Inosanto Kali Manual
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Politics by Kayfabe: Professional Wrestling and the Creation of Public Opinion
POLITICS BY KAYFABE: PROFESSIONAL WRESTLING AND THE CREATION OF PUBLIC OPINION WILLIAM P STODDEN North Dakota State College of Science and Concordia College and JOHN S. HANSEN Hennepin County Library1 INTRODUCTION Professional wrestling offers an excellent analogy for understanding the way politicians socially construct reality to produce changes in public opinion. In most cases, politicians will frame specific events in a way designed to elicit public support for their preferred policies or candidates. They will also use these same techniques to frame those they perceive to be “enemies” in a way that generates fear and antipathy in the population. The creation of reality and incitement to action in a mass population is one function of political propaganda, which is nearly ubiquitous in the age of mass media, big data, and the 24 hour news cycle.2 In many ways, the process of the construction of reality employed by politicians is similar to the creation of angles and storylines in professional wrestling, which has grown into a world phenomenon alongside-- and largely as a result of-- mass media. In its current manifestation, professional wrestling, now called “sports entertainment,” requires the apparatus of mass media as well as the audiences mass media generates to succeed financially. For their part, policy makers and political leaders also use the mass media. In fact, the modern mass- based political Party, which appeals to huge swaths of the population using claims and narratives resonant with the average person rather than traditional political elites would not exist without the mass media. Without widespread dissemination of news, Parties would not be able to effectively disseminate political propaganda or generate public opinion. -
Sag E Arts Unlimited Martial Arts & Fitness Training
Sag e Arts Unlimited Martial Arts & Fitness Training Grappling Intensive Program - Basic Course - Sage Arts Unlimited Grappling Intensive Program - Basic Course Goals for this class: - To introduce and acclimate students to the rigors of Grappling. - To prepare students’ technical arsenal and conceptual understanding of various formats of Grappling. - To develop efficient movement skills and defensive awareness in students. - To introduce students to the techniques of submission wrestling both with and without gi’s. - To introduce students to the striking aspects of Vale Tudo and Shoot Wrestling (Shooto) and their relationship to self-defense, and methods for training these aspects. - To help students begin to think tactically and strategically regarding the opponent’s base, relative position and the opportunities that these create. - To give students a base of effective throws and breakfalls, transitioning from a standing format to a grounded one. Class Rules 1. No Injuries 2. Respect your training partner, when they tap, let up. 3. You are 50% responsible for your safety, tap when it hurts. 4. An open mind is not only encouraged, it is mandatory. 5. Take Notes. 6. No Whining 7. No Ego 8. No Issues. Bring Every Class Optional Equipment Notebook or 3-ring binder for handouts and class notes. Long or Short-sleeved Rashguard Judo or JiuJitsu Gi and Belt Ear Guards T-shirt to train in (nothing too valuable - may get stretched out) Knee Pads Wrestling shoes (optional) Bag Gloves or Vale Tudo Striking Gloves Mouthguard Focus Mitts or Thai Pads Smiling Enthusiasm and Open-mindedness 1 Introduction Grappling Arts from around the World Nearly every culture has its own method of grappling with a unique emphasis of tactic, technique and training mindset. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Mixed Martial Arts
COMPILED BY : - GAUTAM SINGH STUDY MATERIAL – SPORTS 0 7830294949 Mixed Martial Arts - Overview Mixed Martial Arts is an action-packed sport filled with striking and grappling techniques from a variety of combat sports and martial arts. During the early 1900s, many different mixed-style competitions were held throughout Europe, Japan and the Pacific Rim. CV Productions Inc. showed the first regulated MMA league in the US in 1980 called the Tough Guy Contest, which was later renamed as Battle of the Superfighters. In 1983, the Pennsylvania State Senate passed a bill which prohibited the sport. However, in 1993, it was brought back into the US TVs by the Gracie family who found the Ultimate Fighting Championships (UFC) which most of us have probably heard about on our TVs. These shows were promoted as a competition which intended in finding the most effective martial arts in an unarmed combat situation. The competitors fought each other with only a few rules controlling the fight. Later on, additional rules were established ensuring a little more safety for the competitors, although it still is quite life-threatening. A Brief History of Mixed Martial Arts THANKS FOR READING – VISIT OUR WEBSITE www.educatererindia.com COMPILED BY : - GAUTAM SINGH STUDY MATERIAL – SPORTS 0 7830294949 The history of MMA dates back to the Greek era. There was an ancient Olympic combat sport called as Pankration which had features of combination of grappling and striking skills. Later, this sport was passed on to the Romans. An early example of MMA is Greco-Roman Wrestling (GRW) in the late 1880s, where players fought without few to almost zero safety rules. -
DON GARON Proudly Presents
DON GARON Proudly presents ERIK PAULSON Former World Light Heavy Weight Champion Mixed Martial Arts Seminar (Shoot wrestling/Brazilian Ji-Jitsu) (Muay Thai /JKD/Savate) June 16th and 17th 2007 Location: Alexander’s Athletic Club 2403 Washington Rd Canonsburg PA 15317 ERIK PAULSON - Erik holds the ranking of Shooter Class A. He is one of only five people in the U.S. to attain this professional ranking under Sensei Sayama. Trained by Sensei Yorinaga Nakamura at the Inosanto Academy, Erik has recorded exceptional ring success in mixed martial arts bouts in Japan. He won his world light-heavyweight title in Tokyo, Japan. With over twenty-five years of experience in the Martial Arts, Erik holds instructor rankings in Judo and Karate, as well as a full instructorship in Jun Fan Jeet Kune Do and the Filipino Martial Arts under Guro Dan Inosanto. Mixed Martial Arts is fast becoming "The Ultimate Ring Sport," and is already one of the most popular Martial Arts in the country. Combining Western Boxing, Thai Boxing, Amateur Wrestling, Judo, and Brazilian Ju-Jitsu, it has become the ultimate fighting sport. The result includes punching, elbows, kicking, kneeing, throwing/tackling, and ground submissions. Erik is one of the premier trainers in the U.S. Don’t miss this chance to learn from one of the best in the sport!! HOTEL ACCOMMODATIONS SUPER 8 SOUTHPOINTE - 724/873-8808 HILTON GARDEN INN – 724/743-5000 RECOMMENDED EQUIPMENT (Not Mandatory) Thai pads, focus mitts, boxing gloves, bag gloves, hand wraps, groin protector, mouthpiece, suitable workout clothes, wrestling shoes. (Equipment will be on sale at the seminar) Seminar Times Saturday 9am - 3pm Sunday 9am – 3pm Registration ADVANCED REGISTRATION $95. -
FILIPINO MARTIAL ARTS the Filipino Martial Arts
Ronald A. Harris, Ph.D. FILIPINO MARTIAL ARTS The Filipino martial arts (FMA) can be called Filipino fencing, because they are methods of personal armed combat that emphasize skills in weaponry over skills in empty hands. Unarmed combat is practiced in FMA, but is traditionally studied after weaponry. This training sequence sets FMA apart from other martial arts that initiate with empty hands. Armed combat is known as Arnis, Eskrima (fencing, Spanish), and Kali. Arnis derives from the Spanish arnes meaning armor. It also comes from “harness,” referring to the battle harness worn by Filipino soldiers under Spanish command. Arnis-de-mano means “harness of hand”, referring to deft hand movements of Filipino grooms for Spanish officers. These lightning fast hand movements were native martial arts techniques in disguise. Forbidden by the Spanish to practice martial arts, defiant Filipinos retained their fighting skills in secret by hiding them in dance forms called Santikan, Sayaw, and Moro-Moro. Other etymologies have been suggested for the names of the various Filipino arts. Dueling an opponent is “to skirmish”. The Spanish term Esgrima is in the Pilipino language. Kali might be named after the Hindu Goddess of c:\mars\clio\fma 1 Ronald A. Harris, Ph.D. Destruction. Dan Inosanto says Kali is the conjunction of the first syllables of two words from the Philippine Islands Visayan language--kamot meaning “hand” and lihok meaning “motion”. Thus, Kali means “hand motion”. An etymology of the Pilipino language indicates otherwise. In the Hiligaynon dialect of the Western Visayas, the term kali means “to dig”, as with a shovel (pala). -
Mixed Martial Arts, Or Simply Mma , Is Cage Fighting That
MARTIAL ARTS Words: Morne Swanepoel ǀ Photos: CombatCoaching.com ǀ Video: Courtesy of Cage Side THE WORLD OF THE MMA WARRIOR MIXED MARTIAL ARTS, OR SIMPLY MMA, IS CAGE FIGHTING THAT MIXES KICKING, PUNCHING AND GRAPPLING.It is this intoxicating combination of athleticism, intensity and fighting that is so intriguing and has people throughout South Africa, and across the world, lining up to watch it, thus making it one of the most popular and fastest growing sports today in countries such as the USA, Europe, Japan and Brazil! There are specific rules in MMA to protect the athlete. For example, kneeing your opponent to the top of the head is illegal. #33 | DO IT NOW Magazine • 1 Modern MMA only emerged in 1993 with the Ultimate Fighting Championships. The championship was based on the concept of pitting different fighting styles against each other in competition with minimal rules, in an attempt to determine which system/martial art would be more effective in a real, unregulated combat situation. In the late 1990s and early 2000s, MMA competitions implemented additional rules for the safety of the athletes and to promote acceptance of the sport, while maintaining as much of the original no-holds-barred concepts as possible. There are very few rules in MMA, all of which were established over the last ten years. Before that it was a brutal combat sport in which the health of the fighter was always at risk. The rules dictate that certain moves, including head butts, biting, eye gouging, attacks to the groin area, kidneys, striking to the back of the spine and trachea, are prohibited. -
Mixed Martial Arts 1 Mixed Martial Arts
Mixed martial arts 1 Mixed martial arts Mixed Martial Arts Patrick Barry (Blue shorts) and Mirko Filipović (Checkered shorts) in the co-main event of UFC 115 in Vancouver, British Columbia, Canada. Also known as Vale Tudo, No Holds Barred (NHB), Cage Fighting, Ultimate Fighting, Pride Fighting, Sougo Kakutogi Focus Various Hardness Full contact Olympic sport No Mixed martial arts (MMA), popularly known as cage fighting or ultimate fighting is a full contact combat sport that allows a wide variety of fighting techniques and skills, from a mixture of other combat sports, to be used in competitions. The rules allow the use of both striking as well as grappling techniques, both while standing and while on the ground. Such competitions allow fighters of different backgrounds to compete. The roots of modern mixed martial arts can be traced back to various mixed style contests that took place throughout Europe, Japan and the Pacific Rim during the early 1900s. The combat sport of Vale Tudo that had developed in Brazil from the 1920s was brought to the United States by the Gracie family in 1993 with the founding of the Ultimate Fighting Championship. Professional MMA events had also been held in Japan by Shooto starting back in 1989. In due course the more dangerous Vale Tudo style bouts of the early UFCs were made safer with the implementation of additional rules, leading to the popular regulated form of MMA seen today. Originally promoted as a competition with the intention of finding the most effective martial arts for real unarmed combat situations, -
Film Culture Crossover
1 Film Culture Crossover: Film Fight Choreography and the East/West Binary After Bruce Lee Paul Bowman Keywords: Batman Begins, Bruce Lee, Rey Chow, Cultural Translation, Hollywood, Jeff Imada, Dan Inosanto, Jeet Kune Do (JKD), Keysi Fighting Method (KFM), Martial Arts Choreography, Oriental Style, Jane Park, Jacques Rancière. Abstract: This paper reads the emergence of ‘Oriental style’ in Hollywood (Park 2010) as an exemplary case of what Rey Chow calls ‘cultural translation (Chow 1995). The paper explores some of the intimate yet paradoxical relationship between ‘Oriental’ martial arts and the drive for ‘authenticity’ in both film choreography and martial arts practices; plotting the trajectories of some key martial arts crossovers since Bruce Lee. It argues that, post-Bruce Lee, Western film fight choreography first moved into and then moved away from overtly Chinese, Japanese, Hong Kong or indeed obviously ‘Oriental style’; a move that many have regarded as a deracination or westernisation of fight choreography. However, a closer look reveals that this apparent deracination is actually the unacknowledged rise of Filipino martial arts within Hollywood. The significance of making this point, and the point of making this kind argument overall boils down to the insight it can give us into how ‘cultures’ and texts are constructed, and also into our own reading practices and the roles they play, sometimes in perpetuating certain problematic ethno-nationalist discourses. Bio: Paul Bowman (Cardiff University) is author of Theorizing Bruce Lee (2010), Deconstructing Popular Culture (2008), Post-Marxism versus Cultural Studies (2007), Culture and the Media (2012, forthcoming) and Beyond Bruce Lee (forthcoming 2013). -
Inosanto Lacoste Kali
Inosanto LaCoste Kali The backbone of the Filipino empty hand skills are derived from that Outline of Inosanto LaCoste Kali of the knife. In a knife fight your entire body if utilized, you can kick with either leg and strike with your free hand. The difference 12 Areas of LaCoste Kali between life or death rests solely on your skill....little wonder why the a Filipino martial arts are so effective. 1st Area There is no excuse for taking a man's life, for life is precious. Any man can take a life, but no man can give back a life. Killing is then a 1. Single Stick matter between a man and his personal conviction and conscience. It 2. Single Sword is a matter of your own personal belief of right or wrong. It is 3. Single Axe therefore important to train the mind before training the body. 4. Single Cane I once asked a close friend, "What can I do to make this world a 2nd Area better place to live?" His answer, "Develop yourself first." The martial arts have been my way of developing myself physically, mentally and spiritually. 1. Double Stick (Double Olisi) 2. Double Sword Bruce Lee once said, while philosophizing on martial arts, "Dan, 3. Double Axe before I studied the art, a punch to me was just like a punch and kick just like a kick. After I learned the art, a punch was no longer a 3rd Area punch, a kick no longer a kick. Now that I've understood the art, a punch is just like a punch, a kick just like a kick. -
Filipino Martial Arts and the Construction of Filipino National Identity
Filipino Martial Arts And the Construction of Filipino National Identity A thesis submitted to the University of Manchester For the degree of Doctor of Philosophy In the Faculty of Humanities 2015 Rey Carlo T. Gonzales School of Arts, Languages and Cultures Table of Contents Plates…………………………………………………………………………….........4 Abstract…………………………………………………………….…………………5 Declaration…………………………………………………………………………...6 Copyright Statement……………………………………………..……………….. …7 Acknowledgements and Dedication………………………………………………….8 Introduction…………………………………………………………………………9 Historical Framework……………………………………………………….11 Method and Sources…………………………………………………….…..27 Scope, Structure and Contents………………………………………………32 Chapter I - Old School: Homogeneity, Diversity, and the Early Practice of FMA………………………………………………………………………………..37 Sixteenth Century Warfare in Visayan Barangays…………………………39 Arnis, Kali, Eskrima and the Historical Narrative of FMA………………...45 FMA Old School……………………………………………………………54 Conclusion………………………………………………………………..…69 Chapter II - New School: The emergence of FMA Clubs and the Construction of National Identity from FMA…………………………………………………...71 Emergence of the New School……………………………………………...74 Juego Todo and Martial Prowess as Prestige……………………………….79 Conflicts between and within FMA Clubs, and the strengthening of local FMA identities………………………………………………………………87 Creation of ‘Filipino’ in FMA from abroad………………………………...94 NARAPHIL and ARPI: State Appropriation of FMA and FMA’s Appropriation of Nationalism………………………………….98 Conclusion…………………………………………………………………105 Chapter -
Bruce Lee As Method Daryl Joji Maeda
Nomad of the Transpacific: Bruce Lee as Method Daryl Joji Maeda American Quarterly, Volume 69, Number 3, September 2017, pp. 741-761 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/aq.2017.0059 For additional information about this article https://muse.jhu.edu/article/670066 Access provided by University Of Colorado @ Boulder (19 Nov 2017 16:06 GMT) Bruce Lee as Method | 741 Nomad of the Transpacific: Bruce Lee as Method Daryl Joji Maeda The life of the nomad is the intermezzo. —Gilles Deleuze and Félix Guattari Be formless, shapeless, like water. —Bruce Lee he transpacific nomad Bruce Lee was born in San Francisco, raised in Hong Kong until the age of eighteen, came of age in Seattle, had his Thopes of movie stardom extinguished in Hollywood, and returned to Hong Kong to rekindle his dreams. In 1971 he made his first martial arts film, Tang Shan Daxiong, in which he played a Chinese immigrant to Thai- land who discovers that his boss is a drug-smuggling kingpin. The following year, he starred in Jing Wu Men as a martial artist who defends Chinese pride against Japanese imperialists in the International Settlement of early twentieth- century Shanghai. Because of the overwhelming popularity of both films in Hong Kong and throughout Asia, National General Pictures selected them for distribution in the United States in 1973. Tang Shan Daxiong was supposed to be released as The Chinese Connection to associate it with The French Con- nection, a mainstream hit about heroin trafficking; the title ofJing Wu Men was translated as Fist of Fury.