Wellesley College 2018 Commencement Program

Total Page:16

File Type:pdf, Size:1020Kb

Wellesley College 2018 Commencement Program ONE HUNDRED AND FORTIETH ANNUAL Commencement Friday, june 1, 2018 1 MARSHALS SENIOR OFFICERS College Marshal Senior College Government Officers Alexander J. Diesl Maryam M. Khan, President Theresa Mall Mullarkey Associate Professor of Mathematics Tashay Renae Kadieja Campbell, Chief Justice Paige Nicole Cheatham, Director of On-Campus Affairs Marshal’s Aides Natalie Jin, Student Bursar Alison Black Margaret Sullivan Neel, House Presidents’ Council – Dean of the Class of 2018 College Government Liaison Sarah Katherine Nealon, Chair, Committee for Political and Lori Tenser Legislative Awareness Dean of First-Year Students Senior Class Officers Trustee Marshals Ilina Sen Mitra and Jennifer L. Wang, Co-Presidents Koichi Hagimoto Annie Chen, Vice President Associate Professor of Spanish Nicole Esther Anderson, Treasurer Kathleena Pabalate Inchoco and Kelly H Huang, Co-Secretaries Megan Núñez Professor of Chemistry Faculty Marshals MUSICIANS Hélène Bilis Associate Professor of French The Boston Brass Ensemble Dave Burdett, Principal Conductor Soo Hong Associate Professor of Education Singer Margaret May Lees ’18 Faculty Marshals for the Class of 2018 Julie Walsh Carillonneurs Assistant Professor of Philosophy Margaret Angelini ’85 Sara Wasserman Sarah Gonzalez ’20 Assistant Professor of Neuroscience Anya Keomurjian ’20 Sammy Lincroft ’21 President’s Aides May Xia ’21 Courtney C. Coile Professor of Economics Adam Matthews Lecturer in Biological Sciences Wellesley College celebrates the differences among its students while cultivating each student’s individualism. By displaying flags Junior Commencement Marshals at Commencement that represent the citizenship or, in some cases, Saafia Masoom ’20 dual citizenships of the students in the Class of 2018, we are proudly Maya Nandakumar ’19 acknowledging our diversity and expressing our continued commitment Junior Baccalaureate Marshals to a global learning community. Aniqa Hassan ’20 Many graduates will be wearing colorful stoles draped over their gowns. Erika Kusaka ’19 These stoles are created by student organizations to show student affinity to an organization, leading to a variety of styles and designs. The audience will remain seated until the academic procession has withdrawn. 2 PROGRAM Prelude America the Beautiful Festmusik der Stadt Wien Richard Strauss i. O beautiful for spacious skies, Canzon Septimi Toni No. 2 Giovanni Gabrieli/arr. Robert King For amber waves of grain, Little Drummer Boy Katherine K. Davis, Class of 1914/arr. Gregory Fritze For purple mountain majesties Allmand and Galliard William Brade Above the fruited plain! America! America! Senior Procession God shed His grace on thee Fanfare for the Uncommon Woman, No. 5 Joan Tower And crown thy good Trumpet Tune Henry Purcell With brotherhood Canzona Per Sonare No. 4 Giovanni Gabrieli From sea to shining sea! Sonata No. 22 Johann Pezel IV. O beautiful for patriot dream, Sonata from “Sonate et Canzoni” Giovanni That sees beyond the years Battista Buonamente Thine alabaster cities gleam Sonata No. 28 Johann Pezel Undimmed by human tears! America! America! Academic Procession God shed His grace on thee Trumpet Voluntary Henry Purcell/arr. John Corley And crown thy good Two Fantasias Adriano Banchieri/arr. Robert King With brotherhood Honie Suckle Anthony Holborne/arr. Robert King From sea to shining sea! Ronde and Salterelle Tilman Susato –Katharine Lee Bates, Class of 1880 Invocation (Please be seated.) Tiffany Steinwert, Dean of Religious and Spiritual Life Welcome Benediction Paula A. Johnson, President Tiffany Steinwert Student Address Recessional Marley Rose Forest ’18 Psalm 18 Benedetto Marcello/arr. John Corley Declamation Emma Lou Diemer Commencement Address Auld Lang Syne Traditional Tracy K. Smith From “The Danserye” Tilman Susato i. La Mourisque Pinanski Prize for Excellence in Teaching iii. Ronde iv. Basse Danse Bergeret Announcements vi. Pavane Battaille Paula A. Johnson Address to the Graduating Class Paula A. Johnson Conferring of the Bachelor of Arts Degree Paula A. Johnson Andrew Shennan, Provost and Dean of the College Carol Bate, Associate Dean of Students Sheilah Shaw Horton, Vice President and Dean of Students Ann Velenchik, Dean of Academic Affairs 3 CANDIDATES FOR THE DEGREE OF BACHELOR OF ARTS Hiba Sinan Abdulrazzak Layla Kariynn Anderson- Lauren Nicole Bazley Nicholas F. Blinzler Breinigsville, Pennsylvania Washington Issaquah, Washington Erie, Pennsylvania Economics Atlanta, Georgia Economics Spanish Psychology Jane Abernathy Caroline Grace Beatrice Zoe Weinberg Borghard Spanish Oak Ridge, Tennessee Rye, New York Shushan, New York Computer Science Victoria Ivanova Angelova Art History Biological Sciences Sofia, Bulgaria Nisreen Salah Abo-Sido Annalee Joan Beaulieu Ana Ines Beatriz Prieto Borromeo Economics Quincy, Massachusetts Underhill, Vermont Manila, Philippines Environmental Studies Surisadai Aquit Political Science International Relations – Political Miami, Florida Spanish Science Zein Hilmi Aburish Biological Sciences Alexandria, Virginia Alexandra Beem Alexis Samantha Boyd Biological Sciences Stephanie Vania Villalta San Francisco, California Memphis, Tennessee Armstrong Biological Sciences Political Science Mia Lillian Accomando North Miami Beach, Florida Rockport, Massachusetts Breslin Shea Bell Emily Jane Boyk Neuroscience Neuroscience Concord, New Hampshire Bowling Green, Ohio Philosophy Abena Asare Art History Political Science Berlin, New Jersey Studio Art Women’s and Gender Studies Noor Adra Psychology Mansfield, Massachusetts Juliette Bellacosa Lara Lyons Brennan Neuroscience Sumurye Kenyi Awani New York, New York New York, New York Atlanta, Georgia Art History English Onema Ahmed Cognitive and Linguistic Sciences French New York, New York Emma Grace Brewer-Wallin Biological Sciences Kiara Daniela Benac Salem, Oregon Miami, Florida Peace and Justice Studies Shahara Ahmed Margaret Ani Babikian Political Science Religion New York, New York Belmont, Massachusetts Women’s and Gender Studies Economics Sarah Benamara Chelsea Amanda Brown Nashua, New Hampshire San Jose, California Yasmin Akhavan Emily Kate Bader Political Science Computer Science Paris, France Los Angeles, California Media Arts and Sciences International Relations – History Anjali N. Benjamin-Webb Shannon May Brown Washington, District of Salt Lake City, Utah Kayla Brianna Ali Fatoumata Iremide Ireayo Bah Columbia Media Arts and Sciences Brooklyn, New York New York, New York Studio Art Spanish Biological Sciences Melissa Jane Bruehl Political Science Spanish Rochester, New York Amaya Vashon Allen Angellena Marie Berberich- Peace and Justice Studies Nashville, Tennessee Sydney Bai Eerebout Political Science Environmental Studies New York, New York Nashville, Tennessee Economics Sydney A. Brumfield Cassandra Marion Allen Political Science Mathematics Riverview, Florida Zionsville, Indiana Grace Katherine Bernard Neuroscience International Relations – Tanya Bakshi Kankakee, Illinois Economics Glenmont, New York Leila-Anne Boehme Brusseau Cognitive and Linguistic Sciences Economics San Francisco, California Nasreen Faris Al-Qadi Italian Studies Environmental Studies East Lansing, Michigan Anjali Nina Banerji Ianka Bhatia Biological Sciences Bethesda, Maryland Alexandra Claire Bueno Boxborough, Massachusetts Cognitive and Linguistic Sciences Mahwah, New Jersey Nina-Marie Amadeo International Relations – Political Chinese Language and Culture Belford, New Jersey Mira Bansal Science Environmental Studies Computer Science Paradise Valley, Arizona Madeline Sarah Bianchi Biological Sciences Kathryn Renee Burns Keertana Anandraj Lakeville, Minnesota Minneapolis, Minnesota Plainsboro, New Jersey Sonali Bansal History Psychology Economics Chandigarh, India JoNan Bilodeau Mathematics Economics Alexis Tae Yun Burton Millis, Massachusetts New York, New York Mairany Anaya Sarah Rose Barden Geosciences American Studies Upland, California West Palm Beach, Florida Danielle Harbin Black Geosciences Mathematics Karley Rae Bussow Fairburn, Georgia Layton, New Jersey Nicole Esther Anderson Madeleine Anna Barowsky Geosciences Chemistry Mercer Island, Washington Framingham, Massachusetts Laura Christine Blelloch Psychology Computer Science Alyssa Marie Buter North Easton, Massachusetts Mathematics Monterey Park, California Economics History Priyanka Eleanor Basak History West Linn, Oregon Biological Sciences 4 Rachele Brenè Byrd Chun Chen Ye Rin Chu Isabel Ann D’Alessandro Powder Springs, Georgia Shanghai, China Seoul, Republic of Korea West Newbury, Massachusetts English Economics Economics Neuroscience Connie Chen Fiona Kahay Chung Lea Juliann Davis Taipei, Taiwan Lexington, Massachusetts Chevy Chase, Maryland Suhaily Caban-Penix English Cognitive and Linguistic Sciences Environmental Studies West Roxbury, Massachusetts Spanish Biological Sciences Cynthia Yi Chen Savannah Ashley Anne Davis Carlisle, Massachusetts Clara Beth Cogswell Austin, Texas Anna Buckley Cahill Political Science Houston, Texas Psychology Bloomfield, Connecticut Classical Civilization Physics Irina Chen Shivani Amanda Dayal Geosciences Ann Arbor, Michigan Mountain View, California Madeline Marie Catherine Biological Sciences Ariel Tamar Cohen Neuroscience Cahillane Bexley, Ohio Northampton, Massachusetts Mary Yuyao Chen Julia Uma Deere Jewish Studies Biological Sciences Millwood, New York New York, New York Sociology Economics Neuroscience Marissa Josephine Caldwell Mackenzie Suzanne Cole Novato, California Nixia Chen Brigitte Leal Demelo Iowa City, Iowa Economics
Recommended publications
  • Robin Macdonald-Foley 1964 Central Street, Stoughton, MA 02072 805-233-2921 [email protected]
    Robin MacDonald-Foley 1964 Central Street, Stoughton, MA 02072 805-233-2921 [email protected] www.robinjmf.com Selected Exhibitions 2021 Seeing Stone, Solo Exhibition, Galatea Fine Art, Boston, MA. Heroes and Villains, Galatea Fine Art, Boston, MA. Curator: Jane Paradise. 2020 Light from Above: Emerging out of Isolation, Members Exhibition, Galatea Fine Art, Boston, MA. Untold, Juried Photography Exhibit, Morini Gallery, Mansfield, MA. Jurors: Vicki McKenna and Jackie Heitchue. Folding Time, 3 person, Galatea Fine Art, Curator’s Platform, Boston, MA. Curator: Beverly Rippel. Boston Harbor and Islands, presented by Boston Harbor Now and Hunt’s Photo & Video, Top 20 Finalist, Photography Exhibition at Cannon Gallery, Hunt’s Photo & Video, Melrose, MA 2019 Blue, Cambridge Art Association, Kathryn Schultz/University Place Galleries, Cambridge, MA. Juror: Sarah Montross, Senior Curator, deCordova Sculpture Park and Museum, Lincoln, MA New England Collective X , Regional Juried Exhibition, Galatea Fine Art, Boston, MA, Juror: Katherine French, Gallery Director, Catamount Arts, VT Abstracts: A Departure from Reality, Slight, Partial, or Complete, Third Prize, Menino Arts Center, Hyde Park, MA, Juror: Judith Brassard Brown, Professor, Montserrat College of Art, Beverly, MA Boston Harbor, Photo Contest presented by Boston Harbor Now and Hunt’s Photo & Video, Top 20 Finalist, Cannon Gallery, Hunt’s Photo & Video, Melrose, MA, and Moakley Courthouse, Gallery at HarborPark, Boston, MA Art, Grief, and the Land, University Place Gallery, Juror/Curator: Patricia Miranda, Cambridge, MA 2018 A Photographic Journey, Solo Exhibition, Flynn Gallery, Mission Park, Boston, MA Healing + Art Show, Mission Hill Artists Collective and Mission Hill Health Movement. Exhibition and live events.
    [Show full text]
  • Summer 1987 CAA Newsletter
    newsletter Volume 12. Number 2 Summer 1987 1988 annual meeting studio sessions Studio sessions for the 1988 annual meeting in Houston (February Collusion and Collision: Critical Engagements with Mass 11-13) have been planned by Malinda Beeman, assistant professor, Culture. Richard Bolton, c! 0 Ha,rvard University Press, 79 University of Houston and Karin Broker, assistant professor, Rice Garden Street, Cambridge, MA 02138. University. Listed below are the topics they have selected. Anyaddi­ Art and mass culture: it is customary to think of these two as antagon­ tional information on any proposed session will be published in the Fall ists, with art kept apart to best preserve its integrity. But recent art and newsletter. Those wishing to participate in any open session must sub­ theory has questioned the necessity of this customary antagonism, and mit proposals to the chair of that session by October I, 1987. Note: Art many contemporary artists now regularly borrow images and tech­ history topics were announced in a special mailing in April. The dead­ niques from mass culture. This approach is fraught with contradic­ line for those sessions was 31 May. tions, at times generating critical possibility, at times only extending the reign of mass culture. It becomes increasingly difficult to distin­ Artists' Visions of Imaginary Cultures. Barbara Maria Stafford (art guish triviality from relevance, complicity from opposition, collusion historian). University of Chicago and Beauvais Lyons (print­ from collision. Has the attempt to redraw the boundaries between maker), University of Tennessee, Department of Art, 1715 Vol­ mass culture and art production been successful? Can society be criti­ unteer Blvd., Knoxville, TN 37996-2410.
    [Show full text]
  • Mayor's Office of Arts, Tourism and Special Events Boston Art
    Mayor’s Office of Arts, Tourism and Special Events Boston Art Commission 100 Public Artworks: Back Bay, Beacon Hill, the Financial District and the North End 1. Lief Eriksson by Anne Whitney This life-size bronze statue memorializes Lief Eriksson, the Norse explorer believed to be the first European to set foot on North America. Originally sited to overlook the Charles River, Eriksson stands atop a boulder and shields his eyes as if surveying unfamiliar terrain. Two bronze plaques on the sculpture’s base show Eriksson and his crew landing on a rocky shore and, later, sharing the story of their discovery. When Boston philanthropist Eben N. Horsford commissioned the statue, some people believed that Eriksson and his crew landed on the shore of Massachusetts and founded their settlement, called Vinland, here. However, most scholars now consider Vinland to be located on the Canadian coast. This piece was created by a notable Boston sculptor, Anne Whitney. Several of her pieces can be found around the city. Whitney was a fascinating and rebellious figure for her time: not only did she excel in the typically ‘masculine’ medium of large-scale sculpture, she also never married and instead lived with a female partner. 2. Ayer Mansion Mosaics by Louis Comfort Tiffany At first glance, the Ayer Mansion seems to be a typical Back Bay residence. Look more closely, though, and you can see unique elements decorating the mansion’s façade. Both inside and outside, the Ayer Mansion is ornamented with colorful mosaics and windows created by the famed interior designer Louis Comfort Tiffany.
    [Show full text]
  • Note: See the Tour Map Numbers That Correspond with the Following Text
    Note: see the tour map numbers that correspond with the following text. 1. Cambridge Common The Cambridge Common is the City’s oldest public open space. In its present form, the Common consists of 8-1/2 acres of land, which is all that remains of the thousands of acres of common land that were granted to the original proprietors of Cambridge in 1630. During Colonial times, the Common was a place for military drill. The Common was originally landscaped as a park in 1830 and contains many commemorative monuments. 2. Brattle Street Cambridge’s most famous street, Brattle Street is known for its history and architecture. Most of the City’s remaining pre-Revolutionary era houses are located on Brattle Street, which is often called Tory Row because of the loyalist owners who built these old homes. The street boasts examples of the work of some of America’s best architects. Note the H. H. Richardson-designed Stoughton House (1883) at #90, the Vassal-Craigie-Longfellow House (1759) at #105, and the Hooper-Lee-Nichols House (1685) at #159. 3. Reservoir Street In 1856, the Cambridge Water Works constructed a steam pump on the shore of Fresh Pond from which the water was driven uphill through iron pipes to a reservoir on the Fayerweather estate. From Reservoir Hill, the water flowed by gravity to Old Cambridge. 4. Fresh Pond This natural landscape feature is a spring-fed lake, formed by a melting glacier. In the mid-eighteenth century, the shores were used as a wealthy resort destination. By the nineteenth century, the capability of Fresh Pond as a major ice harvesting supply was realized.
    [Show full text]
  • Download Unique Itineraries and Discover Other Ideas at Visitnj.Org/Travel-Agent-Resources Or Call 609.292.4239 for Assistance
    DELIVERING BUSINESS ESSENTIALS TO NTA MEMBERS JUNE 2017 Take … a hike Adventure and beauty abound in North American parklands PAGE 20 LA: CITY OF STARS PAGE 26 PARTNERS IN PRIME TIME PAGE 14 MID-ATLANTIC ALLURE PAGE 40 Montana’s Glacier National Park A Journey of Long Ago, Four Stories Not Far Away San Francisco Plantation Laura: A Creole Plantation 888-322-1756 888-799-7690 Oak Alley Plantation Houmas House Plantation 888-279-9815 225-473-9380 Exit 179 Louisiana 51 Baton Rouge 44 Exit 182 22 New Orleans 10 70 Exit 194 55 942 Exit 206 61 10 641 3125 3188 3089 51 44 61 54 637 18 44 3125 640 61 44 3213 3127 18 3127 20 18 3127 Only a short drive from New Orleans, these historic plantations, gardens and restaurants of Plantation Parade symbolize the wealth and culture of Louisiana’s past. Come tour, dine, sleep and enjoy the full richness of Plantation Parade. Call for itineraries or visit: www.PlantationParade.com June 2017 A yes-fly zone: Jorge Cazenave (Cazenave Argentina) casts a fly rod in Argentina’s Futaleufu River. To learn about Cazenave’s South American fishing tips—and get ideas for tours throughout Latin America—turn to page 48. Features Compass 32 Deep South The old is new again in Savannah New places to dine, play and dream in Dallas Culture, cultivation and celebration in Shreveport Venture outdoors in Kissimmee Reflect on the journey for civil rights in 20 Birmingham 40 Mid-Atlantic U.S. North American National Parks First-rate attractions in America’s first state From Québec and Newfoundland to Alaska and Montana, Elizabeth adds its own flavor to Big Apple itineraries coastal sites managed by Parks Canada and the U.S.
    [Show full text]
  • 1987 CAA Annual Conference in Boston
    75th Annual Meeting of the College Art Association of America Art History Sessions Jeffrey Muller, Brown University Studio Sessions Natalie Charkow, Yale University Local Events Jan Fontein, Museum of Fine Arts, Boston, Chair Vishakha N. Desai, Museum of Fine Arts, Boston, Coordinator 9:30-12:00 Popular Culture in Nineteenth· and Twentieth·Century American Art Westin, America South Karal Ann Marling, University of Minnesota Fourth' Floor Land Ho: Visual Images of Christopher Columbus in Nineteenth-Century American Art, Ann Uhry Abrams, Georgia State University East Meets West: Gertrude Vanderbift Whitney and Buffalo Bill, Sarah E. Boehme, Whitney Gallery of Western Art, Buffalo Bill Historical Center The Sculpture ofeoney Island's Dreamland, Michele H. Bogart, S.U.NY, Stony Brook Roy Lichtenstein's Modem Sculpture Series; The Influence of Art Deco, Stephanie Carroll, Institute of Fine Arts, NYU. The Wild One: Jackson Pollock's Media Image in the 1950s, Ellen G. Landau, Case Western Reserve University Advertising's Mrs. Consumer in 1930s American Art, Barbara Ladner Mount, Yale University Ben Shahn and Fortune Magazine: Representations of Labor in 1946, Frances Pohl, Pomona College Off the Walls and Onto the Couch! An Analysis of Sofa Painting, Christopher Reed, Yale University Mapping Regionalism: Grant Wood's "Portrait of John B. Turner, Pioneer, " Jim Slauson, Milwaukee".'. Institute of Art and Design George C. Nimmons; Building a Corporate Image of Sears, Roebuck and Company, Co,ast-to-C"asl:;,( Linda Oliphant Stanford, Michigan State University •• Denotes Affiliated Society (session continued on 45 46 THURSDAY MORNING Hey Kids! Children in the Comics and the Art of George Bellows, Rebecca Zurier, Yale University and Hirshhorn Museum and Sculpture Garden Discussants: Lillian B.
    [Show full text]
  • On View in Cornish Exhibition Publication
    On View in Cornish AMERICAN ART AT THE PICTURE GALLERY 1948–2019 Published in conjunction with the exhibition On View in Cornish: American Art at the Picture Gallery, 1948–2019, curated by Melissa Geisler Trafton for the Saint-Gaudens National Historical Park, September 14–October 31, 2019. This exhibition is sponsored through the generosity of the Saint-Gaudens Memorial in honor of its centennial in 2019. Photo credits Published by the Saint-Gaudens Memorial Page 3; figs. 1, 4, 7, 14, back cover: Saint-Gaudens National 34 South Highland Avenue, Ossining, NY 10562 Historical Park. Image courtesy of the US Department of www.sgnhs.org the Interior, National Park Service, Saint-Gaudens National Historical Park © 2019 Saint-Gaudens Memorial Figs. 2, 5; pages 4, 5, 31: Courtesy of Dartmouth College Library, Rauner Special Collections Library, Augustus Saint-Gaudens Designed by Barbara Jones Papers Edited by Kristin Swan Fig. 3: Courtesy of Dartmouth College Library, Rauner Special Printed by Fort Orange Press in Albany, New York Collections Library, Saint-Gaudens Memorial Records Fig. 6: Courtesy of Skinner, Inc. Page 3: Installation photograph, Leonard Baskin: Graphics and Sculpture, Fig. 8: Courtesy of the Hood Museum of Art, Dartmouth 1970. Saint-Gaudens National Historical Park, SAGA Photograph File Fig. 9: Courtesy of the Metropolitan Museum of Art #2254 Fig. 10: The Solomon R. Guggenheim Foundation / Back cover: Picture Gallery, Saint-Gaudens National Historical Park, Art Resource, NY. ©2019 The Willem de Kooning Foundation / ca. 2005 Artists Rights Society (ARS), New York Figs. 11, 12: Courtesy of Thomas Palmer Fig. 13: © Do Ho Suh.
    [Show full text]
  • Full Version
    1 2 3 4 5 6 7 8 9 10 11 12 13 14 PUBLIC 15 16 17 18 19 20 21 22 23 PUBLIC24 25 26 27 WALK MAP & GUIDE TO 100 PUBLIC ARTWORKS BOSTON 28 29 30 31 32 33 34 35 36 37 WALK38 39 40 MAP & GUIDE TO 100 PUBLIC ARTWORKS BOSTON 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 65 PublicArtBoston.com PublicArtBoston.com Mayor Thomas M. Menino Mayor Thomas M. Menino 66 67 68 69 70 71 72 73 74 75 76 77 1 Leif Eriksson (1887) Anne Whitney Bronze on red sandstone pedestal Commonwealth Ave. Mall, at Charlesgate East Map & Guide to + 2 Ayer Mansion Windows (1899) Public Artworks in Boston Louis Comfort Tiffany 16 Patrick Andrew Collins (1908) 45 Soldiers’ and Sailors’ Monument (1877) Mosaic and stained glass 100 Theo Alice Ruggles Kitson and Henry Hudson Kitson Martin Milmore 395 Commonwealth Ave. Bronze on granite base Bronze and qunicy granite 78 79 80 81 82 83 84 85 3 Domingo Faustino Sarmiento (1973) Commonwealth Ave. Mall, between Clarendon St. and Dartmouth St. Boston Common, Flagstaff Hill Ivette Compagnion 17 General John Glover Statue (1875) 46 Frogs of Tadpole Playground (2002) Bronze on cement base Martin Milmore David Phillips Commonwealth Ave. Mall, between Hereford St. and Gloucester St. Bronze on granite base Bronze 4 Quest Eternal (1967) Commonwealth Ave. Mall, between Berkeley St. and Clarendon St. Boston Common, at Beacon St. near Frog Pond Donald De Lue 18 Alexander Hamilton Statue (1865) 47 Mosaics in Tadpole Playground (2002) Bronze on granite base William Rimmer Marvin and Lilli Ann Killen Rosenberg Prudential Center, at 800 Boylston St.
    [Show full text]
  • Cambridge Public
    Cambridge Arts Council C A M B R I D G E P U B L I C A R T www.cambridgeartscouncil.org 03 01 02 04 Map 04 :: Porter Square (01) North Cambridge Senior Center: Linda Lichtman (02) North Cambridge Senior Center: David Fichter (03) Porter Square Shopping Center (back wall): Jeff Oberdorfer, Mass Art Students, Joshua Winer (04) Maria Baldwin School: Nancy O'Neil (T) MBTA Station: Susumu Shingu, Carlos Dorrien, Mags Harries, William Reimann, David Phillips Linda Lichtman North Cambridge Senior Center Title: Landscape Frieze in Glass Date: 1990 Materials: Etched stained glass, painted, and leaded Dimensions: 18" x 20' Location: 2050 Massachusetts Avenue These five panels of etched, stained and leaded glass run along the 20'-long glass window in the lobby of the Cambridge Senior Center. "I work with glass so that it will reflect nature and be alive to light, constantly changing like all things in nature," Lichtman says. "I tear away the surface of the glass with hydrofluoric acid or build up layers of paints, transparent enamels, and silver stain to increase richness and density." From this hazardous process emerges the most delicate of designs. Lichtman explains that each specific piece of glass etches differently. The result is the abstract imagery in "Landscape Frieze in Glass," which illumines the large window in the Cambridge Senior Center, as though the glass itself contained the light. Lichtman earned her BFA in painting from Massachusetts College of Art in 1974. She studied with a master glass artist Patrick Reyntiens at Burleighfiled House in England and apprenticed to other glass artists in the U.K., Canada and Germany before continuing studies at the Museum School in Boston.
    [Show full text]
  • Cambridge Public
    Cambridge Arts Council C A M B R I D G E P U B L I C A R T www.cambridgeartscouncil.org 05 04 06 01 02 03 Map 05 :: Harvard Square (01) Cambridge Center for Adult Education: Dimitri Gerakaris (02) Brattle Square: Konstantin Simun (03) Winthrop Park: Carlos Dorrien (04) 10 Church Street: Be Sargent (05) 20 Church Street: Joshua Winer (06) Quincy Square: David Phillips (T) MBTA Station: Ann Norton, Joyce Kozloff, Dimitri Hadzi, Gyorgy Kepes Privately Sponsored Public Art Harvard Square Artist: Dimitri Gerakaris Title: Untitled Date: 1989 Materials: Wrought iron Dimensions: 14' x 22' Location: 56 Brattle Street; exterior, facing the terrace The site is the former home and smithy of Dexter Pratt, who was immortalized by Longfellow's poem,"The Village Blacksmith." Along with an image of a chestnut tree taken directly from Longfellow's poem, the wrought-iron sculpture features the physical attributes of a blacksmith: anvil and smithing tools, some of which Gerakaris actually used to craft the piece. Commissioned by the Cambridge Center for Adult Education Artist: Be Sargent Title: Women's Community Cancer Project Mural Date: 1998 Dimensions: 18' x 25' Location: 20 Church Street A memorial to women activists who have died of cancer and a tribute to those working against the environmental causes of cancer. Artist: Joshua Winer Title: Harvard Square Theater Mural Date: Upper mural - 1983, Lower mural - 1991 Material: Silicate paint of existing brick wall Location: 10 Church Street, exterior wall In 1983, when the entrance to the movie theater was relocated to Church Street, the artist was commissioned by the theater and the Townscape Institute to execute a tromp l'oeil mural for the new facade, converting it into a Beaux-Arts theater facade.
    [Show full text]
  • Courses of Instruction
    Wellesley College Nonprofit 106 Central Street U.S. Postage Wellesley, MA 02481-8203 PAID Permit 12548 2011–2012 Wellesley College Catalog Wellesley Course Catalog Courses of Instruction Africana Studies Computer Science Italian Studies Physical Education & Athletics American Studies East Asian Languages & Japanese Physics Anthropology Literatures Japanese Language & Political Science Arabic East Asian Studies Literature Psychology Architecture Economics Japanese Studies Quantitative Reasoning Art Education Jewish Studies Program Asian American Studies English Korean Language & Culture Religion Astronomy Environmental Studies Latin Russian Astrophysics Extradepartmental Latin American Studies Russian Area Studies Biological Chemistry First-year Seminar Program Legal Studies Sociology 201 Biological Sciences French Linguistics South Asia Studies Chemistry French Cultural Studies Literature or Film Spanish 1 Chinese Geosciences Mathematics Statistics –201 Chinese Language & Literature German Media Arts & Sciences Studio Art Chinese Studies German Studies Medieval/Renaissance Studies Sustainability Certificate 2 Cinema & Media Studies Greek Middle Eastern Studies Program Classical Civilization Health & Society Music Theatre Studies Classical Studies Hebrew Neuroscience Urban Studies Cognitive & Linguistic Sciences History Peace & Justice Studies Women’s & Gender Studies Comparative Literature History of Art Philosophy The Writing Program International Relations Catalog Statement Nondiscriminatory Policies Student Records Copies of the Privacy
    [Show full text]
  • Exhibition List
    1 CHRONOLOGICAL LIST OF EXHIBITIONS & EVENTS 1950-2019 Original Collection of Julian DeCordova October 1, 1950 Boston Printmakers Drawing November 14, 1950 Young Boston Printers Sculpture - Pisano, Burwash, Barrett November 21, 1950 Watercolors - Audrey Soule, Karl Oberteuffer December 19, 1950 Craft Show - Jewelry, Silver, Ceramics, December 24, 1950 Fabrics, Textiles 2 1951 Max Beckmann - Lithographs January 26, 1951 Fanny Hillsmith - Abstract Paintings February 5, 1951 Toulouse-Lautrec - Prints March 7, 1951 Varujan Boghosian March 15, 1951 Moods And Movements - Boston 1951 April 8, 1951 The Photographs of Jules Aarons April 8 – May 13, 1951 Prints By Museum School Students May 20, 1951 Katherine Sturgis - Watercolors, Drawings May 17, 1951 Miniatures - Ray Lewis, George Mercer June 13, 1951 Fong Chow - Ceramics, Etchings, June 16, 1951 Monotypes, Watercolors Sibley Smith - Watercolors June 16, 1951 Cleo Lambrides - Gouache, Tempera Paintings June 22, 1951 William Maynard, Steven Trefonides - July 15, 1951 Watercolors Robert Grady - Watercolors September 4 - October 5, 1951 Sidney Eaton - Watercolors September 16 - October 4, 1951 Three-Dimensional For Modern Living October 7 - (Sculpture - Furniture) November 11, 1951 3 Elva Spiess Marshall - Watercolors, Ink October 16 - Drawings, Goache, Tempera, Paintings November 11, 1951 The Boston Printmakers November 14 - December 15, 1951 Elaine Rosenfield - Watercolors November 18 - December 16, 1951 Twenty-Four Painters - Oils November 24 - December 20, 1951 1952 With A Sable Brush - Watercolors by New England artists January 6 - February 10, 1952 Sculpture - Alfred Duca February 10 - Contemporary Weaving March 10, 1952 Donald Greason - Drawings, Paintings February 15 - March 15, 1952 Artists Equity Association Exhibition March 1 - (New England Chapter) March 30, 1952 R.
    [Show full text]