CSR REPORT 2008 3 We All Have Loved Ones and a Life to Make
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Annual Report
ANNUAL REPORT of the ART GALLERY OF SOUTH AUSTRALIA for the year 1 July 2012 – 30 June 2013 North Terrace ADELAIDE SA 5000 www.artgallery.sa.gov.au ISSN 0728-7925 The Hon Jay Weatherill, Minister for the Arts Sir, I have the honour to present the seventieth Annual Report of the Art Gallery Board of South Australia for the Gallery’s 132nd year, ended 30 June 2013. Michael Abbott AO QC, Chairman Art Gallery Board 2012–13 Chairman Michael Abbott AO QC Members Mr Andrew Gwinnett (Deputy Chair) Emeritus Professor Anne Edwards AO Ms Frances Gerard Ms Sandra Sdraulig AM Mrs Sue Tweddell (from December 2012) Mrs Tracey Whiting Mrs Zena Winser (until November 2012) Robert Whitington QC 2 TABLE OF CONTENTS Principal Objectives 4 Major Achievements 2012–2013 5-7 Key Challenges Facing the Gallery 8 Strategic Goals 2012–2015 9-10 Resources and Administration 11-28 Collections 29-43 APPENDICES Appendix A Charter and Goals of the Art Gallery of South Australia 44-45 Appendix B1 Art Gallery Board 46 Appendix B2 Art Gallery of South Australia Foundation Council and Contemporary 46-47 Collectors Committee Appendix B3 Art Gallery Organisational Chart 48-54 Appendix B4 Art Gallery Staff and Volunteers 55-58 Appendix C Staff Public Commitments 59-63 Appendix D Conservation 64-65 Appendix E Donors, Funds, Sponsorships 66-67 Appendix F Acquisitions 68-98 Appendix G Inward Loans 99-104 Appendix H Outward Loans 105-109 Appendix I Exhibitions and Public Programs 110-123 Appendix J Schools Support Services 124 Appendix K Gallery Guide Tour Services 125-126 Appendix L Gallery Publications 127-128 Appendix M Annual Attendances 129 Appendix N Information Statement 130-131 Appendix O Financial Statements 132-159 3 PRINCIPAL OBJECTIVES Objectives The Art Gallery of South Australia’s objectives and functions are effectively prescribed by the Art Gallery Act 1939 and can be summarised as the preservation, research and communication associated with heritage and contemporary works of art of aesthetic excellence and historical or regional significance. -
COLONIAL RELIGION and INDIGENOUS SOCIETY in the ARCHAIC WEST MEDITERRANEAN: C. 750-400 BCE a DISSERTATION SUBMITTED to the DEPAR
COLONIAL RELIGION AND INDIGENOUS SOCIETY IN THE ARCHAIC WEST MEDITERRANEAN: c. 750-400 BCE A DISSERTATION SUBMITTED TO THE DEPARTMENT OF CLASSICS AND THE COMMITTEE ON GRADUATE STUDIES OF STANFORD UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Lela Manning Urquhart March 2010 © 2010 by Lela Manning Urquhart. All Rights Reserved. Re-distributed by Stanford University under license with the author. This work is licensed under a Creative Commons Attribution- Noncommercial 3.0 United States License. http://creativecommons.org/licenses/by-nc/3.0/us/ This dissertation is online at: http://purl.stanford.edu/fv818dt6086 ii I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Ian Morris, Primary Adviser I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Giovanna Ceserani I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Richard Martin I certify that I have read this dissertation and that, in my opinion, it is fully adequate in scope and quality as a dissertation for the degree of Doctor of Philosophy. Josiah Ober Approved for the Stanford University Committee on Graduate Studies. Patricia J. Gumport, Vice Provost Graduate Education This signature page was generated electronically upon submission of this dissertation in electronic format. -
Sacred Scripture / Sacred Space Materiale Textkulturen
Sacred Scripture / Sacred Space Materiale Textkulturen Schriftenreihe des Sonderforschungsbereichs 933 Herausgegeben von Ludger Lieb Wissenschaftlicher Beirat: Jan Christian Gertz, Markus Hilgert, Hanna Liss, Bernd Schneidmüller, Melanie Trede und Christian Witschel Band 23 Sacred Scripture / Sacred Space The Interlacing of Real Places and Conceptual Spaces in Medieval Art and Architecture Edited by Tobias Frese, Wilfried E. Keil and Kristina Krüger ISBN 978-3-11-062913-2 e-ISBN (PDF) 978-3-11-062915-6 e-ISBN (EPUB) 978-3-11-063347-4 ISSN 2198-6932 This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number: 2018964345 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Frese et al., published by Walter de Gruyter GmbH, Berlin/Boston This book is published in open access at www.degruyter.com. Cover Images: Florenz, San Pancrazio, Capella Rucellai, facade. Photo: Miguel Hermoso Cuesta, Wikimedia Commons (CC BY-SA 4.0). Typesetting: Sonderforschungsbereich 933 (Nicolai Schmitt), Heidelberg Printing and binding: Hubert & Co. GmbH & Co. KG, Göttingen www.degruyter.com Acknowledgements This publication is the result of the congress Sakrale Schrifträume (17 November – 18 No vember 2016) and the workshop Reliquie, (In-)Schrift, Raum (18 May – 19 May 2017), both devised and organized by Tobias Frese, Wilfried E. Keil and Kristina Krüger of the subproject A05 (“Schrift und Schriftzeichen am und im mittelalterlichen Kunstwerk”) of the Collaborative Research Centre 933 “Material Text Cultures” at Heidelberg Uni versity and carried out at the Institute for European Art History in Heidelberg. -
Animism Book-Copy.Pdf
Animism Volume I Edited by Anselm Franke 11 Much Trouble in the Transportation of Souls, or: The Sudden Disorganization of Boundaries Anselm Franke 54 Theses on the Concept of the Digital Simulacrum Florian Schneider 57 Biometry and Antibodies Modernizing Animation/Animating Modernity Edwin Carels 75 Execution of Czolgosz, with Panorama of Auburn Prison (1901) Avery F. Gordon 81 Chasing Shadows Santu Mofokeng 86 Angels Without Wings. A conversation between Bruno Latour and Anselm Franke 97 Machinic Animism Angela Melitopoulos and Maurizio Lazzarato 111 On Wanting to be an Animal: Human-Animal Metamorphoses in Nietzsche and Canetti Gertrud Koch 113 Still More Changes Henri Michaux 116 Disney as a Utopian Dreamer Oksana Bulgakowa 118 Disney Sergei Eisenstein 127 Animated Origins, Origins of Animation Brigid Doherty 132 The Uprising of Things Vivian Liska 134 The Dangers of Petrification, or “The Work of Art and the Ages of Mineral Reproduction” Richard William Hill 137 “Les lettres du blanc sur les bandes du vieux pillard”: Raymond Roussel’s Animism of Language Irene Albers 146 Assembly (Animism) Agency 155 Animism meets Spiritualism: Edward Tylor’s “Spirit Attack,” London 1872. Erhard Schüttpelz Contents 171 To Navigate, in a Genuine Way, in the Unknown Necessitates an Attitude of Daring, but not one of Recklessness (Movements Generated from the Magical Passes of Carlos Castaneda) Joachim Koester 172 “Uncle Snookum’s Astral Odditorium & Psychic Haberdashery”: Sun Ra & The Occult Darius James 179 On Atmosphere and a capital A Bart De Baere 185 Anima’s Silent Repatriation: Reconsidering Animism in the Contemporary World Masato Fukushima 193 Vital Phantasy Didier Demorcy 199 Animism and the Philosophy of Everyday Life Michael Taussig 203 Absentminded Wandering through an Indeterminate Maze of Intentionality Philippe Pirotte 215 Passionate Choreographies Mediatized. -
Finding Aid to the Alfred G. Arvold Papers
Home Finding Aid to the Alfred G. Arvold Papers Arvold, Alfred G., 1882-1957 Alfred G. Arvold Papers, 1900-2004 3 linear ft. Record Group 11.33.4 Biography Scope and Content Box and Folder List OVERVIEW Links: Finding Aid to the Connie C. West Papers 1933-1977 Finding Aid to the Don Larew Collection Finding Aid to the Little Country Theatre – Prairie Stage Finding Aid to the Little Country Theatre – Print Materials Finding Aid to the M. Joy Erickson Papers, 1981-1997 Finding Aid to the Little Country Theatre – North Dakota Repertory Theatre Finding Aid to the Little Country Theatre – Production Posters Finding Aid to the R. Tal Russell Stage Drawings and Photographs Portfolio Finding Aid to the Little Country Theatre Slides & Negatives Collection Finding Aid to the Package Library – Print Materials Finding Aid to the Frederick G. Walsh Papers, 1944-1996 Access: The collection is open under the rules and regulations of the University Archives. Provenance: Donated by A.G. Arvold, July 1953 (Acc 72) & Mary Arvold, July 2012; various departmental donations Property rights: The University Archives owns the property rights to this collection. Copyrights: Copyrights to this collection remain with the University Archives. Citation: [Identification of item]. Alfred G. Arvold Papers, Institute for Regional Studies, North Dakota State University, Fargo. Alfred G. Arvold Papers Page 2 of 53 BIOGRAPHY Alfred G. Arvold was born at Whitewater, Wisconsin on January 15, 1882, son of Louis and Caroline Arvold. After graduating from high school he attended the University of Wisconsin at Madison and earned a B.A. degree in 1905.