SPRING 2015 Book Catalogue Spring 2015 Message
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“Legibility: Practice/Prospect in Contemporary Anthropology”
Fall 2018, Volume 59 No. 3 ~ Call for Papers ~ SWAA 2019 Annual Conference, April 19-20, 2019 in Garden Grove, CA “Legibility: Practice/Prospect in Contemporary Anthropology” President’s Message The concept of legibility is not new to anthropology. Scholars have understood it as a project of high modernism – a project of making state-subjects legible and thus decipherable and easy to manage (Scott 1998). Other scholars have explored the concept in terms of the legibility of state bureaucracies (Das and Poole 2004) or the “legibility effect” of governance that classifies and regulates collectives of people (Trouillot 2001). The 2019 SWAA Annual Conference takes on the task of expanding and thinking through legibility with original and critical anthropological and anthropology-allied research. It also expands upon the concept of legibility to address the prospects that exists within it. Inspired by a recent call for “ethnography attuned to its times” (Fortun 2012) and the possibilities that exist in and through collaborative relationships (See Hamdy and Nye 2016), this conference speaks to the moment we are living in now. If legibility is about decipherability and clarity, how do we make our research legible through scholarly production and pedagogies? How do we make our discipline legible to a broader public through collaboration and other means? This conference seeks to think through legibility as a concept to help us better understand what it means to decipher and make something legible be it communities, individuals, multi- species relationships, economic processes, an archaeological site, evolutionary history, the human genome, our primate relatives, or the archaeological record. -
A Zeitgeist Films Release Theatrical Booking Contact: Festival Booking and Publicity Contact
Theatrical Booking Festival Booking and Contact: Publicity Contact: Clemence Taillandier / Zeitgeist Films Nadja Tennstedt / Zeitgeist Films 212-274-1989 x18 212-274-1989 x15 [email protected] [email protected] a zeitgeist films release act of god a film by Jennifer Baichwal Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal’s (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories from around the world—from a former CIA assassin and a French storm chas- er, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster was caught in a terrifying and deadly storm as a teenager, and it has deeply affected both his life and art: “It opened up a whole realm of speculation that I’ve continued to live with ever since.” In his doctor brother’s laboratory, Frith experiments with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, Act of God singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury. DIRECTOR’S NOTES I studied philosophy and theology before turning to documentary and, in some ways, the questions I was drawn to then are the ones I still grapple with now, although in a different context. Two of these, which specifically inform this film, are the relationship between meaning and randomness and the classical problem of evil. -
Interview with Layla Abdelrahim Conducted by Bellamy
AbdelRahim, Layla Backwoods journal #2; 2018 1 The Storyteller Who Ate the World: Interview with Layla AbdelRahim conducted by Bellamy Fitzpatrick for Backwoods journal Summer, 2018 http://layla.miltsov.org/ https://www.routledge.com/authors/i10144-layla-abdelrahim In this interview, Layla AbdelRahim expands on the analysis of the predatory and parasitic foundation of civilized economies. She explains how narratives, whether fictional or scientific, encode templates for socio-economic praxis and clarifies the concept of rewilding that she develops in her books Children’s Literature, Domestication, and Social Foundation (Routledge 2015; 2018) and Wild Children – Domesticated Dreams: Civilization and the Birth of Education (Fernwood 2013). Bellamy Fitzpatrick Question 1. One of the main themes of your writing is that the stories we tell ourselves, and perhaps more importantly our children, are of the highest importance, that they shape the ways we think and view the world on levels we don’t even notice because they are so normalized to us. Can you talk a bit about how you became interested in this topic with your radical analysis, and then further on how you see civilized stories as crucially different from indigenous ones? Layla AbdelRahim Answer 1. Storytelling in general, and especially recorded stories, provide an efficient mechanism for the transmission of cultural choices. After all, even in oral traditions, stories have proven to be effective in recording past experiences, which they transmit along with warnings, instructions, and prohibitions. Thus, stories can serve as an ethnographic or historical record and concomitantly influence our actions. I became aware of the insidious power of stories when I was working in journalism in the late 1980s. -
2013 CANADIAN SCREEN AWARDS Television Nominations
2013 CANADIAN SCREEN AWARDS Television Nominations Best Animated Program or Series Almost Naked Animals YTV (Corus) (9 Story Entertainment Inc.) Vince Commisso, Tanya Green, Tristan Homer, Steven Jarosz, Noah Z. Jones Jack TVO (TVOntario) (PVP Interactif / Productions Vic Pelletier, Spark Animation -Wong Kok Cheong) François Trudel, Wong Kok Cheong, Vincent Leroux, Vic Pelletier Producing Parker TVtropolis (Shaw Media) (Breakthrough Entertainment) Ira Levy, Jun Camerino, Laura Kosterski, Peter Williamson Rated A for Awesome YTV (Corus) (Nerd Corps Entertainment) Ace Fipke, Ken Faier, Chuck Johnson Best Breaking News Coverage PEI Votes CBC (CBC) (CBC PEI) Julie Clow, Mark Bulgutch, Sharon Musgrave CBC News Now: Gadhafi Dead CBC (CBC) (CBC News) Nancy Kelly, Tania Dahiroc, Rona Martell Eaton Centre Shooting Citytv (Rogers) (Citytv) Kathleen O'Keefe, Irena Hrzina, James Shutsa, Kelly Todd CBC News Now: Jack Layton's Death CBC (CBC) (CBC) Jennifer Sheepy, Layal El Abdallah, Paul Bisson, Gerry Buffett, Patricia Craigen, Seema Patel, Marc Riddell, Bill Thornberry Global National - Johnsons Landing Slide Global TV (Shaw Media) (Global National) Doriana Temolo, Mike Gill, Bryan Grahn, Francis Silvaggio, Shelly Sorochuk Best Breaking Reportage, Local CBC News Ottawa at 5, 5:30, 6:00 - School Explosion CBC (CBC) (CBC Ottawa) Lynn Douris, Omar Dabaghi-Pacheco, Marni Kagan CBC News Toronto - CBC News Toronto - Miriam Makashvili CBC (CBC) (CBC Television) John Lancaster, Nil Koksal Best Breaking Reportage, National CBC News The National - Reports -
Beyond the Symbolic and Towards the Collapse
Beyond the Symbolic and towards the Collapse Layla AbdelRahim 2008 Contents 1. Beyond the Symbolic ........................... 3 2. The Collapse ................................ 7 2 1. Beyond the Symbolic John Zerzan is one of the most interesting contemporary thinkers in the United States, at least. Like everything else in life, in order to fully appreciate Zerzan’s contribution to epistemology or the philosophy of civilization, first, one has to read his work and hear his conferences — for, here, I only present my personal interpretation of his theory — and second, consider the context through which his voice and energy resonate. His contribution becomes even more impressive in light of the processes of Western institutionalization of Thought and commodification of Knowledge — a totalitarian context that tolerates no challenge (philosophical or otherwise) that would threaten “the American way of life”. The notion that there is an “American way of life” is not new. It appears withthe colonization and the extermination of aboriginal cultures and life in the Americas. Already in the 17th century, American writers and politicians used the expression to designate their justification for killing and de-territorializing the native human and non-human populations because the colonialists believed in their “inalienable” right to “life, liberty and the pursuit of happiness” at the expense of forced labor and other people’s life, liberty and pursuit of happiness — a stance fully revealed with slavery, feudalism and now with underpaid, forced wage-labor in the sup- posedly “post”-industrial economy. Zerzan traces the roots of this cultural system to the logic and practice of domestication and agriculture, i.e. -
“Anarchists Are More Animal Than Human”: Rationality, Savagery, and the Violence of Property
“Anarchists Are More Animal than Human”: Rationality, Savagery, and the Violence of Property Benjamin Abbott When I first read Chris Hedges’ now infamous denunciation of “Black Bloc anarchists” in the Occupy Wall Street movement, I felt as if I had stepped back in time to the turn of the twentieth century. Hedges’ charges of senseless aggression motivated by primal passions and bent only on universal destruction would fit seamlessly into an 1894 issue of the New York Herald-Tribune or Los Angeles Times. However, as Doreen Massey reminds us, such attempts to assign contemporaries to the past denies how we share space in the world and implies belief in a teleological narrative of progress. Invoking tropes of animality to rhetorically construct political opponents as – to use Chandan Reddy's words – “the enemies of modern political society” remains a key persuasive strategy as well as an enduring technology of capitalism, colonialism, and imperialism here in the twenty-first century. Even a cursory look at language of the war on terror and its production of the Islamic terrorist as national bête noire demonstrates this. Though I would like to simply dismiss Hedges’ anti-anarchist piece as an anomalous echo of discredited reactionary hyperbole, I instead interpret it as representative of a thriving modern phenomenon. The Occupy Wall Street movement has prompted a proliferation and reemphasis of the preexisting discourse of anarchists as the inhuman and unreasonably violent enemies of humanity.1 This essay takes the Hedges article as a point of departure to explore earlier expressions of this discourse specifically through the lens of property. -
Official 2022 Canadian Screen Awards Rules & Regulations for Television
CANADIAN SCREEN AWARDS – TELEVISION & DIGITAL MEDIA 2022 RULES & REGULATIONS TABLE OF CONTENTS SECTION I – OVERVIEW 2 SECTION II – DEADLINES 2 SECTION III – WEBSITE 2 SECTION IV – ACADEMY OFFICES 2 SECTION V – ENTRY FEES 3 Television 3 Digital Media 3 SECTION VI – ELIGIBILITY 4 What Can Enter 4 Qualifying Period 4 Note on Canadian Co-Productions 5 Note on Sports Productions 5 Note on News Categories 5 SECTION VII – HOW TO ENTER 6 - 7 SECTION VIII – CONDITIONS OF ENTRY 8 - 9 SECTION IX – TECHNICAL REQUIREMENTS 9 SECTION X – TELEVISION PROGRAM CATEGORIES 10 - 14 SECTION XI – TELEVISION CRAFT CATEGORIES 15 - 21 SECTION XII – TELEVISION PERFORMANCE CATEGORIES 22 - 23 SECTION XIII – DIGITAL MEDIA AWARDS 24 - 25 SECTION XIV – SPECIAL AWARDS 26 SECTION XV – DEFINITIONS 27 SECTION XVI – THE JUDGING PROCESS 28 - 29 SECTION XVII – STATUES AND CERTIFICATES 30 SECTION XVIII – SHIPPING AND HANDLING 30 SECTION XIX – RULES & REGULATIONS APPEALS & RECOMMENDATIONS PROCESS 31 SECTION XX – FREQUENTLY ASKED QUESTIONS 32 SECTION XXI – RULES & REGULATIONS COMMITTEES 33 SECTION XXII – LIST OF ELIGIBLE CREDITS: TELEVISION & DIGITAL 34 - 37 1 CANADIAN SCREEN AWARDS – TELEVISION & DIGITAL MEDIA 2022 RULES & REGULATIONS SECTION I – OVERVIEW The Canadian Screen Awards honour the best in Canadian visual storytelling, presenting awards for outstanding achievement in film, television, and digital media, and are administered by the Academy of Canadian Cinema & Television (“the Academy”). Canadian Screen Awards will be presented during the 2022 Canadian Screen Week between April 4 – 10, 2022. This booklet contains all of the Rules & Regulations and Entry procedures for the Television and Digital Media sections of the Canadian Screen Awards. We recommend that you read this booklet carefully and completely before filling out your application online. -
2008/2009 Annual Report
Manitoba is overjoyed to announce the rebirth of Manitoba Film & Sound Manitoba Film & Music on January 1, 2009 continuing to make fi lm and music flourish in Manitoba Letter of Transmittal July 31, 2009 Honourable Eric Robinson Minister of Culture, Heritage, Tourism and Sport Room 118, Legislative Building 450 Broadway Winnipeg, Manitoba R3C 0V8 Dear Minister Robinson: In accordance with Section 16 of the Manitoba Film and Sound Recording Development Corporation Act, I have the honour to present the Annual Report of the Manitoba Film and Sound Recording Development Corporation for the fi scal year ended March 31, 2009. Respectfully submitted, David Dandeneau Chairperson Table of Contents Message ...............................................4 The Corporation ....................................... 7 Manitoba Film & Music Showcase 2009 ........ 8 Year in Review ........................................10 Production Activity ....................................16 Tax Credit ............................................. 16 Front Cover: The following are all MANITOBA FILM & MUSIC Other Dollars Levered ...............................17 supported artists and projects. TOP ROW (L - R): Promotional poster for the feature fi lm Amreeka • Twilight Hotel • The Perms • The Juries ...................................................18 Details • Alana Levandoski • Promotional poster for feature fi lm, The Haunting in Connecticut • BOTTOM ROW (L - R): Promotional Film Projects Supported .............................18 poster for Feature Film New in Town -
Evidence from India with Special Reference to the Hos of Jharkhand
Ghent University Faculty of Political and Social Sciences Department of Conflict and Development Studies Academic Year 2013-2014 Colonialism and Racism Uninterrupted: Evidence from India with Special Reference to the Hos of Jharkhand Antony Puthumattathil A dissertation presented in fulfilment of the requirement for a Ph.D. degree in political and social sciences, option Political Science Supervisor: Prof. Dr. Koen Vlassenroot Co-Supervisor: Prof. Dr. Anne Walraet 2 Contents Acknowledgements …………………………………………………………………….5 List of tables, figures, pictures and maps 7 List of Abbreviations 8 Maps 10 Prologue 15 Kolhan, the land of Hos, the nation-state and Adivasi resistance ……………….15 1. General Introduction 25 Chapters and themes 32 Jean-Paul Sartre: colonialism as a system, and its relevance ……………………36 Racism 38 Structural, cultural and symbolic violence: oppressive exploitation, discrimination and their often unintelligible reproductive logic ………………………………...40 Adivasis being enmeshed within (‘mainstream’) colonial civic order 45 ‘Indian elitism’ thrives on the popular Indian fatalism 47 Methodology 49 Fieldwork, sources and methods of data collection …………………………..53 Geographical area …………………………………………………………….53 Profiles of selected study villages …………………………………………….54 Fieldwork, and methods of data collection 59 2. Adivasis as State fleeing and challenging People: A Genealogy of Ideas and Practices underpinning the Politics and State in India 64 Introduction ……………………………………………………………………...65 Mainstream versus margins ……………………………………………………..71 State formation theories and the origins of the ancient Indian state …………….72 Pre-British colonial Statecraft: colonialism and racism as praxis and process …75 Adivasi social formations as those who escaped ancient Indian statecraft ……..78 The shape of the beast 82 Alternative imaginations: special reference to Kolarian (Munda) Adivasi groups 85 History of State formation in Chotanagpur ……………………………………...87 The beast among the Hos, in Hodisum, the Ho ‘country’ 93 Conclusion ………………………………………………………………………95 3. -
2019 Conference Is to Be the Best from September 22-25, 2019
2019 Registration Brochure RBC Convention Centre Winnipeg, Manitoba SEPTEMBER PROFESSIONAL DEVELOPMENT CONFERENCE 22-25 REGISTER JULY 1-AUG 19 2019 AND SAVE UP TO $105 LEARN FROM EMBRACE THE SHAPE THE THE PAST PRESENT FUTURE REGISTER BEFORE JUNE 30, 2019 AND SAVE UP TO $205 Canada’s Safety, Health and Environmental Practitioners SCHEDULE • KEYNOTES • SESSIONS • NETWORKING 2 EXHIBITIORS • PD COURSES • HOTEL • REGISTRATION LEARN FROM EMBRACE THE SHAPE THE THE PAST PRESENT FUTURE SEPTEMBER PROFESSIONAL DEVELOPMENT CONFERENCE 22-25 MESSAGE FROM PRESIDENT & CONFERENCE CHAIR Each year Occupational Health and Safety (OHS) “Learn from the Past | Embrace the Present | Shape practitioners gather at the CSSE’s professional the Future” is the theme for 2019. National and development conference to challenge their thinking, international speakers were selected to bring their enhance their effectiveness on the job, and develop knowledge and expertise to this year’s conference. influential partnerships with other health and safety Sessions are designed to expand your knowledge colleagues from around the world! This year’s and provide practical insights on emerging issues. conference is being held in Winnipeg, Manitoba Our goal for the 2019 conference is to be the best from September 22-25, 2019. This is Canada’s “must professional development event you attend this year. attend” safety event! WE ARE PLEASED TO ANNOUNCE NEW INITIATIVES TO INCREASE THE VALUE OF ATTENDING THE CONFERENCE: • AGRICULTURAL STREAM – a series of workshops on Sunday and Monday focused -
Layla Abdelrahim, Children's Literature, Domestication, And
Anarchism’s Posthuman Future 117 y Layla AbdelRahim, Children’s Literature, Domestication, and Social Foundation: Narratives of Civilization and Wilderness New York: Routledge, 2015; 265pp, ISBN 9780415661102 Without much thinking, we often juxtapose wilderness and civilisation. The ontology of wilderness translates into anarchy, and the ontology of civilisation translates into order. However, Layla AbdelRahim shows that this neat and orderly dichotomy is a mere fad – the human world consists of wilderness, and of civilisa- tion, and of endless shades of grey between the two. In the introductory chapter, AbdelRahim introduces the main theoretical underpinnings of her work through descriptions of culture, wildness, civilisation, colonisation and literature. She proceeds with an interesting biographical perspec- tive which illuminates the paths of her thinking, the diverse influences on her work, and her unusually cosmopolitan life trajectory. AbdelRahim was born in Moscow, in an inter-racial, inter-continental, and multi-lingual family. As a child she moved to Syria, and later to Europe and Canada, and she speaks Russian, English, Arabic, and some Italian. It is at through this combination of influences, that she acquired the unique perspective that informs her critique of civilisation and wilderness. In the first part of the book, AbdelRahim explores Epistemologies of Chaos and the Orderly Unknowledge of Literacy. Her work is based on analyses of a wide spectrum of primary sources such as Tove Jansson’s Moomin series, Nikolai Nosov’s The Adventures of Dunno and Friends, C.S. Lewis’s The Chronicles of Narnia, A.A. Milne’s Winnie-the-Pooh, and many others. AbdelRahim interprets these works through a selection of important theorists and philosophers including Foucault, Bourdieu, and Derrida; she also connects them to works of important anarchists such as Kropotkin and Zerzan. -
On Objects, Love, and Objectifications: Children in a Material World
Library.Anarhija.Net On Objects, Love, and Objectifications: Children in a Material World Layla AbdelRahim Layla AbdelRahim On Objects, Love, and Objectifications: Children in a Material World 2002 Retrieved on September 30, 2010 from layla.miltsov.org lib.anarhija.net 2002 Contents Prologue: on Love 4 on Things: questions of Cost 5 on Things: question of Love, Hatred, and Shame 8 on Things: the question of categorization and interests 19 on Love: the question of Sex 25 on Making Things: questions of Respect 27 on Using Things: questions of Trust and Respect 29 On Things: Questions of Mistrust 31 On Issues that objectify: Trust in Institution 34 Conclusion: On the Study of Things: Phenomenology, et al 38 Finale: on love, objects, and objections 41 Bibliography: 44 2 This work first appeared as a 15-page paper for a doctoral sem- inar in education at McGill University, Montreal in October 2002. Claudia Mitchell, our professor, challenged us to reflect on the phe- nomenology of children’s space. My paper for that course focused on my child’s room. I have since incorporated contrastive and reflec- tive elements from my anthropological observations on childhood and edited the form and the content of the first version to present at the CHILDHOODS 2005 conference in July in Oslo. Before proceeding further, I would like to clarify what may come off as a categorical condemnation of ALL of society or ofALL ‘civilised‘ ‘Western’ society. When I apply these terms and cate- gories, I refer to the official and the generally valued aspects of social organisation.