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A Midsummer Night's Dream
9 TEATRO MASSIMO BRITTEN BENJAMIN B enjamin B ritten A MIDSUMMER NIGHT’S DREAM | MIDSUMMER NIGHT’S DREAM NIGHT’S MIDSUMMER Membro di seguici su: teatromassimo.it Piazza Verdi - 90138 Palermo ISBN: 978-88-98389-61-2 euro 10,00 SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO AL TURISMO SPORT E SPETTACOLI ALBO DEI DONATORI Fondazione ART BONUS Teatro Massimo Tasca d’Almerita Francesco Giambrone Sovrintendente Angelo Morettino srl CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) Presidente Giovanni Alongi Leonardo Di Franco Vicepresidente Daniele Ficola Sais Autolinee Francesco Giambrone Sovrintendente Enrico Maccarone Agostino Randazzo Anna Sica Marco Di Marco COLLEGIO DEI REVISORI Maurizio Graffeo Presidente Filippone Assicurazione Marco Piepoli Gianpiero Tulelli Giuseppe Di Pasquale Alessandra Giurintano Di Marco TURNI A MIDSUMMER NIGHT’S DREAM (Sogno di una notte di mezza estate) Opera in tre atti Libretto di Benjamin Britten e Peter Pears da A Midsummer Night’s Dream di William Shakespeare Data Turno Ora Musica di Benjamin Britten Martedì 19 settembre Prime 20.30 C Giovedì 21 settembre 18.30 Prima rappresentazione: F Venerdì 22 settembre 20.30 Aldeburgh Festival, 11 giugno 1960 Domenica 24 settembre D 17.30 Martedì 26 settembre B 18.30 S1 Mercoledì 27 settembre 18.30 Prima rappresentazione a Palermo Lo spettacolo sarà trasmesso in diretta da RAI Radio3 e in differita da RAI5 Allestimento del Palau de les Arts Reina Sofia di Valencia INDICE 1 ARGOMENTO 13 SYNOPSIS 17 ARGUMENT 21 HANDLUNG 25 2 ALESSANDRA SCIORTINO INTRODUZIONE ALL’OPERA 31 DARIO OLIVERI «SIGNORE, CHE PAZZI QUESTI MORTALI!» UN PERCORSO INTORNO AL MIDSUMMER NIGHT’S DREAM DI BENJAMIN BRITTEN 39 3 IL LIBRETTO 65 ATTO I 66 ATTO II 96 ATTO III 140 4 BENJAMIN BRITTEN 179 LE PRIME DI BRITTEN AL TEATRO MASSIMO 183 BIBLIOGRAFIA ESSENZIALE 191 NOTE BIOGRAFICHE 193 1 ARGOMENTO 13 SYNOPSIS 17 ARGUMENT 21 HANDLUNG 25 ARGOMENTO Sogno di una notte di mezza estate ATTO I Nel bosco Puck annuncia l’arrivo di Oberon e Titania. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2001 -- Issue 63 Of course, you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is observed. There's nothing like a bargain. W ith the postal rate on letters weighing more than an ounce going up on July 1, it seemed like a good idea to try to get a "fat" newsletter out before the change. So here we are. Although we're lacking any play synopses this time around, we do have the answers to last year's Big Quiz, plenty of news of G&S productions, and some interesting insights from Arthur Robinson. So let's see how it goes. Oh, Members, How Say You, What is it You've Light Opera at (330) 263-2345 / www.wooster.edu/OHIOLIGHTOPERA/ . Or e-mail Done? [email protected]. And their address is The We were saddened and pleased to learn that MGS College of Wooster, Wooster, OH 44691. member and frequent G&S lead performer David Michaels is leaving the Chicago area for Seattle. Sad because he’s Although Light Opera Works isn't presenting any G&S going, and glad because he’ll be seeing more of his family this season, they do have an interesting program for youth, (and able to report on G&S activity in Washington State)! featuring, among other things, an opportunity to work on a Best wishes for his move and his future! production of The Pirates of Penzance. Their Musical Theater Summer Workshops (“for kids 8 to 18") this year By the way, someone asked what our membership include Annie (July 9-14, 2001), Pirates of Penzance (July statistics are, after the renewals were returned. -
Bravoto the BLUE HILL TROUPE!
Blue Hill Trou Hill Blue The secret is out... Blue Hill Troupe, Ltd. Greenwood Gardens, presents a historic garden in Short Hills, New Jersey opens to the public! pe, Ltd. Gilbert & Sullivan’s Gilbert & Sullivan’s The THE MIKADOTHE reated in a gilded age and restored in light of today’s best practices, Greenwood Gardens is Can enclave of historic ornamental gardens less than an hour’s drive from New York City. Beginning Mikado April 28, 2013, Greenwood will open its grounds to the public as a new cultural resource devoted to or, The Town of Titipu the appreciation of horticulture, preservation, and conservation. for the benefit of The GO Project Photos: ©Ken Druse April 12-20, 2013 274 Old Short Hills Road Hours: Short Hills, New Jersey 07078 Beginning April 28, 2013 Sunday 10 A.M. - 4 P. M. El Teatro of El Museo del Barrio 2013 973-258-4026 Monday 10 A.M. - 3 P. M. New York, NY greenwoodgardens.org Tuesday 10 A.M. - 3 P. M. Deutsche Bank Private Wealth Management Inspiring Minds, Sharing Cultures Deutsche Bank Private Wealth Management recognizes the importance of the arts and appreciates the positive influences they make on society. Through longstanding partnerships with organizations that support artistic and cultural dynamism, we are dedicated to providing experiences with the arts to a wide-ranging audience. We are committed to preserving and expanding the rich and diverse cultural resources in the communities in which we are deeply rooted. Deutsche Bank Private Wealth Management is proud to support the Bill Hill Troupe’s production of The Mikado. -
Precious Nonsense NEWSLETTER of the MIDWESTERN GILBERT and SULLIVAN SOCIETY November 1995 -- Issue 46
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY November 1995 -- Issue 46 As is invariably the case, it's been one thing after another lately. Thanks to Michaem Miano and Carol Lee Cole, we have something ready-made to put in the Nonsense. Once things cool slow down at work, S/A Cole will have time to go through the piles of material, and put out a full-blown issue. Michael Miano and Carol Lee Cole both submitted their pieces in computer-readable form, and they appear here as they were submitted (I may spell-check them, but that'll be about it). While the Nonsense doesn't necessarily stand for an unrestricted press, its editorial staff certainly believes in letting people express their opinions. And if readers want to debate points, that's great. S/A Cole will be happy to forward messages. Anyway, it ought to make for interesting reading. Sarah Cole thanks all the membership of the Midwestern Gilbert and Sullivan Society for their patience over the last two years; and especially thanks the other G&S societies, who have been tremendously indulgent with the MGS's difficulties. We hope to return the kindness some day. In the meantime, here's what we've got. Oh Members, How Say You, What Is it You've The 1995 MGS Big Quiz Answers Done? At first, these weren't going to be included. As you may recall, Earlier this year, in which the Fiftieth the quiz came from the book Guess Again (James Monahan and Tom anniversary of the end of World War II was Davin. -
Sir Colin Davis Discography
1 The Hector Berlioz Website SIR COLIN DAVIS, CH, CBE (25 September 1927 – 14 April 2013) A DISCOGRAPHY Compiled by Malcolm Walker and Brian Godfrey With special thanks to Philip Stuart © Malcolm Walker and Brian Godfrey All rights of reproduction reserved [Issue 10, 9 July 2014] 2 DDDISCOGRAPHY FORMAT Year, month and day / Recording location / Recording company (label) Soloist(s), chorus and orchestra RP: = recording producer; BE: = balance engineer Composer / Work LP: vinyl long-playing 33 rpm disc 45: vinyl 7-inch 45 rpm disc [T] = pre-recorded 7½ ips tape MC = pre-recorded stereo music cassette CD= compact disc SACD = Super Audio Compact Disc VHS = Video Cassette LD = Laser Disc DVD = Digital Versatile Disc IIINTRODUCTION This discography began as a draft for the Classical Division, Philips Records in 1980. At that time the late James Burnett was especially helpful in providing dates for the L’Oiseau-Lyre recordings that he produced. More information was obtained from additional paperwork in association with Richard Alston for his book published to celebrate the conductor’s 70 th birthday in 1997. John Hunt’s most valuable discography devoted to the Staatskapelle Dresden was again helpful. Further updating has been undertaken in addition to the generous assistance of Philip Stuart via his LSO discography which he compiled for the Orchestra’s centenary in 2004 and has kept updated. Inevitably there are a number of missing credits for producers and engineers in the earliest years as these facts no longer survive. Additionally some exact dates have not been tracked down. Contents CHRONOLOGICAL LIST OF RECORDING ACTIVITY Page 3 INDEX OF COMPOSERS / WORKS Page 125 INDEX OF SOLOISTS Page 137 Notes 1. -
Midwestern Gilbert and Sullivan Society
NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY September 1990 -- Issue 27 But the night has been long, Ditto, Ditto my song, And thank goodness they're both of 'em over! It isn't so much that the night was long, but that the Summer was (or wasn't, as the case may be). This was not one of S/A Cole's better seasons: in June, her family moved to Central Illinois; in July, the computer had a head crash that took until August to fix, and in that month, she was tired and sick from all the summer excitement. But, tush, I am puling. Now that Autumn is nearly here, things are getting back to normal (such as that is). Since there was no summer Nonsense, there is all kinds of stuff in this issue, including the answers to the Big Quiz, an extended "Where Can it Be?/The G&S Shopper", reports on the Sullivan Festival and MGS Annual Outing, and an analysis of Thomas Stone's The Savoyards' Patience. Let's see what's new. First of all, we owe the Savoy-Aires an apology. Oh, Members, How Say You, S/A Cole had sincerely believed that an issue of the What is it You've Done? Nonsense would be out in time to promote their summer production of Yeomen. As we know now, Member David Michaels appeared as the "First no Nonsense came out, and the May one didn't even Yeomen" in the Savoy-Aires' recent production of mention their address. Well, we're going to start to The Yeomen of the Guard. -
2016 Remembrance Day
1 2016 Remembrance Day We observed Remembrance Day on a beautiful, crisp Sunday afternoon. We were fortunate to have as our guests the Terrell/Kaufman County chapter of the Daughters of the American Revolution, family members of several former cadets, in addition to the RAF contingent at Majors Field, Greenville, TX. Retired pastor Bob Price officiated, Sqd Ldr Craig O’Donnell read the poem High Flight; MACR Pete Holt did flag duty, and Sqd Ldr Barnes placed the wreath. Long-time volunteer Judy Hollis read the poem Ode of Remembrance. Refreshments were served at the Museum after the service. (Photos provided by Museum volunteer Paul Finnegan) 2 Recent Visitors The Dallas Arms Collectors Association (DACA) enjoyed a day-long excursion visiting local WWII and military museums. The highlight of the day was its conclusion at the No 1 BFTS Museum. Donations Mrs. Elaine Sherman of the Roemisch Foundation made a donation to the Museum in honor of her late husband, Flt Lt Francis G. H. “Ted” Sherman, RAFVR. Mr. Sherman was one of two men who were tasked with the disposition of British property, and closing the No. 1 BFTS at the end of WWII. 3 In Remembrance Jeffery Heard 4th June 1925 – 15th May 2016 Jeffery Heard – “Jeff” – was born on 4th June 1925 and grew up in Buckhurst Hill, Essex, England. His father was an architect and he had two brothers, Jim and Brian. Following the death of his mother when he wss aged 8, in his teenage years during the Second World War, his father was sent to help extend the airstrip at Aldergrove airport outside Belfast, Northern Ireland. -
Hitchmough's Black Country Pubs
HITCHMOUGH’S BLACK COUNTRY PUBS BRIERLEY HILL (Inc. Pensnett, Quarry Bank, Round Oak) 3rd. Edition - © 2015 Tony Hitchmough. All Rights Reserved www.longpull.co.uk INTRODUCTION Well over 40 years ago, I began to notice that the English public house was more than just a building in which people drank. The customers talked and played, held trips and meetings, the licensees had their own stories, and the buildings had experienced many changes. These thoughts spurred me on to find out more. Obviously I had to restrict my field; Black Country pubs became my theme, because that is where I lived and worked. Many of the pubs I remembered from the late 1960’s, when I was legally allowed to drink in them, had disappeared or were in the process of doing so. My plan was to collect any information I could from any sources available. Around that time the Black Country Bugle first appeared; I have never missed an issue, and have found the contents and letters invaluable. I then started to visit the archives of the Black Country boroughs. Directories were another invaluable source for licensees’ names, enabling me to build up lists. The censuses, church registers and licensing minutes for some areas, also were consulted. Newspaper articles provided many items of human interest (eg. inquests, crimes, civic matters, industrial relations), which would be of value not only to a pub historian, but to local and social historians and genealogists alike. With the advances in technology in mind, I decided the opportunity of releasing my entire archive digitally, rather than mere selections as magazine articles or as a book, was too good to miss. -
Precious Nonsense NEWSLETTER of the MIDWESTERN GILBERT and SULLIVAN SOCIETY April 1997 -- Issue 52
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY April 1997 -- Issue 52 Tentative Pinafore Outing Member Hugh Locker has offered to organize a Midwestern Gilbert and Sullivan Society Outing to one of the matinee performances of Light Opera Works' June 8, 1997, performance of H.M.S. Pinafore, depending on if enough people want to go. If you are interested in going, call him right away: (815) 385-3676 The final price for the outing has yet to be determined, but figure on the show tickets costing between $40.00 and $50.00, plus dinner afterwards. As these affairs generally work, participants make their own arrangements to get to Cahn Auditorium. Hopefully, enough people would be interested to get a group rate on the tickets. We need at least 20 people to get a group rate (tell your friends!). Afterwards, everybody goes to some local restaurant for dinner. Everybody pays their own checks, which saves a lot of calculations and bad feelings later. These arrangements have worked out pretty well in the past, though. This outing may come off, or it may not: Please call Hugh Locker at (815) 385-3676 by May 10, 1997 so plans can be made or cancelled. Fair moon, to thee I sing, Bright regent of the heavens, Say, why is everything Either at sixes or at sevens? Here we are again, and I'm sorry about the delay. Things here have really been at sixes and sevens for the last several months. But with the cheerful sunshine of (and the flowers that bloom in the) Spring, we'll get there. -
Locantro Programmes – Gilbert & Sullivan
Tony Locantro Programmes – Gilbert & Sullivan MSS 792 T3743.L Theatre Date Performance Details English National 2006 The Gondoliers Opera Dir: Richard Balcombe Geoffrey Dolton, David Curry, David Stafford- Allen, Rebecca Bottone Theatre Date Performance Details Golders Green 1952 D’Oyly Carte Opera Company Hippodrome Patience Dir: Isidore Godfrey Peter Pratt, Alan Styler, Muriel Harding Theatre Date Performance Details Her Majesty’s 1962 H.M.S. Pinafore Theatre Dir: Tyrone Guthrie Eric House, Marion Studholme, Andrew Downie 1962 The Pirates of Penzance Dir: Tyrone Guthrie Eric House, Marion Studholme Theatre Date Performance Details Open Air Theatre 2001 New Shakespeare Company Regent’s Park The Pirates of Penzance Dir: Ian Talbot Sara Hillier, Giles Taylor, Mark Roper 2005 H.M.S. Pinafore July, August, September (tickets only) Theatre Date Performance Details Savoy Theatre 1960-1961 Iolanthe (D’Oyly Carte Con: Sir Malcolm Sargent Opera Company) Dir: Isidore Godfrey Joyce Wright, Kenneth Sandford, Gillian Knight, Mary Sansom 1960-1961 Princess Ida Con: Isidore Godfrey Dir: Isidore Godfrey Jean Hindmarsh, Gillian Knight, John Reed 2000 The Mikado Musical Dir: John Owen Edwards Dir: Ian Judge 2001 The Pirates of Penzance Dir: Stuart Maunder 2002 Iolanthe Dir: Martin Connor 2002 The Yeoman of the Guard Dir: Ian Talbot 2000 H.M.S. Pinafore Dir: Martin Duncan Theatre Date Performance Details Westminster 1979 The Mikado Theatre Dir: Ken Hill (The Musical Philip Summerscales, Neil Jenkins, Martin Theatre Co.) McEvoy, Ann Hood, Fiona Dobie . -
D'oyl Y Carte Fame
Presents with Stars of D'OYL Y CARTE FAME FRIDAY EVENING, OCTOBER 6, 1972, AT 8:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN First Program International Presentations in Power Center Complete Programs 3780 The World of Gilbert and Sullivan THOMAS ROUND, Tenor JOHN CARTIER, Baritone DONALD ADAMS, Bass JEAN TEMPERLEY, Contralto ANGELA JENKINS, Soprano CLIVE TIMMS, Conductor and Pianist PROGRAM We're called gondolieri, The Gondoliers Thomas Round Thank you, gallant gondolieri Donald Adams Angela Jenkins Jean Temperley Scene from Act 2, Iolanthe John Cartier The nightmare song Thomas Round If you go in Donald Adams Minerva, Oh hear me, Princess Ida Angela Jenkins Not long ago, Cox and Box . Thomas Round Donald Adams Altho' of native maids the cream, Utopia Ltd. Angela Jenkins Jean Temperley The world is but a broken toy, Princess Ida Angela Jenkins Jean Temperley Thomas Round John Cartier The Fairy Queen's Song, Iolanthe Jean Temperley A wandering minstrel, The Mikado Thomas Round Scene from Act 2, The Pirates of Penzance Thomas Round Donald Adams Jean Temperley Angela Jenkins The Sentry's Song, Iolanthe . Donald Adams Were you not to Ko-Ko plighted, The Mikado Angela Jenkins Thomas Round A woman of the wisest wit, Princess Ida . Angela Jenkins Jean Temperley Thomas Round John Cartier Donald Adams INTERMISSION Never mind the why or wherefore, HMS Pinafore . Angela Jenkins John Cartier Donald Adams Madrigal, The Mikado . Angela Jenkins Jean Temperley Thomas Round Donald Adams Scene from Act 2, The Yeomen of the Guard. Angela Jenkins Jean Temperley Thomas Round John Cartier The Mikado's Song, The Mikado.