Selected, Annotated Bibliography on Journalistic Courage
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Central America and the Bitter Fruit of US Policy
CLALS WORKING PAPER SERIES | NO. 23 Central America and the Bitter Fruit of U.S. Policy by Bill Gentile OC TOBER 2019 https://doi.org/10.17606/48zv-re73 Pullquote Bill Gentile in Nicaragua in the mid-1980s / Courtesy Bill Gentile Bill Gentile is a Senior Professorial Lecturer and Journalist in Residence at American University’s School of Communication. An independent journalist and documentary filmmaker whose career spans four decades, five continents, and nearly every facet of journalism and mass communication, he is the winner of two national Emmy Awards and was nominated for two others. He is a pioneer of “backpack video journalism” and the director, executive producer, and host of the documentary series FREELANCERS with Bill Gentile. He teaches Photojournalism, Foreign Correspondence, and Backpack Documentary. TheCenter for Latin American & Latino Studies (CLALS) at American University, established in January 2010, is a campus- wide initiative advancing and disseminating state-of-the-art research. The Center’s faculty affiliates and partners are at the forefront of efforts to understand economic development, democratic governance, cultural diversity and change, peace and diplomacy, health, education, and environmental well-being. CLALS generates high-quality, timely analysis on these and other issues in partnership with researchers and practitioners from AU and beyond. A previous version of this piece was published by the Daily Beast as a series, available here. Cover photo: Courtesy Bill Gentile 2 AU CENTER FOR LATIN AMERIcaN & LATINO STUDIES | CHAPTER TITLE HERE Contents I. The Revolution (1978-1979) .....................................................1 II. “Terrible and Glorious Days” ...................................................6 III. Revolution Betrayed .............................................................15 IV. Requiem ................................................................................20 I. -
The Global Visual Memory a Study of the Recognition and Interpretation of Iconic and Historical Photographs
The Global Visual Memory A Study of the Recognition and Interpretation of Iconic and Historical Photographs Het Mondiaal Visueel Geheugen Een studie naar de herkenning en interpretatie van iconische en historische foto’s (met een samenvatting in het Nederlands) Proefschrift ter verkrijging van de graad van doctor aan de Universiteit Utrecht op gezag van de rector magnificus, prof.dr. H.R.B.M. Kummeling, ingevolge het besluit van het college voor promoties in het openbaar te verdedigen op woensdag 19 juni 2019 des middags te 2.30 uur door Rutger van der Hoeven geboren op 4 juni 1974 te Amsterdam Promotor: Prof. dr. J. Van Eijnatten Table of Contents Abstract 2 Preface 3 Introduction 5 Objectives 8 Visual History 9 Collective Memory 13 Photographs as vehicles of cultural memory 18 Dissertation structure 19 Chapter 1. History, Memory and Photography 21 1.1 Starting Points: Problems in Academic Literature on History, Memory and Photography 21 1.2 The Memory Function of Historical Photographs 28 1.3 Iconic Photographs 35 Chapter 2. The Global Visual Memory: An International Survey 50 2.1 Research Objectives 50 2.2 Selection 53 2.3 Survey Questions 57 2.4 The Photographs 59 Chapter 3. The Global Visual Memory Survey: A Quantitative Analysis 101 3.1 The Dataset 101 3.2 The Global Visual Memory: A Proven Reality 105 3.3 The Recognition of Iconic and Historical Photographs: General Conclusions 110 3.4 Conclusions About Age, Nationality, and Other Demographic Factors 119 3.5 Emotional Impact of Iconic and Historical Photographs 131 3.6 Rating the Importance of Iconic and Historical Photographs 140 3.7 Combined statistics 145 Chapter 4. -
Central America and the Bitter Fruit of U.S. Policy by Bill Gentile
CLALS WORKING PAPER SERIES | NO. 23 Central America and the Bitter Fruit of U.S. Policy by Bill Gentile OCTOBER 2019 Pullquote Bill Gentile in Nicaragua in the mid-1980s / Courtesy Bill Gentile Bill Gentile is a Senior Professorial Lecturer and Journalist in Residence at American University’s School of Communication. An independent journalist and documentary filmmaker whose career spans four decades, five continents, and nearly every facet of journalism and mass communication, he is the winner of two national Emmy Awards and was nominated for two others. He is a pioneer of “backpack video journalism” and the director, executive producer, and host of the documentary series FREELANCERS with Bill Gentile. He teaches Photojournalism, Foreign Correspondence, and Backpack Documentary. TheCenter for Latin American & Latino Studies (CLALS) at American University, established in January 2010, is a campus- wide initiative advancing and disseminating state-of-the-art research. The Center’s faculty affiliates and partners are at the forefront of efforts to understand economic development, democratic governance, cultural diversity and change, peace and diplomacy, health, education, and environmental well-being. CLALS generates high-quality, timely analysis on these and other issues in partnership with researchers and practitioners from AU and beyond. A previous version of this piece was published by the Daily Beast as a series, available here. Cover photo: Courtesy Bill Gentile 2 AU CENTER FOR LATIN AMERIcaN & LATINO STUDIES | CHAPTER TITLE HERE Contents -
Engaged Observers: Documentary Photography Since the Sixties
OBJECT LIST Engaged Observers: Documentary Photography since the Sixties At the J. Paul Getty Museum, the Getty Center June 29–November 14, 2010 1. Leonard Freed (American, 1929 - 2006) 5. Leonard Freed (American, 1929 - 2006) Demonstration, New York City, 1963 Georgia, 1965 Gelatin silver print Gelatin silver print Image: 25.9 x 35.4 cm (10 3/16 x 13 15/16 Image: 38.3 x 25.6 cm (15 1/16 x 10 1/16 in.) in.) Gift of Brigitte and Elke Susannah Freed. The Gift of Brigitte and Elke Susannah Freed. The J. Paul Getty Museum, Los Angeles, J. Paul Getty Museum, Los Angeles, 2008.59.3 2008.59.9 2. Leonard Freed (American, 1929 - 2006) 6. Leonard Freed (American, 1929 - 2006) March on Washington, Washington, D.C., Political Meeting, Harlem, 1963 August 28, 1963 Gelatin silver print Gelatin silver print Image: 33.2 x 25.2 cm (13 1/16 x 9 15/16 Image: 37.8 x 25.4 cm (14 7/8 x 10 in.) in.) Gift of Brigitte and Elke Susannah Freed. The The J. Paul Getty Museum, Los Angeles, J. Paul Getty Museum, Los Angeles, 2008.62.3 2008.59.4 7. Leonard Freed (American, 1929 - 2006) 3. Leonard Freed (American, 1929 - 2006) New York City, 1963 Johns Island, South Carolina, 1964 Gelatin silver print Gelatin silver print Image: 33.2 x 25.2 cm (13 1/16 x 9 15/16 Image: 25.7 x 34.9 cm (10 1/8 x 13 3/4 in.) in.) Gift of Brigitte and Elke Susannah Freed. -
On Photography, History, and Memory in Spain Hispanic Issues on Line Debates 3 (2011)
2 Remembering Capa, Spain and the Legacy of Gerda Taro, 1936–1937 Hanno Hardt Press photographs are the public memory of their times; their presence in the public sphere has contributed significantly to the pictures in our heads on which we rely for a better understanding of the world. Some photographs have a special appeal, or an extraordinary power, which makes them icons of a particular era. They stand for social or political events and evoke the spirit of a period in history. They also help define our attitudes towards people or nations and, therefore, are important sources of emotional and intellectual power. War photography, in particular, renders imagery of this kind and easily becomes a source of propaganda as well. The Spanish Civil War (1936–39) was the European testing ground for new weapons strategies by the Soviet Union and Nazi Germany. Both aided their respective sides in the struggle between a Popular Front government— supported mainly by left-wing parties, workers, and an educated middle class—and “Nationalist” forces supported by conservative interests, the military, clergy, and landowners. The conflict resulted in about 500,000 deaths, thousands of exiles, and in a dictatorship that lasted until Franco’s death in 1975. It was a time when large-scale antifascist movements such as the Republican army, the International Brigades, the Workers’ Party of Marxist Unification, and anarchist militias (the Iron Column) united in their struggle against the military rebellion led by Francisco Franco. Foreigners joined the International Brigade, organized in their respective units, e.g., the Lincoln Battalion (USA), the British Battalion (UK), the Dabrowski Battalion (Poland), the Mackenzie-Papineau Battalion (Canada), and the Naftali Botwin Company (Poland and Spain, including a Jewish unit). -
THIS IS WAR ! ROBERT CAPA at WORK THIS IS ROBERT CAPA at Work WAR RICHARD WHELAN
THIS IS WAR ! ROBERT CAPA AT WORK THIS IS ROBERT CAPA at work WAR RICHARD WHELAN Steidl CONTENTS “If your pictures aren’t good enough, you’re not close enough,” the renowned Robert Capa said about Director’s Foreword 6 photography. These words could just as easily apply to the philosophy shared by all of us at BNP Paribas, Introduction by Christopher Phillips 8 the bank for a changing world. Capa spent most of his professional life traveling internationally, becoming intimately involved with the people and events he recorded. His work, seen in this exhibition and accompanying catalogue, shows how that approach creates exceptional results. BNP Paribas follows the same approach at all our locations in eighty-five countries around the world. THIS IS WAR ! ROBERT CAPA AT WORK We take pride in getting close to our clients. We apply the insights we gain from that intimacy to deliver banking and finance solutions capable of meeting their individual needs. by Richard Whelan On behalf of my 150,000 colleagues around the world, let me express our thanks for being part of this exhibition of Capa’s distinguished work. Let me also congratulate the International Center of Photography for its exceptional work in helping people explore the possibilities of the art of photography. 1 Robert Capa and the Rise of the Picture Press 11 Please enjoy this book and the exhibition. 2 The Falling Soldier, 1936 53 3 China, 1938 88 Sincerely, 4 This Is War! The End of the Spanish Civil War in Catalonia, 1938–39 134 Everett Schenk Chief Executive Officer 5 D-Day, June 6, 1944 206 BNP Paribas North America 6 Leipzig, 1945 252 Chronology Checklist of the Exhibition Bibliography DIRECTOR’S FOREW0RD Few photographers of the last century have had such a broad and last- recorder; he had a point of view and that, more than any blind pursuit tinguished cultural historian, Richard’s magisterial biography of Capa, Other important contributors include Christian Passeri and Sylvain ing influence as Robert Capa. -
Famous Journalist Research Project
Famous Journalist Research Project Name:____________________________ The Assignment: You will research a famous journalist and present to the class your findings. You will introduce the journalist, describe his/her major accomplishments, why he/she is famous, how he/she got his/her start in journalism, pertinent personal information, and be able answer any questions from the journalism class. You should make yourself an "expert" on this person. You should know more about the person than you actually present. You will need to gather your information from a wide variety of sources: Internet, TV, magazines, newspapers, etc. You must include a list of all sources you consult. For modern day journalists, you MUST read/watch something they have done. (ie. If you were presenting on Barbara Walters, then you must actually watch at least one interview/story she has done, or a portion of one, if an entire story isn't available. If you choose a writer, then you must read at least ONE article written by that person.) Source Ideas: Biography.com, ABC, CBS, NBC, FOX, CNN or any news websites. NO WIKIPEDIA! The Presentation: You may be as creative as you wish to be. You may use note cards or you may memorize your presentation. You must have at least ONE visual!! Any visual must include information as well as be creative. Some possibilities include dressing as the character (if they have a distinctive way of dressing) & performing in first person (imitating the journalist), creating a video, PowerPoint or make a poster of the journalist’s life, a photo album, a smore, or something else! The main idea: Be creative as well as informative. -
Retrospective on Journalists Killed During Salvadoran Civil War Deborah Tyroler
University of New Mexico UNM Digital Repository NotiCen Latin America Digital Beat (LADB) 12-15-1989 Retrospective On Journalists Killed During Salvadoran Civil War Deborah Tyroler Follow this and additional works at: https://digitalrepository.unm.edu/noticen Recommended Citation Tyroler, Deborah. "Retrospective On Journalists Killed During Salvadoran Civil War." (1989). https://digitalrepository.unm.edu/ noticen/3606 This Article is brought to you for free and open access by the Latin America Digital Beat (LADB) at UNM Digital Repository. It has been accepted for inclusion in NotiCen by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. LADB Article Id: 071528 ISSN: 1089-1560 Retrospective On Journalists Killed During Salvadoran Civil War by Deborah Tyroler Category/Department: General Published: Friday, December 15, 1989 On Dec. 1, Eloy Guevara Paez, 27, photographer for the Agence France-Presse, was shot to death while covering fighting in Soyapango, a suburb of San Salvador. According to AP, two reporters at the scene said Guevara was hit by assault rifle fire as he crossed an intersection with three Red Cross workers, and the fire came from the side of the street controlled by air force paratroopers. Rebels had withdrawn from positions on the other side of the street more than an hour before, and military officers on the scene had given the Red Cross workers the go-head to proceed, the witnesses said. Both insisted on not being identified by name for fear of reprisals. Guevara Paez was interred Dec. 3 in his hometown of Lolotique, Usulatan department. Guevara studied journalism and photography in San Salvador and also worked for a local radio station. -
Advertising Age, Recognizing That Reagan's Election Was a Marketing Coup, Unashamedly Honored Richard Wirthlin As 1980'S
1 Number 1 Winter 1987/88 EdItoriaI 1 The Propaganda Environment by Marcy Darnovsky Introducing PROPAGANDA REVIEW ... a new magazine that explores techniques of manipulation, our vulnerability to them, anda society obsessed with the “engineering of consent.” Departments 5 Ad Watch by Marina Hirsch Notes from an advertising addict. 7 Propaganda Watch The PROPAGANDA REVIEW Believe-It-or-Not. 32 Resources We are not alone: groups and publications you’ll want to know about. Features 9 Marketing Reagan by Johan Carlisle (Research assistance by Sheila O’Donnellj What makes Reagan popular? Sophisticated computers, strategic polling, and “Populus Speedpulse” are part of the answer. Meet the man who manufactures the teflon, Richard Wirthlin. 14 The Propaganda System: Orwell’s and Ours by Noam Chomsky In totalitarian states, everyone recognizes propaganda. In our country, it’s a different story. 19 Photography and Propaganda by David Levi Strauss Richard Cross and John Hoagland were award-winning photojournalists who worked and were killed in Central America. They had hoped to change the world by “photographing the truth.” 24 Vox Populi by Nina Eliasoph Olliemania has come and gone. On-the-street interviews tell us why-in more depth than a hundred high-tech polls. 27 That’s Entertainment by Jay Rosen The techniques of the consciousness industries-TV, advertising, entertainment-grow ever flashier. Will audiences burn out? Reviews 30 What Reagan Reads by Philip Paull Terrorism: How the West Can Win by Benjamin Netanyahu. The manufacture of Reagan’s campaign against “international terrorism.” PROPAGANDA REVIEW Winter 87/88 2 Editorial Editor Political Discourse Marcy Darnovsky in the Propaganda Environment Executive Editor Frederic Stout The problem with calling a magazine Propaganda USA Promotion Director Propaganda Review is that “propaganda” In the American political arena, the Rea- Philip Paull is a slippery concept, difficult to define. -
Heritage Vol.1 No.2 Newsletter of the American Jewish Historical Society Fall/Winter 2003
HERITAGE VOL.1 NO.2 NEWSLETTER OF THE AMERICAN JEWISH HISTORICAL SOCIETY FALL/WINTER 2003 “As Seen By…” Great Jewish- American Photographers TIME LIFE PICTURES © ALL RIGHTS RESERVED INC. Baseball’s First Jewish Superstar Archival Treasure Trove Yiddish Theater in America American Jewish Historical Society 2002 -2003 Gift Roster This list reflects donations through April 2003. We extend our thanks to the many hundreds of other wonderful donors whose names do not appear here. Over $200,000 Genevieve & Justin L. Wyner $100,000 + Ann E. & Kenneth J. Bialkin Marion & George Blumenthal Ruth & Sidney Lapidus Barbara & Ira A. Lipman $25,000 + Citigroup Foundation Mr. David S. Gottesman Yvonne S. & Leslie M. Pollack Dianne B. and David J. Stern The Horace W. Goldsmith Linda & Michael Jesselson Nancy F. & David P. Solomon Mr. and Mrs. Sanford I. Weill Foundation Sandra C. & Kenneth D. Malamed Diane & Joseph S. Steinberg $10,000 + Mr. S. Daniel Abraham Edith & Henry J. Everett Mr. Jean-Marie Messier Muriel K. and David R Pokross Mr. Donald L. SaundersDr. and Elsie & M. Bernard Aidinoff Stephen and Myrna Greenberg Mr. Thomas Moran Mrs. Nancy T. Polevoy Mrs. Herbert Schilder Mr. Ted Benard-Cutler Mrs. Erica Jesselson Ruth G. & Edgar J. Nathan, III Mr. Joel Press Francesca & Bruce Slovin Mr. Len Blavatnik Renee & Daniel R. Kaplan National Basketball Association Mr. and Mrs. James Ratner Mr. Stanley Snider Mr. Edgar Bronfman Mr. and Mrs. Norman B. Leventhal National Hockey League Foundation Patrick and Chris Riley aMrs. Louise B. Stern Mr. Stanley Cohen Mr. Leonard Litwin Mr. George Noble Ambassador and Mrs. Felix Rohatyn Mr. -
AS Elections: a Look at Some Candidates
Volume9, No. 14 Publishedat UCSD 17thYear of Publication April17th - April30th 1984 A.S.Stipends Or DiverseMedia? The Role Of AlternativeMedia AlternativeMedia Up For Loaded Communicating Referendum Vote With The The Associated Students Council votedon April4th to placea referendum Outside questionon the ballotthat seeks to seriouslycut the budgetallocated to Any consciousperson is a~are that UCSD’s alternative media. The there are many differentlinguistic proposal, submitted by AS terrainsin San Diego(’ountv. People Commissionerof Communications.Tim speakof differentthings and in diflcrent Pickwelland AS President.Craig Lee, ways dependingon where they arc. At seeksto arbitrarilylimit funding for the \ .toe’sfilling station the linguistic range is alternativemedia to $20,000.The media substantiallydifferent from whatw~u affectedby this proposalinclude The hear around the Student (’enter at BirdcageReview. L’Cha.vim,Sappho UCSD, and a l.a .Iolla dress shop Speaks,Politijournal, Voz Fronteriza, discourseis differentin styleand content new indicator,Peopled Voice and The Overone hundredstudents attended a rallyagainst racist violence on ThursdayApril, froma collectivediscussion at theU(’SI) Koala.Voting on the issuetakes place 12 on the UCSD Gym steps.The event was co-sponsoredby Asian PacificStudent Women’sCenter. April18th & 19th. Alliance,Black Student Union and MECHA. The rallywas calledto protestthe racist When student’s leave the UCSD in a move that caughtmany members violenceon campusand acrossthe nation. campusin searchof jobs.the linguistic of the alternativemedia off guard, changesin theirbehavior will be very Pickwelland Lee bypassedthe usual noticeable.One of the jobsof themedia practicethat sees all legislation going to is to facilitate communication. eitherRules of FinanceCommittee for a Alternativemedia, work at bothends of recommendation.Instead, their bill went AS Elections:A Look this endeavor.While 9~10 of the new direcilyto theCouncil for an immediate indicator,scirculation is on campus. -
ROBERT CAPA Spanish Civil War and Wwii BIOGRAPHY - Born in Budapest, 1913 As Andre Friedmann - Studied and Worked in Berlin - Moved to Paris in 1933
ROBERT CAPA spanish civil war and wwii BIOGRAPHY - Born in Budapest, 1913 as Andre Friedmann - Studied and worked in Berlin - Moved to Paris in 1933 - met Gerda Taro Robert Capa on a destroyer during the ship arrivals in French beach for landings and liberation of France. - 1936 - 1938: Photographed the Spanish Civil War - 1939: Capa moves to New York - World War II - travels throughout Europe - D-Day Photographs - 1947: Travels to Russia with friend / writer John Steinbeck - 1947: Forms Magnum - 1954: Travels to Vietnam to cover the First Indochina war - Dies while on assignment MAGNUM - Had been thinking about the idea for many years - Met Chim in Paris who introduced him to Cartier-Bresson - During WWII met Rodger - In 1947 officially founded the agency SPANISH CIVIL WAR - War timed with technological developments - Given assignments by Vu - Exclusively shot for the Republican side - Photographs from 1936-1938 - 1936: Travels to Spain with Gerda Taro - Barcelona - Cordoba SPAIN. Barcelona. August 1936. - Madrid SPAIN. Andalucia. September 5th, 1936. Cerro Muriano, Córdoba front. Civilians fleeing. SPAIN. Santa Eulalia. 1936. Republican soldiers during an attack. - Highly controversial - First published in Vu on September 23rd, 1936 - First doubted in 1975 - 1996 soldier identified as Federico Borrell García - Question of authenticity - do specifics matter? SPAIN. Córdoba front. Early September, 1936. Death of a loyalist militiaman. Spanish Civil War Cont’d - November of 1936 Capa travels to Madrid alone - Shows fulls horror of the war - Gerda dies in Spain in 1938 SPAIN. Madrid. Winter 1936-1937. After an Italo-German air raid. D-Day Landing - June 6, 1944 Allied troops advance through Normandy - Omaha Beach - Capa is the only press photographer present GB.