparkedcontroversyanci hisforthcoming LP.Hissexy, mystery acids to the appeal for discussion that's bound to escaate confident vocal steals the show. -
2014-2015 Fine Arts Mid-Season Brochure
Deana Martin Photo credit: Pat Lambert The Fab Four NORTH CENTRAL COLLEGE Russian National SEASON Ballet Theatre 2015 WINTER/SPRING Natalie Cole Robert Irvine 630-637-SHOW (7469) | 3 | JA NUARY 2015 Event Price Page # January 8, 9, 10, 11 “October Mourning” $10, $8 4 North Central College January 16 An Evening with Jazz Trumpeter Art Davis $20, $15 4 January 18 Chicago Sinfonietta “Annual Tribute to Dr. Martin Luther King Jr.” $58, $46 4 January 24 27th Annual Gospel Extravaganza $15, $10 4 Friends of the Arts January 24 Jim Peterik & World Stage $60, $50 4 January 25 Janis Siegel “Nightsongs” $35, $30 4 Thanks to our many contributors, world-renowned artists such as Yo-Yo Ma, the Chicago FEbrUARY 2015 Event Price Page # Symphony Orchestra, Vienna Boys Choir, Wynton Marsalis, Celtic Woman and many more have February 5, 6, 7 “True West” $5, $3 5 performed in our venues. But the cost of performance tickets only covers half our expenses to February 6, 7 DuPage Symphony Orchestra “Gallic Glory” $35 - $12 5 February 7 Natalie Cole $95, $85, $75 5 bring these great artists to the College’s stages. The generous support from the Friends of the February 13 An Evening with Jazz Vocalist Janice Borla $20, $15 5 Arts ensures the College can continue to bring world-class performers to our world-class venues. February 14 Blues at the Crossroads $65, $50 5 February 21 Béla Fleck and Abigail Washburn $65, $50 6 northcentralcollege.edu/shows February 22 Robin Spielberg $35, $30 6 Join Friends of the Arts today and receive exclusive benefits. -
Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Joe Alterman
Joe Alterman "When listening to Joe Alterman perform, it is obvious that he has studied the history of jazz piano. However, his own style of playing is appealing, challenging and quite satisfying." — Ramsey Lewis "Joe is a true inspiration to me. He is a part of the next generation of great jazz musicians who care and he is going to go somewhere with his music."— Les McCann "Joe has a great sense of what is most meaningful in the history and tradition of our music, and a real solid musical vision of where he wants to take it.” — Houston Person "Talk about the joy of jazz!...It's a pleasure to hear this music...You've got it!" — Nat Hentoff, from "Joe Alterman Strikes A Chord," published in the Wall Street Journal on May 1, 2013 "The new Harry Connick.” — Linda Lorence Critelli, vice president, SESAC For more information, please visit www.joealtermanmusic.com For booking inquiries or to contact Joe directly, please email [email protected] In a recent feature on Joe Alterman in the Wall Street Journal, legendary writer Nat Hentoff wrote, “'Talk about the joy of jazz!...It's a pleasure to hear this music'…You've got it!” Born and raised in Atlanta, Georgia, Alterman moved to New York in the fall of 2007 to study music at New York University, where he also earned his Master’s Degree in Music. While there, he had the opportunity to study with greats including Don Friedman, Joe Lovano and John Scofield. He has performed at venues around the world including the Blue Note Jazz Club in Milan, Blues Alley in Washington, DC, and Preservation Hall in New Orleans; he has led groups at venues in New York City including the Blue Note Jazz Club, the Iridium, the Kitano, and Dizzy’s Club Coca-Cola, among others. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
PASIC 2010 Program
201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Various Funky Beats Mp3, Flac, Wma
Various Funky Beats mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Funky Beats Country: US Released: 1994 Style: Jazz-Funk, Soul-Jazz MP3 version RAR size: 1442 mb FLAC version RAR size: 1434 mb WMA version RAR size: 1182 mb Rating: 4.5 Votes: 525 Other Formats: MP4 DXD VOX APE DMF VQF FLAC Tracklist 1 –Bernard Purdie Theme From Shaft 5:52 2 –Melvin Sparks Featuring Idris Muhammad Spark Plug 8:50 3 –Johnny "Hammond" Smith* Featuring Bernard Purdie Soul Talk 9:30 4 –Leon Spencer* Featuring Idris Muhammad First Gravy 4:01 5 –Idris Muhammad Super Bad 5:25 6 –Bernard Purdie Purdie Good 6:25 7 –Joe Dukes Moohah The D.J. 7:29 8 –Gene Ammons Featuring Bernard Purdie Jungle Strut 5:08 9 –Brother Jack McDuff Featuring Joe Dukes Soulful Drums 4:15 10 –Boogaloo Joe Jones* Featuring Bernard Purdie Brown Bag 5:05 11 –Sonny Stitt Featuring Idris Muhammad The Bar-B-Que Man 7:58 Companies, etc. Recorded At – Van Gelder Studio, Englewood Cliffs, New Jersey Remastered At – Fantasy Studios Credits Art Direction, Design – Phil Carroll Recorded By – Rudy Van Gelder Remastered By [Digital Remastering] – Joe Tarantino Supervised By [Original Session Supervision] – Bob Porter (tracks: 1 to 6, 8, 10, 11), Lew Futterman (tracks: 7), Ozzie Cadena (tracks: 9) Notes All selections recorded by Rudy Van Gelder (Englewood Cliffs, NJ), except "Moohah the D.J." Digital remastering , 1994 (Fantasy Studio, Berkeley) Total time 70:26 Barcode and Other Identifiers Barcode: 025218514828 Other versions Category Artist Title (Format) Label Category -
Jamey Haddad's Under One Sun and Cyro Baptista's Vira Loucos Under
Jamey Haddad’s Under One Sun and Cyro Baptista’s Vira Loucos Friday, October 26, 2018 at 8:00pm This is the 871st concert in Koerner Hall Jamey Haddad, drum & percussion Billy Drewes, tenor & soprano saxophone, bass clarinet & flute Salar Nader, tabla Ali Paris, qanun & vocals Leo Blanco, piano Michael Ward-Bergman, hyper accordion Roberto Occhipinti, bass Luisito Quintaro, congas, timbales & percussion Cyro Baptista, percussion & vocals Romero Lubambo, guitar Kevin Breit, guitar & banjo Michael Ward-Bergeman, hyper accordion Shanir Blumenkranz, bass Tim Keiper, drums Vanessa Falabella, vocals John Zorn, saxophone Under One Sun For my part, I have been a jazz musician all my life and I have been lucky enough to play and record with so many of my heroes! A time came where I jumped the fence 20 years ago to perform and tour with Paul Simon and I am still with him. That experience along with a lifetime of interest and devotion to our planet’s diversity led me to Under One Sun. Ever since my earliest days back in Cleveland and long before I actually understood the importance of it, the idea for a group like Under One Sun had been in my mind. So, as my musical journey led me from one continent to another, and I experienced a planet crying out for understanding of “the other,” over time this team of players cosmically came forward. It was my way of saying “we can celebrate because we want to find common ground and celebrate our differences.” It took a minute, but I eventually assembled opportunities so we could all meet and share our respective music. -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne