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Volume 1, Issue 1 I May 2015 ISSN : 2395 - 4817
The Global Journal of Literary Studies | Volume 1, Issue 1 I May 2015 ISSN : 2395 - 4817 The Global Journal of Literary Studies I May 2015 I Vol. 1, Issue 1 I ISSN : 2395 4817 EXECUTIVE BOARD OF EDITORS Dr. Mitul Trivedi Prof. Piyush Joshi President H M Patel Institute of English Training and Research, Gujarat, The Global Association of English Studies INDIA. Dr. Paula Greathouse Prof. Shefali Bakshi Prof. Karen Andresa Dr M Saravanapava Iyer Tennessee Technological Amity University, Lucknow Santorum University of Jaffna Univesity, Tennessee, UNITED Campus, University de Santa Cruz do Sul Jaffna, SRI LANKA STATES OF AMERICA Uttar Pradesh, INDIA Rio Grande do Sul, BRAZIL Dr. Rajendrasinh Jadeja Prof. Sulabha Natraj Dr. Julie Ciancio Former Director, Prof. Ivana Grabar Professor and Head, Waymade California State University, H M Patel Institute of English University North, College of Education, UNITED STATES OF AMERICA Training and Research Varaždin, CROATIA Gujarat, INDIA Gujarat, INDIA Dr. Momtazur Rahman Dr. Bahram Moghaddas Prof. Amrendra K. Sharma International University of Dr. Ipshita Hajra Sasmal Khazar Institute of Higher Dhofar University Business Agriculture and University of Hyderabad Education, Salalah, Technology, Dhaka, Hyderabad, INDIA. Mazandaran, IRAN. SULTANATE OF OMAN BANGLADESH Prof. Ashok Sachdeva Prof. Buroshiva Dasgupta Prof. Syed Md Golam Faruk Devi Ahilya University West Bengal University of Technology, West King Khalid University Indore, INDIA Bengal, INDIA Assir, SAUDI ARABIA The Global Journal of Literary Studies | Volume 1, Issue 1 I May 2015 ISSN : 2395 - 4817 The Global Journal of Literary Studies I May 2015 I Vol. 1, Issue 1 I ISSN : 2395 4817 Contents... Negotiating with Diaspora: Some Female Characters in Jhumpa Lahiri’s Unaccustomed Earth 01 Mafruha Ferdous, Assistant Professor, Department of English, Northern University, BANGLADESH. -
New and Bestselling Titles Sociology 2016-2017
New and Bestselling titles Sociology 2016-2017 www.sagepub.in Sociology | 2016-17 Seconds with Alice W Clark How is this book helpful for young women of Any memorable experience that you hadhadw whilehile rural areas with career aspirations? writing this book? Many rural families are now keeping their girls Becoming part of the Women’s Studies program in school longer, and this book encourages at Allahabad University; sharing in the colourful page 27A these families to see real benefit for themselves student and faculty life of SNDT University in supporting career development for their in Mumbai; living in Vadodara again after daughters. It contributes in this way by many years, enjoying friends and colleagues; identifying the individual roles that can be played reconnecting with friendships made in by supportive fathers and mothers, even those Bangalore. Being given entrée to lively students with very little education themselves. by professors who cared greatly about them. Being treated wonderfully by my interviewees. What facets of this book bring-in international Any particular advice that you would like to readership? share with young women aiming for a successful Views of women’s striving for self-identity career? through professionalism; the factors motivating For women not yet in college: Find supporters and encouraging them or setting barriers to their in your family to help argue your case to those accomplishments. who aren’t so supportive. Often it’s submissive Upward trends in women’s education, the and dutiful mothers who need a prompt from narrowing of the gender gap, and the effects a relative with a broader viewpoint. -
List of Empanelled Artist
INDIAN COUNCIL FOR CULTURAL RELATIONS EMPANELMENT ARTISTS S.No. Name of Artist/Group State Date of Genre Contact Details Year of Current Last Cooling off Social Media Presence Birth Empanelment Category/ Sponsorsred Over Level by ICCR Yes/No 1 Ananda Shankar Jayant Telangana 27-09-1961 Bharatanatyam Tel: +91-40-23548384 2007 Outstanding Yes https://www.youtube.com/watch?v=vwH8YJH4iVY Cell: +91-9848016039 September 2004- https://www.youtube.com/watch?v=Vrts4yX0NOQ [email protected] San Jose, Panama, https://www.youtube.com/watch?v=YDwKHb4F4tk [email protected] Tegucigalpa, https://www.youtube.com/watch?v=SIh4lOqFa7o Guatemala City, https://www.youtube.com/watch?v=MiOhl5brqYc Quito & Argentina https://www.youtube.com/watch?v=COv7medCkW8 2 Bali Vyjayantimala Tamilnadu 13-08-1936 Bharatanatyam Tel: +91-44-24993433 Outstanding No Yes https://www.youtube.com/watch?v=wbT7vkbpkx4 +91-44-24992667 https://www.youtube.com/watch?v=zKvILzX5mX4 [email protected] https://www.youtube.com/watch?v=kyQAisJKlVs https://www.youtube.com/watch?v=q6S7GLiZtYQ https://www.youtube.com/watch?v=WBPKiWdEtHI 3 Sucheta Bhide Maharashtra 06-12-1948 Bharatanatyam Cell: +91-8605953615 Outstanding 24 June – 18 July, Yes https://www.youtube.com/watch?v=WTj_D-q-oGM suchetachapekar@hotmail 2015 Brazil (TG) https://www.youtube.com/watch?v=UOhzx_npilY .com https://www.youtube.com/watch?v=SgXsRIOFIQ0 https://www.youtube.com/watch?v=lSepFLNVelI 4 C.V.Chandershekar Tamilnadu 12-05-1935 Bharatanatyam Tel: +91-44- 24522797 1998 Outstanding 13 – 17 July 2017- No https://www.youtube.com/watch?v=Ec4OrzIwnWQ -
Here in the United Online Premieres Too
Image : Self- portrait by Chila Kumari Singh Burman Welcome back to the festival, which this Dive deep into our Extra-Ordinary Lives strand with amazing dramas and year has evolved into a hybrid festival. documentaries from across South Asia. Including the must-see Ahimsa: Gandhi, You can watch it in cinemas in London, The Power of The Powerless, a documentary on the incredible global impact of Birmingham, and Manchester, or on Gandhi’s non-violence ideas; Abhijaan, an inspiring biopic exploring the life of your own sofa at home, via our digital the late and great Bengali actor Soumitra Chatterjee; Black comedy Ashes On a site www.LoveLIFFatHome.com, that Road Trip; and Tiger Award winner at Rotterdam Pebbles. Look out for selected is accessible anywhere in the United online premieres too. Kingdom. Our talks and certain events We also introduce a new strand dedicated to ecology-related films, calledSave CARY RAJINDER SAWHNEY are also accessible worldwide. The Planet, with some stirring features about lives affected by deforestation and rising sea levels, and how people are meeting the challenge. A big personal thanks to all our audiences who stayed with the festival last We are expecting a host of special guests as usual and do check out our brilliant year and helped make it one of the few success stories in the film industry. This online In Conversations with Indian talent in June - where we will be joined year’s festival is dedicated to you with love. by Bollywood Director Karan Johar, and rapidly rising talented actors Shruti Highlights of this year’s festival include our inspiring Opening Night Gala Haasan and Janhvi Kapoor, as well as featuring some very informative online WOMB about one woman gender activist who incredibly walks the entire Q&As on all our films. -
Vivian Liff, George Stuart and Their Incredible Gift to the Ncpa
July 2018 ON Stagevolume 7 • issue 12 VIVIAN LIFF, GEORGE STUART AND THEIR INCREDIBLE GIFT TO THE NCPA CHATURANG KI CHAUPAL Kathak on the Chaupal NONA Winner of four METAs NCPA Chairman Khushroo N. Suntook Executive Director & Council Member Deepak Bajaj Editorial Director Radhakrishnan Nair Editor-in-Chief Oishani Mitra Contents Consulting Editor Ekta Mohta Senior Sub-editor 12 Cynthia Lewis Editorial Co-ordinator Hilda Darukhanawalla Art Director Amit Naik Deputy Art Directors Hemali Limbachiya Tanvi Shah Graphic Designer Vidhi Doshi Advertising Anita Maria Pancras ([email protected]; 66223820) Tulsi Bavishi ([email protected]; 9833116584) Senior Digital Manager Jayesh V. Salvi Published by Deepak Bajaj for The National Centre for the Performing Arts, NCPA Marg, Nariman Point, Mumbai – 400021 Produced by Editorial Office 4th Floor, Todi Building, Mathuradas Mills Compound, Senapati Bapat Marg, Lower Parel, Mumbai - 400013 Features Printer Spenta Multimedia, Peninsula Spenta, Mathuradas Mill Compound, N. M. Joshi Marg, Lower Parel, 08 Mumbai – 400013 Reflections 14 On the importance of humanities. Kathak on the Chaupal Materials in ON Stage cannot be reproduced in By Anil Dharker It was a casual anecdote from Birju part or whole without the written permission Maharaj over two decades of the publisher. Views and opinions expressed ago that led to the creation of in this magazine are not necessarily those of 10 Chaturang Ki Chaupal. By Library of Voices the publisher. All rights reserved. Shama Bhate If you’re even remotely interested in opera, NCPA Booking Office there are few starting points better than the 2282 4567/6654 8135/6622 3724 Stuart-Liff Collection, housed at the NCPA. -
05 Work Plan and Methodology
Work Plan and Methodology Chapter I: Introduction to Indian English Drama Chapter II: Portrayal of Political Power in Girish Karnad Chapter III: Portrayal of Political Power in Vijay Tendulkar Chapter IV: Portrayal of the Political Power in Habeeb Tanveer Chapter V: Portrayal of the Political Power in Utpal Dutt Chapter VI: Conclusion The first chapter- Introduction will take a survey of Indian drama written in Sanskrit, folk languages and regional languages. It will also take into account the slow growth in Indian English drama in pre-independence and post-independence times. The second chapter- Portrayal of Political Power in Girish Karnad’s plays will analyze the portrayal of political power as a force in the play affects functioning of all the systems. The third chapter- Portrayal of Political Power in the Plays of Vijay Tendulkar will record the visible and invisible influence of political power in the each every matter and also how it is self-destructive. The fourth chapter- Portrayal of the Political Power in the plays of Habeeb Tanveer will portray the invisible but rigid structure of the political power and what means political power uses to achieve its ends. The fifth chapter- Portrayal of Political Power in the Plays of Utpal Dutt works in the destructive way in society. The last chapter Conclusion will take into stock the conclusions drawn from the portrayal and analysis of this significant social institution in Indian English drama and will aim at prove their relevance to the present times. The research methodology employed herein will be exploratory, interpretative and analytical in nature. -
Your Gateway to the Film Industry
MIT SCHOOL OF FILM & TELEVISION at Raj Kapoor Memorial, Pune MITSFT - your Gateway to the Film Industry www.mitsft.in PDF compression, OCR, web optimization using a watermarked evaluation copy of CVISION PDFCompressor VISION MIT School of Film and Television, MIT School of Film and Television, Rajbaug, Pune is committed to providing Rajbaug, Pune envisages a 'niche position' advanced training and thus nurturing for Indian films, film m‘ akers and ‘ knowledge-driven visionary filmmakers ‘ ‘ technicians in the world of cinema, where who will have great potential and creative they will be considered as a benchmark of SION abilities and who will make the finest films quality all across the globe. in world cinema, while exhibiting their talent in all departments of film making. MIS 1) RajbaugCONTENTS – The Garden of The King...........................................................................................................04 16) Art Direction and Production Design...........................................................................................................30 2) Raj Kapoor Memorial...............................................................................................................................07 17) Television Production.................................................................................................................................32 3) Raj Kapoor – The Legend, The Man..........................................................................................................08 18) Admission Procedure................................................................................................................................33 -
Sculpting a Play Sudhanva Deshpande Mala Hashmi As Dadi
Sculpting a Play Sudhanva Deshpande Mala Hashmi as Dadi ( grandmother) It happens inevitably. Whenever I mention that a play has been improvised, people tend to imagine that it is improvised in performance and they cannot believe that, because what they have seen seems like the performance of a fully-finished text. Even after I explain that 'improvisation' is only the technique one has used to evolve the play, a feeling of slight disbelief persists. It may have to do with the fact that the word 'improvisation', along with its near cousin `impromptu', carries connotations of something unplanned, unstructured, unorganized. Improvisations are, of course, all that, also pretty often chaotic, but it is possible to use this chaos to evolve texts. Through the maze of confusion, through the pulls and pressures every actor and director exerts on nebulous, barely-visible ideas, through false starts, speed-breakers, and dead 1 ends, through all this it is yet possible to create texts that are complex, multi-layered, sophisticated, and dramatic. I say this on the evidence of two plays that Jana Natya Manch (Janam) evolved in 1995, Artanaad ('A Cry of Anguish', a play on child sexual abuse) and Andhera Aftaab Mangega ('Darkness Will Beget the Dawn', in rough translation; a play on the lives of the working class in Delhi). I describe below the process we used to evolve Andhera. (I do realize, of course, that 'improvisation' has become something of a catchword in theatre, nearly a fashion, especially since the 1960s: everybody seems to be improvising. But that doesn't mean that the technique has lost all relevance, and in any case the uniqueness of an experience is not the only I lit, 'new' worker Shakeel as Badal becomes a 'soft' one when dealing with capital and a 'hard' one when dealing with labour. -
Social Science TABLE of CONTENTS
2015 Social Science TABLE OF CONTENTS Academic Tools 79 Labour Economics 71 Agrarian Studies & Agriculture 60 Law & Justice 53 Communication & Media Studies 74-78 Literature 13-14 Counselling & Psychotherapy 84 7LHJL *VUÅPJ[:[\KPLZ 44-48 Criminology 49 Philosophy 24 Cultural Studies 9-13 Policy Studies 43 Dalit Sociology 8 Politics & International Relations 31-42 Development Communication 78 Psychology 80-84 Development Studies 69-70 Research Methods 94-95 Economic & Development Studies 61-69 SAGE Classics 22-23 Education 89-92 SAGE Impact 72-74 Environment Studies 58-59 SAGE Law 51-53 Family Studies 88 SAGE Studies in India’s North East 54-55 Film & Theatre Studies 15-18 Social Work 92-93 Gender Studies 19-21 Sociology & Social Theory 1-7 Governance 50 Special Education 88 Health & Nursing 85-87 Sport Studies 71 History 25-30 Urban Studies 56-57 Information Security Management 71 Water Management 59 Journalism 79 Index 96-100 SOCIOLOGY & SOCIAL THEORY HINDUISM IN INDIA A MOVING FAITH Modern and Contemporary Movements Mega Churches Go South Edited by Will Sweetman and Aditya Malik Edited by Jonathan D James Edith Cowan University, Perth Hinduism in India is a major contribution towards ongoing debates on the nature and history of the religion In A Moving Faith by Dr Jonathan James, we see for in India. Taking into account the global impact and the first time in a single coherent volume, not only that influence of Hindu movements, gathering momentum global Christianity in the mega church is on the rise, even outside of India, the emphasis is on Hinduism but in a concrete way, we are able to observe in detail as it arose and developed in sub-continent itself – an what this looks like across a wide variety of locations, approach which facilitates greater attention to detail cultures, and habitus. -
Sankeet Natak Akademy Awards from 1952 to 2016
All Sankeet Natak Akademy Awards from 1952 to 2016 Yea Sub Artist Name Field Category r Category Prabhakar Karekar - 201 Music Hindustani Vocal Akademi 6 Awardee Padma Talwalkar - 201 Music Hindustani Vocal Akademi 6 Awardee Koushik Aithal - 201 Music Hindustani Vocal Yuva Puraskar 6 Yashasvi 201 Sirpotkar - Yuva Music Hindustani Vocal 6 Puraskar Arvind Mulgaonkar - 201 Music Hindustani Tabla Akademi 6 Awardee Yashwant 201 Vaishnav - Yuva Music Hindustani Tabla 6 Puraskar Arvind Parikh - 201 Music Hindustani Sitar Akademi Fellow 6 Abir hussain - 201 Music Hindustani Sarod Yuva Puraskar 6 Kala Ramnath - 201 Akademi Music Hindustani Violin 6 Awardee R. Vedavalli - 201 Music Carnatic Vocal Akademi Fellow 6 K. Omanakutty - 201 Akademi Music Carnatic Vocal 6 Awardee Neela Ramgopal - 201 Akademi Music Carnatic Vocal 6 Awardee Srikrishna Mohan & Ram Mohan 201 (Joint Award) Music Carnatic Vocal 6 (Trichur Brothers) - Yuva Puraskar Ashwin Anand - 201 Music Carnatic Veena Yuva Puraskar 6 Mysore M Manjunath - 201 Music Carnatic Violin Akademi 6 Awardee J. Vaidyanathan - 201 Akademi Music Carnatic Mridangam 6 Awardee Sai Giridhar - 201 Akademi Music Carnatic Mridangam 6 Awardee B Shree Sundar 201 Kumar - Yuva Music Carnatic Kanjeera 6 Puraskar Ningthoujam Nata Shyamchand 201 Other Major Music Sankirtana Singh - Akademi 6 Traditions of Music of Manipur Awardee Ahmed Hussain & Mohd. Hussain (Joint Award) 201 Other Major Sugam (Hussain Music 6 Traditions of Music Sangeet Brothers) - Akademi Awardee Ratnamala Prakash - 201 Other Major Sugam Music Akademi -
Viveck Prabhu Vaswani Selected Profile 2019
VIVECK PRABHU VASWANI SELECTED PROFILE 2019 Campion School,’77 Cathedral School,’80 Sydenham College,’83 (Bachelor of Commerce) PART ONE/ THE ACTOR Theatre (Selected Bibliography) 1. Elephant Man/ Pearl Padamsee 2. Love and God by Woody Allen/ Pearl Padamsee 3. Night of Jan 16 by Ayn Rand/ Pearl Padamsee 4. Antigone/ Vijay Crishna 5. Mary Stuart/ Toni Patel 6. Savaksa by Gieve Patel/ Pearl Padamsee 7. Saint Joan/ Vijay Crishna 8. Bedroom Farce/ Adi Marzban 9. Caught On The Hop/ Hosi Vasunia 10. Loot by Joe Orton/ Hosi Vasunia (with Amjad Khan) 11. You Can’t Take It With You/ Kaufman & Hart/ Hima Devi 12. The Soul Of Chein Nu Leaves Her Body/ Producer 13. A Woman In A Dressing Gown/ Adi Marzban Actor in Films (Selected Filmography) 1. Zulm Hi Zulm/ A Salam 2. Zakham/ Irfan Khan 3. Soldier/ Abbas Mustan 4. Chori Chori Chupke Chupke/ Abbas Mustan 5. 36, Chinatown/ Abbas Mustan 1 6. Khel/ Raakesh Roshan 7. King Uncle/ Raakesh Roshan 8. Loafer/ David Dhawan 9. Hum Kisise Kum Nahin/ David Dhawan 10. Maine Pyar Kyun Kiya/ David Dhawan 11. Inspctor Kirron/ Ashok Panjabi 12. Josh/ Mansoor Khan 13. Aa Ab Laut Chalen/ Rishi Kapoor 14. Aashiq Aawara/ Umesh Mehra 15. Barsaat/ Suneel Darshan 16. Shakalaka Boom Boom/ Suneel Darshan 17. Raju Ban Gaya Gentleman/ Aziz Mirza 18. Patthar Ke Phool/ Anant Balani 19. Gawaahi/ Anant Balani 20. Dulha Mil Gaya/ Mudassar Aziz 21. Mastizaade/ Milap Zaveri 22. Buddha In A Traffic Jam/ Vivek Agnihotri 23. Satta/ Madhur Bhandarkar 24. Luv U Soniyo/ Joe Rajan 25. Hum Hain Rahi Car Ke/ Jyotin Goel 26. -
Wellness Mauritius Times Friday, June 19, 2020 11 4 Things You Should Never Say to Your Partner Our Spouse Cannot "Unhear" What You Bother You
65th Year -- No. 3586 Friday, June 19, 2020 www.mauritiustimes.com facebook.com/mauritius.times 18 Pages - ePaper MAURITIUS TIMES "Power does not corrupt. Fear corrupts... perhaps the fear of a loss of power." -- John Steinbeck Facts and ideology Interview: Ragen Valayden Progressive taxation under “The St Louis concerted attack Gate is only the tip of the iceberg… Will the government disclose what happened on the Gas turbine project or investigate on CWA and Huawei?" + See pages 8-9 China-India Face-off & Miscalculations Progressive taxation is not a socialist scheme, still less a China's actions in the past weeks achieved precisely the opposite of what it Machiavellian or Manichean move to penalize high income wanted - it has pushed India into much closer partnerships with the earners. It is a well-balanced system that exists in most capitalist countries of the OECD By Aditya Narayan + See Page 4 Breakthrough in treatment of Covid-19 Demonstrators hold placards and shout slogans as they protest against the killing of Indian soldiers by Chinese troops, in Ahmedabad, India on June 16, 2020. By TP Saran + See Page 5 Food Security, Budgets and the Land Question If the government is serious about food security, laws relating to food, land and water cannot remain fragmented and dispersed nor is it sufficient to revise the Agricultural Marketing Board Act So-called 'controversies' are reported (about the use of hydroxychloroquine for example) - but these must be viewed as the serious and sincere attempts being made to find effective solutions.