DOCSLIB.ORG

Movie Library

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

MOVIE LIBRARY OSCARS AND NOMINEES DIRECTORS ACTORS COMPOSERS Alexandra Cinematografica presents its library of films dating back to 1955 (the year of its foundation) until today. In fifty Ennio De Concini Marcel Camus Virna Lisi Nino Ferrer years of experience, Alexandra has had the La rivolta dei gladiatori, Palma d’oro a Cannes Cannes L’età selvaggia anche nel ruolo di attore pleasure of working with leading figures Le legioni di Cleopatra, L’età selvaggia César in the world of cinematography, many of I Giganti della Tessaglia, David di Donatello which have earned prestigious recognition Orazi e Curiazi Le temps des loups Riz Ortolani during the course of their career, such as Claude Chabrol War gods of Babylon the American Oscars and the important Alfredo Giannetti Orso d’oro a Berlino Marcello Mastroianni European awards in Cannes, Berlin and La tigre ama la carne fresca Venice. La spada del Cid Les Biches – le Cerbiatte Golden Globe Piero Piccioni L’amico di famiglia Cannes Racconti d’estate Its mission, now as then, is to cultivate ta- David Donatello lent and promote auteur films. Ennio Morricone Venezia Marco Ferreri L’Harem Racconti d’estate Carlo Rustichelli Orso d’oro a Berlino, I giganti della Tessaglia Palma d’oro a Cannes LES BICHES Michel Piccoli Jack Palance David di Donatello LE CERBIATTE Tedeum L’Harem Berlino Renzo Rossellini Cannes Le legioni di Cleopatra (Orso d’argento, Berlin 1968, Davis di Donatello José Maria Forqué best actress Stéphane Audran) Carlo Rambaldi L’amico di famiglia I Giganti della Tessaglia Orso d’argento a Berlino Carlo Savina La mujer de la tierra caliente Omar Sharif Sfida al re di Castiglia La spada del Cid Golden Globe GRANDIAlex Infascelli ARTISTIGoldsnake César Venezia L’AMICO Mayerling Nude si muore David di Donatello DI FAMIGLIA La mujer de la tierra caliente Ricomincio da 80 Jean Louis Trintignant (Fipresci Prize, Berlin Festival 1973, Berlino to the director Claude Chabrol). Cannes César curiosity: CON CUI ABBIAMO Les biches – Le cerbiatte costume designer of the movie a very young Karl Lagerfeld. LAVORATO GENRE: Vittorio Cottafavi, one of the most esteemed directors of peplum History film genre, directs this magnificent film made in CinemaScope, Action using an evocative screenplay (among those writers, we remem- Adventure ber the Oscar award winning, Ennio De Concini) that captivates DIRECTOR: in the English language version, as well. Vittorio Cottafavi Marcus Numidius (portrayed by Ettore Manni, who was brilliant SCREENPLAY: in his interpretations for Fellini, Magni, Scola, Risi, Antonioni and Ennio De Concini Lattuada) in the role of a Roman army officer sent to Armenia to Francesco De Feo Gianfranco Parolini subdue a dangerous gladiator revolt and to capture their rebel leader, Aselepius (played by Georges Marchal, who performed PRODUCED BY: in Bunuel and Leone, to name a few). Marcus must also confront Alexandra Cinematografica the Princess Amira (Gianna Maria Canale), who is slowly poison- ing the young Armenian heir to the throne in order to become CAST: Ettore Manni queen. A beautiful slave (Mara Cruz) is an expert in potions and Georges Marchal soon reveals herself to be a valuable ally to the Roman army offi- Gianna Maria Canale cer in saving the prince from Amira’s poisons. Mara Cruz A quite original aspect of this film resides in both of its female Valeria Moriconi characters; strong, tenacious and as heroic as their male equiva- lents. Far from the “ingénue” stereotype, these women are truly YEAR: 1958 exceptional characters in costume films. Not many people know that in the female cast is a young Valeria Moriconi, having al- ALSO KNOWN AS: ready appeared four years earlier in the film version of Scarpet- A Revolta dos Gladiadores, Portugal ta’s masterpiece Miseria e Nobiltà. Aufstand der Gladiatoren, West Germany Cottafavi directed epic chase scenes and cinematographic duals La révolte des gladiateurs, France in the arena, alternating dramatic turn of events with gorgeous La rebelión de los gladiadores, Spain The Warrior and the Slave Girl, Usa landscapes and scenery which helped create remarkable emo- tional and imaginative harmony, enhancing the historic back- LENGHT: ground of the film. 98 mins THE WARRIOR GIRL AND THE SLAVE GENRE: History Action Adventure This superb adaptation of the love story between Marc Antony and Cleopatra, directed by Vittorio Cottafavi (one of the most DIRECTOR: Vittorio Cottafavi esteemed directors of peplum film genre) is considered a master- piece of its time. It was such an original film, that it was chosen SCREENPLAY: by the director, Gianni Amelio – in representation of Italy – for Ennio De Concini the project 15x15 patronized by the European Community for Vittorio Cottafavi the restoration of fifteen of the most significant European films. Natividad Zaro Among the writers of the screenplay, we are reminded of Oscar PRODUCED BY: winner Ennio De Concini. Alexandra Cinematografica Marc Antony (Georges Marchal who performed in Bunuel and CAST: Leone, to name a few) is in Alexandria with his beloved Cleopa- Linda Cristal tra (Linda Cristal, twice a Golden Globe winner), queen of Egypt. Alfredo Mayo Georges Marchal Together they rule the eastern part of the Roman Republic. Cleo- Daniela Rocca patra’s beauty is legendary, but few can affirm to having admired her up close. Almost no one has access to her palace, which is YEAR: guarded night and day by her fearful legion. Every so often, howe- 1959 ver, Cleopatra steals into the night, disguised in plain clothes so she can blend in with her people, and would sometimes dance ALSO KNOWN AS: Legions of the Nile, Usa languidly in the taverns of her city. Les légions de Cléopâtre, France Octavian (Alfredo Mayo), at the head of the eastern part of the Oi legeones tis Kleopatras, Greece Roman Republic, is about to disembark in Egypt with his troupes, (traslitterazione dal greco) set on defeating the queen and his rival, the consul. The battle that will decide the destiny of the empire looms. LENGHT: 100 mins The Legions of the Nile has abundant action scenes, battles and dramatic moments that Cottafavi is able to interplay with bril- LOCATION: liant, romantic and entertaining interludes. The scenes in the Cinecittà Studios, Rome arena and of the cavalry with Cleopatra driving a chariot pulled Ciudad Lineal, Madrid, Spain LEGIONS LEGIONS OF THE NILE by ten horses, have marked the history of cinema. GENRE: Adventure History Action DIRECTOR: Riccardo Freda SCREENPLAY: Ennio De Concini Thanks to an accurate screenplay, imaginary giants (animated by Riccardo Freda a young Carlo Rambaldi at the start of his career, who gives the Mario Rossetti monsters a terrifying and evocative appearance) battle to the PRODUCED BY: last drop of blood, as this film describes the history of Jason and Virgilio de Blasi the Argonauts with great visual impact. The evil Adrastus (Al- berto Farnese) is plotting to take possession of Thessaly and to CAST: marry the beautiful Creusa (Ziva Rodann). First, though, he must Alberto Farnese convince the kingdom’s subjects that the reigning king, Jason Roland Carey (Roland Carey), has died during the search for the golden fleece. Ziva Rodann Massimo Girotti But the king is still alive and with his Argonauts, led by Orpheus Moira Orfei (Massimo Girotti, esteemed film star directed by the likes of Vis- conti, Germi, Pasolini, Antonioni and Ozpetec), he must face gi- YEAR: gantic monsters, a maniple of cruel sorcerers and is on the verge 1960 of returning after he has conquered the golden fleece. They land just in time to see Adrastus about to place the crown ALSO KNOWN AS: Das Schwert des roten Giganten, on his head and marry the beautiful Creusa. West Germany Directed by Riccardo Freda, one of the pioneers of Italian horror Le géants de Théssalie, France films, this story reaches the limits of fantasy with amazing action Los gigantes de la Tessaglia, Spain scenes and continued suspense which is unraveled only at the The Giants of Thessaly, Usa end. LENGHT: Among some of its peculiarities, this film boasts a spectacular 95 mins Carlo Rustichelli (an Italian composer who has created musical scores for films directed by the likes of Monicelli, Germi, Ber- LOCATION: tolucci, Loy, Pontecorvo). Among the screenwriters, we are re- Cinecittà Studios, Rome THE GIANTS OF THE GIANTS THESSALY minded of the Oscar winner Ennio De Concini. GENRE: Drama History DIRECTOR: Miguel Iglesias SCREENPLAY: Ferdinando Baldi Alfredo Giannetti Luis G. de Blain Noel Clarasò Maria Sol (Chantal Deberg) and Elvira (Daniela Bianchi, future Bond girl in From Russia with Love, also co-produced by Alexan- PRODUCED BY: dra Cinematografica), are the daughters of the legendary Span- Alexandra Cinematografica ish captain El Cid Campeador. The daughters are married to two Victor M. Tarruella, Cintera brothers, Ferdinando and Diego, both Counts of Carrion, and are CAST: tortured , abandoned and robbed of their father’s famous sword. Roland Carey Alfonso, the king of Castile, orders the dishonorable Counts to Daniela Bianchi return the sword, pay the penalty and remove themselves from Chantal Deberg the court. The Counts then turn to the powerful Beranguer (who Sandro Moretti is now the king of Catalonia after having killed his brother, the legitimate king), instigating a series of bloody raids against the YEAR: king by his men. Justice will prevail only after a long series of vi- 1962 olent battles. ALSO KNOWN AS: Miguel Iglesias directs the action scenes with great mastery, A Espada de El Cid, Portugal creating compelling chases on horseback among the various fac- Das Schwert des Cid, Germania tions, attacks on the castle and sword fights. L’épée du Cid, Francia Among the screenwriters of this film are Alfredo Giannetti, Oscar The Sword of El Cid USA winner for Pietro Germi’s Divorce Italian Style and Ferdinando Baldi, the future director of The Tyrant of Castile, Goldsnake and LENGHT: 88 mins Duel of Champions, produced and co-produced by Alexandra.
Recommended publications
  • Before the Forties

    Before the Forties

    Before The Forties director title genre year major cast USA Browning, Tod Freaks HORROR 1932 Wallace Ford Capra, Frank Lady for a day DRAMA 1933 May Robson, Warren William Capra, Frank Mr. Smith Goes to Washington DRAMA 1939 James Stewart Chaplin, Charlie Modern Times (the tramp) COMEDY 1936 Charlie Chaplin Chaplin, Charlie City Lights (the tramp) DRAMA 1931 Charlie Chaplin Chaplin, Charlie Gold Rush( the tramp ) COMEDY 1925 Charlie Chaplin Dwann, Alan Heidi FAMILY 1937 Shirley Temple Fleming, Victor The Wizard of Oz MUSICAL 1939 Judy Garland Fleming, Victor Gone With the Wind EPIC 1939 Clark Gable, Vivien Leigh Ford, John Stagecoach WESTERN 1939 John Wayne Griffith, D.W. Intolerance DRAMA 1916 Mae Marsh Griffith, D.W. Birth of a Nation DRAMA 1915 Lillian Gish Hathaway, Henry Peter Ibbetson DRAMA 1935 Gary Cooper Hawks, Howard Bringing Up Baby COMEDY 1938 Katharine Hepburn, Cary Grant Lloyd, Frank Mutiny on the Bounty ADVENTURE 1935 Charles Laughton, Clark Gable Lubitsch, Ernst Ninotchka COMEDY 1935 Greta Garbo, Melvin Douglas Mamoulian, Rouben Queen Christina HISTORICAL DRAMA 1933 Greta Garbo, John Gilbert McCarey, Leo Duck Soup COMEDY 1939 Marx Brothers Newmeyer, Fred Safety Last COMEDY 1923 Buster Keaton Shoedsack, Ernest The Most Dangerous Game ADVENTURE 1933 Leslie Banks, Fay Wray Shoedsack, Ernest King Kong ADVENTURE 1933 Fay Wray Stahl, John M. Imitation of Life DRAMA 1933 Claudette Colbert, Warren Williams Van Dyke, W.S. Tarzan, the Ape Man ADVENTURE 1923 Johnny Weissmuller, Maureen O'Sullivan Wood, Sam A Night at the Opera COMEDY
  • Feature Films

    Feature Films

    NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 ..........................
  • De Luis Bunuel Avec Georges Marchal, Lucia Bose

    De Luis Bunuel Avec Georges Marchal, Lucia Bose

    "CELA S’APPELLE L’AURORE" (1956) de Luis Bunuel avec Georges Marchal, 1 70/100 Lucia Bose. Affiche de Jean Mascii. Les Films Marceau. "UN MILLION D'ANNÉES AVANT J.C." (1966) de Don Chaffey avec Raquel Welch, John 40/80 2 Richardson. Affichette. Seven Arts Hammer. 20th Century Fox. "APOCALYPSE NOW" (1979) de Francis Ford Coppola avec Marlon Brando, 3 Affiche de B. Peak. Palme d’or festival de Cannes. 40/80 "LA GRANDE PARADE DU RIRE" (1967) Film de montage de Robert Youngson 50/90 4 Période burlesque américain. Affiche. MGM. "LES FRUITS DE LA PASSION" (1981) de Shuji Terayama avec Klaus Kinski, 5 Arielle 30/70 Dombasle. Affiche dessinée par Roland Topor. "GUET-APENS" (1980) de Sam Peckinpah avec Steve Mac Queen, et Ali Mac Graw. 40/90 6 Affiche. Film Warner Columbia. "PEAU D’ANE" (1970) de Jacques Demy avec Catherine Deneuve, Jean Marais. 70/100 7 Affiche de Jim Leon. Films Paramount. "LE SPECTRE DU PROFESSEUR HICHCOCK" (1963) de Robert Hampton (Riccardo Freda) avec Barbara Steele, Peter 70/120 8 Baldwin. Afiche de C. Belinsky. "PLAYTIME" (1967) de et, avec Jacques Tati. 9 Affichette de Baudin. Dessin de Ferracci 40/90 "BOULEVARD DE PARIS" (1955) de Mitchell Leisen avec Anne Baxter, Steve Forest, 200/300 10 Raymond Bussières. Affiche entoilée. Dessin de Roger Soubie. "LA FILLE DANS LA VITRINE" (1961) de Luciano Emmer avec Lino Ventura, 100/150 11 Marina Vlady. Affiche de Jean Mascii. Discifilm. "ASTÉRIX CHEZ LES BRETONS" (1986) d’après l’album de Goscinny et, Uderzo. 40/80 40/80 12 Affiche.
  • MARCEL CAMUS Quel Est Le Point Commun Entre Jacques Becker

    MARCEL CAMUS Quel Est Le Point Commun Entre Jacques Becker

    MARCEL CAMUS Quel est le point commun entre Jacques Becker, Vinicius de Moraes, Jorge Amado, Bourvil et Barack Obama ? Marcel Camus, un réalisateur ardennais passionné de voyage et empreint d’humanité et de fraternité. Comme souvent, tout a commencé par une rencontre. Lors de la vente de livres organisée par les Amis de la bibliothèque, je discute avec Gérard Tardif à qui j’apprends que je suis le fils de Marcel Camus. Il me propose alors de participer à Signets et d’écrire un article sur mon père. Cette proposition me rappelle un hasard, une anecdote étonnante. Lors d’un trajet pour me rendre à Paris, je prends un exemplaire de la Gazette du Val d’Oise abandonné sur une banquette du Transilien. Je le feuillette négligemment. Je tombe, c’est vraiment le mot, sur un article concernant la sortie en DVD du film Le Mur de l’Atlantique. Il est écrit : « En juin 1970, pour les besoins du Mur de l’Atlantique de Marcel Camus, Bourvil se rendra successivement à Saint-Leu-La-Forêt, dans la vallée de Chauvry (…)». Lorsque nous avons décidé de quitter Paris pour la banlieue avec ma femme, nous n’avions jamais entendu parler de Saint-Leu-La-Forêt. C’est le hasard des balades qui nous a permis de découvrir cette charmante ville. Apprendre que mon père était venu tourner ici, m’a évidemment touché. Marcel Camus et Bourvil Premières mises en scène en captivité Marcel Camus est né en 1912 à Chappes, près de Charleville Mézières, le pays de Rimbaud. Il n’a jamais été nostalgique du climat rude des Ardennes.
  • William A. Seiter ATTORI

    William A. Seiter ATTORI

    A.A. Criminale cercasi Dear Brat USA 1951 REGIA: William A. Seiter ATTORI: Mona Freeman; Billy DeWolfe; Edward Arnold; Lyle Bettger A cavallo della tigre It. 1961 REGIA: Luigi Comencini ATTORI: Nino Manfredi; Mario Adorf; Gian Maria Volont*; Valeria Moriconi; Raymond Bussires L'agente speciale Mackintosh The Mackintosh Man USA 1973 REGIA: John Huston ATTORI: Paul Newman; Dominique Sanda; James Mason; Harry Andrews; Ian Bannen Le ali della libert^ The Shawshank Redemption USA 1994 REGIA: Frank Darabont ATTORI: Tim Robbins; Morgan Freeman; James Whitmore; Clancy Brown; Bob Gunton Un alibi troppo perfetto Two Way Stretch GB 1960 REGIA: Robert Day ATTORI: Peter Sellers; Wilfrid Hyde-White; Lionel Jeffries All'ultimo secondo Outlaw Blues USA 1977 REGIA: Richard T. Heffron ATTORI: Peter Fonda; Susan Saint James; John Crawford A me la libert^ A nous la libert* Fr. 1931 REGIA: Ren* Clair ATTORI: Raymond Cordy; Henri Marchand; Paul Olivier; Rolla France; Andr* Michaud American History X USA 1999 REGIA: Tony Kaye ATTORI: Edward Norton; Edward Furlong; Stacy Keach; Avery Brooks; Elliott Gould Gli ammutinati di Sing Sing Within These Walls USA 1945 REGIA: Bruce H. Humberstone ATTORI: Thomas Mitchell; Mary Anderson; Edward Ryan Amore Szerelem Ung. 1970 REGIA: K‡roly Makk ATTORI: Lili Darvas; Mari T*r*csik; Iv‡n Darvas; Erzsi Orsolya Angelo bianco It. 1955 REGIA: Raffaello Matarazzo ATTORI: Amedeo Nazzari; Yvonne Sanson; Enrica Dyrell; Alberto Farnese; Philippe Hersent L'angelo della morte Brother John USA 1971 REGIA: James Goldstone ATTORI: Sidney Poitier; Will Geer; Bradford Dillman; Beverly Todd L'angolo rosso Red Corner USA 1998 REGIA: Jon Avnet ATTORI: Richard Gere; Bai Ling; Bradley Whitford; Peter Donat; Tzi Ma; Richard Venture Anni di piombo Die bleierne Zeit RFT 1981 REGIA: Margarethe von Trotta ATTORI: Jutta Lampe; Barbara Sukowa; RŸdiger Vogler Anni facili It.
  • Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv

    Investigating Italy's Past Through Historical Crime Fiction, Films, and Tv

    INVESTIGATING ITALY’S PAST THROUGH HISTORICAL CRIME FICTION, FILMS, AND TV SERIES Murder in the Age of Chaos B P ITALIAN AND ITALIAN AMERICAN STUDIES AND ITALIAN ITALIAN Italian and Italian American Studies Series Editor Stanislao G. Pugliese Hofstra University Hempstead , New York, USA Aims of the Series This series brings the latest scholarship in Italian and Italian American history, literature, cinema, and cultural studies to a large audience of spe- cialists, general readers, and students. Featuring works on modern Italy (Renaissance to the present) and Italian American culture and society by established scholars as well as new voices, it has been a longstanding force in shaping the evolving fi elds of Italian and Italian American Studies by re-emphasizing their connection to one another. More information about this series at http://www.springer.com/series/14835 Barbara Pezzotti Investigating Italy’s Past through Historical Crime Fiction, Films, and TV Series Murder in the Age of Chaos Barbara Pezzotti Victoria University of Wellington New Zealand Italian and Italian American Studies ISBN 978-1-137-60310-4 ISBN 978-1-349-94908-3 (eBook) DOI 10.1057/978-1-349-94908-3 Library of Congress Control Number: 2016948747 © The Editor(s) (if applicable) and The Author(s) 2016 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed.
  • Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else

    Here Was Obviously No Way to Imagine the Event Taking Place Anywhere Else

    New theatre, new dates, new profile, new partners: WELCOME TO THE 23rd AND REVAMPED VERSION OF COLCOA! COLCOA’s first edition took place in April 1997, eight Finally, the high profile and exclusive 23rd program, years after the DGA theaters were inaugurated. For 22 including North American and U.S Premieres of films years we have had the privilege to premiere French from the recent Cannes and Venice Film Festivals, is films in the most prestigious theater complex in proof that COLCOA has become a major event for Hollywood. professionals in France and in Hollywood. When the Directors Guild of America (co-creator This year, our schedule has been improved in order to of COLCOA with the MPA, La Sacem and the WGA see more films during the day and have more choices West) decided to upgrade both sound and projection between different films offered in our three theatres. As systems in their main theater last year, the FACF board an example, evening screenings in the Renoir theater made the logical decision to postpone the event from will start earlier and give you the opportunity to attend April to September. The DGA building has become part screenings in other theatres after 10:00 p.m. of the festival’s DNA and there was obviously no way to imagine the event taking place anywhere else. All our popular series are back (Film Noir Series, French NeWave 2.0, After 10, World Cinema, documentaries Today, your patience is fully rewarded. First, you will and classics, Focus on a filmmaker and on a composer, rediscover your favorite festival in a very unique and TV series) as well as our educational program, exclusive way: You will be the very first audience to supported by ELMA and offered to 3,000 high school enjoy the most optimal theatrical viewing experience in students.
  • Nino Rota the Godfather (Original Soundtrack Recording) Mp3, Flac, Wma

    Nino Rota the Godfather (Original Soundtrack Recording) Mp3, Flac, Wma

    Nino Rota The Godfather (Original Soundtrack Recording) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Stage & Screen Album: The Godfather (Original Soundtrack Recording) Country: Japan Style: Soundtrack, Score MP3 version RAR size: 1558 mb FLAC version RAR size: 1853 mb WMA version RAR size: 1519 mb Rating: 4.6 Votes: 787 Other Formats: MOD ASF AIFF AUD ADX VOC MP1 Tracklist Hide Credits A1 Main Title (Godfather Waltz) 3:04 I Have But One Heart A2 2:57 Vocals – Al MartinoWritten-By – J. Farrow*, M. Symes* A3 The Pickup 2:56 Connie's Wedding A4 1:33 Composed By, Conductor – Carmine Coppola A5 The Halls Of Fear 2:12 A6 Sicilian Pastorale 3:03 B1 Love Theme From The Godfather 2:37 B2 The Godfather Waltz 3:35 B3 Apollonia 1:22 B4 The New Godfather 2:00 B5 The Baptism 1:51 B6 The Godfather Finale 3:50 Companies, etc. Distributed By – Famous Music Corporation Manufactured By – Famous Music Corporation Phonographic Copyright (p) – Paramount Records Pressed By – Monarch Record Mfg. Co. Credits Composed By – Nino Rota (tracks: A1 to A3, A5 to B6) Conductor – Carlo Savina (tracks: A1 to A3, A5 to B6) Design [Logo - Uncredited] – S. Neil Fujita Mixed By [Original Score] – Don MacDougall Mixed By [Re-recording] – Thorne Nogar Producer – Tom Mack Notes Manufactured & distributed by Famous Music Corporation · A Gulf Western Company Al Martino appears courtesy of Capitol Records ℗ 1972 Paramount Records Barcode and Other Identifiers Matrix / Runout (A Side Center Label): PAS-1003-A Matrix / Runout (B Side Center Label): PAS-1003-B Matrix / Runout
  • FDM CS Programmi 2019 3.Pdf

    FDM CS Programmi 2019 3.Pdf

    1 COMUNICATO STAMPA ENAC – ASSAEROPORTI Il 21 GIUGNO EVENTI E CONCERTI IN 16 AEROPORTI ITALIANI ENAC, ASSAEROPORTI E I GESTORI AEROPORTUALI ADERISCONO ALLA FESTA DELLA MUSICA 2019 Per la terza edizione consecutiva, l’Ente Nazionale per l’Aviazione Civile, Assaeroporti e le società di gestione aeroportuale italiane aderiscono alla Festa della Musica, evento internazionale promosso nel nostro Paese dal Ministero dei Beni e delle Attività Culturali, dall’Associazione Italiana per la Promozione della Festa della Musica, dalla Rappresentanza in Italia della Commissione europea e dalla SIAE, in collaborazione con molti altri enti e associazioni culturali. Il prossimo 21 giugno, sedici aeroporti italiani proporranno numerose esibizioni musicali di diverso genere rivolte ai passeggeri e alle comunità aeroportuali, con repertori che spazieranno dall'opera lirica al jazz, dal pop al rock, dalla musica barocca al country, alla musica popolare. Artisti di fama nazionale e internazionale prenderanno parte all’iniziativa che coinvolgerà anche prestigiosi teatri lirici, accademie, associazioni, istituti musicali e conservatori italiani. All’iniziativa hanno aderito 16 aeroporti, ovvero gli scali di: Alghero Cagliari Palermo Torino Bari Milano Malpensa Perugia Trapani Bergamo Napoli Pisa Trieste Bologna Olbia Roma Fiumicino Venezia “Celebrare la musica e i musicisti – ha dichiarato il Direttore Generale dell’ENAC Alessio Quaranta - in luoghi di aggregazione come gli aeroporti, dove persone, culture e idee si intersecano e interagiscono è naturale e simbolico proprio per lo spirito di contaminazione intrinseco nella musica, come nel viaggio aereo. In vari aeroporti nazionali è oramai consuetudine sia lasciare strumenti musicali a disposizione dei passeggeri che vogliano suonarli, sia ospitare concerti e altre manifestazioni artistiche in una strategia dell’accoglienza e dell’interazione tra arte, lavoratori aeroportuali e passeggeri.
  • Grande Vente Aux Enchères Publiques D'affiches De

    Grande Vente Aux Enchères Publiques D'affiches De

    GRANDE VENTE AUX ENCHÈRES PUBLIQUES D’AFFICHES DE CINÉMA À L’OMNIA MERCREDI 05 DÉCEMBRE 2018 à 18h30 200 lots d’affiches de collection mis en vente Sous le contrôle de Maître Bruno MARESCHAL, commissaire-priseur habilité EURL DEAUVILLE ENCHERES (agrément 056-2014) Siège social : 16, rue du Général Leclerc - 14800 DEAUVILLE - Tél : 02 31 88 42 91 - [email protected] ENTRÉE LIBRE (SALLE N°2 DE L’OMNIA) Paiement des lots d’affiches sur place (+ 22% TTC frais vente acheteurs en sus) Estimations en € "INDIANA JONES ET, LA DERNIÈRE CROISADE" (1989) de Steven Spielberg avec 1 Harrison Ford, Sean Connery. 40/80 Affiche 1,20 x 1,60. Dessin de Drew. "LES DIX COMMANDEMENTS" (1956) de Cecil B. de Mille avec Charlton Heston. 2 Affiche 1,20 x 1,60. Réédition. Films Paramount. 30/70 "VOYAGE À DEUX" (1967) de Stanley Donen avec Audrey Hepburn, Albert Finney. 3 Affiche 1,20 x 1,60. Dessin de Grinsson. 30/80 "HÔTEL DES AMÉRIQUES" (1981) de André Téchiné avec Catherine Deneuve, 4 Patrick Dewaere. 20/60 Affiche 1,20 x 1,60 de Ferracci. "ASTÉRIX ET LA SURPRISE DE CÉSAR" (1985) de Paul et, Gaetan Brizzi. 5 Dessin de Albert Uderzo. Affichette 0,80 x 0,60. 20/50 "BOEING BOEING" (1965) de John Rich avec Jerry Lewis, Tony Curtis, Dany Saval. 6 Affiche 1,20 x 1,60. Dessin de Landi. 40/80 "RAN" (1985) de Akira Kurosawa. 7 Affiches 1,20 x 1,60. 2 modèles par Benjamin Baltimore 30/80 "SUR UN ARBRE PERCHÉ" (1970) de Serge Korber avec Louis de Funès et, 8 Geraldine Chaplin.
  • Riccardo Freda’S I Vampiri (1957) and the Birth of Italian Horror

    Riccardo Freda’S I Vampiri (1957) and the Birth of Italian Horror

    Northumbria Research Link Citation: Guarneri, Michael (2017) The Gothic bet: Riccardo Freda’s I vampiri (1957) and the birth of Italian horror cinema from an industrial perspective. Palgrave Communications, 3 (1). p. 29. ISSN 2055-1045 Published by: Palgrave Macmillan URL: https://doi.org/10.1057/s41599-017-0030-3 <https://doi.org/10.1057/s41599-017- 0030-3> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/32602/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) ARTICLE DOI: 10.1057/s41599-017-0030-3 OPEN The Gothic bet: Riccardo Freda’s I vampiri (1957) and the birth of Italian horror cinema from an industrial perspective Michael Guarneri1 ABSTRACT Scholars tend to agree on Riccardo Freda’s I vampiri (1957) being the first Italian horror film.
  • Il Paesaggio Urbano

    Il Paesaggio Urbano

    Il paesaggio urbano ...nell’arte (iconografia) Appiano, Ave Fryberger, Betsy G. Il giardino dipinto : dagli affreschi egizi a Botero / The changing garden : four centuries of European Ave Appiano ; prefazione di Jean Boyer. - Torino : and American art / Betsy G. Fryberger , with Ananke, ©2002. - 159 p. : ill. ; 28 cm. - (I grandi essays by Paula Deitz .. [et al.]. - Stanford : Iris libri) & B. Gerald Cantor center for visual arts at Benzi, Fabio Stanford university, Berkeley : University of Paesaggio mediterraneo : metamorfosi e storia California Press, 2003. - XII,239 p. : ill. ; 28 cm. dall'antichità preclassica al 19. secolo / Fabio Benzi, Iconografia delle citta in Campania : Napoli e i Luigi Berliocchi. - Milano : F. Motta, 1999. - 176 p. : centri della provincia / a cura di Cesare de Seta e ill. ; 27x31 cm. Alfredo Buccaro. - [Napoli] : Electa Napoli, Bonnechere, Pierre [2006]. - 415 p. : ill. ; 29 cm. L'Art et l'ame des jardins : de l'Egypte pharaonique The iconography of landscape : essays on the a l'epoque contemporaine, une histoire culturelle de symbolic representation, design and use of past la nature dessinee par l'homme / Pierre environments / edited by Denis Cosgrove and Bonnechere, Odile De Bruyn. - Anvers : Fonds Stephen Daniels. - Cambridge [etc.] : Cambridge mercator, c1998. - 351 p. : ill. ; 29 cm. - University Press, 1988. - IX, 318 p. : ill. ; 23 cm. (Bibliotheque des amis du Fonds Mercator) - (Cambridge studies in historical geography ; 9) Cianci, Maria Grazia Impelluso, Lucia Metafore : rappresentazioni e interpretazioni di Giardini, orti e labirinti / Lucia Impelluso. - paesaggi / Maria Grazia Cianci. - Firenze : Alinea, Milano : Electa, [2005]. - 381 p. : ill. ; 20 cm. - (I 2008. - 171 p. : ill. ; 22X24 cm. - (Siti e paesaggi) dizionari dell'arte) Le città dei cartografi : studi e ricerche di storia Nuovo paesaggio italiano.