Spring 2015 Alumni Newsletter
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Women Architects
E-Newsletter | May 2012 Women Architects What do the Hearst Castle in California and many of the buildings in Grand Canyon National Park have in common? They were designed by women architects! In this month's newsletter, we feature two early women architects - Julia Morgan and Mary Colter. California's first licensed woman architect, Julia Morgan, studied architecture in Paris. After failing the entrance examination to the École des Beaux-Arts twice, she learned that the faculty had failed her deliberately to discourage her admission. Undeterred, she gained admission and received her certificate in architecture in 1902. By 1904, she had opened her own architecture practice in San Francisco. After receiving acclaim when one of her buildings on the Mills College campus withstood the 1906 San Francisco earthquake, she was commissioned to rebuild the damaged Fairmont Hotel. With this project Morgan's reputation as well as her architecture practice was assured. Julia Morgan Morgan designed her first building for the YWCA in Oakland in 1912. She then began work on the YWCA's seaside retreat Asilomar, near Monterey, which has hosted thousands of visitors since its founding in 1913. Today Asilomar is a state historical park. Morgan's work on the Hearst Castle, which is also now a state historical monument, cemented her reputation. The Castle, located at San Simeon, has attracted more than 35 million visitors since it opened to the public in 1958. Architect Mary Colter was asked by railroad magnate Fred Harvey to design hotels and restaurants along the Santa Fe Railway route, with the objective of bringing tourists to the southwestern United States. -
Graham Walker Film Music Producer / Music Production Supervisor
GRAHAM WALKER FILM MUSIC PRODUCER / MUSIC PRODUCTION SUPERVISOR Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. Education Graham studied music at Kneller Hall, the Royal Military School of Music and the Guildhall School of Music in London after which he began his career in the music production business. Graham is also a good musician; a trumpet player. Graham is one of Britain’s most experienced and active Music Producers specialising in the international film music business. After a distinguished career as Musical Director of Yorkshire Television, Head of Music for Granada Television and Head of Film Music Production for Lord Grade’s ITC Films, Graham then became freelance. The first 6 years of Graham’s career were spent at the world famous KPM Production Music Library; that was the day job! The night job was arranging and conducting sessions for various ‘pop’ and variety stars’ singles and albums such as Dickie Henderson, Roy Castle, Nicko McBrain (the drummer from Iron Maiden) and the number 1 hit ‘Grandad’ performed by Clive Dunn(!) plus score takedowns for the BBC’s ‘Top of the Pops’ for US groups such as ‘The Four Tops,’ Diana Ross and The Supremes,’ Otis Redding,’ ‘Marvin Gaye’ and many others. Work: Musical Director - Yorkshire Television, Head of Music - Granada Television, Head of Film Production (Music) - Lord Grade’s ITC Films, Head of Music - Zenith Productions. Over the years Graham has acquired extensive expertise in recording throughout Europe and beyond. He has worked with many composers, musicians and orchestras in the recording centres of London, New York, Paris, Munich, Cologne, Rome, Brussels, Berlin, Budapest, Moscow, Belgrade, Prague, Bratislava, Brandenburg and various locations in South Africa. -
Do's and Dont 'S of Tr Aveling With
DO'S AND DONT'S OF TRAVELING WITH CHILDREN A P R I M E R F O R T H E N E R V O U S P A R E N T I L I S A O M A N , V T A , O N E W O R L D F A M I L Y T R A V E L , L L C I welcome travel with children should not be stressful family travel will create memories that will last forever a little planning will go a long while at the same time maintaining family harmony? A long time ago, I mentioned to a friend that my husband and I were taking our This guide is designed to help put your mind children, ages 4 and 6 at the time, to at ease about traveling with children of all Spain for a week. Her response? "You're ages, and let you relax and enjoy your insane." I didn't quite understand it since vacation. You will also find 5 Family Friendly this person had been traveling overseas Destinations for your Bucket List and a 3- with her children sine they were infants, Year Travel Plan. flying as far away as Australia. She said it was completely different since she stayed After reading it, contact me to talk about with family, had her days organized for your next vacation, the next steps and all her, didn't sightsee and was in relatively your options, and which is right for you. famiiar surroundings. It was, in her words, "same life, different locale." At One World Family Travel, LLC, no vacation is alike. -
Y\5$ in History
THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 A thesis submitted to the faculty of San Francisco State University A5 In partial fulfillment of The Requirements for The Degree Mi ST Master of Arts . Y\5$ In History by James Harvey Mitchell, Jr. San Francisco, California May, 2016 Copyright by James Harvey Mitchell, Jr. 2016 CERTIFICATION OF APPROVAL I certify that I have read The Gargoyles of San Francisco: Medievalist Architecture in Northern California 1900-1940 by James Harvey Mitchell, Jr., and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirements for the degree Master of Arts in History at San Francisco State University. <2 . d. rbel Rodriguez, lessor of History Philip Dreyfus Professor of History THE GARGOYLES OF SAN FRANCISCO: MEDIEVALIST ARCHITECTURE IN NORTHERN CALIFORNIA 1900-1940 James Harvey Mitchell, Jr. San Francisco, California 2016 After the fire and earthquake of 1906, the reconstruction of San Francisco initiated a profusion of neo-Gothic churches, public buildings and residential architecture. This thesis examines the development from the novel perspective of medievalism—the study of the Middle Ages as an imaginative construct in western society after their actual demise. It offers a selection of the best known neo-Gothic artifacts in the city, describes the technological innovations which distinguish them from the medievalist architecture of the nineteenth century, and shows the motivation for their creation. The significance of the California Arts and Crafts movement is explained, and profiles are offered of the two leading medievalist architects of the period, Bernard Maybeck and Julia Morgan. -
Forumjournal VOL
ForumJournal VOL. 32, NO. 2 “Every Story Told”: Centering Women’s History THIS ISSUE IS DEDICATED TO BOBBIE GREENE MCCARTHY AND KAREN NICKLESS. Gender, Race, and Class in the Work of Julia Morgan KAREN MCNEILL n June 22, 1972, architect Julia Morgan’s Hearst San Simeon State Historical Monument, also known as Hearst OCastle, was listed on the National Register of Historic Places. Since then, 19 more places—including approximately 26 buildings—that Morgan designed or was otherwise closely associated with have been listed individually or as part of historic districts. (Hearst Castle and Asilomar Conference Grounds are also National Historic Landmarks.) No fewer than 15 of those National Register properties are associated with organizations of, by, and for women, underscoring how closely the architect’s career was intertwined with the pre–World War II California women’s movement. This might suggest that Morgan’s legacy is well understood and that the spaces of women’s activism of Progressive Era California have been well documented and preserved in the landscape. But a closer look reveals significant gaps and weaknesses in our understanding of Julia Morgan’s career and its significance. It also exposes, more generally, the challenges of recognizing and preserving the history of gender and women—and other underrepresented groups—in the built environment, as well as the opportunities to improve. A VARIED BODY OF WORK No single building on the National Register could capture the breadth of Julia Morgan’s architectural significance, but when her contributions are considered collectively, certain themes emerge. Several properties—including St. John’s Presbyterian Church, Asilomar, the Sausalito Woman’s Club, and Girton Hall (now Julia Morgan Hall)—are excellent examples of the Bay Tradition style, an expression of the Arts and Crafts movement in the San Francisco/ Berkeley region. -
Julia Morgan Wyntoon and Other Hearst Projects 1933–1946
Julia Morgan Wyntoon and Other Hearst Projects 1933–1946 by Taylor Coffman AN OLD PHOTOGRAPH owned by Lynn Forney McMurray, a god- daughter of Julia Morgan, shows a large group of people at Wyntoon. Miss Morgan may be identifiable among them. Lynn thinks the photo dates from 1902 or ’03. It stems from the work being done on that northern California project by Bernard Maybeck for Phoebe Apperson Hearst. Julia Morgan, Lynn reasons, had recently returned from the Ecole des Beaux-Arts in Paris and was taking part in Wyntoon’s devel- opment under Maybeck. I’ve never confirmed Lynn’s theory, but it doesn’t seem far- fetched. Everyone knows that Maybeck had been a big influence on Morgan already and that they would keep interacting over the years ahead. However, no buildings are visible in the photo. The period de- picted, in any event, is that of the first-generation Wyntoon Castle—the medieval, Germanic pile that burned down in 1930. By then, at the outset of the thirties decade, Julia Morgan and W. R. Hearst had done some minor work at Wyntoon. In 1928, for in- stance, they built a swimming pool and two tennis courts. Hearst’s mother hadn’t left that property to him at her death in 1919. Instead, he had to persuade his cousin Anne Apperson Flint (a favorite of Phoebe Hearst’s) to sell him Wyntoon Castle in 1925—a point that’s neither here nor there where Morgan’s concerned. It merely means that the established Hearst-Morgan partnership, active at San Simeon since 1919, was at no liberty to do serious work at Wyntoon until the late 1920s. -
OF the UNIVERSITY of CALIFORNIA Editorial Board
OF THE UNIVERSITY OF CALIFORNIA Editorial Board Rex W Adams Carroll Brentano Ray Cohig Steven Finacom J.R.K. Kantor Germaine LaBerge Ann Lage Kaarin Michaelsen Roberta J. Park William Roberts Janet Ruyle Volume 1 • Number 2 • Fall 1998 ^hfuj: The Chronicle of the University of California is published semiannually with the goal of present ing work on the history of the University to a scholarly and interested public. While the Chronicle welcomes unsolicited submissions, their acceptance is at the discretion of the editorial board. For further information or a copy of the Chronicle’s style sheet, please address: Chronicle c/o Carroll Brentano Center for Studies in Higher Education University of California, Berkeley, CA 94720-4650 E-mail [email protected] Subscriptions to the Chronicle are twenty-seven dollars per year for two issues. Single copies and back issues are fifteen dollars apiece (plus California state sales tax). Payment should be by check made to “UC Regents” and sent to the address above. The Chronicle of the University of California is published with the generous support of the Doreen B. Townsend Center for the Humanities, the Center for Studies in Higher Education, the Gradu ate Assembly, and The Bancroft Library, University of California, Berkeley, California. Copyright Chronicle of the University of California. ISSN 1097-6604 Graphic Design by Catherine Dinnean. Original cover design by Maria Wolf. Senior Women’s Pilgrimage on Campus, May 1925. University Archives. CHRONICLE OF THE UNIVERSITY OF CALIFORNIA cHn ^ iL Fall 1998 LADIES BLUE AND GOLD Edited by Janet Ruyle CORA, JANE, & PHOEBE: FIN-DE-SIECLE PHILANTHROPY 1 J.R.K. -
BSC Owner's Manual
BSC Owner’s Manual Contact Information 2014 – 2015 BSC Central Office Welcome Co-opers! .................................................................................................. 4 2424 Ridge Road, Berkeley, CA 94709 510.848.1936 Fax: 510.848.2114 Moving In ................................................................................................................. 4 Hours: Monday - Friday, 10 - 5 History of the Cooperative Movement .................................................................... 8 www.bsc.coop The Rochdale Principles ............................................................................................. 9 History of the BSC ................................................................................................... 12 Policies ................................................................................................................... 13 Rights, Responsibilities & Rules ............................................................................... 14 Board of Directors: Cabinet Habitability Inspections ......................................................................................... 15 Spencer Hitchcock Zury Cendejas Dash Stander President VP of External Affairs Member-at-Large Building a Healthy Community ............................................................................... 17 [email protected] [email protected] [email protected] Emergencies ........................................................................................................... 19 Central Level Governance -
Chris Cherry Brings Creativity to City's Recreation Program
GREENBELTTT eview News R An Independent Newspaper VOL. 66, No. 8 15 Crescent Rd., Suite 100, Greenbelt, MD 20770-1887 JANUARY 16, 2003 Chris Cherry Brings Creativity West Coast Gourmet Chef Gives New Life to Café To City's Recreation Program by Dorothy Sucher by Sabine Hentrich “My sons tell me, ‘Cooking size”) and an electric wok she isn’t your profession – it’s your picked up at a yard sale. “It “Greenbelt is full of amaz- “I am a product of the Prince different field.” Cherry knew obsession,’” says Ellen Siegel, limits us, slows us down,” she ingly talented people,” ex- George’s County School system,” early on that he did not want to the new kitchen manager at the admits. “It makes operating the claimed an always-cheerful Chris he said with a chuckle. Cherry is pursue his job as a lawyer. “The New Deal Café in Greenbelt’s Café – interesting.” Cherry. Since Cherry is a play- a graduate of Oxon Hill Senior pressure and how confrontational Roosevelt Center. At the Café, Quite a change for a chef wright, musical composer, teacher High where his first job was it was just wasn’t for me; it Siegel is facing a unique new who once cooked breakfast for of musical appreciation classes shelving books at the Oxon Hill didn’t make me happy,” he said. challenge after her more than 30 Julia Child. And yet Siegel’s life for seniors, faculty member of Library Branch. Later he attended In 1992 he moved into his years as a career chef and baker has amply prepared her to meet the Shakespeare Theatre’s Master College of William and Mary in GHI home in Greenbelt and be- on the West Coast. -
Jessica Blanche Peixotto and the Founding of Berkeley Social Welfare
Jessica Blanche Peixotto Revised May 29, 2020 1 Jessica Blanche Peixotto and the Founding of Berkeley Social Welfare Jeffrey L. Edleson, Ph.D.i University of California, Berkeley Abstract Jessica Blanche Peixotto was the first woman to become a full professor at the University of California in 1918 and yet her role in establishing social welfare studies at Berkeley is mostly untold. A social economist and foremost a scientist, she led efforts to infuse evidence-informed practice in professional social work education in the early 1900s, laying a foundation at Berkeley that is still felt today. Of her many efforts, she established a certificate in social welfare at Berkeley in 1917, the first such training on the West Coast. This article describes her personal and professional life and seeks to establish the importance of her role in establishing social work education at Berkeley and in furthering an evidence-informed approach to our professional work. Social work education began at the effective (Fischer, 1973). It has been the University of California in 1904 when academic home for Eileen Gambrill President Benjamin Ide Wheeler (2019, see Burnette, 2016), a member of appointed Dr. Jessica Blanche Peixotto as the Berkeley faculty for over four a lecturer in sociology. Despite being an decades and a leader in bringing alumnus of the School of Social Welfare evidence-informed practices to our field. at Berkeley and spending my entire This article draws on a wide variety career in social work higher education, I of sources published by and about was not aware of the historic importance Peixotto and her family. -
Quentin Tarantino Retro
ISSUE 59 AFI SILVER THEATRE AND CULTURAL CENTER FEBRUARY 1– APRIL 18, 2013 ISSUE 60 Reel Estate: The American Home on Film Loretta Young Centennial Environmental Film Festival in the Nation's Capital New African Films Festival Korean Film Festival DC Mr. & Mrs. Hitchcock Screen Valentines: Great Movie Romances Howard Hawks, Part 1 QUENTIN TARANTINO RETRO The Roots of Django AFI.com/Silver Contents Howard Hawks, Part 1 Howard Hawks, Part 1 ..............................2 February 1—April 18 Screen Valentines: Great Movie Romances ...5 Howard Hawks was one of Hollywood’s most consistently entertaining directors, and one of Quentin Tarantino Retro .............................6 the most versatile, directing exemplary comedies, melodramas, war pictures, gangster films, The Roots of Django ...................................7 films noir, Westerns, sci-fi thrillers and musicals, with several being landmark films in their genre. Reel Estate: The American Home on Film .....8 Korean Film Festival DC ............................9 Hawks never won an Oscar—in fact, he was nominated only once, as Best Director for 1941’s SERGEANT YORK (both he and Orson Welles lost to John Ford that year)—but his Mr. and Mrs. Hitchcock ..........................10 critical stature grew over the 1960s and '70s, even as his career was winding down, and in 1975 the Academy awarded him an honorary Oscar, declaring Hawks “a giant of the Environmental Film Festival ....................11 American cinema whose pictures, taken as a whole, represent one of the most consistent, Loretta Young Centennial .......................12 vivid and varied bodies of work in world cinema.” Howard Hawks, Part 2 continues in April. Special Engagements ....................13, 14 Courtesy of Everett Collection Calendar ...............................................15 “I consider Howard Hawks to be the greatest American director. -
Share the World 2 Joseph Antaree
Share The World 2 Joseph Antaree Share The World A Communal Life By Joseph Antaree What follows is an account of my life (so far) in the One World Family Commune. My story relates to the commune in terms of what we are about, the ideas of this social experience, and how it all relates to contact with Galactica, our eternal civilization, and the flowering of the human spirit. In 1967, 20 years after his cosmic initiation, Allen Michael was led to San Francisco, where he started the One World Family Commune by opening a macrobiotic vegetarian restaurant, the Here and Now, and renting a large house in the Haight-Ashbury district. The God Mind operating in him was leading him to develop a pilot model demonstration of spiritual communal living, which would continue for over 40 years right into the present. Joseph Antaree At the point where I joined the commune, it had been happening for eight years, moving from SF to Marin county, and then to Berkeley. In each location our restaurants were the principal public service we engaged in, opening the first vegetarian restaurants in San Francisco, Mill Valley and Berkeley. We were pioneering a whole new way of life, spiritual revolutionaries to the core. Dedicated to building a truly righteous world of absolute freedom, security and abundance for all. Sharing the world is the key to it all. This is still true today after all of the non-stop changes we’ve gone through in the cause of creating a new world, one that serves all people.