Opstand Voorbij
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Sur Group Stage Crc 2021 Gold Cup
GROUP C - ROUND 2 SUR GROUP STAGE CRC 2021 GOLD CUP Exploria Stadium 16 JULY 8:30 PM ET (ORLANDO) GOLD CUP SERIES MATCHES PLAYED 0 WINS Suriname 0 WINS Costa Rica 0 = Draws 0 GOALS Suriname 0 GOALS Costa Rica 0 GENERAL SERIES Costa Rica leads five-match series W-5 T-0 L-0 GF- 18-GA-3 Costa Rica and Suriname last met in the Concacaf qualifiers for the 2010 FIFA World Cup in Paramaribo. Celso Borges and Bryan Ruiz, current CRC players in the 2021 Gold Cup, scored the last time they faced Suriname. ● Costa Rica 3-1 Suriname (Rubén Jiménez, Alberto Armijo and Juan José Gámez; August Wooter), Group Stage of the 1960 CCCF Cup, Gran Estadio Cervecería Tropical de La Habana, CUB (17-FEB, 1960). ● Costa Rica 1-0 Suriname (Tarcisio Rodriguez Viquez), Group 3 of the CONCACAF World Cup Qualifiers FIFA World Cup England 1966 (12-FEB-1965). ● Suriname 1-3 Costa Rica (Stanley Krenten; Edgar Marin x2 and Juan Gonzalez Soto), Group 3, CONCACAF World Cup Qualifiers ENGLAND 1966 Paramaribo (28-FEB-1965). Costa Rica won the first place in the group and advanced to the Final Phase. ● Costa Rica 7-0 Suriname (Froylán Ledezma x2, Alejandro Alpízar,Armando Alonso, Celso Borges, Alonso Solís and Bryan Ruiz), Group C, SEMIFINALS CONCACAF WORLD CUP QUALIFIERS FIFA World Cup South Africa 2010, Estadio Ricardo Saprissa Aymá,José, CRC (6- SEP-2008). ● Suriname 1-4 Costa Rica (Clifton Sandvliet; Walter Centeno, Celso Borges, Armando Alonso and Alonso Solís), Group C, CONCACAF World Cup Qualifiers Semifinals FIFA World Cup South Africa 2010, Andre Kamperveen Stadion Paramaribo, SUR (11-OCT-2008). -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Download PDF Van Tekst
Onze sporthelden. Deel 3 Guno Hoen bron Guno Hoen, Onze sporthelden. Deel 3. Quick O Print, z.p. 1999 Zie voor verantwoording: http://www.dbnl.org/tekst/hoen042spor03_01/colofon.php © 2016 dbnl / erven Guno Hoen 2 Certificaten, Oorkonde's e.d. van de heer Guno Hoen. Certificates of Appreciation van Lions Paramaribo Centraal 1988 en 1989 1953 Diploma van Aruba Voetbal Bond 1985 Oorkonde i.v.m. 10 jaar Onafhankelijkheid 1998 Ridder in de Orde van de Palm Dit boek draag ik op aan mijn lieve dochters met name: Ingrid Rolita Helen Maureen en Beryl Lenore Guno Hoen, Onze sporthelden. Deel 3 5 Voorwoord Zeer gaarne voldoe ik aan het verzoek van de heer Guno Hoen, om een bijdrage te leveren aan de completering van het boek ‘Onze Sporthelden’ deel III. Het vastleggen van de Surinaamse geschiedenis is een basisvoorwaarde op weg naar een eigen identiteit voor ons volk, c.q. de natie, op onder andere sportgebied. Het komt ook niet vaak voor dat de schrijver een topsporter is geweest. Vandaar hulde aan de schrijver, die werkelijk alles in stelling heeft gebracht teneinde deel III van zijn serie vóór het jaar 2000 te realiseren. Het Ministerie van Onderwijs en Volksontwikkeling, met name het Directoraat Sportzaken, heeft op de juiste wijze ingespeeld op de wensen van betrokkene en mag zich met trots mede-sponsor noemen van dit prachtig werkstuk dat tot in lengte van dagen zijn nut zal bewijzen. Als Directeur Sportzaken, tevens waarnemend Directeur Jeugdzaken, maar vooral als Bondscoach bij de Surinaamse Voetbal Bond, doe ik een dringend beroep op sportminnend Suriname, deze uitgave aan te schaffen en als nuttig naslagwerk een waardige plaats te geven in huis, school, bibliotheek en club. -
The Story of Football in Trinidad and Tobago 1893 -2000
The Story of Football in Trinidad and Tobago 1893 -2000 Chapter One Kick-off THE Trinidad News and San Fernando Gazette of June 6, 1893, was not at all happy with what was happening in the Trinidad society during the year. The paper reported that there was growing corruption among the youth in the colony which was the direct result of the invasion of Government offices as well as stores and estates by strangers from the United Kingdom. In its editorial entitled ‘Agricultural pursuits,’ the paper noted: “What with the invasion of government offices, of stores and sugar estates by strangers from the mother country, more particularly from Scotland, and what with the growing corruption of our young men by frequentation of places of evil, gambling halls, dignity balls etc, our youth of the better classes are in a fair way of becoming a nuisance to themselves and their country, instead of, as in other countries, forming the main factor of the moral, intellectual and physical wealth of their native land.” The paper continued: “It would be knocking our heads against a stone wall to find fault with Scotsmen who now have the dry goods trade and the management of sugar estates mostly in their hands because they send their poor relatives or friends from Scotland to fill situations of emoluments under them. We believe our creole youth to be brighter than the young strangers who are imported to occupy posts which of right, should be theirs and with the knowledge they have of people, their ways, their language and their wants, they would certainly be more useful. -
Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films
Sheila Nevins Joins MTV Studios to Launch MTV Documentary Films May 7, 2019 Longtime president of HBO Documentary Films to shepherd new generation of documentary filmmakers exploring issues that impact youth NEW YORK--(BUSINESS WIRE)--May 7, 2019-- MTV, a unit of Viacom (NASDAQ:VIAB), today announced that Sheila Nevins — the legendary producer who redefined modern documentary storytelling and won dozens of Emmy® and Peabody® Awards as President of HBO Documentary Films — will joinMTV to launch MTV Documentary Films. As part of MTV Studios, the new division will develop documentary films and specials for third-party streaming services, premium networks and MTV platforms. Under Nevins’ leadership, MTV Documentary Films will embrace a new generation of filmmakers exploring the social, political and cultural trends and stories important to young people. This press release features multimedia. View the full release here: https://www.businesswire.com/news/home/20190507005987/en/ “MTV has always been at the forefront of youth culture, and the generation that is growing up now will change the world in ways we can’t even imagine,” said Nevins. “I’m excited to join MTV with electrifying stories that explore the crises and commitments that young people face every day.” “Throughout her stellar career, Sheila has elevated documentaries into one of the most compelling, culturally influentially forms of modern storytelling,” said Chris McCarthy, President of MTV. “As we grow and expand MTV, we’re excited for Sheila to bring a new generation of filmmakers to the forefront and continue to extend our creativity and cultural impact.” Nina L. Diaz, President of Entertainment for MTV, added, “What we started two decades ago with MTV News and Docs continues to inspire today. -
HBO: Brand Management and Subscriber Aggregation: 1972-2007
1 HBO: Brand Management and Subscriber Aggregation: 1972-2007 Submitted by Gareth Andrew James to the University of Exeter as a thesis for the degree of Doctor of Philosophy in English, January 2011. This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. ........................................ 2 Abstract The thesis offers a revised institutional history of US cable network Home Box Office that expands on its under-examined identity as a monthly subscriber service from 1972 to 1994. This is used to better explain extensive discussions of HBO‟s rebranding from 1995 to 2007 around high-quality original content and experimentation with new media platforms. The first half of the thesis particularly expands on HBO‟s origins and early identity as part of publisher Time Inc. from 1972 to 1988, before examining how this affected the network‟s programming strategies as part of global conglomerate Time Warner from 1989 to 1994. Within this, evidence of ongoing processes for aggregating subscribers, or packaging multiple entertainment attractions around stable production cycles, are identified as defining HBO‟s promotion of general monthly value over rivals. Arguing that these specific exhibition and production strategies are glossed over in existing HBO scholarship as a result of an over-valuing of post-1995 examples of „quality‟ television, their ongoing importance to the network‟s contemporary management of its brand across media platforms is mapped over distinctions from rivals to 2007. -
1 Forever Alone in a Crowd, Arthur Fleck Seeks Connection. Yet, As He
Forever alone in a crowd, Arthur Fleck seeks connection. Yet, as he trods the sooted Gotham City streets and rides the graffitied mass transit rails of a hostile town teeming with division and dissatisfaction, Arthur wears two masks. One, he paints on for his day job as a clown. The other he can never remove; it’s the guise he projects in a futile attempt to feel he’s a part of the world around him, and not the misunderstood man whom life is repeatedly beating down. Fatherless, Arthur has a fragile mother, arguably his best friend, who nicknamed him Happy, a moniker that’s fostered in Arthur a smile that hides the heartache beneath. But, when bullied by teens on the streets, taunted by suits on the subway, or simply teased by his fellow clowns at work, this social outlier only becomes even more out of sync with everyone around him. Directed, co-written and produced by Todd Phillips, “Joker” is the filmmaker’s original vision of the infamous DC villain, an origin story infused with, but distinctly outside, the character’s more traditional mythologies. Phillips’ exploration of Arthur Fleck, who is indelibly portrayed by Joaquin Phoenix, is of a man struggling to find his way in Gotham’s fractured society. Longing for any light to shine on him, he tries his hand as a stand-up comic, but finds the joke always seems to be on him. Caught in a cyclical existence between apathy and cruelty and, ultimately, betrayal, Arthur makes one bad decision after another that brings about a chain reaction of escalating events in this gritty, allegorical character study. -
HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected]
Northeastern Illinois University NEIU Digital Commons Communication, Media and Theatre Faculty Communication, Media and Theatre Publications 2012 Public Service Entertainment: HBO's Interventions in Popular Culture Shayne Pepper Northeastern Illinois University, [email protected] Follow this and additional works at: https://neiudc.neiu.edu/cmt-pub Recommended Citation Pepper, Shayne, "Public Service Entertainment: HBO's Interventions in Popular Culture" (2012). Communication, Media and Theatre Faculty Publications. 2. https://neiudc.neiu.edu/cmt-pub/2 This Book Chapter is brought to you for free and open access by the Communication, Media and Theatre at NEIU Digital Commons. It has been accepted for inclusion in Communication, Media and Theatre Faculty Publications by an authorized administrator of NEIU Digital Commons. For more information, please contact [email protected],[email protected],[email protected]. CHAP TER 6 } Public Service Entertainment HBO’s Interventions in Politics and Culture Shayne Pepper When one thinks of “public service,” HBO is not typically the media entity that comes to mind. However, in examining HBO’s forty-year history, one notices an extensive list of socially conscious, politically engaged, and even outright public service programs. Over the years, HBO has brought a great deal of thoughtful (and sometimes controversial) cultural programming into American households. This group of films explores topics such as poverty, AIDS, women’s rights, and global injustice, often fiercely critiquing systems of inequality and oppression. Sometimes these programs even provide potential solutions and avenues of hope for some of today’s most important social problems. For example, the documen- tary Pandemic: Facing AIDS () and the romantic comedy The Girl in the Café () come in two very different forms but are clearly meant to be direct inter- ventions in efforts to fight AIDS and global poverty. -
Rebalancing Resources and Incentives in Federal Student Aid
January 2013 REBALANCING RESOURCES AND INCENTIVES IN FEDERAL STUDENT AID Stephen Burd, Kevin Carey, Jason Delisle, Rachel Fishman, Alex Holt, Amy Laitinen, and Clare McCann education policy program New America Foundation This paper was developed with the support of the Bill & Melinda Gates Foundation through the Reimagining Aid Design and Delivery (RADD) project. © 2013 New America Foundation This report carries a Creative Commons license, which permits non- commercial re-use of New America content when proper attribution is provided. This means you are free to copy, display and distribute New America’s work, or include our content in derivative works, under the following conditions: • Attribution. You must clearly attribute the work to the New America Foundation, and provide a link back to www.Newamerica.net. • Noncommercial. You may not use this work for commercial purposes without explicit prior permission from New America. • Share Alike. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one. For the full legal code of this Creative Commons license, please visit www.creativecommons.org. If you have any questions about citing or re- using New America content, please contact us. Contents EXECUTIVE SUMMARY ...................................................ii End Parent PLUS Loans .............................................. 23 INTRODUCTION .............................................................. 1 Limit Loans to 150% of Program Length ................... -
Réalisé Par TODD PHILLIPS
WARNER BROS. PICTURES présente En Association avec VILLAGE ROADSHOW PICTURES et BRON CREATIVE Une production A JOINT EFFORT Réalisé par TODD PHILLIPS Avec JOAQUIN PHOENIX, ROBERT DE NIRO, ZAZIE BEETZ Scénario de TODD PHILLIPS et SCOTT SILVER Inspiré de l’univers DC Un film produit par TODD PHILLIPS p.g.a., BRADLEY COOPER p.g.a., EMMA TILLINGER KOSKOFF p.g.a Directeur de la Photographie : LAWRENCE SHER ASC Décors : MARK FRIEDBERG Montage : JEFF GROTH Costumes : MARK BRIDGES Musique : HILDUR GUĐNADÓTTIR SORTIE LE 9 OCTOBRE 2019 Durée : 2h01 CONTACT PRESSE DISTRIBUTION Servane Magnan Warner Bros. France Carole Chomand 115-123 avenue Charles de Gaulle Go-Oun Jung 92200 Neuilly sur Seine NEWSROOM: https://newsroom.warnerbros.fr/ TELECHARGEMENT MATERIEL : https://mediapass.warnerbros.com/ 1 SYNOPSIS Constamment seul parmi la foule, Arthur Fleck voudrait aller vers les autres. Pourtant, tandis qu'il arpente les rues sales de Gotham City et emprunte les rames de métro couvertes de graffiti, dans une ville où monte une colère de plus en plus palpable, Arthur porte deux masques. C'est lui qui peint le premier po ur son boulot de clown publicitaire. Mais il ne peut jamais ôter le second : c'est le visage qu'il présente aux autres dans sa tentative futile d'appartenir au monde qui l'entoure – loin de l'homme incompris systématiquement malmené. S'il n'a jamais connu son père, Arthur a une mère fragile, sans doute sa meilleure amie, qui l'a rebaptisé "Happy" – surnom qui explique ce sourire sur ses lèvres qui, chez lui, dissimule une souffrance morale. Mais quand il est brutalisé par des adolescents dans la rue, raillé par des types en costard-cravate dans le métro et moqué par ses collègues clowns au travail, ce paria social se retranche de plus en plus de son entourage … JOKER de Todd Phillips s'attache au personnage maléfique légendaire et s'affirme comme un récit original et indépendant de toute saga, inédit au cinéma. -
Master Streaming List 06112021
Heat Index Personal Star IMDb Rating Netflix Prime PBS Peacock/ IMDb 5=Intense/Dark Acorn Brit Box Hulu HBO Sundance Starz SHO ROKU Cinemax BBC America Disney+ EPIX USA Rating 1 to 5 Genre Notes (Out of 10) Streaming Video Passport NBC Freedive 1="Cozie" (best) Breaking Bad 5 9.5 ● 5 drama Game of Thrones 5 9.5 ● 5 action/thriller Chernobyl 9.4 ● docudrama The Wire 9.3 ● policing Sherlock (Benedict Cumberbatch) 3 9.2 ● ● 4 private detective The Sopranos 5 9.2 ● 5 heists/organized crme True Detective 5 9.0 ● 5 police detective Fargo 8.9 ● crime drama Only Fools & Horses 8.9 ● comedy Aranyelet 8.8 ● general mystery/crime English subtitles Dark 8.8 ● mystery English subtitles House of Cards (Netflix production) 4 8.8 ● political satire Narcos 8.8 ● organized crime Peaky Blinders 8.8 ● heists/organized crime The Sandbaggers 3 8.8 ● 4 espionage Umbre 8.8 ● organized crime English subtitles Better Call Saul 8.7 ● drama Breaking Bad prequel Brideshead Revisited 2 8.7 ● ● 5 period drama Danger UXB 8.7 ● drama Deadwood 8.7 ● drama Dexter 8.7 ● ● general mystery/crime Downton Abbey 1 8.7 ● ● period drama Fleabag 8.7 ● comedy Gomorrah 8.7 ● organized crime Italian with subtitles Rake 8.7 ● 2 legal Sacred Games 8.7 ● police detective Sherlock Holmes (Jeremy Brett) 2 8.7 ● 5 private detective The Bureau 8.7 ● police detective English subtitles The Marvelous Mrs. Maisel 8.7 ● drama The Shield 8.7 ● police detective The Thick of It 8.7 ● political drama Westworld 8.7 ● sci fi Poirot (David Suchet series) 1 8.6 ● ● 5 private detective Inspector Morse -
Roger Janssen
ROGER JANSSEN In search of a path In search ROGER JANSSEN ROGER JANSSEN 1975 to 1991 policy of Suriname from An analysis of the foreign In search of a path An analysis of the foreign policy of Suriname from 1975 to 1991 In search The foreign policy of small states is an often neglected topic, which is particularly the case when it comes to Suriname. How did the young Republic deal with its dependency on the Netherlands for development aid after 1975? Was Paramaribo following a certain foreign policy strategy of a path or did it merely react towards internal and external events? What were the decision making processes in defi ning the foreign policy course and who was involved in these processes? And why was a proposal An analysis of the foreign policy discussed to hand back the right of an independent foreign and defence policy to a Dutch Commonwealth government in the early 1990s? of Suriname from 1975 to 1991 These questions are examined here in depth, in the fi rst comprehensive analysis wof Suriname’s foreign policy from 1975 to 1991. The book provides readers interested in Caribbean and Latin American affairs with a detailed account of Suriname’s external relations. Moreover, the young Republic may stand as a case study, as it confronted the diffi culties and challenges that small developing states often face. Roger Janssen (1967), born in the Dutch-German border region of Cleve, migrated to Australia in 1989. He received his education as a historian at the University of Western Australia where he obtained a Ph.D.