Indigenous Catalogue 2020-2021 Oscar Louis-Charles Nathalie Grace Rangel Mignot-Grenier Bourdon Marzella

Total Page:16

File Type:pdf, Size:1020Kb

Indigenous Catalogue 2020-2021 Oscar Louis-Charles Nathalie Grace Rangel Mignot-Grenier Bourdon Marzella CONTACTS INDIGENOUS CATALOGUE 2020-2021 OSCAR LOUIS-CHARLES NATHALIE GRACE RANGEL MIGNOT-GRENIER BOURDON MARZELLA AGENT, SALES & MARKET AGENT, SALES & MARKET DIRECTOR, DISTRIBUTION AGENT, SALES & MARKET DEVELOPMENT, DEVELOPMENT, & MARKET DEVELOPMENT DEVELOPMENT, US / LATIN AMERICA / IBERIA CANADA / EUROPE / VR / DIGITAL PLATFORMS, +1-514-995-0095 / AFRICA / MIDDLE EAST / INFLIGHT [email protected] WORLDWIDE ASIA-PACIFIC +1-514-242-6264 +1-438-990-1537 +1-514-629-5174 [email protected] [email protected] [email protected] NFB.CA/DISTRIBUTION © 2020 National Film Board of Canada. Printed in Canada. NOW IS THE TIME | CHRISTOPHER AUCHTER TIME | CHRISTOPHER THE IS NOW FREEDOM ROAD NOW IS THE TIME THE ROAD FORWARD THE MOUNTAIN OF SGAANA 5 SHORT FILMS | 2019 | ANGELINA MCLEOD | NFB 16 MIN | 2019 | CHRISTOPHER AUCHTER | NFB 101 MIN | 2017 | MARIE CLEMENTS | NFB 10 MIN | 2017 | CHRISTOPHER AUCHTER | NFB Freedom Road is a five-part documentary When internationally renowned Haida carver Marie Clements’ musical documentary connects A magical tale of a young man who is stolen series that tells the inspiring story of one Robert Davidson was only 22 years old, he a pivotal moment in Canada’s civil rights away to the Haida spirit world, and the young First Nation’s battle to resolve a brutal colonial carved the first new totem pole on British history—the beginnings of Indian Nationalism woman who rescues him. Without words. legacy that uprooted and transformed a self- Columbia’s Haida Gwaii in almost a century. in the 1930s—with the powerful momentum of sustaining community into an isolated island, On the 50th anniversary of the pole’s raising, First Nations activism today. Clements paints only a short distance from the Haida filmmaker Christopher Auchter steps an electrifying picture of how a tiny movement, Trans-Canada highway. easily through history to revisit that day in the Native Brotherhood and Native Sisterhood, August 1969, when the entire village of Old became a powerful voice for social, political, and Massett gathered to celebrate the event that legal advocacy, eventually effecting profound would signal the rebirth of the Haida spirit. change at the national level. JORDAN RIVER ANDERSON, NÎPAWISTAMÂSOWIN: THREE THOUSAND OUR PEOPLE WILL BE HEALED THE MESSENGER WE WILL STAND UP 14 MIN | 2017 | ASINNAJAQ | NFB 96 MIN | 2017 | ALANIS OBOMSAWIN | NFB 66 MIN | 2019 | ALANIS OBOMSAWIN | NFB 52 · 98 MIN | 2019 | TASHA HUBBARD | DOWNSTREAM Alanis Obomsawin’s 50th film reveals how DOCUMENTARY PRODUCTIONS, BIZABLE MEDIA, NFB This experimental film unravels Inuit culture the Cree community in Norway House, Director Alanis Obomsawin tells the story of over 3,000 years, with archives and animation Manitoba, has been enriched through the Jordan River Anderson, and how as a result Sensitively directed by Tasha Hubbard, uniquely expressed in three chapters: past, power of education. This documentary of his short life, thousands of Indigenous nîpawistamâsowin: We Will Stand Up follows present and future. conveys a message of hope: the belief that in children today have equal access to health care. the family of the late Colten Boushie, a young an appropriate school environment, one that Jordan’s Principle was passed into law, yet many Cree man fatally shot in a Saskatchewan incorporates their people’s history, language Indigenous patients still face a denial of services. farmyard, as they demand justice from and culture, Indigenous youth can realize It took sustained commitment for justice to be Canada’s legal system. their dreams. done. Jordan River Anderson, The Messenger completes the film cycle on the rights of Indigenous children and peoples that began with The People of the Kattawapiskak River. HOLY ANGELS BIRTH OF A FAMILY THIS RIVER WE CAN’T MAKE THE SAME 14 MIN | 2017 | JAY CARDINAL VILLENEUVE | NFB 79 MIN | 2017 | TASHA HUBBARD | NFB 19 MIN | 2016 | KATHERENA VERMETTE, ERIKA MISTAKE TWICE MACPHERSON | NFB 163 MIN | 2016 | ALANIS OBOMSAWIN | NFB A redemptive and ingeniously crafted short Three sisters and a brother, adopted as infants documentary, Holy Angels employs a potent into separate families, meet for the first time This river offers a first-hand perspective on the Veteran filmmaker Alanis Obomsawin blend of shadow puppetry, dance, and interview in this deeply moving documentary. Part of devastating experience of searching for a loved documents the nine-year legal saga pitting the footage to document Lena Wandering Spirit’s Canada’s infamous Sixties Scoop, in which one who has disappeared. Kyle Kematch and First Nations Child and Family Caring Society return to the site of the residential school 20,000 Indigenous children were removed from Katherena Vermette have both experienced this of Canada and the Assembly of First Nations in Fort Chipewyan that stole much of her their families, the siblings are now middle- heartbreak. Kyle has a sister who went missing against the Canadian government. Arguing childhood. Wandering Spirit spent six years aged, with no shared memories. Together, they over five years ago. Katherena is a poet and that Indigenous children on reserves and in there, one of an estimated 150,000 Indigenous piece together their history and take the first writer whose work stems from a family tragedy Yukon received subpar services due to the children across Canada that were forcibly steps toward building their family. that happened over 20 years ago. Though their government’s discriminatory practices, the removed from their families. stories are different, they each exemplify the plaintiffs eventually won at trial in 2016. beauty, grace, resilience, and activism born out . of the need to do something. SHAMAN ANGRY INUK I LIKE GIRLS RED PATH 5 MIN | 2017 | ECHO HENOCHE | NFB 82 MIN | 2016 | ALETHEA ARNAQUQ-BARIL | 8 MIN | 2016 | DIANE OBOMSAWIN | NFB 16 MIN | 2015 | THÉRÈSE OTTAWA | NFB UNIKKAAT STUDIOS INC., NFB Shaman recounts the legend of a polar bear First love is an intoxicating experience, but This short documentary tells the story of that’s transformed into an iconic mountain Seal hunting, a critical part of Inuit life, has with it can come excruciating awkwardness, Tony Chachai, a young Indigenous man in in the community of Nain, Labrador. been controversial for a long time. Now, a new unrequited emotions, and confusing issues of search of his identity. Moved by the desire Without words. generation of Inuit, armed with social media identity. Original French version. to reconnect with his Atikamekw roots, he and their own sense of humour and justice, delivers a touching testimony on the journey are challenging the anti-sealing groups and that brought him closer to his family and bringing their own voices into the conversation. community. On the verge of becoming a father Director Alethea Arnaquq-Baril joins her himself, he becomes increasingly aware of the fellow Inuit activists as they address outdated richness of his heritage and celebrates it by perceptions of Inuit and present themselves to dancing in a powwow. the world as a modern people in dire need of a sustainable economy. NOWHERE LAND TRICK OR TREATY? 360 DEGREES THE BALLAD OF CROWFOOT 15 MIN | 2015 | ROSIE BONNIE AMMAAQ | NFB 84 MIN | 2014 | ALANIS OBOMSAWIN | NFB 18 MIN | 2008 | CAROLINE MONNET | NFB 10 MIN | 1968 | WILLIE DUNN | NFB This short documentary serves as a quiet This feature documentary by acclaimed This short film introduces us to The NFB’s first Indigenous-directed film was elegy for a way of life, which exists now only filmmaker Alanis Obomsawin profiles Sébastien Aubin, a French-speaking member made by Willie Dunn, a Mi’kmaq/Scottish in the memories of those who experienced Indigenous leaders in their quest for justice of Manitoba’s Opaskwayak Cree Nation. He folk singer and activist who was part of the it. Bonnie Ammaaq and her family remember as they seek to establish dialogue with the works as a graphic artist for a living, but he’s historic Indian Film Crew, the Board’s first it vividly. When Bonnie was a little girl, her Canadian government. By tracing the history of embarked on a personal spiritual and identity all-Indigenous production unit. The film is a parents packed up their essentials, bundled her their ancestors since the signing of Treaty No. 9, quest on the side. Attempting to transcend powerful look at colonial betrayals, told through and her younger brother onto a long, fur-lined these leaders aim to raise awareness about the material world, he’s apprenticing in a striking montage of archival images and a sled and left the government-manufactured issues vital to First Nations in Canada: respect traditional Indigenous medicine with healer ballad composed by Dunn himself about the community of Igloolik to live off the land, as for and protection of their lands and their Mark Thompson. The relationship between legendary 19th-century Siksika (Blackfoot) had generations of Inuit before them. natural resources, and the right to hunt and the two figures marks the contrast between chief who negotiated Treaty 7 on behalf of the fish so that their societies can prosper. generations; between modernity and tradition. Blackfoot Confederacy. CRAZYWATER HI-HO MISTAHEY! DOCTOR, LAWYER, INDIAN CHIEF FINDING DAWN 56 MIN | 2013 | DENNIS ALLEN | NFB 100 MIN | 2013 | ALANIS OBOMSAWIN | NFB 29 MIN | 1986 | CAROL GEDDES | NFB 73 MIN | 2006 | CHRISTINE WELSH | NFB This documentary from Dennis Allen is an In this feature-length documentary, A tribute to Indigenous women everywhere, this Acclaimed Métis filmmaker Christine Welsh emotional exploration of addiction among Alanis Obomsawin tells the story of Shannen’s short doc focuses on five women from across brings us a compelling documentary that Indigenous people in Canada. Five Indigenous Dream, a national campaign to provide Canada, of varied ages and backgrounds, who puts a human face on a national tragedy—the Canadians bravely come forward with their equitable access to education in safe and have achieved success in different careers: as epidemic of missing or murdered Indigenous stories, presenting the sensitive topic of suitable schools for First Nations children.
Recommended publications
  • Presents a Film by TRACEY DEER 92 Mins, Canada, 2020 Language: English with Some French
    Presents a film by TRACEY DEER 92 mins, Canada, 2020 Language: English with some French Distribution Publicity Mongrel Media Inc Bonne Smith 217 – 136 Geary Ave Star PR Toronto, Ontario, Canada, M6H 4H1 Tel: 416-488-4436 Tel: 416-516-9775 Fax: 416-516-0651 Twitter: @starpr2 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com BEANS Festivals, Achievements and Awards Awards & Achievements DGC Discovery Award – 2020 WGC Screenwriting Award, Feature Film – 2021 Canadian Screen Awards – 2021 Best Motion Picture, Winner John Dunning Best First Feature Film Award, Winner Achievement in Casting, Nomination Achievement in Sound Mixing, Nomination Achievement in Cinematography, Nomination Vancouver Films Critics Circle – 2021 One to Watch: Kiawentiio Best Supporting Actress: Rainbow Dickerson Festivals Berlinale, Generation Kplus, Germany – 2021 Crystal Bear for Best Film Toronto International Film Festival, Canada – 2020 TIFF Emerging Talent Award: Tracey Deer TIFF Rising Stars: Rainbow Dickerson TIFF’s Canada’s Top Ten Vancouver International Film Festival, Canada – 2020 Best Canadian Film Yukon Available Light Film Festival, Canada – 2021 Made in the North Award for Best Canadian Feature Film Audience Choice Best Canadian Feature Fiction Kingston Canadian Film Festival, Canada – 2021 Limestone Financial People’s Choice Award Minneapolis St. Paul International Film Festival, USA – 2021 Audience Choice Award: Nextwave Global Features Provincetown Film Festival - 2021 NY Women in Film & Television Award for Excellence
    [Show full text]
  • PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour
    FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] Visit the PBS pressroom for more information and/or downloadable images: http://www.pbs.org/pressroom/ PBS Series Independent Lens Unveils Reel Injun at Summer 2010 Television Critics Association Press Tour A Provocative and Entertaining Look at the Portrayal of Native Americans in Cinema to Air November 2010 During Native American Heritage Month (San Francisco, CA)—Cree filmmaker Neil Diamond takes an entertaining, insightful, and often humorous look at the Hollywood Indian, exploring the portrayal of North American Natives through a century of cinema and examining the ways that the myth of “the Injun” has influenced the world’s understanding—and misunderstanding—of Natives. Narrated by Diamond with infectious enthusiasm and good humor, Reel Injun: On the Trail of the Hollywood Indian is a loving look at cinema through the eyes of the people who appeared in its very first flickering images and have survived to tell their stories their own way. Reel Injun: On the Trail of the Hollywood Indian will air nationally on the upcoming season of the Emmy® Award-winning PBS series Independent Lens in November 2010. Tracing the evolution of cinema’s depiction of Native people from the silent film era to today, Diamond takes the audience on a journey across America to some of cinema’s most iconic landscapes, including Monument Valley, the setting for Hollywood’s greatest Westerns, and the Black Hills of South Dakota, home to Crazy Horse and countless movie legends.
    [Show full text]
  • Redefining the Nfb's Relationship With
    REDEFINING THE NFB’S RELATIONSHIP WITH INDIGENOUS PEOPLES A THREE‑YEAR PLAN (2017–2020) TABLE OF CONTENTS 1 6 ACKNOWLEDGEMENTS THREE-YEAR PLAN: PURPOSE AND PRINCIPLES 2 BACKGROUND 7 NFB TRANSFORMATION: THREE-YEAR GOALS, 4 OBJECTIVES AND ACTIONS ON THE PATH TO RECONCILIATION 16 NFB INDIGENOUS ADVISORY 5 THE ROAD FORWARD ACKNOWLEDGEMENTS WE WOULD LIKE TO THANK OUR ADVISORY MEMBERS FOR THEIR COMMITMENT TO WORKING WITH US THROUGHOUT THIS PROCESS OF TRANSFORMATION, AND ALL THE INDIGENOUS FILMMAKERS AND PARTNERS, PAST AND PRESENT, WHO HAVE WORKED AT AND WITH THE NATIONAL FILM BOARD OF CANADA (NFB) HI-HO MISTAHEY! OVER THE YEARS. Alanis Obomsawin We would also like to acknowledge our enormous debt to the first generation of Alanis and others to claim a space for Indigenous filmmakers at the NFB, first Indigenous voices within the NFB, on and foremost Alanis Obomsawin. Alanis Canadian screens and within the broader joined the NFB in 1967 and fought against Canadian production industry constitute an often hostile environment to create the foundations for the commitments an unparalleled body of work that has we are making today. fundamentally recast understandings of Indigenous realities and relationships with settler society. The struggles of Claude Joli-Coeur Government Film Commissioner and NFB Chairperson BACKGROUND FOUNDED IN 1939, THE NFB IS A PUBLIC PRODUCER OF DOCUMENTARY, ANIMATION, INTERACTIVE/IMMERSIVE EXPERIENCES AND, AT TIMES IN OUR HISTORY, WORKS OF FICTION. The NFB has been producing works about THE BALLAD OF CROWFOOT Indigenous lives and experiences since Willie Dunn the early 1940s. Our full collection of works by and/or about Indigenous peoples currently totals just over 650 titles.
    [Show full text]
  • ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O
    ANNUAL REPORT 2016-2017 Published by Strategic Planning and Government Relations P.O. Box 6100, Station Centre-ville Montreal, Quebec H3C 3H5 Internet: onf-nfb.gc.ca/en E-mail: [email protected] Cover page: ANGRY INUK, Alethea Arnaquq-Baril © 2017 National Film Board of Canada ISBN 0-7722-1278-3 2nd Quarter 2017 Printed in Canada TABLE OF CONTENTS 2016–2017 IN NUMBERS MESSAGE FROM THE GOVERNMENT FILM COMMISSIONER FOREWORD HIGHLIGHTS 1. THE NFB: A CENTRE FOR CREATIVITY AND EXCELLENCE 2. INCLUSION 3. WORKS THAT REACH EVER LARGER AUDIENCES, RAISE QUESTIONS AND ENGAGE 4. AN ORGANIZATION FOCUSED ON THE FUTURE AWARDS AND HONOURS GOVERNANCE MANAGEMENT SUMMARY OF ACTIVITIES IN 2016–2017 FINANCIAL STATEMENTS ANNEX I: THE NFB ACROSS CANADA ANNEX II: PRODUCTIONS ANNEX III: INDEPENDENT FILM PROJECTS SUPPORTED BY ACIC AND FAP AS THE CROW FLIES Tess Girard August 1, 2017 The Honourable Mélanie Joly Minister of Canadian Heritage Ottawa, Ontario Minister: I have the honour of submitting to you, in accordance with the provisions of section 20(1) of the National Film Act, the Annual Report of the National Film Board of Canada for the period ended March 31, 2017. The report also provides highlights of noteworthy events of this fiscal year. Yours respectfully, Claude Joli-Coeur Government Film Commissioner and Chairperson of the National Film Board of Canada ANTHEM Image from Canada 150 video 6 | 2016-2017 2016–2017 IN NUMBERS 1 VIRTUAL REALITY WORK 2 INSTALLATIONS 2 INTERACTIVE WEBSITES 67 ORIGINAL FILMS AND CO-PRODUCTIONS 74 INDEPENDENT FILM PROJECTS
    [Show full text]
  • Untold Stories of the Past 150 Years, Canada 150 Conference, UCD
    Untold Stories of the Past 150 Years, Canada 150 Conference, UCD [as of March 28, 2017 and subject to change] Friday, April 28, 2017 Registration: 11.30 am to 1 pm, Humanities Institute 1.00 pm – 2.15 pm: Panels - Panel 1A (Humanities Institute): Urban Indigenous Experiences Aubrey Hanson (Métis, University of Calgary), “Indigenous Women’s Resilience in Urban Spaces” Jeff Fedoruk (McMaster University), “Unceded Identities: Vancouver as Nexus of Urban Indigenous Cultural Production” Renée Monchalin (Métis, Algonquin, Huron; University of Toronto), “The Invisible Nation: Métis Identity, Access to Health Services, and the Colonial Legacy in Toronto, Canada” - Panel 1B (Geary Institute): Disrupting Normative Bodies and Gendered Discourses Kit Dobson (Mount Royal University), “Untold Bodies: Failing Gender in Canada’s Past and Future” Kristi Allain (St. Thomas University), “Taking Slap Shots at the House: When the Canadian Media turns Curlers into Hockey Players” Rebecca Draisey-Collishaw (Memorial University), “Listening Between the Lines: Curating the Normative Canadian” Jamie Jelinski (Queen’s University), “‘An Artist’s View of Tattooing’: Aba Bayefsky and Tattooing in Toronto and Yokohoma, 1978-1986” 2.15 pm – 2.30 pm: Break 2.30 pm – 3.45 pm: Panels - Panel 2A (Humanities Institute): Indigenous Aesthetics Sarah MacKenzie (University of New Brunswick), “Indigenous Women’s Theatre: A Tool of Decolonization” Lisa Boivin (Deninu Kue, University of Toronto), “Painting the Path of Indigenous Resilience: In this Place Settlers Call Canada” Shannon Webb-Campbell (Mi’kmaq, Memorial University), “On Reading Yourself Native: Notes from an Indigenous Poet to Established Aboriginal Writers” - Panel 2B (Geary Institute): Untold Diasporas Dagmara Drewniak (Adam Mickiewicz University), “‘We were coming back.
    [Show full text]
  • News Release for Immediate Release
    NEWS RELEASE FOR IMMEDIATE RELEASE First-year progress on NFB’s 2017–2020 Indigenous Action Plan On June 21, National Indigenous Peoples Day, Canada’s public producer and distributor announces year 1 results on Indigenous equity commitments (Image provided by Eruoma Awashish) June 20, 2018 – Montreal – National Film Board of Canada (NFB) One year into the National Film Board of Canada’s three-year Indigenous Action Plan, Canada’s public producer and distributor is reporting on progress made to date and outlining key actions for the year ahead, in an announcement made by NFB Commissioner Claude Joli-Coeur on June 21, National Indigenous Peoples Day. First announced by Joli-Coeur on June 17, 2017, the NFB plan responds to the work and recommendations of the Truth and Reconciliation Commission of Canada and Indigenous creators’ longstanding concerns about systemic inequities in the existing Canadian production landscape. First-year highlights include: • Development/production work on 35 Indigenous-directed projects, representing 10% of overall production spending. By 2020, the NFB is committed to reaching 15% in overall production spending on Indigenous-led projects. • Almost 900 community screenings as part of the Aabiziingwashi (Wide Awake) Indigenous Cinema Tour, held in every province and territory, working with TIFF, APTN, imagineNATIVE, the Canadian Commission for UNESCO and local partners. • A new Indigenous Cinema section at NFB.ca, offering free streaming of more than 200 new and classic NFB Indigenous titles, including newly digitized titles added annually. • Development of a new Indigenous Voices and Reconciliation (IVR) Learning Program for students, educators and lifelong learners, which will launch in 2019.
    [Show full text]
  • 6Th on Screen Report
    WOMEN IN VIEW On Screen Report June 2021 On Screen 2021 About Women in View Written by: Jill Golick & Nathalie Younglai Women in View is a national not-for-profit organization dedicated to gender parity and inclusion in Data Analysis: Jill Golick Canadian media both on screen and behind the scenes. Project Manager: Amber-Sekowan Daniels Research Lead: Katie McMillain Women in View Board of Directors Research Coordinator: Bita Joudaki Tracey Deer Research on the representation of BIPOC women was overseen by Nathalie Younglai, founder of Black, Aisha Jamal Indigenous and People of Colour in TV and Film (BIPOC TV & Film). Jan Miller Additional Research: Muna Deria, Umang Antariksh Sagar Lizzy Karp Design: Innovate By Day General Manager: Amber-Sekowan Daniels, [email protected] Special Thanks: Adeline Bird, Joan Jenkinson, Sharon McGowan, Women in the Director’s Chair, [email protected] Women in Film and Television Canada. www.womeninview.ca The authors acknowledge the financial support of Ontario Creates, the Government of Canada, Canadian Broadcasting Corporation, Directors Guild of Canada, Inspirit Foundation, and the Canadian Media Producers Association, BC Producers Branch. About BIPOC TV & FILM BIPOC TV & Film is a not-for-profit organization and collective of Black, Indigenous and People of Colour in Canada’s TV and film industry. From writers, directors, producers and actors to editors, crew members and executives, our members are a mix of emerging, mid-level and established industry professionals. BIPOC TV & Film is dedicated to increasing the representation of BIPOC both in front and behind the camera. BIPOC TV & Film was founded in 2012 as Indigenous & Creatives of Colour in TV & Film by Writer/ Director Nathalie Younglai, who saw a need to form a community for others like her, who were also feeling isolated by the overall lack of representation of BIPOC in the industry.
    [Show full text]
  • Northern Conference Film and Video Guide on Native and Northern Justice Issues
    DOCUMENT RESUME ED 287 653 RC 016 466 TITLE Northern Conference Film and Video Guide on Native and Northern Justice Issues. INSTITUTION Simon Fraser Univ., Burnaby (British Columbia). REPORT NO ISBN-0-86491-051-7 PUB DATE 85 NOTE 247p.; Prepared by the Northern Conference Resource Centre. AVAILABLE FROM Northern Conference Film Guide, Continuing Studies, Simon Fraser University, Burnaby, British Columbia, Canada V5A 1S6 ($25.00 Canadian, $18.00 U.S. Currency). PUB TYPE Reference Materials - Bibliographies (131) EDRS PRICE MF01 Plus Postage. PC Not Available from EDRS. DESCRIPTORS Adolescent Development; *American Indians; *Canada Natives; Children; Civil Rights; Community Services; Correctional Rehabilitation; Cultural Differences; *Cultural Education; *Delinquency; Drug Abuse; Economic Development; Eskimo Aleut Languages; Family Life; Family Programs; *Films; French; Government Role; Juvenile Courts; Legal Aid; Minority Groups; Slides; Social Problems; Suicide; Tribal Sovereignty; Tribes; Videotape Recordings; Young Adults; Youth; *Youth Problems; Youth Programs IDENTIFIERS Canada ABSTRACT Intended for teacheLs and practitioners, this film and video guide contains 235 entries pertaining to the administration of justice, culture and lifestyle, am: education and services in northern Canada, it is divided into eight sections: Native lifestyle (97 items); economic development (28), rights and self-government (20); education and training (14); criminal justice system (26); family services (19); youth and children (10); and alcohol and drug abuse/suicide (21). Each entry includes: title, responsible person or organization, name and address of distributor, date (1960-1984), format (16mm film, videotape, slide-tape, etc.), presence of accompanying support materials, length, sound and color information, language (predominantly English, some also French and Inuit), rental/purchase fees and preview availability, suggested use, and a brief description.
    [Show full text]
  • News Release. Tiff Unveils Top Ten Canadian Films of 2017
    December 6, 2017 .NEWS RELEASE. TIFF UNVEILS TOP TEN CANADIAN FILMS OF 2017 The Canada’s Top Ten Film Festival™ illuminates the nation with public screenings, free events, and special guests Alanis Obomsawin, Evan Rachel Wood and Jeremy Podeswa TORONTO — TIFF® is toasting the end of Canada’s sesquicentennial with its compelling list of 2017’s best Canadian films for the 17th annual Canada’s Top Ten Film Festival™. Established in 2001, the festival is one of the largest and longest-running showcases of Canadian film. From January 12 to 21, 2018 at TIFF Bell Lightbox in Toronto, the 10-day event boasts a rich offering of public screenings, Q&A sessions and a special Industry Forum, followed by a nationwide tour stopping in Vancouver, Montreal, Regina, Edmonton, Winnipeg, Ottawa and Saskatoon. Cameron Bailey, Artistic Director of TIFF, says the Canada’s Top Ten Film Festival is a vibrant celebration of diversity and excellence in contemporary Canadian cinema. “Our filmmakers have proven that they are among the best in the world and all Canadians should feel incredibly proud to get behind them and celebrate their achievements. Wrapping up Canada’s year in the global spotlight, we are thrilled to present this uniquely Canadian list, rich not only in talent but also in its diversity of perspectives, stories, and voices that reflect our nation’s multiculturalism," said Bailey. Steve Gravestock, TIFF Senior Programmer, says the number of exciting new voices alongside seasoned masters in this year’s lineup is a testament to the health of the Canadian film industry. "With a top ten that includes five first- or second-time feature directors, there is much to celebrate in Canadian cinema this year," said Gravestock.
    [Show full text]
  • Issue No. 6 Raven
    TheIssue No. 6 Raven First Nations & Indigenous Studies Annual Publication Indigenous New Media Collective • Race, Gender and Decolonization Addressing Sexual Violence at UBC • Student Profiles + More Table of Contents Issue No.6, 2018 1. 21. Letters from the Editors Student Profile Michael Norris 2. Chair Address 22. Race, Gender, and Colonization 4. Addressing Sexual Violence at UBC Faculty Reflections 24. 8. Dechinta Faculty Publications Deepening Partnerships & Expanding Opportunities 9. CIS Staff Update 26. Indigenous New Media Collective 10. Carving Space & Generating Indigenous-Focused Content, An Overdue Sabbatical reflection by Autumn Schnell Farewell to Linc Kesler 27. 11. Birth of a Family with Tasha Hubbard Global Indigenous Rights Lecture Building Connection and Enacting Conversation with Victoria Tauli-Corpuz 28. 12. Journal of First Peoples Writing Indian Residential School History Centring Indigenous and Decolonial Voices and Dialogue Centre Opening in Undergraduate Writings 14. 30. A Subtle Revolution Student Profile What lies ahead for Indigenous rights? Marie Weeks 16. 31. Speaker Series First Nations Studies In Conversation with Billy-Ray Belcourt and Karyn Recollet Student Association 17. 32. Student Profile Student Art Nicole Cardinal Melissa West Morrison 18. 33. Practicum Summary Student Profile Reflections from Melissa Haberl Adina Williams and Samantha Myran contributors Tanya Bob, Sage Broomfield, Nicole Cardinal, Glen Coulthard, Emma Feltes, David Gaertner, Melissa Haberl, Sarah Hunt, Daniel Heath Justice, Linc Kesler, Sheryl Lightfoot, Beverly Ma, Alexa McPhee, Samantha Myran, To request physical copies of Matthew Norris, Sarah Siska, Candice Yu, Melissa Webb, Marie Weeks, Melissa The Raven please e-mail West Morrison, Adina Williams [email protected]. about our logo FNIS would like to thank Dempsey Bob (Thaltan / Tlingit) for the You can also find the digital PDF at design of our program logo.
    [Show full text]
  • In-Person Screening
    THE NFB FILM CLUB FALL/WINTER 2020–2021 CONTACT Florence François, Programming Agent 514-914-9253 | [email protected] JOIN THE CLUB! The NFB Film Club gives public libraries the opportunity to offer their patrons free screenings of films from the NFB’s rich collection. In each Film Club program, you’ll find films for both adults and children: new releases exploring hot topics, timely and thought-provoking documentaries, award-winning animation, and a few timeless classics as well. The NFB Film Club offers free memberships to all Canadian public libraries. ORGANIZING A SCREENING STEP 3 Organize your advertising for the event—promote IN YOUR LIBRARY the screening(s) in your networks. (To organize a virtual screening, STEP 4 please refer to our online program.) Prior to your event, test the film format that was delivered to you (digitally or by mail) using your equipment (you have two weeks to download your STEP 1 film(s) from the day you receive the link). Decide which film(s) you’re interested in from the available titles, which can be found by clicking on the NFB Film Club page. STEP 2 Send your selection(s) by e-mail to [email protected] and include your screening date(s), time(s), and location(s), as well as the film format required for your venue. We can supply an electronic file (MP3, MOV) or can ship a physical copy. PROMOTIONAL MATERIALS ATTENDANCE FIGURES To help you promote your screenings, you’ll To assist us in tracking the outreach of the NFB’s also have access to our media space and all films, please make note of the number of people archived promotional materials (photos, posters, who attended each library or virtual screening.
    [Show full text]
  • A Zeitgeist Films Release Theatrical Booking Contact: Festival Booking and Publicity Contact
    Theatrical Booking Festival Booking and Contact: Publicity Contact: Clemence Taillandier / Zeitgeist Films Nadja Tennstedt / Zeitgeist Films 212-274-1989 x18 212-274-1989 x15 [email protected] [email protected] a zeitgeist films release act of god a film by Jennifer Baichwal Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal’s (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories from around the world—from a former CIA assassin and a French storm chas- er, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster was caught in a terrifying and deadly storm as a teenager, and it has deeply affected both his life and art: “It opened up a whole realm of speculation that I’ve continued to live with ever since.” In his doctor brother’s laboratory, Frith experiments with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, Act of God singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury. DIRECTOR’S NOTES I studied philosophy and theology before turning to documentary and, in some ways, the questions I was drawn to then are the ones I still grapple with now, although in a different context. Two of these, which specifically inform this film, are the relationship between meaning and randomness and the classical problem of evil.
    [Show full text]