How to Cite Complete Issue More Information About This
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
BA Thesis O'connor
UNIVERZITA KARLOVA V PRAZE – FILOZOFICKÁ FAKULTA ÚSTAV ANGLOFONNÍCH LITERATUR A KULTUR The Conflict of Country and City in Flannery O’Connor’s Short Stories BAKALÁ ŘSKÁ PRÁCE Vedoucí bakalá řské práce (supervisor): doc. Clare Wallace, PhD, M.A. Zpracoval (author): Anna Hejzlarová Studijní obor (subject): Anglistika a amerikanistika Praha, 14.1.2013 i Declaration Prohlašuji, že jsem tuto bakalá řskou práci vypracoval/a samostatně, že jsem řádn ě citoval/a všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného či stejného titulu. I declare that the following BA thesis is my own work for which I used only the sources and literature mentioned, and that this thesis has not been used in the course of other university studies or in order to acquire the same or another type of diploma. V Praze dne 14.1.2013 Anna Hejzlarová ii Permission Souhlasím se zap ůjčením bakalá řské práce ke studijním ú čel ům. I have no objections to the BA thesis being borrowed and used for study purposes. iii Acknowledgements Tímto bych ráda pod ěkovala doc. Clare Wallace, PhD, M.A., za cenné rady, trp ělivost a vedení, jež mi pomohly p ři psaní a formování této práce. I would like to express my deepest gratitude to doc. Clare Wallace, PhD, M.A., for her valuable advice, patience, and guidance, which helped me to write and shape this thesis. iv Table of Contents Declaration .................................................................................................................................ii -
Flannery O'connor's Images of the Self
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Fall 1978 CLOWNS AND CAPTIVES: FLANNERY O'CONNOR'S IMAGES OF THE SELF MICHAEL JOHN LEE Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation LEE, MICHAEL JOHN, "CLOWNS AND CAPTIVES: FLANNERY O'CONNOR'S IMAGES OF THE SELF" (1978). Doctoral Dissertations. 1210. https://scholars.unh.edu/dissertation/1210 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This was produced from a copy of a document sent to us for microfilming. While the most advanced technological means to photograph and reproduce this document ' ave been used, the quality is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help you understand markings or notations which may appear on this reproduction. 1.The sign or “ target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure you of complete continuity. 2. When an image on the film is obliterated with a round black mark it is an indication that the film inspector noticed either blurred copy because of movement during exposure, or duplicate copy. -
The Significance of the Automobile in 20Th C. American Short Fiction
Georgia Southern University Digital Commons@Georgia Southern Electronic Theses and Dissertations Graduate Studies, Jack N. Averitt College of Spring 2021 The Significance of the Automobile in 20th .C American Short Fiction Megan M. Flanery Follow this and additional works at: https://digitalcommons.georgiasouthern.edu/etd Part of the African American Studies Commons, American Literature Commons, American Material Culture Commons, American Popular Culture Commons, and the United States History Commons Recommended Citation Flanery, Megan M., "The Significance of the Automobile in 20th .C American Short Fiction" (2021). Electronic Theses and Dissertations. 2220. https://digitalcommons.georgiasouthern.edu/etd/2220 This thesis (open access) is brought to you for free and open access by the Graduate Studies, Jack N. Averitt College of at Digital Commons@Georgia Southern. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons@Georgia Southern. For more information, please contact [email protected]. THE SIGNIFICANCE OF THE AUTOMOBILE IN 20TH C. AMERICAN SHORT FICTION by MEGAN M. FLANERY ABSTRACT Midcentury American life featured a post-war economy that established a middle class in which disposable income and time for leisure were commonplace. In this socio-economic environment, consumerism flourished, ushering in the Golden Age of the automobile: from 1950 to 1960, Americans spent more time in their automobiles than ever before, and, by the end of the decade, the number of cars on the road had more than doubled. While much critical attention has been given to the role of the automobile in American novels, less has been given to its role in American short stories. -
Reading Flannery O'connor in Spain: from Andalusia To
READING FLANNERY O’CONNor IN SPAIN: FroM ANDALUSIA TO ANDALUCÍA Mark Bosco, S. J. & Beatriz Valverde (Eds.) TABLE of CONTENTS Flannery O’Connor: Catholic and Quixotic . 7 Mark Bosco, S.J. and Beatriz Valverde Reaching the World from the South: . .23 the Territory of Flannery O’Connor Guadalupe Arbona Another of Her Disciples: The Literary Grotesque . .49 and its Catholic Manifestations in Wise Blood by Flannery O’Connor and La vida invisible by Juan Manuel de Prada Anne-Marie Pouchet “Andalusia on the Liffey”: Sacred Monstrosity in O’Connor and Joyce . 71 Michael Kirwan, S.J. Death’s Personal Call: The Aesthetics of Catholic Eschatology . .89 in Flannery O’Connor’s “A Good Man is Hard to Find” and Muriel Spark’s Memento Mori Anabel Altemir-Giral and Ismael Ibáñez-Rosales Quixotism and Modernism: The Conversion of Hazel Motes. 107 Brent Little 5 Reading Flannery O’Connor in Spain: From Andalusia to Andalucía A Christian Malgré Lui: Crisis, Transition, and the Quixotic Pursuit . 129 of the Ideal in Flannery O’Connor’s Fiction Xiamara Hohman The Other as Angels: O’Connor’s Case for Radical Hospitality. 153 Michael Bruner “A Purifying Terror”: Apocalypse, Apostasy, and Alterity . .171 in Flannery O’Connor’s “The Enduring Chill” José Liste Noya An Unpleasant Little Jolt: Flannery O’Connor’s Creation ex Chaos . 191 Thomas Wetzel 6 FLANNERY O’coNNor: CATHOLIC AND QUIXOTIC MARK Bosco, S.J. BEATRIZ VALVERDE “Flannery O’Connor is unique. There is no one like her. You can’t lump her with Faulkner, you can’t lump her Walker Percy, you can’t lump her with anyone.” So proclaims the American novelist Alice McDermott regarding the place of Flannery O’Connor in the American canon of literature. -
The Displaced Person
BOOKS BY Flannery O'Connor Flannery O'Connor THE NOV E L S Wise Blood COMPLETE The Violent Bear It Away STORIES STORIES A Good Man Is Hard to Find Everything That Rises Must Converge with an introduction by Robert Fitzgerald NON-FICTION Mystery and Manners edited and with an introduction by Robert and SaUy Fitzgerald The Habit of Being edited and with an introduction by Sally Fitzgerald Straus and Giroux New York ~ I Farrar, Straus and Giroux 19 Union Square West, New York 10003 Copyright © 1946, 194il, 195(l, 1957, 1958, 1960, [()61, Hi)2, 1963, 1964,l()65, 1970, 1971 by [he Estate of Mary Flannery O'Connor. © 1949, 1952, [955,1960,1\162 by Contents O'Connor. Introduction copyright © 1971 by Robert Giroux All rights reserved Distributed in Canada by Douglas & McImyre Ltd. Printed in the United States of America First published in J(171 by Farrar, Straus and (;iroux INTRODUCTION by Robert Giroux Vll Quotations from Inters are used by permission of Robert Fitzgerald and of the Estate and are copyright © 197 r by the Estate of Mary Flannery O'Connor. The ten stories The Geranium 3 from A Good ManIs Hard to Find, copyright © [953,1954,1955 by Flannery O'Connor, The Barber 15 arc used by special arrangement with Harcourt Hrace Jovanovich, Inc Wildcat 20 The Crop 33 of Congress catalog card number; 72'171492 The Turkey 42 Paperback ISBN: 0-374-51536-0 The Train 54 The Peeler 63 Designed by Herb Johnson The Heart of the Park ~h A Stroke of Good Fortune 95 Enoch and the Gorilla lOS A Good Man Is Hard to Find II7 55 57 59 61 62 60 58 56 A Late Encounter with the Enemy 134 The Life You Save May Be Your Own 14'5 The River 157 A Circle in the Fire 175 The Displaced Person 194 A Temple of the Holy Ghost The Artificial Nigger 249 Good Country People 27 1 You Can't Be Any Poorer Than Dead 292 Greenleaf 311 A View of the Woods 335 v The Displaced Person / I95 them. -
Journal of the Short Story in English, 60 | Spring 2013 [Online], Online Since 01 June 2015, Connection on 06 May 2021
Journal of the Short Story in English Les Cahiers de la nouvelle 60 | Spring 2013 Varia Editor: Linda Collinge-Germain Electronic version URL: https://journals.openedition.org/jsse/1333 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 June 2013 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Journal of the Short Story in English, 60 | Spring 2013 [Online], Online since 01 June 2015, connection on 06 May 2021. URL: https://journals.openedition.org/jsse/1333 This text was automatically generated on 6 May 2021. © All rights reserved 1 TABLE OF CONTENTS Foreword Linda Collinge-Germain Articles Heavy Nothings in Virginia Woolf’s “Kew Gardens” Mathilde La Cassagnère Being and Time in Ernest Hemingway’s “Cat in the Rain” Daniel Thomières E.H. Young’s “The Stream,” Good Housekeeping, and the Cultivation of Active Readers Stella Deen The Power of Illusion and the Illusion of Power in Mary Orr’s “The Wisdom of Eve” and Mankiewicz’s All About Eve Alice Clark-Wehinger The First Fruits of Literary Rebellion: Flannery O’Connor’s “The Crop” Jolene Hubbs “Pariah” de Joan Williams : Femme invisible, pour qui vis-tu ? Gérald Préher Light and Change: Repressed Escapism in What We Talk About When We Talk About Love Paul Sweeten “He was a shit, to boot”: Abjection, Subjection and Feminism in “Black Venus” Richard Pedot “Spoiled People”: Narcissism and the De-centered Self in Richard Ford’s Women with Men Ian McGuire Loose Canons: Reader, Authors and Consumption in Helen Simpson’s “The Festival of the Immortals” Ailsa Cox Note Parody in “Startling Revelations from the Lost Book of Stan” by Shalom Auslander Morgane Jourdren Journal of the Short Story in English, 60 | Spring 2013 2 Foreword Linda Collinge-Germain 1 The current issue of the Journal of the Short Story in English is a general issue. -
The Thin Blue Line of Theodicy: Flannery O'connor, Teilhard De
Stephen F. Austin State University SFA ScholarWorks Faculty Publications English 2018 The Thin Blue Line of Theodicy: Flannery O’Connor, Teilhard de Chardin, and Competitions between Good/Good and Evil/Evil Sue Whatley Stephen F Austin State University, [email protected] Follow this and additional works at: https://scholarworks.sfasu.edu/english_facultypubs Part of the Christianity Commons, English Language and Literature Commons, and the Fiction Commons Tell us how this article helped you. Repository Citation Whatley, Sue, "The Thin Blue Line of Theodicy: Flannery O’Connor, Teilhard de Chardin, and Competitions between Good/Good and Evil/Evil" (2018). Faculty Publications. 2. https://scholarworks.sfasu.edu/english_facultypubs/2 This Professional Document is brought to you for free and open access by the English at SFA ScholarWorks. It has been accepted for inclusion in Faculty Publications by an authorized administrator of SFA ScholarWorks. For more information, please contact [email protected]. religions Essay The Thin Blue Line of Theodicy: Flannery O’Connor, Teilhard de Chardin, and Competitions between Good/Good and Evil/Evil Sue Whatley English, Stephen F. Austin University, Nacogdoches, TX 75962-3007, USA; [email protected]; Tel.: +1-936-468-2031 Received: 17 January 2018; Accepted: 23 March 2018; Published: 24 April 2018 Abstract: This essay explores the concept of theodicy in Flannery O’Connor’s works of fiction. O’Connor’s fiction complicates the subjects of good and evil, moving the reader through what seem to be competitions not only between good and evil, but also between actions of good and actions of evil. Characters align themselves with one force, then another, in a constantly fluctuating system, and there is no traditional pattern of Christian warfare that we would expect orthodox Catholic writing to produce. -
HON 3010.002 Revelations of Grace: the Fiction of Flannery O'connor
HON 3010.002 Revelations of Grace: The Fiction of Flannery O’Connor Spring 2015, Wednesday 2:00-4:40, Honors C309 – (C-L in EN and GS) I. Course Description This is a single author course on the fiction of Mary Flannery O’Connor (1925-64). We will examine over half of O’Connor’s short stories (about two per week) and her two novellas, Wise Blood and The Violent Bear it Away. Class discussions will involve, at least, O’Connor’s treatment of such topics as private divine revelations of God’s grace, the problem of faith, the social structures of the mid-twentieth century rural American South, Catholicism in the American South, and the effective use of southern dialect in her fiction. I am particularly interested in how O’Connor uses animated nature as a possible vehicle for delivery of grace in stories such as The River, A View of the Woods, Greenleaf, and Revelation. Students’ interests may guide class discussion as the course develops. IIa. Required Texts O’Connor, Mary Flannery. The Complete Stories. 1971. New York: Noonday Press. ISBN 0374515360 ---. Wise Blood. 1949. (1990). New York: Noonday Press. ISBN 0374505845 ---. The Violent Bear It Away. 1955. (1988). New York: Noonday Press. ISBN 0374505241 ---. The Habit of Being. 1988. New York: Farrar, Strauss and Giroux. ISBN 0374521042 ---. A Prayer Journal. 2013. New York: Farrar, Strauss and Giroux. ISBN 0374236917 Kimmel, Haven. 2002. The Solace of Leaving Early. Various publishers. ISBN 1400033349 IIb. Optional Texts O’Connor, Flannery. Mystery and Manners. 1969. New York: Farrar, Strauss and Giroux. -
Journal of the Short Story in English, 60 | Spring 2013 the First Fruits of Literary Rebellion: Flannery O’Connor’S “The Crop” 2
Journal of the Short Story in English Les Cahiers de la nouvelle 60 | Spring 2013 Varia The First Fruits of Literary Rebellion: Flannery O’Connor’s “The Crop” Jolene Hubbs Electronic version URL: https://journals.openedition.org/jsse/1349 ISSN: 1969-6108 Publisher Presses universitaires de Rennes Printed version Date of publication: 1 June 2013 ISBN: 0294-0442 ISSN: 0294-04442 Electronic reference Jolene Hubbs, “The First Fruits of Literary Rebellion: Flannery O’Connor’s “The Crop””, Journal of the Short Story in English [Online], 60 | Spring 2013, Online since 01 June 2015, connection on 06 May 2021. URL: http://journals.openedition.org/jsse/1349 This text was automatically generated on 6 May 2021. © All rights reserved The First Fruits of Literary Rebellion: Flannery O’Connor’s “The Crop” 1 The First Fruits of Literary Rebellion: Flannery O’Connor’s “The Crop” Jolene Hubbs 1 In Flannery O’Connor’s fiction, other scholars see the writer embracing a male literary tradition, citing as evidence her works’ “androcentric and often misogynistic characters, narrators, and plots” (Prown 159) as well as “the toughness of the narrative style and subject matter” (Gordon, Imagination 30). These critics read “The Crop,” one of the six stories that comprised O’Connor’s 1947 University of Iowa master’s thesis, as a repudiation of the role of the female author. Katherine Hemple Prown asserts that O’Connor’s experiences at Iowa taught her “that her literary reputation depended upon her ability to keep her fiction free from the taint of femininity” by “bury[ing] her female self beneath layers of masculinist forms and conventions” (38, 161). -
Free Indirect Discourse and Epiphany in the Stories of Flannery O'connor
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2006 The am nner of mystery: free indirect discourse and epiphany in the stories of Flannery O'Connor Denise Hopkins Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the English Language and Literature Commons Recommended Citation Hopkins, Denise, "The am nner of mystery: free indirect discourse and epiphany in the stories of Flannery O'Connor" (2006). LSU Master's Theses. 877. https://digitalcommons.lsu.edu/gradschool_theses/877 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. THE MANNER OF MYSTERY: FREE INDIRECT DISCOURSE AND EPIPHANY IN THE STORIES OF FLANNERY O’CONNOR A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The Department of English by Denise Hopkins B.A., Spring Hill College, 2004 May 2006 Table of Contents Abbreviations.............................................................................................................. iii Abstract...................................................................................................................... -
SHORT FICTION FLANNERY O'connor Richard John Charnigo Green August 1975
A STRUCTURAL ANALYSIS OF THE SHORT FICTION OF FLANNERY O'CONNOR Richard John Charnigo A Dissertation Submitted to the Graduate School of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 1975 610275 WW 1a. xvo.lM ABSTRACT O’Connor’s best stories ("Parker’s Back” and "The Arti ficial Nigger" can be used as touchstones to judge the others) are highly wrought artifacts consciously produced to achieve a single effect; and that single effect is her con cern with man and his quest to understand, often fitfully, the mystery of his purpose in life and his frequent inabil ity to cope with the revelation of failure that accompanies this search. If one analyzes the architectonics of her stories, one is able to see that O'Connor uses the components of struc ture to aid her in the production of this effect. The expositions, compact but informative, introduce the haunted characters, each flawed in some way, who will seek their fortunes in an equally flawed world. That world is almost always the South--its "isolated rural areas and its people as yet uncaught in the maelstrom of conformity. Their single-minded rusticity enables O’Connor to view life in its elemental, unsophisticated form: from Mrs. Pritch ard's four abscessed teeth to Parker's back, O'Connor is able to portray life stripped of its cosmetic varnish. The complication of an O'Connor story serves to disturb the calm, and with it the complacency, of the character's world, which has hitherto been in an unstable equilibrium. -
Flannery O'connor and Mid-Century America
Flannery O’Connor and Mid-Century America by Virginia Grant A dissertation submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Doctor of Philosophy Auburn, Alabama December 13, 2014 Copyright 2014 by Virginia Grant Approved by Miriam Marty Clark, Chair, Associate Professor of English Susana Morris, Associate Professor of English Erich Nunn, Assistant Professor of English Abstract Though the fiction of Flannery O'Connor has most often been studied from theological or psychological perspectives, her work is deeply entrenched in, and reflective of, the culture of the mid-twentieth-century United States. This dissertation argues that O'Connor's work makes purposeful use of the cultural issues of the mid- twentieth century, particularly in regards to the Cold War, and that O'Connor's novels and short stories are small scale representations of larger national and global concerns. The first chapter examines a pivotal scene of O’Connor’s 1960 novel The Violent Bear It Away and argues that O'Connor uses the stereotypical characterization of a homosexual man in order to feed on mid-century American homophobia. The second chapter explores the relationship between fear of integration in the American South and fear of Communism in O'Connor's short stories that focus on race. The third and final chapter focuses on the struggle between faith and reason in O'Connor's fiction and argues that these struggles depict a similar struggle between science and religion at mid-century. With a particular focus on the culture of the Cold War, these chapters elucidate the ways in which O'Connor's fiction encompasses and utilizes the concerns of mid-century Americans.