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BBC World Service : Overseas Broadcasting, 1932-2018 Pdf Free Download
BBC WORLD SERVICE : OVERSEAS BROADCASTING, 1932-2018 PDF, EPUB, EBOOK Gordon Johnston | 338 pages | 26 Nov 2019 | Palgrave MacMillan | 9780230355606 | English | Basingstoke, United Kingdom BBC World Service : Overseas Broadcasting, 1932-2018 PDF Book Radio Times. A few months ago this was valuable information for those travelling abroad who wanted their fix of BBC radio coverage. Within a decade, the service began adding languages and regions, and currently broadcasts to people around the world in 27 languages, with a broad range of programs including news, music, comedy and documentaries. Ships within weeks Not available in stores. The Travel Show , Our World. Secession [Hardcover] Hardback. The Doha Debates. The easiest way to work around such restrictions is by using a VPN. Featuring psalm settings for each Sunday and all the major feast days, this essential musical resource is the first publication to feature the psalm texts that are used in the new Canadian lectionary. Huw Edwards. As radio streams don't hog bandwidth to the extent that streaming TV does, most good VPN services are perfectly adequate for virtually moving back to the UK to listen to a restricted programme. Can I view this online? Retrieved 21 November BBC Television. BBC portal. Editor: Sarah Smith. Retrieved 9 February The Bottom Line. The Random House Group. Advanced search Search history. We have recently updated our Privacy Policy. Need Help? The phrase "but for now" means among other things "making do," as if we had to settle for the bare minimum. Presenters who have normal shows and also Relief present have their relief shows in bold. -
7116-A BBC TV Review
Independent Review of the BBC’s Digital Television Services 1 Contents Executive Summary 2 1. Introduction 13 1.1 Background, terms of reference, and report structure 13 1.2 General and specific approval conditions 16 1.3 Review process 16 1.4 Consultation results 17 1.5 Conceptual framework: net public value 19 1.6 The BBC’s digital TV strategy and its assumptions about audience behaviour 23 1.7 Television is a mass medium, not a niche medium 26 2. Performance Against the Approval Conditions 35 2.1 CBeebies 35 2.2 CBBC 37 2.3 BBC3 41 2.4 BBC4 47 2.5 Interactivity 50 2.6 Driving digital takeup 52 2.7 Value for money 54 2.8 Performance against conditions: summary and conclusions 58 3. Market Impact 63 3.1 Introduction 63 3.2 In what ways might the BBC’s services impact the market? 65 3.3 Clarifying the “base case” 66 3.4 Direct impact on commercial channels’ revenue 69 3.5 Impact on programme supply market 77 3.6 Impact on long-run competitiveness of the market 79 3.7 Market impact: summary and conclusions 80 4. How Might the Services Develop in the Future? 82 4.1 Summary of conclusions: performance and market impact 82 4.2 The evolving market context and the BBC-TV portfolio 87 4.3 Recommendations for future development 91 Appendix: Ofcom Analysis of Genre Mix 98 Supplementary Reports* Report on CBeebies and CBBC, by Máire Messenger Davies Report on BBC3 and BBC4, by Steve Hewlett Assessment of the Market Impact of the BBC’s New Digital TV and Radio Services, by Ofcom About the Author 100 *All supplementary reports are available electronically on the DCMS website, www.culture.gov.uk 2 Independent Review of the BBC’s Digital Television Services Executive Summary This report reviews the BBC’s digital television services CBeebies, CBBC, BBC3 and BBC4. -
Case Study 2
IN DARKNESS Theatrical release: 16th March 2012 Case study We positioned In Darkness as an upmarket, intelligent war drama comparable to The Counterfeiters and The Lives of Others, which had similar high production values and mix of war, thriller and drama aspects. It was also nominated as Best Foreign Language Film for the 2012 Academy Awards and this added critical and to some degree consumer interest. In addition to the Oscar nomination, we identified several key selling points to the film; its basis as a true story, the heroism in times of adversity and the ultimately uplifting story of survival and humanity pulling through, along with the high production values. We considered it vital to the release that the story was not mistakenly believed to be a dark, depressing or grueling experience, which could deter the target market and cross-over audiences. We feel the focus on the positive outcome of the film was the perfect antidote to this and these elements were communicated throughout all aspects of the campaign. We agreed early on that with funding from the BFI we could properly explore a dual campaign with both Polish and English speaking markets with entirely separate creatives in terms of dual language. Primary markets – Arthouse cinema goes and broader market/ Polish audiences living in the UK Secondary markets Jewish market Fans of WW2 true stories Summary on BFI activity The detail of the activity lies ahead in the document but by way of summary these were our findings on the Polish market. We took the approach that we would look at several forms of media for the Polish market and use exit polling to quantify the results. -
The Formation of Temporary Communities in Anime Fandom: a Story of Bottom-Up Globalization ______
THE FORMATION OF TEMPORARY COMMUNITIES IN ANIME FANDOM: A STORY OF BOTTOM-UP GLOBALIZATION ____________________________________ A Thesis Presented to the Faculty of California State University, Fullerton ____________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Geography ____________________________________ By Cynthia R. Davis Thesis Committee Approval: Mark Drayse, Department of Geography & the Environment, Chair Jonathan Taylor, Department of Geography & the Environment Zia Salim, Department of Geography & the Environment Summer, 2017 ABSTRACT Japanese animation, commonly referred to as anime, has earned a strong foothold in the American entertainment industry over the last few decades. Anime is known by many to be a more mature option for animation fans since Western animation has typically been sanitized to be “kid-friendly.” This thesis explores how this came to be, by exploring the following questions: (1) What were the differences in the development and perception of the animation industries in Japan and the United States? (2) Why/how did people in the United States take such interest in anime? (3) What is the role of anime conventions within the anime fandom community, both historically and in the present? These questions were answered with a mix of historical research, mapping, and interviews that were conducted in 2015 at Anime Expo, North America’s largest anime convention. This thesis concludes that anime would not have succeeded as it has in the United States without the heavy involvement of domestic animation fans. Fans created networks, clubs, and conventions that allowed for the exchange of information on anime, before Japanese companies started to officially release anime titles for distribution in the United States. -
Sound: Eine Arbeitsbibliographie 2003
Repositorium für die Medienwissenschaft Hans Jürgen Wulff Sound: Eine Arbeitsbibliographie 2003 https://doi.org/10.25969/mediarep/12795 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Sound: Eine Arbeitsbibliographie. Hamburg: Universität Hamburg, Institut für Germanistik 2003 (Medienwissenschaft: Berichte und Papiere 17). DOI: https://doi.org/10.25969/mediarep/12795. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0017_03.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft / Kiel: Berichte und Papiere 17, 1999: Sound. ISSN 1615-7060. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff. Letzte Änderung: 21.9.2008. URL der Hamburger Ausgabe: .http://www1.uni-hamburg.de/Medien/berichte/arbeiten/0017_03.pdf Sound: Eine Arbeitsbibliographie Hans J. Wulff Stille und Schweigen. Themenheft der: Navigatio- Akemann, Walter (1931) Tontechnik und Anwen- nen: Siegener Beiträge zur Medien- und Kulturwis- dung des Tonkoffergerätes. In: Kinotechnik v. 5.12. senschaft 3,2, 2003. 1931, pp. 444ff. Film- & TV-Kameramann 57,9, Sept. 2008, pp. 60- Aldred, John (1978) Manual of sound recording. 85: „Originalton“. 3rd ed. :Fountain Press/Argus Books 1978, 372 pp. Aldred, John (1981) Fifty years of sound. American Cinematographer, Sept. 1981, pp. 888-889, 892- Abbott, George (1929) The big noise: An unfanati- 897. -
The Impact of International Broadcasting on Africa 1 2 Olusesan S
Developing Country Studies www.iiste.org ISSN 2224-607X (Paper) ISSN 2225-0565 (Online) Vol.4, No.4, 2014 The Impact of International Broadcasting On Africa 1 2 Olusesan S. Asekun-Olarinmoye Johnson M. Esiri Oladayo O. Ogungbamigbe 3 Ajibolu T. Balofin 1 1. Department of Mass Communication, Babcock School of Business, Babcock University, Ilisan-Remo, Ogun State, Nigeria; 2. Department of Mass Communication, Redeemer’s University, Kilometer 46, Lagos-Ibadan Expressway , Ogun State , Nigeria; 3. Department of Mass Communication, Federal Polythecnic, Offa, Kwara State, Nigeria; * E-mail of the corresponding author: [email protected] Abstract This study examined the impact of global broadcasting on Africa. The survey research method was applied to collect data with the structured questionnaire as the research instrument. 150 respondents who were purposively selected from Nigeria, South Africa and Egypt were administered the questionnaire online through the surveymonkey.com website. However, 110 respondents properly completed and submitted their questionnaires representing 73 percent response rate. Findings revealed that Cable News Network (CNN) is the preferred global TV news channel of 41 percent of the respondents followed by Al Jezeera (32 percent), China Central Television (18 per cent) and BBC World (9 percent). This is consistent with the 2012 European Media Survey (EMS) report which declared CNN as the undisputed No 1 news brand in Africa. Findings further revealed that global TV news channels carried mostly negative stories about Africa as indicated by 86 percent of the respondents. Furthermore, 60 percent of the respondents indicated that this pattern of coverage not only gave the continent a negative perception but worsened her economic woes. -
MS41 Sir Kenneth Branagh
MS41 Branagh Collection About the collection: Background: The Sir Kenneth Branagh Archive originated in a substantial bequest to Queen's University from Sir Kenneth Branagh in 2000. The original bequests have been supplemented by donations from other sources, including commercial bodies (such as Naxos), charitable organisations (such as the Ulster Association of Youth Drama) and individuals (such as Mark Thornton Burnett, Sarah Hatchuel and Jude Tessel). Overview: The Archive consists of material relating to the professional life and work of Sir Kenneth Branagh. It is largely made up of paper documents (many are photocopies), but also holds recordings and merchandise related to individual productions. Original items (i.e. not photocopies) are marked as such in the listing. The Branagh Archive is an open collection, so periodically items will be added – from 2006 onwards the date items were added is noted. Arrangement: The material is arranged in 7 main headings: Theatre, Television, Film, Radio/Audio, General, Recordings and Oversized Material. Where material relating to a production allows, it is arranged by the type of material: Production Material, Publicity Material, Press/Reviews/Criticism, Publications and Merchandise. The General heading lists material which does not relate to any specific production (i.e. profiles and general biographical material). It also includes material relating to organisations with which Sir Kenneth Branagh is associated (Shakespeare Birthplace Trust and the Ulster Youth Theatre). The Recordings heading lists official releases of films, television work and radio, but also unofficial copies. In addition, it also contains recordings of television and radio interviews with Sir Kenneth Branagh. Finally, the Oversized Material heading lists materials which for reason of storage are held together. -
Wirtschafts- Wunderland Ist Abgebrannt
Fernsehen 14 Tage TV-Programm 27.12.2018 bis 9.1.2019 Am 7. Januar um 20.15 Uhr bei der ARD Wirtschafts- wunderland ist abgebrannt Zum Schwarzen Ferkel Springsteen On Broadway Feature über ein legendäres Berliner Das langjährige Theaterengagement als Künstlerlokal im Kulturradio Konzertilm bei Netlix tipTV_0119_01_Titel [P]_20854376.indd 1 13.12.18 17:03 FERNSEHEN 27.12.2018 – 9.1.2019 TELEVISOR Experten VON LUTZ GÖLLNER Dass das ARD-Kulturmagazin „Titel NETFLIX Thesen Temparamente“ nicht zwi- FOTO schen Animationsfilm und Comic- Da helfen weder buch unterscheiden kann und den Freifrau (Nina teilweise computeranimierten Doku- Gnädig, Foto, re.) mentationsfilm „It Must Schwing“ noch Sanierer mal eben zu einer „Graphic Novel“ (Bruno Eyron, li.): erklärt – geschenkt. Das zeugt zwar Borgward stirbt NDR / JÖRG LANDSBERG nicht gerade von kultureller Kompe- FOTO tenz, aber man muss ja auch nicht gebildet sein, um für dieses Magazin WIRTSCHAFTWUNDER KAPUTT zu arbeiten. Dass sie in der gleichen Sendung das „Zentrum für politische Schön- heit“ mit der Internetaktion „Soko Der Fall des Bastlers Chemnitz“ zu unverzichtbaren Hel- den der Nation erklären und ZPS- In einem Doku-Drama wird das Wirtschaftsdesaster um den Bremer Chef Philipp Ruch rußverschmiert Auto-Fabrikanten Borgward Anfang der 60er-Jahre aufgerollt seine „Philosophie“ von sich geben darf: Ansichtssache, da kann und in Wagen rollt über die nasse Fahr- Minuten aus, bevor ich es verdient habe“. sollte man sich drüber streiten. E bahn. Am Ende der Teststrecke hat Ein weiterer Grund für den finanziellen Was aber gar nicht geht: Einen gan- der Beifahrer feuchte Füße. „Das ist nur Genickbruch sind hohe Materialkosten zen Beitrag lang den Iran-Lobbyisten noch nicht richtig verschraubt,“ sagt der und die vielen Modelle, die Borgward Dr. -
Kalte Heimat
FERNSEHEN 14 Tage TV-Programm .11. bis 11.. Deutsch-österreichischer Thriller „Der Pass“ ab 1. Dezember als Free-TV-Premiere im ZDF Kalte Heimat Serbien – Der vergessene Krieg Castle Rock & Mr. Mercedes Feature über den Balkankrieg und seine Neues von Stephen King auf Blu ray und Folgen im Kulturradio als Stream, Teil 2 TV_2519_01_Titel.indd 1 14.11.19 17:16 Fernsehen 28.11. – 11.12. Alles eine Wumpe KOMMENTAR VOM TELEVISOR Auf Netflix steht seit dem 1. Novem- ber die neueste deutsche Eigenprodukti- on zum Streamen bereit, eine Neuinter- pretation des Schulbuchklassikers „Die Welle“. Auch wenn der kurze Roman von dem Amerikaner Morton Rhue stammt, ist er in Deutschland doch ungleich be- kannter als in den USA und gehört seit dem Erscheinen 1981 zum Schulkanon. Nun ist „Die Welle“ zwar nicht besonders Bei dieser Kälte muss man einfach einen Flunsch ziehen: Julia Jentsch (Foto, Mi.) gut geschrieben, aber thematisch schon interessant, schildert das Buch doch ein soziologisches Experiment, dass der Leh- Halb und halb rer Ron Jones durchgeführt hat. Es geht um die Verführbarkeit von Menschen Die deutsch-österreichische Sky Deutschland-Eigenproduktion zum Faschismus. Die Frage, ob das Buch Der Pass ist jetzt im ZDF – und erstmals frei – zu sehen das Experiment realistisch schildert, ist eher unerheblich; deshalb kann man auch Hoch droben in den Bergen wird eine in den Tod“, überzeugt jedoch mit einer stilistische Schwächen eher entschuldi- Leiche aufgefunden, die zu allem Über- eigenen Erzählweise. So wird die Identität gen. Aber Faschismus hat hier keine fluss exakt auf der deutsch-österreichi- des Killers bereits in Folge drei offenbart. -
BBC Prime Enquête Nationale Menée Par La Direction De La Technologie
BBC World - BBC Prime Enquête nationale menée par la Direction de la technologie fin 2005-début 2006 L'accord de partenariat entre le Ministère de l'Éducation Nationale et les chaînes BBC World et BBC Prime permet aux enseignants des écoles, des collèges, des lycées généraux et professionnels, des Instituts de Formation des Maîtres et des Universités d'enregistrer et d'utiliser en classe les émissions des deux chaînes. C'est une ouverture pour les enseignants qui peuvent sans problème de droits utiliser en cours des documents télévisuels authentiques, source de motivation, d'implication, d'enrichissement et d'ouverture culturelle pour l'élève. Une enquête nationale a été menée par la Sous-direction des technologies de l’information et de la communication auprès des enseignants d'anglais pour connaître l'impact de cette avancée dans le cadre de l'enseignement de l'anglais. C'est le bilan des réponses académiques à l'enquête qui est présenté. [1] Dans les réponses, nous trouvons trois principaux critères de choix. Le premier découle de l'analyse du document et du rapport entre l'image et le son, le deuxième de l'intérêt culturel en liaison avec l'actualité et des thèmes précis et perdurables en rapport avec le programme. Le troisième critère est l'approche linguistique, le document permet d'introduire un fait de langue ou de l'illustrer. Le contenu scientifique est aussi pris compte. L'accessibilité à la compréhension pour les élèves de collège est signalée. BBC WORLD Vingt et une émissions différentes sont enregistrées. Parmi les plus utilisées nous trouvons: Les reportages tirés des journaux télévisés et de Correspondent et Reporters. -
A History of Electroacoustics: Hollywood 1956 – 1963
A History of Electroacoustics: Hollywood 1956 – 1963 By Peter T. Humphrey A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music and the Designated Emphasis in New Media in the Graduate Division of the University of California, Berkeley Committee in charge: Professor James Q. Davies, Chair Professor Nicholas de Monchaux Professor Mary Ann Smart Professor Nicholas Mathew Spring 2021 Abstract A History of Electroacoustics: Hollywood 1956 – 1963 by Peter T. Humphrey Doctor of Philosophy in Music and the Designated Emphasis in New Media University of California, Berkeley Professor James Q. Davies, Chair This dissertation argues that a cinematic approach to music recording developed during the 1950s, modeling the recording process of movie producers in post-production studios. This approach to recorded sound constructed an imaginary listener consisting of a blank perceptual space, whose sonic-auditory experience could be controlled through electroacoustic devices. This history provides an audiovisual genealogy for electroacoustic sound that challenges histories of recording that have privileged Thomas Edison’s 1877 phonograph and the recording industry it generated. It is elucidated through a consideration of the use of electroacoustic technologies for music that centered in Hollywood and drew upon sound recording practices from the movie industry. This consideration is undertaken through research in three technologies that underwent significant development in the 1950s: the recording studio, the mixing board, and the synthesizer. The 1956 Capitol Records Studio in Hollywood was the first purpose-built recording studio to be modelled on sound stages from the neighboring film lots. The mixing board was the paradigmatic tool of the recording studio, a central interface from which to direct and shape sound. -
Interlingual Subtitling for the Young Deaf and Hard of Hearing
Università degli Studi di Padova Dipartimento di Studi Linguistici e Letterari Corso di Laurea Magistrale in Lingue Moderne per la Comunicazione e la Cooperazione Internazionale Classe LM - 38 Tesi di Laurea Interl i ngual subtitling for the young deaf and hard of hearin g : a case study Rel atore Laureando Prof. Maria Teresa Musacchio Silvia Bazzo l o n° matr. 1089921 / LMLCC Anno Accademico 2016 / 2017 Aknowledgements I would like to express my sincere gratitude to my thesis supervisors Maria Teresa Musacchio and Raffaella Panizzon for the sup p ort, guidance and suggestions provided during the realization of this thesis . I would like to acknowledge the ISISS ITC Antonio Magarotto of Padua. Without the collaboration of Professor Arianna Caccaro and her students I would not have the possibility to complete the case study I conducted. Furthermore, I thank my family and friends. My parents, my brother and my sister for their confidence and their love during these years and my friends , for t he help and the kind support of fered. Contents Introduction 1 Chapter One Audiovisual Translation 1.1 Introduction 3 1.2 Audiovisual Translation: a definition 3 1.3 Translating audiovisual products: some AVT modes 4 1.3.1 Dubbing 5 1.3.2 Subtitling 6 1.3.3 Subtitling for the deaf and hard of hearing (SDH) 6 1.3.4 Voice - over 7 1.3.5 Audiodescription 7 1.3.6 Live Subtitling 8 1.3.7 The spread of AVT 8 1.4 Audiovisual Translation and Translation Studies 9 1.4.1 Models of analysis 10 1.4.2 Linguistic and cultural issues 13 1.5 The reception of audiovisuals