FCC Quarterly Programming Report Oct 1- Dec 30,2016 KPCC-KUOR-KJAI-KVLA-K227BX-K210AD
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Written and Directed by Madeleine Olnek
Written and Directed by Madeleine Olnek Starring Molly Shannon, Amy Seimetz, Susan Ziegler, Brett Gelman, Jackie Monahan, Kevin Seal, Dana Melanie, Sasha Frolova, Lisa Haas, Al Sutton World Premiere 2018 SXSW Film Festival (Narrative Spotlight) Acquisition Title / Cinetic 84 minutes / Color / English / USA PUBLICITY CONTACT SALES CONTACT Mary Ann Curto John Sloss / Cinetic Media [email protected] [email protected] [email protected] FOR MORE INFORMATION ABOUT THE FILM PRESS MATERIALS CONTACT and FILM CONTACT: Email: [email protected] DOWNLOAD FILM STILLS ON DROPBOX/GOOGLE DRIVE: For hi-res press stills, contact [email protected] and you will be added to the Dropbox/Google folder. Put “Wild Nights with Emily Still Request” in the subject line. The OFFICIAL WEBSITE: http://wildnightswithemily.com/ For news and updates, click 'LIKE' on our FACEBOOK page: https://www.facebook.com/wildnightswithemily/ "Hilarious...an undeniably compelling romance. " —INDIEWIRE "As entertaining and thought-provoking as Dickinson’s poetry.” —THE AUSTIN CHRONICLE SYNOPSIS THE STORY SHORT SUMMARY Molly Shannon plays Emily Dickinson in " Wild Nights With Emily," a dramatic comedy. The film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman. LONG SUMMARY Molly Shannon plays Emily Dickinson in the dramatic comedy " Wild Nights with Emily." The poet’s persona, popularized since her death, became that of a reclusive spinster – a delicate wallflower, too sensitive for this world. This film explores her vivacious, irreverent side that was covered up for years — most notably Emily’s lifelong romantic relationship with another woman (Susan Ziegler). After Emily died, a rivalry emerged when her brother's mistress (Amy Seimetz) along with editor T.W. -
Becoming Stronger Than Hate at USC-FINAL
Becoming Stronger than Hate at USC To President Carol Folt CC: Provost Chip Zukoski From: Kegan Allee-Moawad (USC Title IX) Tammara Anderson (Experiential and Applied Learning) Kim Thomas-Barrios (USC Educational Partnerships, USC University Relations) Theda Douglas (USC Government Programs and University Relations Initiatives) Linda Case Snouffer (USC Center for Work and Family Life) Dave Cohn (USC Hillel) Joseph Hawkins and Alexis Bard Johnson (ONE Archives at the USC Libraries) Selma Holo (USC Museums) Joshua David Holo (Hebrew Union College) Bethany Montagano (USC Pacific Asia Museum) Manuel Pastor and Jody Vallejo (USC Equity Research Institute) Patrick Prince (USC Campus Wellness and Crisis Intervention) Steve J. Ross (USC Casden Institute) Stephen Smith and Kori Street (USC Shoah Foundation) Varun Soni (USC Campus Wellness and Crisis Intervention, Religious Life) Erroll Southers (USC Price, Safe Communities Institute) William Warrener (USC Arts in Action) Daria Yudacufski (USC Visions and Voices) Quade Yoo Song French (USC Office of Wellbeing and Education) BACKGROUND Against growing waves of anti-Black racism and hatred, we stand ready to act and ask you to join us. Recent events are clear. Amid a rise in violent antisemitism, and in the wake of the deadly white nationalist rally in August 2017 in Charlottesville, VA, USC Shoah Foundation launched Stronger Than Hate, an initiative that draws on the power of testimony to help students recognize and counter hate. By May 2018, the White House and Homeland Security began their policy of family separation, putting young children of immigrants in cages to the horror of much of the American public. The Center for the Study of Immigrant Integration (now the Equity Research Institute) began leveraging resources, holding Town Halls, and publishing articles to alert the USC and broader community of these atrocities and the vulnerabilities of our own DACA and undocumented students, colleagues, and neighbors. -
Download Annual Report
The New Conservative Flagship ANNUAL REPORT 2020A About American Compass Table of Contents Our Mission To restore an economic consensus that emphasizes the importance of family, community, and industry to the nation’s liberty and prosperity: 1 Founder’s Letter 4 REORIENTING POLITICAL FOCUS from growth for its own sake to widely shared economic development that sustains vital social institutions. SETTING A COURSE for a country in which families can achieve self- sufficiency, contribute productively to their communities, and prepare the next 2 Year in Review 10 generation for the same. Conservative Flagship 12 HELPING POLICYMAKERS NAVIGATE the limitations that markets and government each face in promoting the general welfare and the nation’s security. Changing the Debate 14 Our Activities Creating Community 16 AFFILIATION. Providing opportunities for people who share its mission to The Commons 18 build relationships, collaborate, and communicate their views to the broader political community. Our Growing Influence 20 DELIBERATION. Supporting research and discussion that advances understanding of economic and social conditions and tradeoffs through study of history, analysis of data, elaboration of theory, and development of policy 3 Our Work 21 proposals. ENGAGEMENT. Initiating and facilitating public debate to challenge existing Rebooting the American System 22 orthodoxy, confront the best arguments of its defenders, and force scrutiny of unexamined assumptions and unconsidered consequences. Coin-Flip Capitalism 26 Our Principles Moving the Chains 30 AMERICAN COMPASS strives to embody the principles and practices of a healthy democratic polity, combining intellectual combat with personal civility. Corporate Actual Responsibility 34 We welcome converts to our vision and value disagreement amongst A Seat at the Table 38 our members. -
Fall 2013 CMS Newsletter!
95 Talbot Avenue, Medford, MA 02155 617-627-2155 [email protected]—ase.tufts.edu/cms Welcome to the Fall 2013 CMS Newsletter! In this issue you’ll find our usual blend of features about CMS classes, profiles of alumni, and news about CMS events. We have also continued the trend of asking our students to write more of the articles, which gives them additional journalism experience and often helps them to make some interesting and useful contacts. We want to hear from you! Please let us know if you have ideas for features, and make sure you send us updates on your professional endeavors, as well as your whereabouts. Inside this Issue CMS News — pages 2-3 Alumni News and Profiles — pages 4-9 CMS Events — pages 10-14 Internships — page 15 Students gather in the projection booth in Tisch Library, From the Classroom — pages 16-18 prior to the annual film screenings for the class “Producing Films for Social Change” (See page 16) CMS Newsletter Send us your news! Changed jobs? Gone back to school? Moved? We want to hear from you. Email us at [email protected] Do you know someone who might be interested in receiving this newsletter? Volume 6, Issue 1 Feel free to pass it along. Fall 2013 2 CMS News Notes from the CMS Director Julie Dobrow CMS Director Greetings from CMS! Communications and Media Studies Program Tufts University As ever, it’s been a busy semester for us. We have a large senior 95 Talbot Avenue class with whom we’re working, we’ve had many interesting events and we’ve been involved with a number of new Medford, MA 02155 partnerships across the university and beyond. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Zola.’ (AP) Song of the Summer
ARAB TIMES, THURSDAY, JULY 1, 2021 NEWS/FEATURES 13 People & Places Music Dacus sings young love Cat album falters at fi rst but ends strong By Mark Kennedy ot to be totally catty, but Doja Cat’s third album Nstarts poorly. The first four songs — “Woman,” “Naked,” “Payday” with Young Thug and “Get Into It (Yuh)” — are half-baked tunes mimicking beats and vocals from Nicki Minaj or Rihanna. None are note- worthy. It’s depressing. What happened to the artist behind 2019s “Hot Pink,” a sonic breath of fresh air? What happened to the Doja Cat whose electric performance of “Say So” at the Grammys was reminiscent of Missy Elliott’s futurism? Just wait. The fi fth song, “Need to Know,” is a superb, steamy sex tape of a song (with Dr. Luke co-writing and producing) and the sixth, “I Don’t Do Drugs” featuring Ariana Grande, is airy and confi dent with heav- enly harmonies. “Love to Dream” follows, a slice of dreamy pop, and then The Weeknd stops by on a terrifi c, slow-burning “You Right.” Cat The Cat is back. From then on, the 14-track “Planet Her” rights itself with whispery pop songs and the envelope-pushing “Options” with JID, climaxing with the awesome “Kiss Me More,” the previously released single with SZA that has a Gwen Stefani-ish refrain and must be considered a strong contender for This image released by A24 shows Riley Keough, (left), and Taylour Paige in a scene from ‘Zola.’ (AP) song of the summer. Despite the weak start, Doja Cat fulfi lls her promise on “Planet Her,” with an exciting, unpredictable style and a vocal ability that can switch from buttery sweet- Film ness to cutting raps. -
FOIA) Document Clearinghouse in the World
This document is made available through the declassification efforts and research of John Greenewald, Jr., creator of: The Black Vault The Black Vault is the largest online Freedom of Information Act (FOIA) document clearinghouse in the world. The research efforts here are responsible for the declassification of hundreds of thousands of pages released by the U.S. Government & Military. Discover the Truth at: http://www.theblackvault.com Received Received Request ID Requester Name Organization Closed Date Final Disposition Request Description Mode Date 17-F-0001 Greenewald, John The Black Vault PAL 10/3/2016 11/4/2016 Granted/Denied in Part I respectfully request a copy of records, electronic or otherwise, of all contracts past and present, that the DOD / OSD / JS has had with the British PR firm Bell Pottinger. Bell Pottinger Private (legally BPP Communications Ltd.; informally Bell Pottinger) is a British multinational public relations and marketing company headquartered in London, United Kingdom. 17-F-0002 Palma, Bethania - PAL 10/3/2016 11/4/2016 Other Reasons - No Records Contracts with Bell Pottinger for information operations and psychological operations. (Date Range for Record Search: From 01/01/2007 To 12/31/2011) 17-F-0003 Greenewald, John The Black Vault Mail 10/3/2016 1/13/2017 Other Reasons - Not a proper FOIA I respectfully request a copy of the Intellipedia category index page for the following category: request for some other reason Nuclear Weapons Glossary 17-F-0004 Jackson, Brian - Mail 10/3/2016 - - I request a copy of any available documents related to Army Intelligence's participation in an FBI counterintelligence source operation beginning in about 1959, per David Wise book, "Cassidy's Run," under the following code names: ZYRKSEEZ SHOCKER I am also interested in obtaining Army Intelligence documents authorizing, as well as policy documents guiding, the use of an Army source in an FBI operation. -
Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues
Producers of Popular Science Web Videos – Between New Professionalism and Old Gender Issues Jesús Muñoz Morcillo1*, Klemens Czurda*, Andrea Geipel**, Caroline Y. Robertson-von Trotha* ABSTRACT: This article provides an overview of the web video production context related to science communication, based on a quantitative analysis of 190 YouTube videos. The authors explore the main characteristics and ongoing strategies of producers, focusing on three topics: professionalism, producer’s gender and age profile, and community building. In the discussion, the authors compare the quantitative results with recently published qualitative research on producers of popular science web videos. This complementary approach gives further evidence on the main characteristics of most popular science communicators on YouTube, it shows a new type of professionalism that surpasses the hitherto existing distinction between User Generated Content (UGC) and Professional Generated Content (PGC), raises gender issues, and questions the participatory culture of science communicators on YouTube. Keywords: Producers of Popular Science Web Videos, Commodification of Science, Gender in Science Communication, Community Building, Professionalism on YouTube Introduction Not very long ago YouTube was introduced as a platform for sharing videos without commodity logic. However, shortly after Google acquired YouTube in 2006, the free exchange of videos gradually shifted to an attention economy ruled by manifold and omnipresent advertising (cf. Jenkins, 2009: 120). YouTube has meanwhile become part of our everyday experience, of our “being in the world” (Merleau Ponty) with all our senses, as an active and constitutive dimension of our understanding of life, knowledge, and communication. However, because of the increasing exploitation of private data, some critical voices have arisen arguing against the production and distribution of free content and warning of the negative consequences for content quality and privacy (e.g., Keen, 2007; Welzer, 2016). -
Australia's Screen Future Is Online: Time to Support Our New Content Creators
This may be the author’s version of a work that was submitted/accepted for publication in the following source: Cunningham, Stuart (2017) Australia’s screen future is online: time to support our new content cre- ators. The Conversation, August, pp. 1-5, 2017. [Article] This file was downloaded from: https://eprints.qut.edu.au/122374/ c Consult author(s) regarding copyright matters This work is covered by copyright. Unless the document is being made available under a Creative Commons Licence, you must assume that re-use is limited to personal use and that permission from the copyright owner must be obtained for all other uses. If the docu- ment is available under a Creative Commons License (or other specified license) then refer to the Licence for details of permitted re-use. It is a condition of access that users recog- nise and abide by the legal requirements associated with these rights. If you believe that this work infringes copyright please provide details by email to [email protected] License: Creative Commons: Attribution-No Derivative Works 2.5 Notice: Please note that this document may not be the Version of Record (i.e. published version) of the work. Author manuscript versions (as Sub- mitted for peer review or as Accepted for publication after peer review) can be identified by an absence of publisher branding and/or typeset appear- ance. If there is any doubt, please refer to the published source. https:// theconversation.com/ australias-screen-future-is-online-time-to-support-our-new-content-creators-82638 Academic rigour, journalistic flair Australia’s screen future is online: time to support our new content creators August 21, 2017 5.21am AEST RackaRacka, a sketch channel on YouTube, have been called Australia’s most successful content creators. -
2020 Sundance Film Festival: 118 Feature Films Announced
FOR IMMEDIATE RELEASE Media Contact: December 4, 2019 Spencer Alcorn 310.360.1981 [email protected] 2020 SUNDANCE FILM FESTIVAL: 118 FEATURE FILMS ANNOUNCED Drawn From a Record High of 15,100 Submissions Across The Program, Including 3,853 Features, Selected Films Represent 27 Countries Once Upon A Time in Venezuela, photo by John Marquez; The Mountains Are a Dream That Call to Me, photo by Jake Magee; Bloody Nose, Empty Pockets, courtesy of Sundance Institute; Beast Beast, photo by Kristian Zuniga; I Carry You With Me, photo by Alejandro López; Ema, courtesy of Sundance Institute. Park City, UT — The nonprofit Sundance Institute announced today the showcase of new independent feature films selected across all categories for the 2020 Sundance Film Festival. The Festival hosts screenings in Park City, Salt Lake City and at Sundance Mountain Resort, from January 23–February 2, 2020. The Sundance Film Festival is Sundance Institute’s flagship public program, widely regarded as the largest American independent film festival and attended by more than 120,000 people and 1,300 accredited press, and powered by more than 2,000 volunteers last year. Sundance Institute also presents public programs throughout the year and around the world, including Festivals in Hong Kong and London, an international short film tour, an indigenous shorts program, a free summer screening series in Utah, and more. Alongside these public programs, the majority of the nonprofit Institute's resources support independent artists around the world as they make and develop new work, via Labs, direct grants, fellowships, residencies and other strategic and tactical interventions. -
The Evolution of the Digital Political Advertising Network
PLATFORMS AND OUTSIDERS IN PARTY NETWORKS: THE EVOLUTION OF THE DIGITAL POLITICAL ADVERTISING NETWORK Bridget Barrett A thesis submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts at the Hussman School of Journalism and Media. Chapel Hill 2020 Approved by: Daniel Kreiss Adam Saffer Adam Sheingate © 2020 Bridget Barrett ALL RIGHTS RESERVED ii ABSTRACT Bridget Barrett: Platforms and Outsiders in Party Networks: The Evolution of the Digital Political Advertising Network (Under the direction of Daniel Kreiss) Scholars seldom examine the companies that campaigns hire to run digital advertising. This thesis presents the first network analysis of relationships between federal political committees (n = 2,077) and the companies they hired for electoral digital political advertising services (n = 1,034) across 13 years (2003–2016) and three election cycles (2008, 2012, and 2016). The network expanded from 333 nodes in 2008 to 2,202 nodes in 2016. In 2012 and 2016, Facebook and Google had the highest normalized betweenness centrality (.34 and .27 in 2012 and .55 and .24 in 2016 respectively). Given their positions in the network, Facebook and Google should be considered consequential members of party networks. Of advertising agencies hired in the 2016 electoral cycle, 23% had no declared political specialization and were hired disproportionately by non-incumbents. The thesis argues their motivations may not be as well-aligned with party goals as those of established political professionals. iii TABLE OF CONTENTS LIST OF TABLES AND FIGURES .................................................................................................................... V POLITICAL CONSULTING AND PARTY NETWORKS ............................................................................... -
MBMBAM 384: Face 2 Face: TORONTO! LISTEN! Published December 12Th, 2017 Listen Here on Themcelroy.Family
MBMBAM 384: Face 2 Face: TORONTO! LISTEN! Published December 12th, 2017 Listen here on TheMcElroy.family Intro (Bob Ball): The McElroy brothers are not experts, and their advice should never be followed. Travis insists he‟s a “sexpert”, but if there‟s a degree on his wall - I haven‟t seen it. Also this show isn‟t for kids, which I mention only so the babies out there will know how cool they are for listening. What‟s up, you cool baby! [theme music plays] Griffin: Begin! [laughs] Justin: Hello everyone and welcome to My Brother, My Brother and Me, an advice show for the modern era. I'm your oldest brother Justin McElroy. [crowd cheers] Travis: I'm your middlest brother, Travis McElroy. [crowd cheers] Griffin: And I'm your sweet baby brother and 30 under 30 media luminary, Griffin McElroy! [crowd cheers] Travis: Just real quick, two super technical things. One, there‟s a clock on the stage that I think is supposed to be counting down but it‟s not moving. Griffin: Here we go. Sometimes it feels like time‟s not moving when we‟re doing this show. Travis: And two, someone‟s recording this right? I didn‟t check this beforehand, but it‟s fine. Justin: We apparently are going to spend, you can‟t see this, we‟re going to keep up with the theme of things you can‟t also see. We are staring at two huge televisions that are just displaying our picture. The ones that were there, remember just a second ago? We‟re apparently going to be barreling those for just the entire— Travis: Don‟t take that away! No, don‟t take it away because it reminds how damn handsome I am.