6–8 Recommended Texts & Other Resources (Second
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Ficção Poesia Não Ficcional Biography & Autobiography
Leitura de Verão em Conjunto Mistério e suspense Biography & Autobiography All Boys Aren’t Blue .................................................................Johnson Neste verão, alunos de 9ª série vão ler Fake ID ...........................................................................................Giles Autobiography of Malcolm X ...............................................................X The Poet X, de Elizabeth Acevedo Jane Anonymous ........................................................................Stolarz Monday’s Not Coming ..............................................................Jackson Becoming Maria .....................................................................Manzano Chadwick Boseman: Forever Our King ....................................Johnson Alunos de 10ª série vão ler One of Us is Lying ..................................................................McManus From Broken Glass ......................................................................... Ross American Street, de Ibi Zoboi Sadie ......................................................................................Summers I am Malala: The Girl Who Stood up for Education Alunos de 11ª série vão ler Stork .................................................................................Disappeared and Was Shot by the Taliban ..............................................Yousafzai On The Come Up, de Angie Thomas Three Truths and a Lie ............................................................Hartinger Lost Boy, Lost Girl: Escaping Civil -
Annual Report 2009
Annual Report 2009 Digitization INNOVATION CultureFREEDOM CommitmentChange Bertelsmann Annual Report 2009 CreativityEntertainment High-quality journalism Performance Services Independence ResponsibilityFlexibility BESTSELLERS ENTREPRENEURSHIP InternationalityValues Inspiration Sales expertise Continuity Media PartnershipQUALITY PublishingCitizenship companies Tradition Future Strong roots are essential for a company to prosper and grow. Bertelsmann’s roots go back to 1835, when Carl Bertelsmann, a printer and bookbinder, founded C. Bertelsmann Verlag. Over the past 175 years, what began as a small Protestant Christian publishing house has grown into a leading global media and services group. As media and communication channels, technology and customer needs have changed over the years, Bertelsmann has modifi ed its products, brands and services, without losing its corporate identity. In 2010, Bertelsmann is celebrating its 175-year history of entrepreneurship, creativity, corporate responsibility and partnership, values that shape our identity and equip us well to meet the challenges of the future. This anniver- sary, accordingly, is being celebrated under the heading “175 Years of Bertelsmann – The Legacy for Our Future.” Bertelsmann at a Glance Key Figures (IFRS) in € millions 2009 2008 2007 2006 2005 Business Development Consolidated revenues 15,364 16,249 16,191 19,297 17,890 Operating EBIT 1,424 1,575 1,717 1,867 1,610 Operating EBITDA 2,003 2,138 2,292 2,548 2,274 Return on sales in percent1) 9.3 9.7 10.6 9.7 9.0 Bertelsmann Value -
Bertelsmann 2018 Summary Plan Descriptions
2 018 Summary Plan Descriptions TABLE OF CONTENTS ....................................................................................... CHAPTER General and Administrative Information .......................................................................... Introduction Medical Plans ........................................................................................................................................................ 1 Medical Coverage During Retirement ................................................................................. 1A Dental Plans ............................................................................................................................................................ 2 Vision Plan................................................................................................................................................................. 3 Disability Plan ....................................................................................................................................................... 4 Life and Accident Insurance Plans.......................................................................................... 5 Health Care Flexible Spending Account Plan .......................................................... 6 Dependent Care Flexible Spending Account Plan ............................................ 7 Long Term Care................................................................................................................................................. -
Graham Greene's Books for Children
Gallix: Graham Greene’s Books for Children 39 Graham Greene’s Books for Children his first children’s book, The Little Train. Graham Greene’s When it was published in 1946 by Eyre and Spottiswoode, it carried only the name of Books for Children the illustrator, Dorothy Craigie.2 For many generations, English-writing François Gallix authors have aimed at a double reader- ship, like Charles Dickens, Robert-Louis The 2011 Graham Greene Stevenson (who was one of Greene’s remote International Festival cousins), Jonathan Swift, Daniel Defoe, in children-adapted illustrated editions. “No one can recover from their childhood.” More recently, J.K. Rowling’s Harry Potter “Nul ne guérit de son enfance.” books were published in most countries —French singer, Jean Ferrat : in two editions, one for children, one for adults. Bloomsbury produced editions with The British actress, Emma Thomson, a different cover picture in Britain and in once declared: “There is in Britain a great the United States of America; in France respect for children’s literature: We take it “Gallimard” and “Folio Junior” carried the very seriously.” same text, but with different illustrations Undoubtedly, the relationship between and at a cheaper price. The most prominent what adults read and books for children has case was Philip Pullman, who surprised always been quite different in France and critics when he won the Whitbread prize in English-speaking countries. Thus, when for adults in 2001 for The Amber Spyglass,3 T.H. White’s agents decided to translate into the third volume of his trilogy intended for French The Sword in the Stone (1938),1 the children, His Dark Materials. -
Read Book the Four Legendary Kingdoms
THE FOUR LEGENDARY KINGDOMS PDF, EPUB, EBOOK Matthew Reilly | 448 pages | 03 Nov 2016 | Orion Publishing Co | 9781409167112 | English | London, United Kingdom The Four Legendary Kingdoms PDF Book I guess this is what happens when you are a mood reader - you buy a book in a favorite series by your favorite author and leave it on your bookshelf for two years without even trying to read. After all of the members of the Four Kingdoms once again watched with interest the outcome of the Fourth Challenge, Hades decided to hold a luncheon so that all four of the Kings could dine with their remaining Champions before the Fifth Challenge began, and some of the closest members of the Kingdoms to the Kings also attended. The least interesting? The New York Public Library: a year-old labyrinth of towering bookcases, narrow aisles and long hallways. But the bigger surprise and initial disappointment for me was that the four kingdoms weren't outlined on the inside jacket of the book like the previous entries in the series. Now, in , another Tartarus Rotation is due, and whoever places the reconstructed Capstone on the pyramid in time will gain absolute earthly power. The group is addressed by a man calling himself Hades , who announces that the sixteen men are the sixteen champions chosen to take part in the Hydra Games. Plus it gives us so many awesome moments. A mysterious ceremony in an unknown location has triggered a catastrophic countdown that will climax in no less than the end of all life on Earth. -
2021 Florida Festival of New Musicals Character Breakdowns
2021 Florida Festival of New Musicals Character Breakdowns WHAT HAVE THEY DONE WITH LOLANA LAMOUR? Written By: Bryan Leys (New York, NY) Director: Roy Alan Musical Director: Ned Wilkinson Synopsis: Welcome to Beverly Hills where con-women, gangsters and scoundrels meet up in the grand foyer of the mansion owned by screen legend Lolana Lamour. When a desperate real estate agent comes calling, she triggers a series of wild events involving the movie star’s wacky maid, her officious personal assistant, a visiting burglar and a frozen corpse All this is complicated by the arrival of three New Jersey gangsters looking to meet the star. Plots and counter plots are hatched resulting in competing Lolana Lamours, screwball romantics, and a runaway wheelchair. What have they done with Lolana Lamour? You’ll find out! LILY WHITE (AKA SARAH PALIN): Late 30s, a horror film actress turned real estate agent. Vocal Range: (G3-Eb5) BLANKA VACUOUS (VA-KOO-US): Housework professional (Maid) to Lolana Lamour. of dubious origin. Vocal Range: (G3-D5) ROSE BLACK: Late 30’s, professional cat-burglar and scam artist. Vocal Range: (G3-Eb5) RODDY BELAIRE: Personal assistant & former lover of Lolana Lamour. Vocal Range: (D3- G4) DON SILVIO CANNELLONI: 70’s, ruthless head of a New Jersey crime family. Currently wheelchair bound. Non-singing role. ANGELO (ANGEL) CANNELLONI: Early to late 30’s, Angelo’s son. Tough but romantic. Vocal Range: (E3-A4) TENNYSON J. (THRASHER) MALONE: Family accountant and enforcer to Don Silvio. Rugged looking but immaculate in demeanor and manners. Vocal Range: (D3-Eb4) TANGLED WEBBS Written By: Gary Brumburgh (Gallatin, TN) Director: George Colangelo Musical Director: Christopher Leavy Synopsis: Tangled Webbs is a zany, light-hearted musical spoof of daytime soap operas set during TV’s early heyday. -
Liminal Survival: Kate Mcmillan's the Lost Girl
A4 BACK A4 FRONT The Arcade at Bush House is part of the Strand Cultural Quarter at King’s College London, home to a diverse programme of events, installations and exhibitions. kcl.ac.uk/events/the-lost-girl #TheLostGirl | #KateMcMillan #KingsCulturalCommunity @kingsartshums | @Kate_McMillan_ @CulturalKings | @kingscmci kcl.ac.uk/cultural BY KATE MCMILLAN Supported by the following organisations: 13 JANUARY – 28 FEBRUARY | MONDAY – FRIDAY 12.00 – 17.00 DESIGN Susen Vural Design susenvural.com | Approved by [email protected] | January 2020 Printed onto paper made from 100% recycled post consumer waste and certified to FSC standards INSIDE LEFT INSIDE RIGHT Liminal Survival: Kate McMillan’s The Lost Girl ate McMillan’s The Lost Girl speaks to a threshold moment in the deep time of humanity: the key theme in Lawrence’s writing, and Alvina of his this landscape as backdrop to Le Pera’s experiences us of a space and time of liminality: of era of our current geological epoch the Anthropocene. Lost Girl, like Le Pera, is faced with extinction but also infuses the film with her own individual memories transitions between what has been, and The Anthropocene, that era in which mankind’s impact with the possibility of choice. alongside collective memories of colonial displacement that which is to come, and of humankind on the earth has become irreversible, has abandoned Yet if McMillan’s lost girl is Alvina, we can also see and violence in Australia. The deserted spaces at a threshold between ‘civilization’ and the girl alongside the material waste of late capitalism in her an echo of the Greek Goddess Mnemosyne. -
The Portrait of a Psyche: Women's Underworld Journeys in Four Modern American Novels
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 The orP trait of a Psyche: Women's Underworld Journeys in Four Modern American Novels. Kristen Sifert Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Sifert, Kristen, "The orP trait of a Psyche: Women's Underworld Journeys in Four Modern American Novels." (1998). LSU Historical Dissertations and Theses. 6867. https://digitalcommons.lsu.edu/gradschool_disstheses/6867 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter free, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Showcase Announces Monster-Sized Slate of Guest Stars for Lost Girl’S Final Season
SHOWCASE ANNOUNCES MONSTER-SIZED SLATE OF GUEST STARS FOR LOST GIRL’S FINAL SEASON Lost Girl Season 5, Part 1 premieres December 7 at 9pm ET/PT For additional photography and press kit material visit: www.shawmedia.ca/media and follow us on Twitter at @shawmediaTV_PR FOR IMMEDIATE RELEASE TORONTO, November 28, 2014 – Ahead of Lost Girl’s epic return, Showcase announces fresh faces joining the Fae family and raising the stakes for the series’ dramatic final season. The previously unannounced guest stars joining the cast for a fond and ferocious #Faewell include Eric Roberts (The Dark Knight, The Expendables), Luke Bilyk (My Babysitter’s a Vampire, Degrassi: The Next Generation), Noam Jenkins (Covert Affairs, Rookie Blue, Longmire), Amanda Walsh (Two and a Half Men, NCIS, Grimm) and Shanice Banton (Degrassi: The Next Generation, A Day Late and a Dollar Short). The first eight episodes of Lost Girl’s fifth and final season begin Sunday, December 7 at 9pm ET/PT. Lost Girl follows supernatural seductress Bo (Anna Silk), the kickass, loveable succubus who feeds off sexual energy. Since realizing she is part of the Fae, creatures of legend and folklore who live among humans, Bo has forged her own path between the human and Fae worlds, while embarking on a mission to unlock the secrets of her origin. In season five, Bo’s determination to do the impossible for the people she loves triggers an explosive chain of events that will play out over the final episodes. Bo discovers that love is not always enough to keep a family together as she and her friends face an enemy unlike any they’ve faced before. -
< ABOUT the ARTIST >
Vasily Kandinsky, Berlin, January 1922 Centre Pompidou, Bibliothèque Kandinsky, Paris. < ABOUT THE ARTIST > Born in Moscow to a wealthy family, Vasily Kandinsky (1866–1944) spent his early childhood in Odessa, Russia (now Ukraine). His parents instilled in him an early love sitting at a café table. Both of us were of music that later influenced his work. fond of blue things, Marc of blue horses and 1 Though he studied law and economics at I of blue riders. So the title suggested itself.” KANDINSKY the University of Moscow and his life seemed In 1912 Kandinsky’s book Über das Geistige destined to follow a conventional path, at in der Kunst (On the Spiritual in Art), the ABOUT THE ARTIST age 30 he abruptly decided to abandon his first theoretical treatise on abstraction, legal career and devote himself to art. was published. It examined the capacity of color to communicate the artist’s innermost His decision was prompted by two important psychological and spiritual concerns. experiences. In 1895 he attended an Impressionist exhibition, where he saw a Kandinsky’s life was strongly affected by the Haystack painting by French artist Claude wars and politics that raged in Europe during Monet (1840–1926). Stirred by the encounter, the early 20th century. With the outbreak of Kandinsky later realized that the paintings’ World War I in 1914, Kandinsky left Germany color and composition, not their subject and moved back to Moscow. Following the matter, caused his response. At a concert in Russian Revolution in 1917, he remained in 1896, he noticed that music can elicit an Russia and in 1921 returned to Germany. -
Leseprobe 9781846046100.Pdf
THICH NHAT HANH HOW TO SEE ‘THE FATHER OF MINDFULNESS’ IRISH TIMES RIDER LONDON • SYDNEY • AUCKLAND • JOHANNESBURG 1 3 5 7 9 10 8 6 4 2 Rider, an imprint of Ebury Publishing, 20 Vauxhall Bridge Road, London SW1V 2SA Rider is part of the Penguin Random House group of companies whose addresses can be found at global.penguinrandomhouse.com Copyright © 2019 Plum Village Community of Engaged Buddhism, Inc. Thich Naht Hanh has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988 First published in Great Britain by Rider in 2019 Published in the United States by Parallex press in 2019 Illustrations by Jason DeAntonis www.penguin.co.uk A CIP catalogue record for this book is available from the British Library ISBN 9781846046100 Printed and bound in Great Britain by Clays Ltd, Elcograf S.p.A. Penguin Random House is com- mitted to a sustainable future for our business, our readers and our planet. This book is made from Forest Stewardship Council® certified paper. CONTENTS Notes on Seeing 7 Practices for Looking Deeply 113 6 NOTES ON SEEING If you are a poet, you will see clearly that there is a cloud floating in this sheet of paper. Without the cloud there can be no rain; without water, the trees cannot grow; and without trees, you cannot make paper. So the cloud is in here. The existence of this page is dependent upon the existence of a cloud. Paper and cloud are so close. 7 WATER REFLECTING The clear still water of a mountain lake reflects the mountain and the sky with pristine clarity. -
Productions in Ontario 2010
2010 PRODUCTION IN ONTARIO With assistance from Ontario Media Development Corporation www.omdc.on.ca FEATURE FILMS - THEATRICAL 388 ARLETTA AVENUE Company: Copperheart Entertainment Producer: Steve Hoban, Mark Smith Executive Producer: Vincenzo Natali Director: Randall Cole Production Manager: D.O.P.: Gavin Smith Key Cast: Devon Sawa, Mia Kirshner, Nick Stahl Shooting Dates: 11/8/10 – 12/8/10 A MOTHER’S SECRET Company: Sound Venture International Producer: Curtis Crawford, Stefan Wodoslawsky Executive Producer: Neil Bregman, Tom Berry Director: Gordon Yang Production Manager: Marie Allard D.O.P.: Bill St. John Key Cast: Dylan Neal, Tommie-Amber Pirie, Jon McLaren Shooting Dates: 11/27/10 – 12/17/10 BACKWOODS Company: Process Media, Foundry Films Producer: Tim Perell Director: Bart Freundlich Line Producer/Production Manager: Claire Welland Key Cast: Kristen Stewart, Julianne Moore Shooting Dates: 3/8/10 – 4/7/10 BREAKAWAY Company: Whizbang Films Inc., Don Carmody Productions, Alliance Films Producer: Frank Siracusa, Don Carmody, Ajay Virmani Executive Producer: Paul Gross, Akshay Kumar, Andre Rouleau Director: Robert Lieberman Production Manager: Andrea Raffaghello D.O.P.: Steve Danyluk Key Cast: Vinay Virmani, Al Mukadam, Russell Peters, Noureen DeWulf, Daniel DeSanto Shooting Dates: 9/2010 – 11/1/10 3/15/2013 1 COLD BLOODED Company: Cold Productions Inc. Producer: Tim Merkel, Leah Jaunzems Director: Jason Lapeyre Production Manager: Justin Kelly D.O.P.: Alwyn Kumst Shooting Dates: 12/1/10 – 12/19/10 DOWN THE ROAD AGAIN Company: Triptych Media Producer: Robin Cass Executive Producer: Sandra Cunningham, Anna Stratton Director: Donald Shebib Production Manager: Chris Pavoni D.O.P.: François Dagenais Key Cast: Doug McGrath, Kathleen Robertson, Anthony Lemke, Jayne Eastwood, Cayle Chernin, Tedde Moore Shooting Dates: 9/27/10 – 10/18/10 DREAM HOUSE Company: Morgan Creek Productions Producer: James G.