Annual Report July 1, 2018 - June 30, 2019
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CARMEN DAAH Mezzo-Soprano with J. Hunter Macmillan, Piano Recorded London, January 1925 MC-6847 Kishmul's Galley (“Songs Of
1 CARMEN DAAH Mezzo-soprano with J. Hunter MacMillan, piano Recorded London, January 1925 MC-6847 Kishmul’s galley (“songs of the Hebrides”) (trad. arr. Marjorie Kennedy Fraser) Bel 705 MC-6848 The spinning wheel (Dunkler) Bel 705 MC-6849 Coming through the rye (Robert Burns; Robert Brenner) Bel 706 MC-6850 O rowan tree – ancient Scots song (trad. arr. J. H. MacMillan) Bel 707 MC-6851 Jock o’ Hazeldean (Walter Scott; trad. arr. J. Hunter MacMillan Bel 706 MC-6853 The herding song (trad. arr. Mrs. Kennedy Fraser) Bel 707 THE DAGENHAM GIRL PIPERS (formed 1930) Led by Pipe-Major Douglas Taylor. 12 pipers, 4 drummers Recorded Chelsea Town Hall, King’s Road, London, Saturday, 19th. November 1932 GB-5208-1/2 Lord Lovat’s lament; Bruce’s address – lament (both trad) Panachord 25365; Rex 9584 GB-5209-1/2 Earl of Mansfield – march (John McEwan); Lord Lovat’s – strathspey (trad); Mrs McLeod Of Raasay – reel (Alexander MacDonald) Panachord 25365; Rex 9584 GB-5210-1 Highland Laddie – march (trad); Lady Madelina Sinclair – strathspey (Niel Gow); Tail toddle reel (trad) Panachord 25370; Rex 9585 GB-5211-3 An old Highland air (trad) Panachord 25370; Rex 9585 Pipe Major Peggy Isis (solos); 15 pipers; 4 side drums; 1 bass drum. Recorded Studio No. 2, 3 Abbey Road, London, Tuesday, 26th. March 1957 Military marches – intro. Scotland the brave; Mairi’s wedding; Athole Highlanders (all trad) Par GEP-8634(EP); CapUS T-10125(LP) Pipes in harmony – intro. Maiden of Morven (trad); Green hills of Tyrol (Gioacchino Rossini. arr. P/M John MacLeod) Par GEP-8634(EP); CapUS T-10125(LP) Corn rigs – march (trad); Monymusk – strathspey (Daniel Dow); Reel o’ Tulloch (John MacGregor); Highland laddie (trad) Par GEP-8634(EP); CapUS T-10125(LP) Quick marches – intro. -
Precious Nonsense
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY June 2001 -- Issue 63 Of course, you will understand that, as Chancellor of the Exchequer, I am bound to see that due economy is observed. There's nothing like a bargain. W ith the postal rate on letters weighing more than an ounce going up on July 1, it seemed like a good idea to try to get a "fat" newsletter out before the change. So here we are. Although we're lacking any play synopses this time around, we do have the answers to last year's Big Quiz, plenty of news of G&S productions, and some interesting insights from Arthur Robinson. So let's see how it goes. Oh, Members, How Say You, What is it You've Light Opera at (330) 263-2345 / www.wooster.edu/OHIOLIGHTOPERA/ . Or e-mail Done? [email protected]. And their address is The We were saddened and pleased to learn that MGS College of Wooster, Wooster, OH 44691. member and frequent G&S lead performer David Michaels is leaving the Chicago area for Seattle. Sad because he’s Although Light Opera Works isn't presenting any G&S going, and glad because he’ll be seeing more of his family this season, they do have an interesting program for youth, (and able to report on G&S activity in Washington State)! featuring, among other things, an opportunity to work on a Best wishes for his move and his future! production of The Pirates of Penzance. Their Musical Theater Summer Workshops (“for kids 8 to 18") this year By the way, someone asked what our membership include Annie (July 9-14, 2001), Pirates of Penzance (July statistics are, after the renewals were returned. -
GILBERT and SULLIVAN: Part 1
GILBERT AND SULLIVAN: Part 1 GILBERT AND SULLIVAN Part 1: The Correspondence, Diaries, Literary Manuscripts and Prompt Copies of W. S. Gilbert (1836-1911) from the British Library, London Contents listing PUBLISHER'S NOTE CONTENTS OF REELS CHRONOLOGY 1836-1911 DETAILED LISTING GILBERT AND SULLIVAN: Part 1 Publisher's Note "The world will be a long while forgetting Gilbert and Sullivan. Every Spring their great works will be revived. … They made enormous contributions to the pleasure of the race. They left the world merrier than they found it. They were men whose lives were rich with honest striving and high achievement and useful service." H L Mencken Baltimore Evening Sun, 30 May 1911 If you want to understand Victorian culture and society, then the Gilbert and Sullivan operas are an obvious starting point. They simultaneously epitomised and lampooned the spirit of the age. Their productions were massively successful in their own day, filling theatres all over Britain. They were also a major Victorian cultural export. A new show in New York raised a frenzy at the box office and Harper's New Monthly Magazine (Feb 1886) stated that the "two men have the power of attracting thousands and thousands of people daily for months to be entertained”. H L Mencken's comments of 1911 have proved true. Gilbert & Sullivan societies thrive all over the world and new productions continue to spring up in the West End and on Broadway, in Buxton and Harrogate, in Cape Town and Sydney, in Tokyo and Hong Kong, in Ottawa and Philadelphia. Some of the topical references may now be lost, but the basis of the stories in universal myths and the attack of broad targets such as class, bureaucracy, the legal system, horror and the abuse of power are as relevant today as they ever were. -
The Grand Duke (March 2006): Programme
The Gilbert & Sullivan Society of Edinburgh presents The G rand Duke or The Statutory Duel Libretto by Music by W. S. Gilbert Arthur Sullivan New Performing Edition by Alan Borthwick Director ........................................... Alan Borthwick Musical Director ...................................... David Lyle Assistant Director ..............................Liz Landsman CHARITY NUMBER: SC027486 http://www.edgas.org/ We l c o m e ood evening, Ladies and Gentlemen, and a warm welcome to the King’s Theatre, Edinburgh and to Gour 2006 production of The Grand Duke. After last year’s production of The Yeomen of the Guard we’re leaving the Tower of London and taking you to meet the Grand Duke of Pfennig Halbpfennig. The Grand Duke is the last Gilbert & Sullivan collaboration and it’s rarely performed. Some would say that we’re taking a risk in tackling such an unknown piece but we believe it’s a hidden treasure. We trust you’ll agree. As usual the Company have been in great demand throughout the year both within Edinburgh and beyond. Last summer we repeated our production of The Yeomen of the Guard to open the annual International Gilbert & Sullivan Festival in Buxton. It was an honour to take part in such an event and a great time was had by all. In November the Society returned to the Usher Hall where we joined the Band of Her Majesty’s Royal Marines, Scotland to celebrate the 200th anniversary of the Battle of Trafalgar and the 60th anniversary of the end of World War II. We will again be joining forces with the Band on Wednesday November 15th this year where the concert will be in aid of Seafarers UK. -
H.M.S. Pinafore
H.M.S. PINAFORE or, The Lass that loved a Sailor An entirely Original Nautical Comic Opera Written by W.S. Gilbert Composed by Arthur Sullivan Rescued from Obscurity A Reprint series of Definitive Libretti of the „Savoy‟ and related operas. Edited by Ian C. Bond. Other Libretti in this Series AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. COX AND BOX - F.C. Burnand and Arthur Sullivan CREATURES OF IMPULSE - W.S. Gilbert and Alberto Randegger THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German FALLEN FAIRIES - W.S. Gilbert and Edward German THE GONDOLIERS - W.S. Gilbert and Arthur Sullivan “HASTE TO THE WEDDING” - W.S. Gilbert and George Grossmith JANE ANNIE - J.M. Barrie, Arthur Conan Doyle and Ernest Ford NO CARDS - W.S. Gilbert and Thomas German Reed THE PIRATES OF PENZANCE - W.S. Gilbert and Arthur Sullivan PRINCESS TOTO - W.S. Gilbert and Frederic Clay THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan RUDDYGORE - W.S. Gilbert and Arthur Sullivan UTOPIA (LIMITED) - W.S. Gilbert and Arthur Sullivan THE VICAR OF BRAY - Sydney Grundy and Edward Solomon THE ZOO - B.C. Stephenson and Arthur Sullivan Vocal Scores AN ITALIAN STRAW HAT, or, “Haste to the Wedding” W.S. Gilbert, George Grossmith, et al. THE EMERALD ISLE - Basil Hood, Arthur Sullivan and Edward German THE ROSE OF PERSIA - Basil Hood and Arthur Sullivan (facsimile of a cued conductors score) In Preparation THE BEAUTY STONE - Arthur Wing Pinero, J. Comyns Carr and Arthur Sullivan THE BRIGANDS - H. -
Midwestern Gilbert and Sullivan Society
NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY September 1990 -- Issue 27 But the night has been long, Ditto, Ditto my song, And thank goodness they're both of 'em over! It isn't so much that the night was long, but that the Summer was (or wasn't, as the case may be). This was not one of S/A Cole's better seasons: in June, her family moved to Central Illinois; in July, the computer had a head crash that took until August to fix, and in that month, she was tired and sick from all the summer excitement. But, tush, I am puling. Now that Autumn is nearly here, things are getting back to normal (such as that is). Since there was no summer Nonsense, there is all kinds of stuff in this issue, including the answers to the Big Quiz, an extended "Where Can it Be?/The G&S Shopper", reports on the Sullivan Festival and MGS Annual Outing, and an analysis of Thomas Stone's The Savoyards' Patience. Let's see what's new. First of all, we owe the Savoy-Aires an apology. Oh, Members, How Say You, S/A Cole had sincerely believed that an issue of the What is it You've Done? Nonsense would be out in time to promote their summer production of Yeomen. As we know now, Member David Michaels appeared as the "First no Nonsense came out, and the May one didn't even Yeomen" in the Savoy-Aires' recent production of mention their address. Well, we're going to start to The Yeomen of the Guard. -
Gilbert and Sullivan's 'Respectable Capers'
PALGRAVE STUDIES IN BRITISH MUSICAL THEATRE GILBERT AND SULLIVAN’S ‘RESPECTABLE CAPERS’ CLASS, RESPECTABILITY AND THE SAVOY OPERAS, 1877 – 1909 MICHAEL GORON Palgrave Studies in British Musical Theatre Series Editors Millie Taylor Department of Performing Arts University of Winchester Winchester , UK Dominic Symonds Lincoln School of Performing Arts University of Lincoln Lincoln , UK Aim of the Series Britain’s contribution to musical theatre in the late twentieth century is known and celebrated across the world. In historiographies of musical theatre, this assertion of British success concludes the twentieth century narrative that is otherwise reported as an American story. Yet the use of song and music in UK theatre is much more widespread than is often acknowledged. This series teases out the nuances and the richness of British musical theatre in three broad areas: British identity; Aesthetics and dramaturgies; Practices and politics. More information about this series at http://www.springer.com/series/15105 Michael Goron Gilbert and Sullivan’s ‘Respectable Capers’ Class, Respectability and the Savoy Operas 1877–1909 Michael Goron Southampton Solent University Southampton , UK University of Winchester Winchester, UK Palgrave Studies in British Musical Theatre ISBN 978-1-137-59477-8 ISBN 978-1-137-59478-5 (eBook) DOI 10.1057/978-1-137-59478-5 Library of Congress Control Number: 2016941777 © The Editor(s) (if applicable) and The Author(s) 2016 The author(s) has/have asserted their right(s) to be identifi ed as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. -
The Pirates Are Coming Friday-Saturday, Aug
this week magazine twVolume 38 Issue 32 m• 8|10|17 - 8|16|17 THE PIRATES ARE COMING FRIDAY-SATURDAY, AUG. 11-12 FEATURED PHOTO Feature of the Week This racing blade sail Volume 38 Issue 32 • 8|10|17 - 8|16|17 takes the wind on a Cal-34 in Taylor’s Creek on a recent sail. To see your photograph in this space, email it and a short caption to megan. soult@thenewstimes. 3 COVER STORY com, share it with us on our This Week Plans for this year’s Beaufort Pirate Invasion Magazine social media are in full swing as organizers prepare for two feeds, or mail hard cop- days of scallywags and mischief. ies with a postage-paid envelope if you would like the photograph 4 MOVIE REVIEW returned to you. “The Emoji Movie” may be meh, but it’s not On the cover evil. Pirates take to the streets of Beaufort during a siege of the town during the 2016 Beaufort Pirate Invasion. (Dylan Ray photo) 5 RECIPES A Mexican-themed meal is a sure way to keep things festive and lively around the family dinner CONTACT INFORMATION table. twm is published weekly by Carteret Publishing Co. Inc. 4206 Bridges St., Morehead City, N.C. 28557 ART 6 EDITOR: This month, the Cassie Howe Algeo Gallery will Megan Soult feature the photography of Mary O’Neill and Rick [email protected] Gourley. PHOTOGRAPHY: Dylan Ray [email protected] 7 FOOD AND DRINK GRAPHICS: Sarah Smith Tickets are now on sale for Beaufort Wine & [email protected] Food’s craft beer festival’s event, Beer, Bubbles ADVERTISING: & BBQ. -
Sir Arthur Sullivan Complete List of Works
Sir Arthur Sullivan Complete List of Works Titles listed in italics are known to have been composed (although not necessarily performed) but are now believed to be lost. 1. THEATRE First production / performance in London, unless otherwise stated. TITLE AND GENRE TEXT FIRST PRODUCTION PUBLICATION / REMARKS The Tempest Shakespeare Leipzig, Gewandhaus, 6 April 1861; Piano duet, Novello & Co (Incidental Music) revised version, Crystal Palace, c.1862; Full score, Novello & 5 April 1862 Co 1891 The Sapphire Necklace – later H.F. Chorley Crystal Palace, 13 April 1867 Composed 1862-3. known as The False Heiress (Overture and two excerpts only – see Overture (arr. for Military (Opera) below under Songs / Partsongs) Band by Charles Godfrey) Chappell & Co 186-[?] L’Ile enchantée (Ballet) Covent Garden Theatre, 14 May 1864 Not published; partly re-used Cox and Box; or The F.C. Burnand Private performance (with piano acc.) Vocal score, Boosey & Co Long-lost Brothers (after J.M. Morton’s 23 May 1866; 1869; Full score and parts (Opera) Box and Cox ) Adelphi Theatre (with orchestra) (ed. Roger Harris) R. Clyde 1 Act 13 May 1867 1999 The Contrabandista; or F.C. Burnand St George’s Opera House, Vocal Score, Boosey & Co The Law of the Ladrones 2 Acts 18 December 1867 c.1870; Full score and parts (Opera) [see The Chieftain, (ed. Robin Gordon-Powell) below] The Amber Ring 2004 The Merchant of Venice Shakespeare Manchester, Prince’s Theatre, Piano solo / duet, (Incidental Music) 19 September 1871 J.B. Cramer 187-[?]; Full score, Bosworth & Co (Leipzig) 1898 Thespis; or The Gods Grown W.S. -
Nonsense 68.Wpd
Precious Nonsense NEWSLETTER OF THE MIDWESTERN GILBERT AND SULLIVAN SOCIETY July 2008 -- Issue 68 Sir Roderic: This is a strange meeting after so many years Dame Hannah: Very. I thought you were dead. If Sir Roderic were being played by John Wayne, he might answer "Not hardly," as he did in Big Jake. As we say at the office, the urgent has been getting in the way of the important, but we're here now and hoping this last hiatus will not be repeated. There are no production dates listed, mainly because I didn't want the newsletter to be delayed any longer than it has been already. If you have something coming up, though, e-mail me at [email protected] (any surprise in that address?) with the opera's name, the company's name, the dates, locations, prices, and contact information. It'll save retyping, and may speed the production of another Nonsense. In the meantime, a great big special thanks to Arthur Robinson, who has been doing most of the "heavy lifting" for the past several years. LaGrange College should be proud of having someone on staff as reliable as he is. He is also responsible for the answers to the last Big Quiz, and for compiling the latest one (several years ago!) So let us be grateful, and see what he have! The 2002 MGS Big Quiz He wasn't, of course, and, incidentally, he seemed to be enjoying the presentation. (Good grief! has it been that long?) 15. Little Buttercup (or Mrs. Cripps) is described as "A plump and pleasing person". -
Inventory Acc.12682 Southern Light Opera Company, Edinburgh
Acc.12682 September 2007 Inventory Acc.12682 Southern Light Opera Company, Edinburgh National Library of Scotland Manuscripts Division George IV Bridge Edinburgh EH1 1EW Tel: 0131-466 2812 Fax: 0131-466 2811 E-mail: [email protected] © Trustees of the National Library of Scotland Minute books, financial records, membership records, diaries, photographs, programmes and year books, 1896-2005, of the Southern Light Opera Company, Edinburgh. The Southern Light Opera Company was founded in 1896 by a group of about forty amateur men and women gathered in the Union Hotel, Edinburgh. They wanted to perform light operas, most of them lived in the south part of the City, hence the name of their company. Their first production was HMS Pinafore, by Gilbert and Sullivan, in May 1897. They first mention of distribution of funds to charity appears in April 1901, and from that date onwards charity is a major identifying element of the southern Light Opera Company. Deposited, 2006. This accession has been divided into the following sections: 1-11 Minute Books 12-18 Financial Records 19-22 Membership Records 23 Diary 24-29 Programmes 30-38 Year Books 39-52 Posters 53-63 Photographs 1-11 MINUTE BOOKS, 1897-1972 [The First Minute Book seems to be missing]. 1. Executive Meetings, Minute Book 2, 4 June 1897 – 14 December 1900. 2. Executive Meetings, Minute Book, 4 January 1901 – 7 April 1905. 3. Executive Meetings, Minute Book, 7 April 1905 – 11 April 1911. 4. Executive Meetings, Minute Book 5, 26 April 1911 – 26 June 1921. 5. Executive Meetings, Minute Book 6, 6 July 1921- 15 March 1932. -
Snurkël Music with Samples
Gilbert and Sullivan Society Library At the Barbican Music Library Over 250 books for reference The Library of the Gilbert and Sullivan Society is housed in the Music Library at the Barbican Centre, London. Books include recent publications, standard references, works from earlier generations and a comprehensive range of libretti and scores. The works are available for reference only. They are accessed on request from a member of staff. Getting there The Barbican Complex is housed in the heart of the City of London. Moorgate and Barbican Underground stations are within close walking distance. The Society’s Library is located in the Barbican Music Library, downstairs from the Main Library. The address is Silk Street, EC2 8DS. Music enquiries: 020 7638 0672 Text Phone: 020 7332 3803 E mail: [email protected] Opening Hours Monday and Wednesday 9.30 am – 5.30 pm Tuesday and Thursday 9.30 am – 7.30 pm Friday 9.30 am – 2 pm Saturday 9.30 am –4 pm The library is closed on Sunday and Bank Holidays The Gilbert and Sullivan Society Founded 1924 Registered Charity no. 1062970 CATALOGUE Author Title Ainger, Michael Gilbert and Sullivan: a dual biography Allen, Reginald An Anniversary Survey and Exhibition Checklist 1963 Allen, Reginald Sir Arthur Sullivan, Composer and Personage Allen, Reginald The First Night Gilbert and Sullivan, Centennial 1975 Archer, Frank An Actor’s Notebook Ayre, Leslie The Gilbert and Sullivan Companion Baily, Leslie Gilbert and Sullivan and Their World 1 Baily, Leslie The Gilbert and Sullivan Book Bancroft, Squire Empty Chairs Barrington, Rutland More Rutland Barrington By Himself Barrington, Rutland Rutland Barrington by Himself Bathurst, David Here’s a pretty mess! : a new guide to Gilbert & Sullivan opera for the amateur performer and enthusiast BBC (libretto and vocal A G.