Fact Sheet March 2005 Estonia Today Estonian modern culture Estonia situated between Eastern and Western Europe is also culturally a border area, to be more exact a crossing point. In the traditions of these parts, one can find elements originating from the East, as well as the West, but even more the Estonians have considered themselves as northern people and conceptually bound to Scandinavia. Marginal and border cultures are where one can find interesting phenomena and combinations. In this regard, Estonia happens to be a country of a dozen possibilities. Estonian modern culture, in spite of its size, includes a great number of different facets, for which it is often difficult to find common denominators. One of Estonia’s visiting cards is undoubtedly modern the completion of the new Estonian Art Museum (KUMU) classical music. Composers Arvo Pärt, Veljo Tormis in Tallinn in Kadriorg. This event should make Tallinn, at and Erkki-Sven Tüür need not be introduced to the fans least for a certain period, into the regional art centre. of more serious music, the same applies to conductors Neeme Järvi, Eri Klas and Tõnu Kaljuste working with Due to the protestant tradition one has often regarded the different orchestras and choirs all over the world, as well Estonian culture as being word centred, rather than image as Anu Tali who is attracting more and more attention. centred and one has emphasised the importance or even the preferred position of literature in comparison with other The role of music and singing has throughout the arts. In the present kaleidoscopic scene of literature one centuries been of utmost importance for the preservation can find several different trends. As before, new works are of the Estonian nation. The tradition of great Song being published by Jaan Kross, the grand old man of Festivals, which got its beginning in the swell of the Estonian literature who has treated the history and the fate national movement in the 19th century has up to present of the Estonian people. Jaan Kaplinski, a versatile prose been a distinctive event in the local culture. In recent writer, poet, essayist and translator is also influential in his years, the Viljandi Folk Music Festival has become a works. In the past decade the fiction works of Tõnu popular event for all ages, while keeping alive and Õnnepalu have evoked resonance and the texts of Hasso interpreting the traditional music of different peoples. Krull have played an important role in revealing the significance of culture. Viivi Luik has written poetry and The Estonians who have dedicatedly engaged in jazz prose blending together historic and personal experience. music through the decades have created a base and a Doris Kareva is carrying on the viable tradition of Estonian following for Jazz music and Jazzkaar (Jazz Arc), an women’s poetry. In Estonia, Andrus Kivirähk has become international festival that takes place in Estonia in the one of the most popular writers writing his own style of spring. The festival Hea Uus Heli (Good New Sound) is a Estonian mythology. The same applies to Kaur Kender, presentation of experimental and alternative music. who depicts the modern early-capitalist society. Active young Estonian poets have gathered into several groups. The collections of Estonian alternative musicians like The Nordic Poetry Festival that takes place in the spring Rulers of the Deep, Dave Storm, Galaktlan and many presents new local poetry, as well as the poetry of close others have merited recognition in the US, Great Britain, neighbours. Germany and around the world. Estonian pop artists like Vanilla Ninja, Maarja, 2001 Eurovision Song Contest In addition to Estonian literature, translating has had a key winners Tanel Padar and Dave Benton have widened role in the interpretation of fiction classics, as well as the their field of play by succeeding on Western pop charts. basic history of culture texts. The problems of the preservation, development and modification of the Estonian Although visual arts know no language barriers, the path language, spoken by less than a million people, as well as to international success for Estonians in this field has the creation of a proper vocabulary in all spheres of life are been a little bumpier than in music. Video artists Jaan becoming increasingly topical in the modern and evermore Toomik and Ene-Liis Semper, who have represented open society. The cultural media fills the same role, since Estonia at the Venice Biennial, energetically participate in its readership is proportionally large compared to the the international life of art together with Mare Tralla, population. Liina Siib and several others. Among expatriate Estonian artists Mark Kalev Kostabi and his Kostabi World in The theatre compared to individual creation is a more New York have attracted the most attention. Through the complex system and for that reason changes in that field decades the works of painters Jüri Arrak and Enn have been slower and more painstaking. Having for some Põldroos have been popular with the domestic public. time been at a low ebb, the houses were full again at the beginning of the 1990s. The oldest Estonian theatre, the While the wider acceptance of new forms of art inevitably “Vanemuine” in Tartu has retained its universality with requires time, it has also been difficult for the Estonian drama, music, as well as dance performances being staged public to keep continuous contact with its art classics due there. In addition to the Estonian Drama Theatre and the to the lack of a full-scale museum exposition. In 2005, an opera and ballet house “Estonia”, the Tallinn City event of great importance to the Estonian, Baltic, Nordic, Theatre has become a top-level theatre primarily thanks to as well as the Europe art scene will take place; its strong willed leader, producer Elmo Nüganen. Press and Information Department, Estonian Ministry of Foreign Affairs Islandi väljak 1, Tallinn 15049, Estonia Tel. +372 631 7600, Fax +372 631 7617, E-mail: [email protected] http://www.vm.ee Fact Sheet March 2005 The Von Krahl Theatre headed by producer Peeter industry has for decades been animation and its calling Jalakas consistently deals with alternative forms of card Priit Pärn’s animated cartoons are among the best in performance. Playwright and producer Mati Unt has the world. been introducing post-modern strategies and tactics, and in this way he has created a public devoted to his The Estonian living environment has undergone as many theatre. The summer theatre has become a phenomenon changes as the spiritual space. Architecture and urban and public magnet on its own. The theatre discovers new renewal have in the last decade been the topics of a lively playing places that allow for the creation of entertaining, discussion primarily in Tallinn, where the old town included as well as more serious performances outside ordinary in the UNESCO list of world heritage and a new city space theatre rooms. Alongside of big state theatres, small with mirror-glassed offices and bank buildings, hotels and freelance troupes are becoming more and more viable; malls stand side by side. Another topic of conversation has also a circle of those actively engaged in modern dance been monuments, which recall complicated and at times has sprung up involving a number of troupes, agencies controversial events throughout Estonian history as well as and festivals. standing as works of art and specimens of urban design. In addition to the spiritual and physical environment the role of Along with the theatre, film production is getting on the third space, virtual reality is becoming more and more its feet again with new economic and creative resources important in everyday life as well as in the cultural life of accompanied by a new generation of film directors Estonians. New technological mediums have left their mark (Marko Raat, Jaak Kilmi). The annual highlight of film on the development of visual arts, but also as a means of scene is undoubtedly the international Black Nights communication through professional electronic journals and Film Festival, which has developed into a meeting place web sites. The openness towards new possibilities reflects for Estonian film nuts as well as for neighbouring film the mobility of a small culture and its being readiness for buffs. The Pärnu Documentary and Anthropological Film change without self-effacement. Festival organised every summer by filmmaker and versatile mediator of culture Mark Soosaar has also found its own public. The trademark of the Estonian film Written for the MFA by Anu Allas, art critic .