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News 2-9-11.Indd
www.thedavidsonian.com DAVI D SON COLLEGE WE D NES D AY , FEBRUARY 9, 2011 VOLUME 102, NUMBER 15 “Dash for Davidson” Meets Success Chambers Bell KATIE LOVETT Staff Writier Chimes Again The “Dash for Davidson” campaign re- ceived a much-anticipated victory Monday night as Gerard Dash ’12 was named the Student Government Association’s (SGA) President for the 2011-2012 academic year. Yet, long before this year’s initial interest meeting for Category II Elections on January 25th, Dash had been committed to making his mark upon the Davidson community. Dash dedicated the first three years of his Davidson career to service for the SGA. His past positions include Freshman Class Senator ERI C SA W YER (2008-2009), Council Chairman (2009-2010) Staff Writer and Student Body Vice President alongside President Kevin Hubbard (2010-2011). In ad- Last week the Chambers bell stopped dition to these roles, he served on official col- ringing, and members of the Physical Plant lege committees, such as the Strategic Plan corrected the problem in several days. The Implementation Team, Council for Campus bell has been inoperative in the past for vary- and Religious Life (CCRL), National Pan- ing lengths of time. It was donated to the col- Hellenic Council Expansion Committee and lege in 1922 to replace its predecessor, which Public Safety Committee, while also holding was destroyed when the old Chambers build- the position of Union Board Treasurer from ing burned down in 1921. 2009 to 2010. “All mechanical equipment will fail from The recently elected president’s experi- time to time,” said Jerry Archer, Physical ence can be seen in the many changes he has Plant. -
Getting to Know the Score a Heuristic Study Of
Getting to know the score: A heuristic study of problem gambling Timothy Malcolm Crisp MSc Counselling Psychology Keele University 2018 Timothy M Crisp / 15019739 Getting to know the score: A heuristic study of problem gambling Timothy Malcolm Crisp Abstract Relatively little is known about the experience of problem gambling, but the issue of betting addiction impacts upon a worrying number of people. More than two million people in the United Kingdom are classified as being either problem gamblers, or at risk of developing a betting addiction (Gambling Commission, 2018, p.24). Yet, the British Psychological Society (2011) and the American Psychological Association (2013) identify a disturbing lack of study into the phenomenological experience of problem gambling. Using heuristics (Moustakas, 1990), I conducted a self-study into my experience of problem gambling. I adopted such a qualitative approach, as I wanted to realise the unique nature, essence and meanings of my addiction. My data was gathered in a journal, at the time I was experiencing my betting problem, and in retrospect. The tacit knowledge and understanding that emerged was collated into three themes. The first theme determined that my problem gambling was only concerned with in-play betting, and not online or high-street activity, due to the relative intensity of the encounter. The causes of my addiction were found to occur in succession; originally escape, then a confidence in the structured approach of a strategy. My previous experience of a sizeable win proved a continued and strong influence. The additional themes occurred sequentially. Initially, where the beneficial aspects of control, escape and reality were discovered to be illusory, and finally, where I encountered the shock of a spontaneous self-combustion. -
Coping with Grief and Loss a Handbook for Survivors CONTENTS
Coping with Grief and Loss a Handbook for Survivors CONTENTS Surviving Your Loss . 4 Common and Normal Responses to Loss . 8 Phases of Grief . 10 “Grieving is as natural as First and Second Year Expectations . 15 crying when you are hurt, sleeping when you are tired, eating when you are hungry, Coping Techniques . 19 or sneezing when your nose itches; it is nature’s way of healing a broken heart.” Moving Toward Healing . 25 - Doug Manning Hope for the Future . 27 Grief and Loss Resources . 30 SURVIVING YOUR LOSS MAINTAIN HEALTHY EATING HABITS One of the most devastating things that can happen to a person While grieving, it is not unusual to experience disturbances in is the death of a loved one. This booklet will offer guidance about your appetite. Some people lose their appetite entirely while what to expect from the grieving process and how to heal from others experience an increase in appetite or have cravings, your loss. especially for “comfort” foods. It is best to choose foods that will provide your body with balanced nutrition. The first section of this book is about surviving the early days of a loss. Think of it as a “First Aid” kit of information that will help you Research has proven that when you are under stress, your deal with the stress of grieving. immune system is more susceptible to illness. You may not feel like cooking, but healthy meals can help maintain both your HANDLING STRESS immune system and your daily energy levels. They can also help stabilize your moods and emotions. -
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960S and 1970S by Kathryn B. C
“What Happened to the Post-War Dream?”: Nostalgia, Trauma, and Affect in British Rock of the 1960s and 1970s by Kathryn B. Cox A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music Musicology: History) in the University of Michigan 2018 Doctoral Committee: Professor Charles Hiroshi Garrett, Chair Professor James M. Borders Professor Walter T. Everett Professor Jane Fair Fulcher Associate Professor Kali A. K. Israel Kathryn B. Cox [email protected] ORCID iD: 0000-0002-6359-1835 © Kathryn B. Cox 2018 DEDICATION For Charles and Bené S. Cox, whose unwavering faith in me has always shone through, even in the hardest times. The world is a better place because you both are in it. And for Laura Ingram Ellis: as much as I wanted this dissertation to spring forth from my head fully formed, like Athena from Zeus’s forehead, it did not happen that way. It happened one sentence at a time, some more excruciatingly wrought than others, and you were there for every single sentence. So these sentences I have written especially for you, Laura, with my deepest and most profound gratitude. ii ACKNOWLEDGMENTS Although it sometimes felt like a solitary process, I wrote this dissertation with the help and support of several different people, all of whom I deeply appreciate. First and foremost on this list is Prof. Charles Hiroshi Garrett, whom I learned so much from and whose patience and wisdom helped shape this project. I am very grateful to committee members Prof. James Borders, Prof. Walter Everett, Prof. -
Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing Ben Brewer Pacific Nu Iversity
Res Cogitans Volume 4 | Issue 1 Article 15 6-19-2013 Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing Ben Brewer Pacific nU iversity Follow this and additional works at: http://commons.pacificu.edu/rescogitans Part of the Philosophy Commons Recommended Citation Brewer, Ben (2013) "Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing," Res Cogitans: Vol. 4: Iss. 1, Article 15. http://dx.doi.org/10.7710/2155-4838.1082 This Article is brought to you for free and open access by CommonKnowledge. It has been accepted for inclusion in Res Cogitans by an authorized administrator of CommonKnowledge. For more information, please contact [email protected]. Res Cogitans (2013) 4:116-130 2155-4838 | commons.pacificu.edu/rescogitans Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing Ben Brewer Pacific University Published online: 19 June 2013 © Ben Brewer 2013 Abstract Georges Bataille’s writing seems to teethe with something utterly foreign to the discipline of philosophy. In this paper, I investigate what Jason Wirth calls’ Bataille’s “mad game of writing” in order to show that Bataille’s bizarre writing style is actually an extension of his ethical and philosophical commitments. Bataille’s writing attempts to produce a state within the reader rather than simply transmit information. I trace the justifications and roots for such a writing from his own system, as well as showing how such a style of writing has its roots in Kantian aesthetics and in Hegel’s Phenomenology. I live by tangible experience and not by logical explanation. I have of the divine an experience so mad that one will laugh at me if I speak of it. -
How Not to Succeed in Law School
Essays How Not to Succeed in Law School James D. Gordon HIIt I. SHOULD You Go TO LAW SCHOOL? Would you like to help the less fortunate? Would you like to see liberty and justice for all? Do you want to vindicate the rights of the oppressed? If so, you should join the Peace Corps. The last thing you should do is attend law school. People basically hate lawyers, and with good reason. That's why you'll rarely escape from a dinner party without hearing at least one lawyer joke. Indeed, literature reveals that people have always hated lawyers. Samuel Coleridge wrote in The Devil's Thoughts: He saw a Lawyer killing a Viper On a dunghill hard by his own stable; t Professor of Law, Brigham Young University Law School. B.A. 1977, Brigham Young University; J.D. 1980, Boalt Hall School of Law, University of California, Berkeley. Just for the record (in case I am ever nominated for ajudicial appointment), I don't believe a word of this Essay. And if I do, I'm only being tentative. And if I'm not, I promise to let my colleagues dissuade me from my position shortly before the Senate confirmation hearings begin. After all, I watched the Bork hearings, too. I extend apologies and thanks to Dave Barry, Eliot A. Butler, Linda Bytof, Johnny Carson, Steven Chidester, Jesse H. Choper, Michael Cohen, Paul Duke, Vaughn J. Featherstone, J. Clifton Fleming, Jr., Frederick Mark Gedicks, Bruce C. Hafen, Carl S. Hawkins, Gregory Husisian, Brian C. Johnson, Edward L. Kimball, Jay Leno, Hans A. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
Nr Kat Artysta Tytuł Title Supplement Nośnik Liczba Nośników Data
nr kat artysta tytuł title nośnik liczba data supplement nośników premiery 9985841 '77 Nothing's Gonna Stop Us black LP+CD LP / Longplay 2 2015-10-30 9985848 '77 Nothing's Gonna Stop Us Ltd. Edition CD / Longplay 1 2015-10-30 88697636262 *NSYNC The Collection CD / Longplay 1 2010-02-01 88875025882 *NSYNC The Essential *NSYNC Essential Rebrand CD / Longplay 2 2014-11-11 88875143462 12 Cellisten der Hora Cero CD / Longplay 1 2016-06-10 88697919802 2CELLOSBerliner Phil 2CELLOS Three Language CD / Longplay 1 2011-07-04 88843087812 2CELLOS Celloverse Booklet Version CD / Longplay 1 2015-01-27 88875052342 2CELLOS Celloverse Deluxe Version CD / Longplay 2 2015-01-27 88725409442 2CELLOS In2ition CD / Longplay 1 2013-01-08 88883745419 2CELLOS Live at Arena Zagreb DVD-V / Video 1 2013-11-05 88985349122 2CELLOS Score CD / Longplay 1 2017-03-17 0506582 65daysofstatic Wild Light CD / Longplay 1 2013-09-13 0506588 65daysofstatic Wild Light Ltd. Edition CD / Longplay 1 2013-09-13 88985330932 9ELECTRIC The Damaged Ones CD Digipak CD / Longplay 1 2016-07-15 82876535732 A Flock Of Seagulls The Best Of CD / Longplay 1 2003-08-18 88883770552 A Great Big World Is There Anybody Out There? CD / Longplay 1 2014-01-28 88875138782 A Great Big World When the Morning Comes CD / Longplay 1 2015-11-13 82876535502 A Tribe Called Quest Midnight Marauders CD / Longplay 1 2003-08-18 82876535512 A Tribe Called Quest People's Instinctive Travels And CD / Longplay 1 2003-08-18 88875157852 A Tribe Called Quest People'sThe Paths Instinctive Of Rhythm Travels and the CD / Longplay 1 2015-11-20 82876535492 A Tribe Called Quest ThePaths Low of RhythmEnd Theory (25th Anniversary CD / Longplay 1 2003-08-18 88985377872 A Tribe Called Quest We got it from Here.. -
305 Gayane Grigoryan Lost Generation: Love and Life
GAYANE GRIGORYAN LOST GENERATION: LOVE AND LIFE FOR A GENERATION OF SOULS LOST IN THE WORLD The Lost Generation defines a sense of moral loss or aimlessness apparent in literary figures during the 1920s. World War I seemed to have destroyed the idea that if you acted virtuously, good things would happen. Many good, young men went to war and died, or returned home either physically or mentally wounded, and their faith in the moral guideposts that had earlier given them hope, were no longer valid...they were lost. The term was popularized by Ernest Hemingway who used it as one of two contrasting epigraphs for his novel The Sun Also Rises. In that volume Hemingway credits the phrase to Gertrude Stein, who was then his mentor and patron1. The status of affairs in America in the years following the First World War spawned a generation of authors termed the lost generation. In response to the political and social atmosphere of the United States these authors sought cultural refuge in European cities. Ernest Hemingway and F. Scott Fitzgerald are two prominent authors who followed the path to becoming the lost generation. In their works The Sun Also Rises and Tender Is The Night, listed respectively, Hemingway and Fitzgerald provide works of literature that embody the spirit of the lost generation. Through provision of an account of the lost generation and analysis of Hemingways and Fitzgeralds texts, the textual embodiment of lost generation values will be highlighted. In its most literal definition it would seem as if a lost generation would not have a history. -
Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work
Touro Law Review Volume 32 Number 1 Symposium: Billy Joel & the Law Article 10 April 2016 Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work Randy Lee Follow this and additional works at: https://digitalcommons.tourolaw.edu/lawreview Part of the Legal Profession Commons Recommended Citation Lee, Randy (2016) "Billy Joel and the Practice of Law: Melodies to Which a Lawyer Might Work," Touro Law Review: Vol. 32 : No. 1 , Article 10. Available at: https://digitalcommons.tourolaw.edu/lawreview/vol32/iss1/10 This Article is brought to you for free and open access by Digital Commons @ Touro Law Center. It has been accepted for inclusion in Touro Law Review by an authorized editor of Digital Commons @ Touro Law Center. For more information, please contact [email protected]. Lee: Billy Joel and the Practice of Law BILLY JOEL AND THE PRACTICE OF LAW: MELODIES TO WHICH A LAWYER MIGHT WORK Randy Lee* Piano Man has ten tracks.1 The Stranger has nine.2 This work has seven melodies to which a lawyer might work. I. TRACK 1: FROM PIANO BARS TO FIRES (WHY WE HAVE LAWYERS) Fulton Sheen once observed, “[t]he more you look at the clock, the less happy you are.”3 Piano Man4 begins by looking at the clock. “It’s nine o’clock on a Saturday.”5 As “[t]he regular crowd shuffles in,” there’s “an old man” chasing a memory, “sad” and “sweet” but elusive and misremembered.6 There are people who pre- fer “loneliness” to “being alone,” people in the wrong place, people out of time, no matter how much time they might have.7 They all show up at the Piano Man’s bar hoping “to forget about life for a while”8 because, as the song reminds us, sometimes people can find themselves in a place where their life is hard to live with. -
Learning to Live Together
Learning to Live Together An Intercultural and Interfaith Programme for Ethics Education Learning to Live Together Learning Live to Learning to Live Together is an intercultural and interfaith programme for ethics education, designed to contribute to the realisation of the right of the child to full and healthy physical, mental, spiritual, moral and social development, and to education as set out in the United Nations Convention on the Rights of the Child (CRC), in article 26.1 of the Universal Declaration of Human Rights (UDHR), in the World Declaration on Education for All and in the Millennium Development Goals (MDG). Learning to Live Together provides youth leaders and educators world- wide with the tools for an intercultural and interfaith programme, by which children and young people are able to develop a stronger sense of ethics. It is designed to help the young understand and respect people from other cultures and religions and to nurture their sense of a global community. e resource has been developed in close cooperation with UNESCO and UNICEF. Learning to Live Together Learning to Live Together An Intercultural and Interfaith Programme for Ethics Education Interfaith Council on Ethics Education for Children Global Network of Religions for Children Arigatou Foundation In cooperation with and endorsed by UNESCO and UNICEF Learning to Live Together The Interfaith Council Secretariat welcomes requests for permission to reproduce and translate this book in part or in full. Applications and enquiries should be addressed to Arigatou International, 1, rue de Varembé, 1202 Geneva, Switzerland, which will be glad to provide the latest information on any changes made to the text. -
Whats That Sound 06-09 5.0 1/23/06 9:56 AM Page 325
Whats That Sound 06-09_5.0 1/23/06 9:56 AM Page 324 The Growth of FM Rock Radio FM is a type of radio broad- selves. But the tide for FM or “Progressive” radio was cast developed in 1933 by turned in the 1950s with the format that worked best. Edwin Howard Armstrong. It improvements in home audio Free-form radio was prob- uses the same radio waves as equipment, the development ably first developed at New AM but in a different way: of stereo recording and the York’s WOR-FM, but Tom information is transmitted by LP, and the Federal Donahue became the most varying the frequency of the Communication Com- influential proponent of the carrier wave, instead of the mission’s 1967 order that format when he adopted it at amplitude of the wave. FM dual-license owners had to KMPX-FM in San Francisco broadcasts have less static provide original FM program- in the spring of 1967. Thanks and a shorter range than AM, ming for at least 50 percent of to Donahue’s success in the so they are a purely local but the broadcast day. Beginning Bay Area and subsequently higher-quality broadcast. that year, stations moved in Los Angeles, the format live from ... The development of FM quickly to differentiate them- spread nationwide by 1968. was bitterly contested by the selves from AM. “Free-form” It also was the main format radio industry, despite its obvious virtues. Because broadcasting corporations like RCA had millions of dol- lars invested in AM radio equipment, programming, and marketing, they had no desire to invest in an expen- sive new medium just so they could compete with them- 324 Whats That Sound 06-09_5.0 1/23/06 9:56 AM Page 325 for student-run college sta- developed a method of string- result, progressive radio tions.