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Marian Sawa (1937–2005)Music for Organ 1 Sequence I, “Dies irae” (1996) 11:44 2 Resurrection (1975) 6:53 3 Aria (1971) 7:17 4 Passacaglia II (2005) 9:51 5 Three Dances in Old Style (1998) 5:39 Suite (1980) 15:39 6 I. Adagio 4:38 7 II. Scherzando 2:20 8 III. Tranquillo 4:46 9 IV. Con brio 2:04 10 V. Presto 1:52 11 Fantazja Jasnogórska (1996) 6:26 12 Łomza Prayer (2004) 5:39 13 Sequence II, “Victimae paschali laudes” (1996) 7:04 TOTAL PLAYING TIME: 76:18 Carson Cooman Organ of Propsteikirche St. Ludgerus, Billerbeck, Germany (Orgelbau Fleiter, 2014) Model by Jiří Žůrek, 2020. Recorded via the Hauptwerk system. The Composer Marian Sawa was born January 12, 1937 in Krasnystaw, Poland and died April 27, 2005 in Warsaw. From 1951 to 1955, Sawa studied at the Salesian Organ School in Przemyšl. Feliks Rączkowski (1906–1989), who taught organ in Warsaw, was a graduate of the Salesian School and, on one of his return visits to Przemyšl, he was very impressed by the immense talent of one of the young students, Marian Sawa. Rączkowski invited Sawa to come to Warsaw for further study, and simply in order to teach him, Rączkowski joined the faculty at the Józef Elsner Secondary Music School. Upon Sawa’s graduation in 1958, he joined Rączkowski’s organ class at the F. Chopin Music Academy. From 1956 to 1966, Sawa was the organist of the garrison church (Field Cathedral of the Polish Army) in Warsaw. Sawa’s career as an educator focused primarily on his specialty of organ improvisation and began in 1966 at the Elsner School. -
CORPUS CHRISTI June 23, 2019 ‘Peace of the Lord Be with You’ Order of Mass
SAINT ADELAIDE PARISH 708 Lowell Street Peabody, MA 01960 Father Raymond Van De Moortell ~ Father David Lewis Ad Majorem Dei Gloriam ~ For the Greater Glory of God CORPUS CHRISTI June 23, 2019 ‘Peace of the Lord Be With You’ Order of Mass MOST HOLY BODY AND BLOOD OF CHRIST Saturday, June 22, 2019, 4:00 p.m. Sunday, June 23, 2019, 8:30 a.m. & 10:00 a.m. 12:00 Latin Mass, see separate sheet The items in bold print may be found in the blue St. Michael Hymnal. INTRODUCTORY RITES The LORD has sworn, and he will not repent: “You are a priest forever, according to the order PRELUDE: Adoro Te Devote Fedak of Melchizedek.” HYMN: “O Living Bread from Heaven” 670 SECOND READING 1 Corinthians 11:23-26 PENITENTIAL ACT: (“I confess…”) page 15 Brothers and sisters: I received from the Lord KYRIE: “Mass of the Sacred Heart” 141 what I also handed on to you, that the Lord Je- sus, on the night he was handed over, took GLORIA: Roman Missal Chant 125 bread, and, after he had given thanks, broke it COLLECT and said, “This is my body that is for you. Do this in remembrance of me.” In the same way O God, who in this wonderful Sacrament have also the cup, after supper, saying, “This cup is left us a memorial of your Passion, grant us, we the new covenant in my blood. Do this, as of- pray, so to revere the sacred mysteries of your ten as you drink it, in remembrance of me.” Body and Blood that we may always experience For as often as you eat this bread and drink the in ourselves the fruits of your redemption. -
Most Holy Body and Blood of Christ St
Most Holy Body and Blood of Christ St. Michael Church June 14, 2020 Prelude Music By Our Love Tom Kendzia Gathering Hymn At the Table of Jesus SIMPLE GIFTS Refrain At the table of Jesus we are nourished and fed By the blessing cup and heaven’s living bread. At the table of Jesus earth and heaven are wed. To a hungry world, by our God we are led. 1. Where love and charity are found, there God is among us; God’s goodness abounds. As Christ gathers many as one, let our hearts be glad and reflect God’s love. 2. Now, as we gather all as one, division is ended, communion begun. Let fear, anger, hatred now end. Let us dwell in love as our God intends. Text: Based on Ubi Caritas; Tony E. Alonso, b. 1980 Tune: SIMPLE GIFTS, Irregular with refrain; Joseph Brackett, Jr., 1797-1882; arr. by Marty Haugen © 2010, GIA Publications, Inc. Sign of the Cross/Greeting Penitential Act Gloria Mass for a New World Haas Opening Prayer First Reading Deuteronomy 8:2-3, 14b-16a Responsorial Psalm O praise the Lord, Jerusalem. Guimont Second Reading 1 Corinthians 10:16-17 Gospel Acclamation Mass for a New World Haas Gospel Reading John 6:51-58 Homily Profession of Faith Nicene Creed I believe in one God, the Father almighty, maker of heaven and earth, of all things visible and invisible. I believe in one Lord Jesus Christ, the Only Begotten Son of God, born of the Father before all ages. God from God, Light from Light, true God from true God, begotten, not made, consubstantial with the Father; through him all things were made. -
Parish of Holy Rosary
Parish of Holy Rosary The Most Holy Body and Blood of Christ (Corpus Christi) th 14 June 2020 Sunday Cycle A Psalter Week 3 Ordinary Time Week 11 Scripture Readings First Reading Deuteronomy 8: 2-3, 14-16 Psalm Psalm 147: 12-15, 19-20 Second Reading 1 Corinthians 10: 16-17 Gospel John 6: 51-58 Reflections for Corpus Christi Pope Francis recalled that the month of June is "The presence of Christ’s true body dedicated in a special way to the Heart of Christ. He and blood in this sacrament cannot said, it is “a devotion that unites the great spiritual be detected by the senses or by teachers and the simple among the people of God.” reason, but by faith alone, which rests upon Divine authority. Hence, Indeed, he continued, “the human and divine Heart of Jesus is the wellspring where we can always draw on Luke 22:19 ("This is my body upon God’s mercy, forgiveness and tenderness. We that shall be delivered up for you"), can do so by focusing on a passage from the Gospel, Cyril says, “Do not doubt whether feeling that at the centre of every gesture, of every this is true, but take rather the word of Jesus there is love, the love of the Father.” Saviour’s words on trust, because We can also do so, Pope Francis said, “by adoring the being the Truth, he does not lie.” Eucharist, where this love is present in the Sacrament. Then our heart too, little by little, will become more St. -
The Cathedral of Saint Paul Birmingham, Alabama
THE CATHEDRAL OF SAINT PAUL BIRMINGHAM, ALABAMA THE MOST HOLY BODY AND BLOOD OF CHRIST JUNE 7, 2015 Welcome to the Cathedral of Saint Paul. The order of Mass can be found on page 3 in the Sunday’s Word booklets found in the pew racks or on the pew cards. Please follow this order of worship for today’s music. PRELUDE PRELUDE AND VARIATIONS ON “ADORO TE DEVOTE” GERALD NEAR ENTRANCE HYMN AT THAT FIRST EUCHARIST UNDE ET MEMORES ENTRANCE ANTIPHON (8:30 & 11:00AM) Cibavit eos PSALM 81:17 He fed them with the finest wheat and satisfied them with honey from the rock. KYRIE (5:00PM & 11:00AM) MASS VIII KYRIE (8:30AM) MASS Á 4 (BYRD) GLORIA MASS VIII THE LITURGY OF THE WORD The Mass readings can be found on page 105 of Sunday’s Word. FIRST READING EXODUS 24:3-8 RESPONSORIAL PSALM PSALM 116:12-13, 15-16, 17-18 Music: John Schiavone, © OCP Publications, Inc. SECOND READING HEBREWS 9:11-15 SEQUENCE (8:30 & 11:00AM) LAUDA SION Please join in singing the bolded verses of the sequence along with the cantor. ALLELUIA I am the living bread that came down from heaven, says the Lord; whoever eats this bread will live forever. GOSPEL MARK 14:12-16, 22-26 LITURGY OF THE EUCHARIST Page 7 in Sunday’s Word OFFERTORY O FOOD OF EXILES LOWLY INNSBRUCK OFFERTORY MOTET (8:30AM) O SACRUM CONVIVIUM GIOVANNI CROCE O sacrum convivium! in quo Christus sumitur: recolitur memoria passionis eius: mens impletur gratia: et futurae gloriae nobis pignus datur. -
BATES, JAMES M., DMA Music in Honor of the Virgin Mary
BATES, JAMES M., D.M.A. Music in Honor of the Virgin Mary during the Middle Ages and Renaissance. (2010) Directed by Dr. Welborn Young. 50 pp. Veneration of the Virgin Mary was one of the most important aspects of Christianity during the Middle Ages and Renaissance, and sacred music of the time incorporated many Marian concepts. The Virgin Mary was considered the greatest intercessor with God and Christ at a time when fear of Purgatory was strong. Prayers and devotions seeking her aid were among the most significant aspects of spiritual life, and texts of this kind were set to music for devotional use. Beyond her identity as intercessor, there were many additional conceptions of her, and these also found musical expression. The purpose of this study was, first, to explore the basic elements of Marian devotion, and, second, to examine how veneration of Mary was expressed musically. Seven musical compositions from c. 1200-1600 are examined as representative examples. The ―Marian aspects‖ of some compositions may be as straightforward as the use of texts that address Mary, or they may be found in musical and textual symbolism. Of special interest is a particular genre of motet used in private devotions. Precise and detailed information about how sacred music was used in the Middle Ages and Renaissance is scarce, but evidence related to this particular kind of devotional motet helps bring together a number of elements related to Marian meditative practices and the kind of physical settings in which these took place, allowing a greater understanding of the overall performance context of such music. -
Adoro Te Devote
Adoro Te Devote Eucharistic Adoration in the Spirit of St Thomas Aquinas St Saviour’s Church, Dominick St (D1) Some of the best loved Eucharistic hymns - Adoro Te Devote, Tantum Ergo, Panis Angelicus - were written by one man, the Dominican Friar St. Thomas Aquinas. The Dominican Friars of St. Saviour's Priory, which has been in existence for nearly 800 years, will mark the 50th International Eucharistic Congress by inviting renowned preachers to explain the rich delights of these Eucharistic hymns, all in the presence of the Blessed Sacrament, exposed for our veneration. The preachers include Wojciech Giertych OP, the Pope's personal theologian; Paul Murray OP, a celebrated spiritual writer; John Harris OP, well-known for his ministry to young people; and Terence Crotty OP, a Scripture scholar. The evening events will also include music and silent adoration, and will conclude with the Office of Compline, sung by the Dominican community, and the ancient tradition of the Salve Regina procession. Finally, on Saturday, St Saviour's will host a day-long festival of Eucharistic adoration. Come and join us, as we contemplate the source and summit of our faith, 'in which Christ is received, the memory of His Passion is renewed, the soul is filled with grace, and the pledge of future glory is given to us' (St Thomas Aquinas). Mon 11 June, 8pm Fri 15 June, 8pm Wojciech Giertych OP (Papal Theologian) John Harris OP Pange Lingua Verbum Supernum Prodiens Sat 16 June, 11am-6pm Tues 12 June, 8pm Eucharistic Adoration in St Saviour's Church Paul Murray OP (Professor of Spiritual Theology, Angelicum) Adoro Te Devote Thurs 14 June, 8pm Terence Crotty OP Lauda Sion . -
8 Sessions About EUCHARISTIC SAINTS Contents
8 Sessions about EUCHARISTIC SAINTS Contents St Alphonsus ...............................................................................................................................................................2 St Irenaeus ............................................................................................................................................................... 15 St John Neumann .................................................................................................................................................... 28 St Juliana .................................................................................................................................................................. 35 St Katharine Drexel .................................................................................................................................................. 41 Pope Saint Paul VI .................................................................................................................................................... 51 St Peter Julian Eymard ............................................................................................................................................. 59 St Thomas Aquinas .................................................................................................................................................. 69 1 The Year of the Eucharist St Alphonsus Event Saint Alphonsus Event Category Saint Brief Description of Event To introduce Saint Alphonsus and -
Burkholder/Grout/Palisca, Ninth Edition, Chapter 10 18 Chapter 10
18 11. (219) What is the Lied technique? Chapter 10 Sacred Music in the Era of the Reformation 12. What is a choral motet? 1. [213] Protestant reformers tried to involve the congregation resulting in new forms such as the 13. (220) What is cantional style? Why that term? ___________ in the Lutheran Church, the __________ in the Calvinist Church, and the ____________ in the Anglican Church. 14. How many chorale melodies were there by 1600? 2. (212) What were the three branches and where did they exist? 15. What is the doctrine of Calvin? 16. The Calvin Church was centered at _________. What were the offshoots? 3. (213) Summarize Luther's religious beliefs in light of his humantistic education. 17. What about music in the church? 4. He changed the language from _________ to ___________, but kept some of the Catholic liturgy and 18. What are metrical psalms? What is a psalter? music. 5. (216) Luther's musical background included what? 19. (221) TQ: "Or sus, serviteurs du Seigneur" as "Old Hundreth" would be an example of what? 6. Why congregational singing? 20. T/F The different denominations held inviolate their music and would not allow it to be contaminated by 7. Was a Lutheran liturgy strictly adhered to? influx from other congregations. 8. Describe the chorale in Luther's time. 21. (222) TQ: (SR) What is your impression of the SR compared to Luther's SR a couple pages back? 9. (217) What are the four sources of chorales? Veni Redemptor gentium to Nun komm, der Heiden Heiland is an example of what? (218) Victimae paschali laudes to 22. -
Adoration by Candlelight Oct 26.Pdf
Prelude: Soleil du Soir (In Manus Tuas Domine) – Jean Langlais (1907 – 1991) Procession – Adoro Te Devote 1. Godhead here in hiding, whom I do 3. Bring the tender tale true of the adore,Masked by these bare shadows, Pelican;Bathe me, Jesu Lord, in what shape and nothing more,See, Lord, at Thy bosom ranBlood whereof a single Thy service low lies here a heartLost, all drop has power to winAll the world lost in wonder at the God thou art. forgiveness of its world of sin. 2. Seeing, touching, tasting are in thee 4. Jesu, whom I look at shrouded here deceived:How says trusty hearing? that below,I beseech thee send me what I shall be believed;What God's Son has thirst for so,Some day to gaze on thee told me, take for truth I do;Truth face to face in lightAnd be blest for Himself speaks truly or there's nothing ever with Thy glory's sight. Amen. true. O Salutaris Hostia – Edward Elgar (1857 – 1934) O salutaris Hostia O Saving Victim opening wide Quae coeli pandis ostium. The gate of heaven to all below. Bella premunt hostilia; Our foes press on from every side; Da robur, fer auxilium. Thine aid supply, Thy strength bestow. Uni trinoque Domino To Thy great name be endless praise Sit sempiterna gloria: Immortal Godhead, One in Three; Qui vitam sine termino, Oh, grant us endless length of days, Nobis donet in patria. In our true native land with Thee. Amen. Amen. Mt 3: 13-17 Then Jesus came from Galilee to John at the Jordan to be baptized by him. -
Victimae Paschali Laudes (Also Known As the “Easter Sequence”) Is an Ancient Expression of the Church’S Worship During the Easter Octave (I.E., Eight-Day Feast)
Victimae paschali laudes (also known as the “Easter Sequence”) is an ancient expression of the Church’s worship during the Easter Octave (i.e., eight-day feast). It has remained an official element of the Easter liturgies since its composition in the eleventh century. Today, it is one of five similar “sequences,” the others being employed at the celebrations of Pentecost, Corpus Christi, Our Lady of Sorrows, and the Requiem Mass. Victimae paschali laudes is an obligatory element of the Easter Sunday Mass, but it can also be chanted every day during the Easter Octave to highlight the supreme importance of this solemnity. The text of Victimae paschali laudes is included below. The left-most column contains the authoritative (and perennially-valid) Latin text, the middle column contains a literal translation into English, and the right-most column contains the English version approved for current liturgical use. The traditional chant (with its Gregorian notation) is included on the following page. Original Latin Literal English Translation Approved for Liturgical Use Victimae paschali laudes Let Christians offer sacrificial Christians, to the Paschal Victim immolent Christiani. praises to the passover victim. offer sacrifice and praise. Agnus redemit oves: The lamb has redeemed the sheep: The sheep are ransomed by the Lamb; Christus innocens Patri The Innocent Christ has reconciled and Christ, the undefiled, reconciliavit peccatores. the sinners to the Father. hath sinners to his Father reconciled. Mors et vita duello Death and life contended Death with life contended: combat conflixere mirando: in a spectacular battle: strangely ended! dux vitae mortuus, the Prince of life, who died, Life's own Champion, slain, regnat vivus. -
Singing Our Faith Solemnity of Pentecost – May 20, 2018
Singing Our Faith Solemnity of Pentecost – May 20, 2018 It happens a few times a year – we sing an “extra hymn” after the second reading. Chances are it’s unfamiliar to the assembly because, well, they haven’t heard it for a year! This is known as the Sequence. This weekend, we sing the Pentecost Sequence “Veni, Sancte Spiritus,” translated “Come, Holy Spirit,” which is found below. So first, why the term “Sequence?” Centuries ago, the end of the Alleluia before the gospel would have a musical sequence that rose higher and higher at each repetition as the deacon or priest went up the steps of the ambo. The raising of the pitch mirrored the minister’s ascent to proclaim the gospel. Since Sequences have always been written in the form of hymns, they are also called “Prose,” which more accurately reflects their literary style. It’s also worth mentioning that, while we sing the Sequence before the gospel acclamation, the traditional place for the Sequence is after the alleluia (gospel acclamation), sort of like an extended gospel acclamation verse. The number of Sequences was significant by the time of the Council of Trent (1543–1563). The Pope St. Pius V Missal from 1570 reduced the many number of Sequences in the Roman Rite to four: Victimae Paschali Laudes for Easter (still required today) Veni Sancte Spiritus for Pentecost (still required today) Lauda Sion Salvatorem for Corpus Christi (optional today) Dies Irae for All Souls and in Masses for the Dead (optional today) "1 Singing Our Faith Solemnity of Pentecost – May 20, 2018 Nearly 150 years after St.