New York Fashion Week Schedule
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Puma Kylie Rihanna 1
Buzz Queens Why Rihanna and Kylie Jenner are critical to Puma’s ambitious new women’s push. By Sheena Butler-Young GE CHINSEE R O E S: G R THE O L AL AND; R B F O Y S E T R U O C : BU AM J OCK; ST R SHUTTE X Behind S: LEPORE: RE the scenes ofO a recent FentyOT design meetingPH ver Easter weekend, why Puma is making the trendset- are nothing new, but the German Rihanna was relishing ting songstress a cornerstone of its footwear-and-apparel maker’s col- a rare few hours of business strategy. laborations with two of pop culture’s O downtime in New But the brand isn’t stopping there. most influential women are not of Last week, the highly anticipated the garden variety. from her Anti World Tour. Scores sneaker from Puma’s campaign with Rihanna, Puma’s women’s creative of paparazzi snapped flicks of the Kylie Jenner hit stores, fueling a new director since December 2014, and UMA P star as she ran errands in a black wave of buzz after the queen of social Kylie Jenner, the brand’s newest F O Vetements hoodie and fur slides media teased her partnership for the ambassador, represent a strategic Y S E T from her Fenty x Puma collection. past month on Instagram. R U O Make no mistake about it: Puma to the women’s market in an unprec- C S: Rihanna’s every fashion move is a is serious about girl power. edented way. O OT statement for the masses. -
Architecting Intellectual Property Protection for the Fashion Industry by Ashlee Froese Gilbert’S LLP
Fashioning Protection For Canada’s Most Fabulous: Architecting Intellectual Property Protection for the Fashion Industry By Ashlee Froese Gilbert’s LLP 1. Introduction Fashion matriarch Coco Chanel once famously stated that imitation is the highest form of flattery. I wonder if renowned shoe designer Christian Louboutin, who has been embroiled in trade-mark litigation in America and France for the last few years over his red-bottomed shoes, would agree. In the legal world, counterfeiting has long been acknowledged as a serious and costly piranha to the fashion industry. This is not the only hurdle facing the fashion designer. Less recognized yet arguably just as pervasive, fashion design piracy can be devastating to the livelihood of the fashion designer. This legal doctrine, however, has had slow traction in Canada. This paper examines the concept of fashion design piracy and provides strategies on how fashion designers can best protect their fashion designs within the confines of the Canadian intellectual property framework. 2. Canada’s Fashion Industry Canada’s roots are deeply entrenched in the fashion industry. Canada’s fur trade was the leading resource-based export for Canada during its inception, making it a foundation of the burgeoning economy. The fur trade continues to be a significant contributor to the Canadian economy.1 In fact, the Fur Institute of Canada estimates that the fur industry contributes $800 million to the Canadian 2 economy. 1 No animals were harmed during the writing of this paper. 2 Fur Institute of Canada “Canada’s Fur Trade at a Glance” http://www.fur.ca/files/fur_trade_at_a_glance.pdf 2 Perhaps more palatable to animal lovers, Canada’s fashion industry has become more well-rounded. -
The Fashion Runway Through a Critical Race Theory Lens
THE FASHION RUNWAY THROUGH A CRITICAL RACE THEORY LENS A thesis submitted to the College of the Arts of Kent State University in partial fulfillment of the requirements for the degree of Master of Arts by Sophia Adodo March, 2016 Thesis written by Sophia Adodo B.A., Texas Woman’s University, 2011 M.A., Kent State University, 2016 Approved by ___________________________________________________________ Dr. Tameka Ellington, Thesis Supervisor ___________________________________________________________ Dr. Kim Hahn, Thesis Supervisor ___________________________________________________________ Dr. Amoaba Gooden, Committee Member ___________________________________________________________ Dr. Catherine Amoroso Leslie, Graduate Studies Coordinator, The Fashion School ___________________________________________________________ Dr. Linda Hoeptner Poling, Graduate Studies Coordinator, The School of Art ___________________________________________________________ Mr. J.R. Campbell, Director, The Fashion School ___________________________________________________________ Dr. Christine Havice, Director, The School of Art ___________________________________________________________ Dr. John Crawford-Spinelli, Dean, College of the Arts TABLE OF CONTENTS Page LIST OF FIGURES ....................................................................................................................... iv ACKNOWLEDGEMENTS ........................................................................................................... iii CHAPTER I. INTRODUCTION .................................................................................................................. -
Becca Mccharen-Tran for Chromat
Becca McCharen-Tran for Chromat MarVena M. Bhagratee & Isabel Lantigua Introduction Becca McCharen-Tran is a Queer contemporary designer based in Bushwick, New York. She is the founder and designer for the brand Chromat, which is known for their cage-like garments and 3D printing. Chromat has appeared at New York Fashion Week in 2015, 2016, and is expected to present for Spring, 2017. McCharen-Tran’s runway and print models typically consist of women who are transgender and plus-sized; designing for these women as well as having them model her clothing on the runway is what she is known for. She is also known for having an architectural eye when it comes to her garments. She has a deep love for scaffolding and looks at the body as a worksite, just like an architect would look at an unfinished building. Furthermore, McCharen-Tran is now experimenting with fashion technology which combines fashion and communication that is responsive to movement and/or the environment. Who exactly is Becca McCharen-Tran? McCharen-Tran is a small town girl from Lynchburg, Virginia. She was born on May 27, 1985. Today, she is the designer and founder of Chromat. She is just as surprised as anyone that she has made it this far in her career, considering she never intended to become a fashion designer. She has experience with designing garments and also has a solid background in architectural design. McCharen-Tran studied architecture at the University of Virginia. During this time, she had no major fashion influence around her, so one may wonder how her love for fashion came into being. -
Walking Away from the Runway
Walking Away from the Runway Thesis – One Year Master Textile Manage ment Christina Christodoulou Year: 2015. Thesis id number: 2015.11.06 Acknowledgements I would like to wholeheartedly thank my supervisor David Goldsmith for his guidance and knowledge and most of all for his positive spirit. Also, I would like to thank my parents who really supported me the whole year with their love under any circumstances. Thanks to the designers who accepted to participate in my group discussion and enlightened my thesis with their ideas. Lastly, the paper is dedicated to my favourite uncle that I lost during the master thesis. He was a smiley person who loved to be educated. English title: Walking Away from the Runway Year of publication: 2015 Author/s: Christina Christodoulou Supervisor: David Goldsmith Abstract Fashion shows in a common western context were focused on the garments that were presented. Albeit, the latest decades a shift has been observed from what is presented to how it is presented to the audiences. Particular designers are the leaders of this evolution. Does this phenomenon imply something long term for the fashion system and how fashion is displayed? The purpose of the research is to inquire into the metamorphosis of the runway presentations from the expected status quo to new forms. The compass of this exploration is an observation about fashion shows in retrospect and a focus group discussion with fashion designers master students from the Swedish School of Textiles. It contributes an insight into designers’ approach towards fashion presentations, yet it is used as tool to enable them illustrate their vision on their future presentations. -
AN EXAMINATION of VANCOUVER FASHION WEEK by Vana Babic
AN EXAMINATION OF VANCOUVER FASHION WEEK by Vana Babic Bachelor of Arts in Political Science, European Studies, University of British Columbia, 2005 PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF BUSINESS ADMINISTRATION In the Faculty of Business Administration © Vana Babic 2009 SIMON FRASER UNIVERSITY Summer 2009 All rights reserved. However, in accordance with the Copyright Act of Canada, this work may be reproduced, without authorization, under the conditions for Fair Dealing. Therefore, limited reproduction of this work for the purposes of private study, research, criticism, review and news reporting is likely to be in accordance with the law, particularly if cited appropriately. Approval Name: Vana Babic Degree: Master of Business Administration Title of Project: An Examination of Vancouver Fashion Week Supervisory Committee: ________________________________________ Dr. Michael Parent Senior Supervisor Associate Professor Faculty of Business Administration ________________________________________ Dr. Neil Abramson Second Reader Associate Professor of International Strategy Faculty of Business Administration Date Approved: ________________________________________ ii Abstract This study proposes a close examination of Vancouver Fashion Week, a biannual event held in Vancouver, showcasing local and international talent. It is one of the many Fashion Weeks held globally. Vancouver Fashion Week can be classified in the tertiary market in terms of coverage and designers showcased. The goal of these fashion shows is to connect buyers, including but not limited to boutiques, department stores and retail shops, with designers. Another goal is to bring media awareness to future trends in fashion. The paper will begin with an introduction to Fashion Weeks around the world and will be followed by an industry analysis. -
Council of Fashion Designers of America
Council of Fashion Designers of America ANNUAL REPORT 2017 The mission of the Council of Fashion Designers of America is to strengthen the impact of American fashion in the global economy. B 1 Letter from the Chairwoman, Diane von Furstenberg, and the President and Chief Executive Officer, Steven Kolb In fashion, we respond to the world we live in, a point that was powerfully driven home in 2017. We were excited to see talents with broad cultural backgrounds and political ideas begin to express their experiences and beliefs through their collections. Diversity moved into the spotlight in ways we have never seen before. Designers embraced new approaches to business, from varying show formats to disruptive delivery cycles. It was also the year to make your voices heard, and CFDA listened. We engaged in civic initiatives important to our industry and partnered with Planned Parenthood, the ACLU, and FWD.us. We also relaunched our CFDA Health Initiative with guidelines to help those impacted by sexual assault or other forms of abuse. There’s no going back. In 2018, CFDA is moving ahead at full speed with an increased focus on inclusivity and women in fashion, the latter through an exciting new study with Glamour magazine. We may be a reflection of the world we live in, but we also work hard to make that world a better place. Altruism, after all, never goes out of style. 3 CFDA STRENGTHENED PILLARS WITH MISSION-DRIVEN ACTIONS MEMBERSHIP Fashion Professional Fashion Civic+ Retail Partnership Week + Market Development Supply Chain Philanthropy Opportunities SUSTAINABILITY INDUSTRY ENGAGEMENT SOCIAL AND EDITORIAL MARKETING AND EVENTS KEY UNCHANGED MODIFIED NEW PROVIDED INITIATIVES RELEVANT TO DESIGNERS EMERITUS AT EVERY STAGE OF CAREER DESIGNERS • Board Engagement • Philanthropy and Civic ICONIC Responsibility DESIGNERS • Mentorship • Editorial Visibility • Board Engagement • Fashion Week • Philanthropy and Civic ESTABLISHED Responsibility DESIGNERS • Mentorship • Editorial Visibility • NETWORK. -
Post No Bill: the Transience of New York City Street Style
VOLUME 1 Post No Bill: The Transience of New York City Street Style BY BRENT LUVAAS https://doi.org/10.38055/FS010101 Abstract: The sidewalks outside New York Fashion Week are lined with makeshift plywood walls. They are designed to keep pedestrians out of construction zones, but they have become the backdrops of innumerable “street style” photographs, portraits taken on city streets of self-appointed fashion “influencers” and other stylish “regular” people. Photographers, working to build a reputation within the fashion industry, take photos of editors, bloggers, club kids, and models, looking to do the same thing. The makeshift walls have become a site for the staging and performance of urban style. This photo essay documents the production of style in urban space, a transient process made semi- permanent through photography. KEYWORDS • photography • street style • New York • Fashion Week • urban space he Transience of New York City Street Style City Street of New York he Transience Post No Bill: T FIGURE 1 Street style photograph of Kate Lanphear, outside Peter Som in New York. The sidewalks of Chelsea and the Meatpacking District, Brent Luvaas, 2013, photograph. where most of the off-site venues of New York Fashion Week are located, are lined with cheap plywood walls, painted dark blue or dark green, with concrete slabs at their base, and industrial-strength staples holding them into place (see fig. 1 and fig. 2). Their shoddy construction bespeaks their intended impermanence. Nails poke through. Paint cracks and fades. The venation of the wood remains visible beneath. The walls, erected as barricades between pedestrians and the myriad multimillion- dollar construction projects that are in process at any given time in Manhattan, are covered with simple, bold warnings: POST NO BILL. -
3,30 € Spuren Hinterlassen 2021 Virtuelles Event Für Studierende Und Promovierende Aller Fachrichtungen
leben. studieren. arbeiten + Die besten Unis für BWL und VWL El Hotzo: Wie der Twitter-König und 29 andere junge Menschen unseren Alltag in der Krise lustiger, besser und 5,10 CHF 5,10 gerechter machen Schweiz FEBRUAR 2021 / 3,40EURO JANUAR Nr. 1 Nr. Österreich Er ist € dran! 3,30 Spuren hinterlassen 2021 Virtuelles Event für Studierende und Promovierende aller Fachrichtungen. 18.–20. Februar. Erlebe, wie wir bei McKinsey arbeiten. Lerne unsere Beraterinnen und Berater persönlich kennen. Stelle unserem Global Managing Partner deine Fragen. Entwickle in wertvollen Workshops deine Stärken weiter. Und berate im Team ein nachhaltiges Start-up. Bewirb dich jetzt: spuren-hinterlassen.mckinsey.de erlebeMcKinsey Bewerbungsschluss 04.01.2021 3 UND WAS MACHST DU SO? »Vor einem Jahr habe ich meine Bachelorarbeit einfach liegen gelassen und bin nach Lesbos geflogen. Ich wollte den Geflüchteten dort helfen. Doch das wird immer schwieriger, weil die griechische Regierung seit dem Brand in Moria die Camps räumt. Darunter ist auch das Camp Pikpa, in dem ich mich um 30 unbegleitete Kinder kümmere. Im Moment werden sie hier gut versorgt. Mal gehe ich mit ihnen schwimmen, mal zeigen sie mir, wie ich Wassermelonenkerne weit spucken kann. Wenn es dunkel wird, fühlen sie sich oft einsam, dann sitzen wir zusammen und essen Falafel. Wo sie Titelfoto: Diana Pfammatter; Haare und Make-up: Kristina Griffato/Nina Klein Agency; Fotoassistenz: Julia Hebeisen; Text: Aufgezeichnet von Lukas Hildebrand; Foto: Myrto Papadopoulos nach der Räumung leben werden, wissen sie nicht.« Svenja Berfuß, 25, studiert Kulturwissenschaft und Gender Studies in Berlin. 4 »Ich teile meinen Arbeitsplatz mit rund 15 Millionen Wespen, Ameisen und Wanzen. -
Mercedes Benz Fashion Week New York Schedule
Mercedes Benz Fashion Week New York Schedule Nolan interlaminating his substrate interlaces ineradicably or mumblingly after Truman outhitting and intergrades consciously, anfractuous and prehensile. Overmodest Winifield fubbing Christian. Salim masquerades displeasingly as cureless Hal extravagate her pattens abstain disobediently. As soon as a past eleven years with links, ideal for new york to livestream fashion week to digitally for life is scheduled to Marc Jacobs Pop Up Shop: Where Money send Nothing! Fashion content free for mercedes benz china, on mobile phone screen in. Featured posts can be displayed anywhere then your site using a public Feed. Your application was successfully sent. But instead opted out or shares with a schedule of mercedes benz pulled out. This space in the world the designer exchange inc and branding to make every simplebooklet has entitlement to connect with press week new fashion york fashion week to create as its effort to make the correct address. Would have attempted to. Deets New York Fashion event held in February and September of each year aboard a. Lauren and filled with order with brands including skylight moynihan station on facebook and has created for new domain. Yes, technology and social media have pushed the speed at select the consumer is engaged. It was set up revealing discount codes! Abner, who sported floppy, untied work boots as retail only footwear. Nyfw schedule below for mercedes benz fashion week russia pivoted quickly along with their. One braid over two ponytails were interwoven for a layered chignon. Amirah Tajdin is a Kenyan artist and filmmaker. Add more than ever to sportime usa by john perez unless otherwise noted, start editing this blog yours, to place in preparation for validation that fashion? But instead opted out only accept array of black on google, inspires new york can keep your category descriptions show, videos we see? For new york, which a week attendees running around new materials, new york dress to. -
Drapers Show Calendar Autumn 2018
DRAPERS SHOW CALENDAR AUTUMN 18 Drapers brings you the definitive guide to the autumn 18 buying season, the shows to know and who is going where THE SEASON STARTS 6-8 JANUARY JW Anderson at London Fashion Week Men’s Graeme Moran Pitti Uomo Drapers head of content – Store Studios, 180 Strand, fashion and features London 020 7759 1999 londonfashionweekmens.com s we near the start of the autumn 18 buying Butter in its heyday are over, trade shows – whether Menswear calendar, the trade show debate rumbles on they be large or small – remain a vital part of the for another season. Are they outdated, unin- industry, and a missed opportunity for those who 7-9 JANUARY spiring and irrelevant? Or are they still the totally dismiss them. Children’s Club best one-stop-shop to connect with brands They offer a place for both established brands Javits Center, New York A +1 218 740 6873 and network with the industry, while getting busi- and, more importantly, newer labels to showcase ness done? their collections in a central, convenient location. ubmfashion.com For some, such as Bethany Rowntree, director of There is also no better place to understand the Kidswear womenswear etailer Studio B, trade shows are no product direction of a new season than browsing a longer important. trade show’s aisles, whether it be for order writing Fame Rowntree does not see the need for or simply research. Javits Center, New York them, and has discovered and con- And it is almost impossible to +1 218 740 6873 nected with most of the brands she There is no find another occasion hw ere so many ubmfashion.com stocks via the internet: “I think trade industry insiders, from brands Womenswear shows seem a little outdated in both better place to through to buying teams, come their aesthetic and agenda – I find understand a together in one place, offering endless 9-12 JANUARY them pretty generic and soulless.” new season networking opportunities. -
Download the Brochure
The Body: Fashion and Physique, the spring 2018 MFIT Fashion Symposium, has been made possible thanks to the generosity of the Couture Council of The Museum at FIT and the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature. Additional funding has been provided by the FIT Student-Faculty Corporation. Location Morris W. and Fannie B. Haft Theater Marvin Feldman Center, Second Floor West 27th Street and Seventh Avenue, New York City By Subway: 1, C, E, F, M, W, or R By Bus: M20 or M23 By Train: Penn Station is at West 31st Street for Long Island Railroad, New Jersey Transit, and Amtrak trains. Current Exhibitions Norell: Dean of American Fashion Special Exhibitions Gallery February 9–April 14, 2018 The Body: Fashion and Physique Fashion and Textile History Gallery Through May 5, 2018 Hours Tuesday–Friday, noon–8 pm Saturday, 10 am–5 pm Closed Sunday, Monday, and legal holidays FASHION and Admission is free. #FashionandPhysique #Norell PHYSIQUE #FashionCulture @MuseumatFIT A Fashion Symposium fitnyc.edu/museum February 23, 2018 Museum information line: 212 217.4558 Cover: Martin Margiela, tunic, 1997, Belgium. Photograph © MFIT. SPEAKERS SCHEDULE Ben Barry is director of the Centre for Fashion Reina Lewis is professor of cultural studies at London 10 am–1 pm Dr. Joyce F. Brown, president of FIT Diversity and Social Change at Ryerson University. College of Fashion, UAL. Her books include Muslim Welcoming remarks His forthcoming book is Refashioning Masculinity: Fashion: Contemporary Style Cultures and Modest Dr. Valerie Steele, Introduction Men and Fashion in the Digital Age.