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Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing Ben Brewer Pacific Nu Iversity
Res Cogitans Volume 4 | Issue 1 Article 15 6-19-2013 Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing Ben Brewer Pacific nU iversity Follow this and additional works at: http://commons.pacificu.edu/rescogitans Part of the Philosophy Commons Recommended Citation Brewer, Ben (2013) "Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing," Res Cogitans: Vol. 4: Iss. 1, Article 15. http://dx.doi.org/10.7710/2155-4838.1082 This Article is brought to you for free and open access by CommonKnowledge. It has been accepted for inclusion in Res Cogitans by an authorized administrator of CommonKnowledge. For more information, please contact [email protected]. Res Cogitans (2013) 4:116-130 2155-4838 | commons.pacificu.edu/rescogitans Unsaying Non-Knowledge: Georges Bataille and the Mysticism of Writing Ben Brewer Pacific University Published online: 19 June 2013 © Ben Brewer 2013 Abstract Georges Bataille’s writing seems to teethe with something utterly foreign to the discipline of philosophy. In this paper, I investigate what Jason Wirth calls’ Bataille’s “mad game of writing” in order to show that Bataille’s bizarre writing style is actually an extension of his ethical and philosophical commitments. Bataille’s writing attempts to produce a state within the reader rather than simply transmit information. I trace the justifications and roots for such a writing from his own system, as well as showing how such a style of writing has its roots in Kantian aesthetics and in Hegel’s Phenomenology. I live by tangible experience and not by logical explanation. I have of the divine an experience so mad that one will laugh at me if I speak of it. -
305 Gayane Grigoryan Lost Generation: Love and Life
GAYANE GRIGORYAN LOST GENERATION: LOVE AND LIFE FOR A GENERATION OF SOULS LOST IN THE WORLD The Lost Generation defines a sense of moral loss or aimlessness apparent in literary figures during the 1920s. World War I seemed to have destroyed the idea that if you acted virtuously, good things would happen. Many good, young men went to war and died, or returned home either physically or mentally wounded, and their faith in the moral guideposts that had earlier given them hope, were no longer valid...they were lost. The term was popularized by Ernest Hemingway who used it as one of two contrasting epigraphs for his novel The Sun Also Rises. In that volume Hemingway credits the phrase to Gertrude Stein, who was then his mentor and patron1. The status of affairs in America in the years following the First World War spawned a generation of authors termed the lost generation. In response to the political and social atmosphere of the United States these authors sought cultural refuge in European cities. Ernest Hemingway and F. Scott Fitzgerald are two prominent authors who followed the path to becoming the lost generation. In their works The Sun Also Rises and Tender Is The Night, listed respectively, Hemingway and Fitzgerald provide works of literature that embody the spirit of the lost generation. Through provision of an account of the lost generation and analysis of Hemingways and Fitzgeralds texts, the textual embodiment of lost generation values will be highlighted. In its most literal definition it would seem as if a lost generation would not have a history. -
GRAMMY U Presents ALBUM REVIEW: KANYE WEST – “MY BEAUTIFUL DARK TWISTED FANTASY” by LESLEY GWAM CONTINUED from MAIN PAGE
GRAMMY U Presents ALBUM REVIEW: KANYE WEST – “MY BEAUTIFUL DARK TWISTED FANTASY” BY LESLEY GWAM CONTINUED FROM MAIN PAGE Anyone who has read my blog (http://hiphopheadmistress.wordpress.com), knows that I absolutely adore Kanye West. So just like any other Yeezy fanatic, I rushed to my nearest music store to purchase My Beautiful Dark Twisted Fantasy on November 22. To be completely honest, I was skeptical about purchasing West’s sixth studio release, because I loathed 808s & Heartbreak (the auto-tune is too much for my senses to handle. I like my rappers to rap, and my singers to sing, unless you’re Queen Latifah and can do both. But this is a discussion for another Wednesday Word). I was quickly won over, however, by his weekly G.O.O.D. Friday releases from kanyewest.com, particularly “Chain Heavy” and “The Joy.” While My Dark Twisted Fantasy does contain a fair amount of auto-tune, it is nevertheless a great album. I must say however, it is imperative to listen to the album multiple times to really grasp Kanye’s vision – a vision that I can’t say I’ve been able to fully comprehend yet. The album opens with “Dark Fantasy,” which serves as an extended album introduction, and features none other than record release date rival, Nicki Minaj as its narrator. The full bodied instrumental kicks in shortly after the one-minute mark, and the grandiose chorus only adds to the melody. While Kanye may have gotten a bit overzealous with the cameo appearances on “All of the Lights,” (the song’s liner notes credit Rihanna, Alicia Keys, Ryan Leslie, Fergie, John Legend, Charlie Wilson, Elton John, Kid Cudi, Elly Johnson and The-Dream with vocal credits), its emphasis on live instruments makes this song a standout number. -
Race, Gender, Class & Identity Through Rap Music
University of Texas at El Paso DigitalCommons@UTEP Open Access Theses & Dissertations 2018-01-01 Yeezy Taught Me: Race, Gender, Class & Identity Through Rap Music April Marie Reza University of Texas at El Paso, [email protected] Follow this and additional works at: https://digitalcommons.utep.edu/open_etd Part of the Communication Commons Recommended Citation Reza, April Marie, "Yeezy Taught Me: Race, Gender, Class & Identity Through Rap Music" (2018). Open Access Theses & Dissertations. 154. https://digitalcommons.utep.edu/open_etd/154 This is brought to you for free and open access by DigitalCommons@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of DigitalCommons@UTEP. For more information, please contact [email protected]. YEEZY TAUGHT ME: RACE, GENDER, CLASS & IDENTITY THROUGH RAP MUSIC APRIL MARIE REZA Master’s Program in Communication APPROVED: Richard Pineda, Ph.D., Chair Arthur Aguirre, Ph.D. Dennis Bixler-Marquez, Ph.D. Charles Ambler, Ph.D. Dean of the Graduate School Copyright © by April Marie Reza 2018 DEDICATION For my family, Mom, Dad, Eric, Dani, and Victor. I wouldn’t be where I am today, without your love and support. YEEZY TAUGHT ME: RACE, GENDER, CLASS & IDENTITY THROUGH RAP MUSIC by APRIL MARIE REZA, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department of Communication THE UNIVERSITY OF TEXAS AT EL PASO December 2018 ACKNOWLEDGEMENTS First and foremost, I would like to thank my family for their constant support throughout my education. -
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P a g e | 20 http://jrmdc.com New Testament in a Digital Culture: A Biblaridion (Little Book) Lost in the Web? Claire Clivaz University of Lausanne (Switzerland) Keywords: Digital humanities; biblical studies; history of the book; classical studies; materiality of writing Abstract The digital revolution makes one attentive to a “blind spot” of modernity, the influence of the material support of writing on ideas and concepts. Modernity has led us to “believe” in the existence of “works” and “ideas” independently of their concrete expressions in the supports of writing. Such beliefs have deeply influenced modern methodologies, and among them the biblical methodological approaches. The digital revolution reminds one to take a humble attitude to our ideas, and also to our attachment to literary “works”, paying attention to the texts as documents and objects. Starting from this general idea, this article considers first the impact of some modern beliefs on Classical studies. The second part of this article argues that digital culture can particularly help us to rediscover a culture with plural literacies. Finally, this article asks if the New Testament is becoming a biblaridion (Revelation 10:2, 9- 10), a “very small booklet”, lost in the World Wide Web, losing more and more of its covers and becoming potentially a “liquid book”, as described by Jacques Derrida (Adema, 2012). To go beyond such a perception, I will consider other ways to deal with a Scripture that is going out of the Book. About the author Claire Clivaz is assistant professor in New Testament and Early Christianity at the University of Lausanne (Switzerland). -
Anne Goffman
ANNE GOFFMAN "This little cat will go far", her doting father is reported as having said when his last child, Anne, was born to the Muni Averback family on October 31,1999. Prophesied Dvorah, the renowned local Kochkleffel, tealeaf reader and fortuneteller, "Annele is destined to move far across the seas and malTY one of those dashing Nover Kranker fel lows-in my bones I feel his name will be Max and they'll have a couple of kids--Dne of each brand, and believe me, they won't get lost in the world! She will have many relatives and friends, all of whom will look to her for leadership and love (and a little shopping). Her love for her children, her nephews and nieces, her Hadassah and her friends is absolutely guaranteed to make her The Woman of Any YeaL" To the left: Anne & Max Below: Erving, Anne & Francis Even the omniscient Dvorah could never have anticipated the heights to which the prophecies were realized. Devoted mother to Frances and Erving, Anne's inexhaustible source of love reached out across generations and was returned exponentially. One did not have to be a relative to seek the privilege of calling her "Auntie Annie". Anne came to Winnipeg at the age of 13; she moved to Manville, Alberta at 18 when she rnaITied Max Goffman; later, with their two children they lived in Dauphin, Manitoba, until the subsequent move to Winnipeg in 1937. There were now six Averback siblings living in Winnipeg. Anne and Max left for California in 1952. These are the bare statistical facts. -
Roads to Zion Hip Hop’S Search for the City Yet to Come
5 Roads to Zion Hip Hop’s Search for the City Yet to Come No place to live in, no Zion See that’s forbidden, we fryin’ —Kendrick Lamar, “Heaven and Hell” (2010) The sense of the end-times and last days must be entered in order to find the creative imagination that can reveal paths of survival and threads of renewal as chaos winds its wicked way back to cosmos again. —Michael Meade Robin D. G. Kelley, in his book Freedom Dreams: The Black Radical Imagination, argues that Exodus served as the key political and moral compass for African Americans during the antebellum era and after the Civil War.1 Exodus gave people a critical language for understanding the racist state they lived in and how to build a new nation. Exodus signified new beginnings, black self-determination, and black autonomy. Marcus Garvey’s “Back to Africa” movement represented a pow- erful manifestation of this vision of Exodus to Zion. He even purchased the Black Star shipping line in order to transport goods and people back to their African motherlands. Though Garvey’s Black Star Line made only a few voyages, it has remained a powerful symbol of the longing for home. As the dream of Exodus faded, Zion has become the more central metaphor of freedom and homecoming in contemporary black cultural expressions. Along these lines, Emily Raboteau—reggae head and daughter of the re- nowned historian of African American religion Albert J. Raboteau—explores Zion as a place that black people have yearned to be in her book, Searching for Zion: The Quest for Home in the African Diaspora.2 In her wanderings through Jamaica, Ethiopia, Ghana, and the American South and her conversations with Rastafarians and African Hebrew Israelites, Evangelicals, Ethiopian Jews, and Ka- trina transplants, one truth emerges: there are many roads to Zion. -
Eastern Progress
SETBACKS Colonels lose first home game of season, fall to COLLECTORS Tennessee State in double overtime B6 Campus roomates collect law enforcement badges from across Kentucky and the country B1 THE EASTERN PROGRESS www.easternprogress.com © 2012 Richmond, KY Student publication of Eastern Kentucky University since 1922 12 pages, Thursday, February 2, 2012 Lack of on-campus apartments displaces international students By JACQUELINE HINKLE to American food.” [email protected] James Street, the acting executive vice president and administrator, said there are still options avail- Following the demolition of the Brockton apart- able on campus for students to live during the con- ments, many students have found themselves in struction of the new dorm that he said will provide need of new housing options either on or off cam- a desired residence for international students. He pus; international students are having a particular- also said the school hosted an apartment fair pri- ly diffi cult time. Additionally, Student Government or to the evacuation of Brockton for the residents. Association has passed a resolution in support of “Th e new dorm will be two to four bedroom an apartment listing on its website to help students. suite style,” Street said. “In the mean time there are “Th e main problem that international students still some units available in Brockton.” are having is fi nding housing with their own kitch- Kenna Middleton, director of housing, said all en, which is what Brockton provided,” said student of Brockton is not torn down. Th ere are 24 units senator Bong Han Lee, 19, environmental health remaining on the complex. -
Use It! Don't Lose It
7th Grade IP 612-2 UseUse It!It! Don’tDon’t LoseLose It!It! DAILY LANGUAGE PRACTICE By Marjorie Frank Use It! Don’t Lose It! LANGUAGE Daily Skills Practice Grade 7 by Marjorie Frank Thanks to Erin Linton for her assistance in researching topics, checking facts, and tracking down trivia. Illustrated by Kathleen Bullock Cover by Geoffrey Brittingham Edited by Jill Norris Copy edited by Cary Grayson ISBN 978-0-86530-652-3 Copyright ©2006 by Incentive Publications, Inc., Nashville, TN. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means (electronic, mechanical, photocopying, recording, or otherwise) without written permission from Incentive Publications, Inc., with the exception below. Pages labeled with the statement ©2006 by Incentive Publications, Inc., Nashville, TN are intended for reproduction. Permission is hereby granted to the purchaser of one copy of USE IT! DON’T LOSE IT! LANGUAGE DAILY SKILLS PRACTICE 7 to reproduce these pages in sufficient quantities for meeting the purchaser’s own classroom needs only. 2345678910 090807 PRINTED IN THE UNITED STATES OF AMERICA www.incentivepublications.com Don’t let those language skills get lost or rusty! As a teacher you work hard to teach language skills to your students. Your students work hard to master them. Do you worry that your students will forget the material as you move on to the next concept? If so, here’s a plan for you and your students—one that will keep those skills sharp. Use It! Don’t Lose It! provides daily language practice for all the basic skills. -
FSU ETD Template
Florida State University Libraries 2016 Of the Out of Style Jeff Hipsher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES OF THE OUT OF STYLE By JEFF HIPSHER A Thesis submitted to the Department of English in partial fulfillment of the requirements for the degree of Master of Fine Arts 2016 Jeff Hipsher defended this thesis on April 15, 2016. The members of the supervisory committee were: David Kirby Professor Directing Thesis Barbara Hamby Committee Member Andrew Epstein Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii for Sarah iii ACKNOWLEDGMENTS Poems in this manuscript previously appeared in or are forthcoming from The Boston Review and The Common. An early version of this manuscript was one of three finalists for the Poetry Society of America‘s 30 and Under Chapbook Fellowship. I am deeply grateful for the patience and love of my wife, Sarah Cassidy Hipsher. My parents, Paula and Everett Ison, for putting up with me. Don and Margaret Cassidy for the same. All my Hipsher, Cassidy, Ison, Garcia, and Chavez families. Much love to Timothy Donnelly, Chuch O‘Neal, Adam Day, A.H. Jerriod Avant, Mikayla Avila Vila, Yolanda Franklin, Cocoa Williams, Gary Jackson, Chris Michaels, Dan Sack, Hannah Gamble, Douglas Kearney, Nick Sturm, Jeremy Clark, Nick Sturtzel, Rob Johnson, Wendy Xu, Alexis Orgera, Michael Miles, Tristan Child, Mark Hensel, Muriel Leung, and Josh & Jessie English for their invaluable insight, guidance, support, and friendship. -
Kanye West I Love It Clean Version Mp3 Download Kanye West I Love It Clean Version Mp3 Download
kanye west i love it clean version mp3 download Kanye west i love it clean version mp3 download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 67a4eac30b2dcaf0 • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Best of Kanye West Dj Mixtape ( New & Old Songs) Mixtape Title : Kanye West Greatest Hits Type : Kanye West Hip Hop Compilation Mixtape Tags : best of kanye west dj mix download, kanye west mix, kanye west mixtape, download best of kanye west, kanye west dj mix mp3 download 2019. Year 2021 DJ Mix Description : Kanye Omari West is an American rapper, singer, songwriter, record producer, entrepreneur, and fashion designer. His musical career has been marked by dramatic changes in styles, incorporating an eclectic range of influences including soul, baroque pop, electro, indie rock, synth-pop, industrial, and gospel. Wikipedia. Playing these Kanye West songs. Gold Digger I Love It Stronger Runaway Ni**as In Paris Fade All of the Lights Heartless Flashing Lights Power Mercy Famous Can’t Tell Me Nothing FourFiveSeconds Jesus Walks Through the Wire Otis All Falls Down Good Life Love Lockdown Ultralight Beam No Church in the Wild Black Skinhead Father Stretch My Hands Pt. -
Uppsats På Grundnivå Independent Degree Project First Cycle
Uppsats på grundnivå Independent degree project first cycle Litteraturvetenskap 15p Literature 15p Så klingar hennes röst som ett eko genom alla himlar En studie i Silvana Imams anknytning till lyriska företrädare, med fokus på Edith Södergran. Antonia Savva 1 MITTUNIVERSITETET Institutionen för Humaniora Examinator: Anders E. Johansson, [email protected] Handledare: Anders S. Johansson, [email protected] Författare: Antonia Savva, [email protected] Utbildningsprogram: Litteraturvetenskap C, 30 hp Huvudområde: Litteraturvetenskap Termin, år: VT, 2017 2 Innehållsförteckning 1. Inledning………………...……………………………………..4 2. Syfte, process och metod……………………...……………….5 3. Bakgrund……………………………………………………….6 3.1. Södergranforskningen……….………………………...6–7 3.2. Silvana Imam…………………….……………………7–9 4. Analys…………………………………………………………10 4.1. Subjektspositionen och scenen...…………..……….10–14 4.2. Blomstertid och kristussymboler…………………....14–20 4.3. Hon är allt för mig – kvinnoporträtt……………......20–26 5. Avslutande diskussion och sammanfattning…………….........27 6. Referenser………………………………………………...28–29 7. Appendix…………………………………………………30–35 3 1. Inledning Silvana Imam har de senaste åren blivit en ikon inom svensk rap och det är många saker som särskiljer henne från hennes samtida kollegor. Hon är en homosexuell kvinna som anammar rapens hybrisliknande jargong som målar upp jaget till gudomliga proportioner. Något annat som ställer henne i särställning är det lyriska språket som öppnar hennes texter för otaliga tolkningsmöjligheter. Rapmusiken är känd